As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
As photographers strive for perfection, constantly searching for higher image quality and optimum control in what they create, GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool; a large format camera to suit a next generation of creatives. The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible details, beautifully smooth gradations, and wonderfully accurate colors, all while ensuring that you are at the center of your creative universe. The prefect way to realize your vision. GFX100S is not full-frame. It is so much more than that.
Last updated at 06/10/2026 16:32:28
Fujifilm GFX 100S 12500108
Free delivery
Fujifilm GFX100S 22050789
Free delivery
Fujifilm GFX 100s 24003201
Free delivery
Fujifilm GFX 100s 12000370
Free delivery
Fujifilm GFX100s Body 11006358
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Fujifilm GFX100s, Boxed 21000171
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Fujifilm GFX 100s 23002518
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Fujifilm GFX 100s 22051858
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Fujifilm GFX 100S 12003665
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Fujifilm GFX100s 14001519
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originally posted on bhphotovideo.com
I'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is ... MoreI'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is normally used with a large format camera, the 100S's manual focusing zoom feature makes the focusing process with the 4x5 camera a piece of cake. I also use that feature for manual focusing of landscapes with the native lens. The ability of the 100S to shoot very long exposures is also handy and the most capable system of its kind I've ever seen, displaying the countdown timer on the back lcd. The upright bass photo was a two minute exposure while the city lights photo was a four minute exposure. My only real complaints about this camera are that the joystick is a bit finicky and therefore less precise than the D pad used on other cameras, and the back focus button is too small and not ideally placed. But, I'm getting used to the joystick, and the ability to program another button as back focus as well has made these largely non-issues. And, having used a Fuji X100S for many years, the menu and Q systems that some folks complain about were not all that unfamiliar to me and there have not been much of a problem at all. Frankly, there is so much to like about this camera that the positives far outweigh the relatively minor negatives. I highly recommend this camera for anyone wanting to experience photography at an elevated level.
originally posted on bhphotovideo.com
The 100s is a fabulous camera that addresses all the shortcomings of the previous 50r that I owned. The auto-focus is fast and snappy and keeps up with moderate movement. The face-eye detect system actually works well. The IBIS is a great help in eliminating motion blur. And we get the 3-way tilt screen back. I didn't think I would care about the 102 megapixels but I was wrong. It give me a chance to crop in or change the orientation/size of a photo and not worry about the remaining resolution. And of course - the image quality is stunning. If you are trying to decide between the 100s and 50Sii just go for this one. It is really great.
originally posted on adorama.com
I've been a professional photographer for over five years now and finally made the jump to Fujifilms medium format cameras. The Gfx100s allows you to take crisp and detailed photos while also giving you additional room to really go hard in editing. I was also surprised by how well the images looked under high iso conditions. This camera allows me to shoot it much higher isos than I normally would feel comfortable doing. The auto focus has been spot on for me, no complaints there. If you are on the fence, seriously give this camera a chance and you won't be disappointed. It's now hard for me to go back to any of my other cameras after seeing the clarity and beauty of medium format images.
Fujifilm GFX 100S 12500108
Free delivery
Fujifilm GFX100S 22050789
Free delivery
Fujifilm GFX 100s 24003201
Free delivery
Fujifilm GFX 100s 12000370
Free delivery
Fujifilm GFX100s Body 11006358
Free delivery
I'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is ... MoreI'm a long-time Nikon user with a D800 and several lenses, most of which have produced very nice results from the 36 MP sensor. Having used the GFX 100S for a couple of months now with the 32-64 mm lens, I am in awe of the significantly expanded capability, flexibility and results I'm experiencing with this camera and lens combo. The b&w, building sunset and city lights photos were taken with the 32-64mm lens and demonstrate the 100S's sharpness, tonality and dynamic range capabilities. The remaining photos are from my experimentation with the Fuji 4x5 film back adapter and large format 400mm lens (approx. 1200 mm full-frame equivalent) which opens up other creative options with this high resolution sensor and camera system. Instead of needing a focusing loupe as is normally used with a large format camera, the 100S's manual focusing zoom feature makes the focusing process with the 4x5 camera a piece of cake. I also use that feature for manual focusing of landscapes with the native lens. The ability of the 100S to shoot very long exposures is also handy and the most capable system of its kind I've ever seen, displaying the countdown timer on the back lcd. The upright bass photo was a two minute exposure while the city lights photo was a four minute exposure. My only real complaints about this camera are that the joystick is a bit finicky and therefore less precise than the D pad used on other cameras, and the back focus button is too small and not ideally placed. But, I'm getting used to the joystick, and the ability to program another button as back focus as well has made these largely non-issues. And, having used a Fuji X100S for many years, the menu and Q systems that some folks complain about were not all that unfamiliar to me and there have not been much of a problem at all. Frankly, there is so much to like about this camera that the positives far outweigh the relatively minor negatives. I highly recommend this camera for anyone wanting to experience photography at an elevated level.
The 100s is a fabulous camera that addresses all the shortcomings of the previous 50r that I owned. The auto-focus is fast and snappy and keeps up with moderate movement. The face-eye detect system actually works well. The IBIS is a great help in eliminating motion blur. And we get the 3-way tilt screen back. I didn't think I would care about the 102 megapixels but I was wrong. It give me a chance to crop in or change the orientation/size of a photo and not worry about the remaining resolution. And of course - the image quality is stunning. If you are trying to decide between the 100s and 50Sii just go for this one. It is really great.
I've been a professional photographer for over five years now and finally made the jump to Fujifilms medium format cameras. The Gfx100s allows you to take crisp and detailed photos while also giving you additional room to really go hard in editing. I was also surprised by how well the images looked under high iso conditions. This camera allows me to shoot it much higher isos than I normally would feel comfortable doing. The auto focus has been spot on for me, no complaints there. If you are on the fence, seriously give this camera a chance and you won't be disappointed. It's now hard for me to go back to any of my other cameras after seeing the clarity and beauty of medium format images.
So far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing.My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber ... MoreSo far I'm loving this camera. The Fuji GFX 100S produces some of the best images I've ever seen. I've paired this camera with the 110 mm Fuji lens and it's an outstanding combo. The amount of detail I'm getting from everything that's in focus is amazing and anything that's out of focus has a creamy smoothness to it that's just so pleasing.My few issues with the Fuji GFX 100S have to do with things like the little thumb stick that you have to use to adjust your focus point while looking through the viewfinder. It just doesn't work well. Maybe if it was bigger with a longer throw it would be more usable but as it is now they should've went with a directional pad. Also the side panel that is used for charging is held on very precariously with what seems to be rubber hinges that just don't look very secure or sturdy. The door just kind of flops around. Another issue I have is that it does not come with a wall charger for the battery. So if you want to charge a battery while still using your camera you need to purchase a battery charger separately. For the price of this camera one would think a battery charger would be included.I know these few issues I have may seem small but I do think they need to be mentioned. Especially the minuscule thumb stick. But as far as purchasing the Fuji GFX 100S, I would say absolutely. The image quality you get from this camera is outstanding and outshines any little faults that it may have.
I switched to digital cameras in 1996 and never looked back, knowing that it would take decades for me to get back to film. With the GFX100s, I was finally back from the future. Slow focus, heavier than most, terrible menu system, and non-consistent lens quality do not matter. With the GFX 100s, you are back to intentional photography and the quality that comes with it. Still, keep that Sony nearby for sports photography or anything moving extra fast because you'll need it. I don't know if it matters, but I never got published until I switched to the GFX. Now I have two awards, one National Geographic feature, and a few published photos... like they always say, it's not the photographer; it's the gear :-)I'm kidding; of course, the photographer has something to do ... MoreI switched to digital cameras in 1996 and never looked back, knowing that it would take decades for me to get back to film. With the GFX100s, I was finally back from the future. Slow focus, heavier than most, terrible menu system, and non-consistent lens quality do not matter. With the GFX 100s, you are back to intentional photography and the quality that comes with it. Still, keep that Sony nearby for sports photography or anything moving extra fast because you'll need it. I don't know if it matters, but I never got published until I switched to the GFX. Now I have two awards, one National Geographic feature, and a few published photos... like they always say, it's not the photographer; it's the gear :-)I'm kidding; of course, the photographer has something to do with good photos, but if you have the knack for it, it feels like the medium format takes away the limits I encountered with digital cameras full frame or cropped for the past 30 years. And because there is so much resolution, you can often find photos within a photo, and they'll still have more pixels than a full-frame sensor. I also get to print beautiful pictures for my family on my wide format Epson, which my Sony didn't allow me to do.
I am a pro wedding photographer with several years on my shoulders of shooting in all type of environment and conditions. I am a former Nikon shooter, then switched to Canon DSLR and moved to a mix of Canon and mirror-less Fuji apsc. I then tested the GFX at an event, I never really considered medium format for what a do, but boy ... it impressed me so much. The body is basically same size of my 5D IV, but the image quality out of this camera is stunning. I use it together with my XT4s at weddings, mostly for romantics and more creative stuff, as speed is not its strength. But if you want to get some beautiful rich hi-quality images this is the way to go, and you can really tell the difference from images shot on the GFX to any other cameras. Level of details are ... MoreI am a pro wedding photographer with several years on my shoulders of shooting in all type of environment and conditions. I am a former Nikon shooter, then switched to Canon DSLR and moved to a mix of Canon and mirror-less Fuji apsc. I then tested the GFX at an event, I never really considered medium format for what a do, but boy ... it impressed me so much. The body is basically same size of my 5D IV, but the image quality out of this camera is stunning. I use it together with my XT4s at weddings, mostly for romantics and more creative stuff, as speed is not its strength. But if you want to get some beautiful rich hi-quality images this is the way to go, and you can really tell the difference from images shot on the GFX to any other cameras. Level of details are insane, depth of color, smoothness of tone transition are impressive. I know weddings are not considered the best fit for medium format, but Fuji with this camera made it a such versatile tool that I definitely recommend it to everyone that wants the best quality image, sacrificing only certain specific applications as sport or anywhere where you need speed. Auto focus, with its phase detection, is accurate and with the proper camera setting, fast even in tracking mode. Low light performance out beats all other cameras. Best camera ever owned.
I'm still amazed by the wonderful sharpness I get with this camera, but I encountered a problem in Lightroom others may need to know about.Fuji apparently expects users to shoot in jpg using film simulations etc with this camera. I certainly choose otherwise; I process, sometimes heavily, in Lightroom. And I did that without any problem with 50 mp files, 40-50 mb each, from my Nikon D850. But when I uploaded 102 mp images in Raw, file sizes around 150 mb, my iMac balked. The color wheel kept spinning and spinning and when it finally stopped almost any edit restarted it. In addition to making my workflow excruciatingly slow, the process also made the fan come on, indicating that the system was overheating.After much research I discovered two problems. First, ... MoreI'm still amazed by the wonderful sharpness I get with this camera, but I encountered a problem in Lightroom others may need to know about.Fuji apparently expects users to shoot in jpg using film simulations etc with this camera. I certainly choose otherwise; I process, sometimes heavily, in Lightroom. And I did that without any problem with 50 mp files, 40-50 mb each, from my Nikon D850. But when I uploaded 102 mp images in Raw, file sizes around 150 mb, my iMac balked. The color wheel kept spinning and spinning and when it finally stopped almost any edit restarted it. In addition to making my workflow excruciatingly slow, the process also made the fan come on, indicating that the system was overheating.After much research I discovered two problems. First, Adobe told me to be sure that I had a large enough cache; I enlarged it and that improved things a bit. But the real source of the problem showed up when I opened Activity Monitor and discovered that LR was sometimes using over 300% of the CPU, occasionally even more. Apple told me the CPU couldn't be upgraded but that adding memory might help. So I added 16 GB of memory. That has helped considerably. I still get occasional pops into the high CPU usage but they are brief enough that the color wheel doesn't seem to start spinning and the fan doesn't come on.If anybody can suggest other fixes I would really appreciate hearing them.I still give the camera 5 stars, but unless you have a pretty powerful computer you may not be able to edit in LightRoom as easily as with smaller image files.
My new GFX100s arrived today. As a retired photojournalist, this is the first camera I have purchased for myself in over 30 years. I had my fingers crossed. The entire purchase and delivery process with B&H Photo was flawless. I was able to download the manual from B&H's website before it arrived so all I had to do was charge the battery before trying it out. I didn't have a lot of time to shoot some serious photos, but test images of fall color using my collection of adapted Canon FD lenses (85 f1.2 Aspheric, 50 f3.5 macro and 35 f3.5 TS) were nothing short of spectacular. To be able to adapt non-Fuji lenses for use on this beast is a game changer. Having understood the 100s' operation before its arrival was a significant achievement - it's not your typical full ... MoreMy new GFX100s arrived today. As a retired photojournalist, this is the first camera I have purchased for myself in over 30 years. I had my fingers crossed. The entire purchase and delivery process with B&H Photo was flawless. I was able to download the manual from B&H's website before it arrived so all I had to do was charge the battery before trying it out. I didn't have a lot of time to shoot some serious photos, but test images of fall color using my collection of adapted Canon FD lenses (85 f1.2 Aspheric, 50 f3.5 macro and 35 f3.5 TS) were nothing short of spectacular. To be able to adapt non-Fuji lenses for use on this beast is a game changer. Having understood the 100s' operation before its arrival was a significant achievement - it's not your typical full frame camera. There is nothing I would change about the camera or the decision to go with B&H.
I've had a GFX100 since they first came out, and I've loved shooting with it. It's now for sale. I thought I might have a use for both the GFX100 and GFX100S, but I'm so impressed with the GFX100S that I don't see the need for the larger original. Portability is why I bought the 100S - the 100 is too big and bulky to be a practical go anywhere option. Having just returned from a photo road trip with the 100S, I find it to be everything I loved about the 100 and a lot more practical. I'm using smaller backpacks than I could ever stuff the 100 into, it's comfortable to pack around, and of course most important is that there is zero compromise for quality and performance. Yes, the 100 has controls for use in portrait mode, two batteries, and a couple of other unique ... MoreI've had a GFX100 since they first came out, and I've loved shooting with it. It's now for sale. I thought I might have a use for both the GFX100 and GFX100S, but I'm so impressed with the GFX100S that I don't see the need for the larger original. Portability is why I bought the 100S - the 100 is too big and bulky to be a practical go anywhere option. Having just returned from a photo road trip with the 100S, I find it to be everything I loved about the 100 and a lot more practical. I'm using smaller backpacks than I could ever stuff the 100 into, it's comfortable to pack around, and of course most important is that there is zero compromise for quality and performance. Yes, the 100 has controls for use in portrait mode, two batteries, and a couple of other unique features. None of those are game-changers for me. Size and weight win the battle. On my trip this week I took the 100S and my X-T4, which I have historically relied on when the size of the 100 proved impractical. The X-T4 didn't come out of the bag -- the 100S was well suited for every circumstance, and I love the quality of the output. Over the X-T4, I love the improved dynamic range and amazing high ISO performance of the 100S, not to mention the file size for large prints and cropping capabilities.
After 20 years of shooting with professional camera, I can recognize the really special ones. Because a camera is more like a creative companion or muse, not merely a technical instrument, one develops different relationships. Some, relationships are cordial, with good mutual work habits and dependability. Others are founded on hard work together, akin to working partners. Some are at a higher level, due to the respect and continued wonder of the capabilities of a camera. Yet, some are above that. They give you a sense of encapsulated genius, a sense of holding a powerful, potent instrument, that requires a higher level of knowledge and commitment. An awareness, that whatever the flaws, the camera is capable of meeting your demands, and bringing some additional ... MoreAfter 20 years of shooting with professional camera, I can recognize the really special ones. Because a camera is more like a creative companion or muse, not merely a technical instrument, one develops different relationships. Some, relationships are cordial, with good mutual work habits and dependability. Others are founded on hard work together, akin to working partners. Some are at a higher level, due to the respect and continued wonder of the capabilities of a camera. Yet, some are above that. They give you a sense of encapsulated genius, a sense of holding a powerful, potent instrument, that requires a higher level of knowledge and commitment. An awareness, that whatever the flaws, the camera is capable of meeting your demands, and bringing some additional discovery to the endeavor. The Fujifilm 100S, and its well-matched lenses brings that rarest of senses back to the fore. The excitement of having an instrument that advances discovery and that requires your senses to be at their highest level. Once you see the detail and nuance of its 16 bit files, you will understand that you must bring your best efforts, your keenest observations, and your presence to justify the great capabilities of the camera.At a more practical level, compared with large DSLR's, the GFX feels quite comfortable and substantial, and it thankfully doesn't suffer from the barbell feeling that some mirrorless cameras have. The ergonomics of its buttons and switches is not as good as some of Fujifilm's earlier X-bodies, but it is still good, and very customizable. Battery life is decent, autofocus is reasonable, and the IBIS system is good, though it never offers sharpness as acute as using a quality tripod.
