Last updated at 11/30/2025 10:56:52
| Style | EG8119 |
| Release Date | 01/01/2019 |
| Style | EG8119 |
| Release Date | 01/01/2019 |
Energy never stops. It's transformed and recycled, but it doesn't end. It's limitless. That's the idea behind adidas game-changing Ultraboost shoes and behind the vibrant artwork on this pair. NY-based artist and designer Jordan E. Moss uses colourful plants and faces to celebrate our own limitless and resilient nature. Lace in and feel the power. Boost cushioning harnesses the energy of impact to fuel your stride and a grippy outsole keeps things smooth on uneven surfaces.
Energy never stops. It's transformed and recycled, but it doesn't end. It's limitless. That's the idea behind adidas game-changing Ultraboost shoes and behind the vibrant artwork on this pair. NY-based artist and designer Jordan E. Moss uses colourful plants and faces to celebrate our own limitless and resilient nature. Lace in and feel the power. Boost cushioning harnesses the energy of impact to fuel your stride and a grippy outsole keeps things smooth on uneven surfaces.
Energy never stops. It's transformed and recycled, but it doesn't end. It's limitless. That's the idea behind adidas game-changing Ultraboost shoes and behind the vibrant artwork on this pair. NY-based artist and designer Jordan E. Moss uses colourful plants and faces to celebrate our own limitless and resilient nature. Lace in and feel the power. Boost cushioning harnesses the energy of impact to fuel your stride and a grippy outsole keeps things smooth on uneven surfaces.
Energy never stops. It's transformed and recycled, but it doesn't end. It's limitless. That's the idea behind adidas game-changing Ultraboost shoes and behind the vibrant artwork on this pair. NY-based artist and designer Jordan E. Moss uses colourful plants and faces to celebrate our own limitless and resilient nature. Lace in and feel the power. Boost cushioning harnesses the energy of impact to fuel your stride and a grippy outsole keeps things smooth on uneven surfaces.
