Thanks to a new type of lens design, it has been possible to avoid the optical distortion that typically occurs with ultra wide-angle lenses; digital correction is therefore unnecessary. This feature contributes to the high resolution performance of the lens down to the corners of the image. The optical setup consists of 10 elements in 7 groups, including 2 aspherical lenses and 3 extra low dispersion ED lenses. The edges of the seven aperture lamellas are rounded to ensure the highest image quality. The lens is equipped with a distance and depth of field scale, which makes it possible to pre-focus, for example. With an initial light intensity of F2.8, the lens is also suitable for shooting in low light conditions. The short shooting distance of only 18 cm makes it possible to blur the background in aesthetic blur, without losing the perspective characteristics of an ultra wide-angle lens. The FUJIFILM X bayonet's low contact area effectively prevents edge shadowing in the image corners. Typical image errors such as distortion and chromatic aberrations are minimized. This guarantees high resolution down to the corners of the image.
Thanks to a new type of lens design, it has been possible to avoid the optical distortion that typically occurs with ultra wide-angle lenses; digital correction is therefore unnecessary. This feature contributes to the high resolution performance of the lens down to the corners of the image. The optical setup consists of 10 elements in 7 groups, including 2 aspherical lenses and 3 extra low dispersion ED lenses. The edges of the seven aperture lamellas are rounded to ensure the highest image quality. The lens is equipped with a distance and depth of field scale, which makes it possible to pre-focus, for example. With an initial light intensity of F2.8, the lens is also suitable for shooting in low light conditions. The short shooting distance of only 18 cm makes it possible to blur the background in aesthetic blur, without losing the perspective characteristics of an ultra wide-angle lens. The FUJIFILM X bayonet's low contact area effectively prevents edge shadowing in the image corners. Typical image errors such as distortion and chromatic aberrations are minimized. This guarantees high resolution down to the corners of the image.
Thanks to a new type of lens design, it has been possible to avoid the optical distortion that typically occurs with ultra wide-angle lenses; digital correction is therefore unnecessary. This feature contributes to the high resolution performance of the lens down to the corners of the image. The optical setup consists of 10 elements in 7 groups, including 2 aspherical lenses and 3 extra low dispersion ED lenses. The edges of the seven aperture lamellas are rounded to ensure the highest image quality. The lens is equipped with a distance and depth of field scale, which makes it possible to pre-focus, for example. With an initial light intensity of F2.8, the lens is also suitable for shooting in low light conditions. The short shooting distance of only 18 cm makes it possible to blur the background in aesthetic blur, without losing the perspective characteristics of an ultra wide-angle lens. The FUJIFILM X bayonet's low contact area effectively prevents edge shadowing in the image corners. Typical image errors such as distortion and chromatic aberrations are minimized. This guarantees high resolution down to the corners of the image.
Thanks to a new type of lens design, it has been possible to avoid the optical distortion that typically occurs with ultra wide-angle lenses; digital correction is therefore unnecessary. This feature contributes to the high resolution performance of the lens down to the corners of the image. The optical setup consists of 10 elements in 7 groups, including 2 aspherical lenses and 3 extra low dispersion ED lenses. The edges of the seven aperture lamellas are rounded to ensure the highest image quality. The lens is equipped with a distance and depth of field scale, which makes it possible to pre-focus, for example. With an initial light intensity of F2.8, the lens is also suitable for shooting in low light conditions. The short shooting distance of only 18 cm makes it possible to blur the background in aesthetic blur, without losing the perspective characteristics of an ultra wide-angle lens. The FUJIFILM X bayonet's low contact area effectively prevents edge shadowing in the image corners. Typical image errors such as distortion and chromatic aberrations are minimized. This guarantees high resolution down to the corners of the image.
Last updated at 06/10/2026 09:18:54
Fujifilm XF 14mm F2.8 R Lens - AU Version
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Fujifilm Fujinon Xf 14mm F/2.8 R (fuji X Mount) 200
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Fujifilm Xf 14mm F2.8 R - Excellent Condition
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Fujifilm Fujinon XF 14mm F/2.8 R Lens
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Fujifilm Fujinon Super Ebc Xf 14mm F/2.8 R Lens from Japan
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Fujifilm Fujinon Xf 14mm F/2.8 R (fuji X Mount) 142 -near Mint-
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Fujifilm Fujinon Super Ebc Xf 14mm 1:2.8 Lens Wide Angle Optical - Xf
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Fujifilm XF 14mm F2.8 Lens Bxd
Fujifilm XF 14mm f/2.8 R - Second Hand
Delivery between 16–24 June $9.90
Fujifilm XF 14mm f/2.8 Lens
Delivery $9.90
originally posted on ebay.com
This lens is truly a must own lens even if you don't shoot wide often. The lens is sharp and with little to no distortion which is truly amazing for an ultra wide angle lens. Comparing this to my Nikon 14mm f/2.8, the fuji is superior being sharper in the center and in the corners with lower distortion. The fact that its also a fraction of the cost is a bonus. Granted the Nikon is a full frame lens and has more to it (i.e. larger glass) having to cover a larger frame. This fuji remains sharp even wide open with a little softness in the corners but that is to be expected. For the price, this lens is simply amazing. Its a flexible lens.... beyond wide coverage for landscapes, this lens provides the ability to shoot in close and tight situations. The minimum focus ... MoreThis lens is truly a must own lens even if you don't shoot wide often. The lens is sharp and with little to no distortion which is truly amazing for an ultra wide angle lens. Comparing this to my Nikon 14mm f/2.8, the fuji is superior being sharper in the center and in the corners with lower distortion. The fact that its also a fraction of the cost is a bonus. Granted the Nikon is a full frame lens and has more to it (i.e. larger glass) having to cover a larger frame. This fuji remains sharp even wide open with a little softness in the corners but that is to be expected. For the price, this lens is simply amazing. Its a flexible lens.... beyond wide coverage for landscapes, this lens provides the ability to shoot in close and tight situations. The minimum focus distance is ~5 inches to the lens which makes it that much more useful when composing. My 23mm f/1.4 was my favorite Fuji lens prior to getting this lens but I find myself shooting with the 14mm more often now. Yes I have to get a little closer to my subjects at times but the wider view allows me to grab a larger scope of shoots. Cons: a little loud to focus compared with newer lenses. Wish: it was a little smaller to match the compact form factor of the fuji cameras. A must own lens in my humble opinion.
originally posted on ebay.com
The build quality is on par with the rest of the XF line, it is an all metal construction and feels solidly built. The focusing ring is combined with a clutch for easy switching between manual and autofocusing which is a nice idea. Focusing speed is good but I wish the manual focus ring was more damped. Not quite an issue as I zone focus most of the time when using manual focusing with this lens. Aperture ring clicks are well defined, unlike on some of my previous Fuji lenses. Image quality is excellent, I was surprised to see that despite its wide angle (21mm equivalent) it has no perceivable distortion whatsoever. Some vignetting is present though, especially at large apertures and it does not seem to decrease that much by stopping down. Colour rendition and ... MoreThe build quality is on par with the rest of the XF line, it is an all metal construction and feels solidly built. The focusing ring is combined with a clutch for easy switching between manual and autofocusing which is a nice idea. Focusing speed is good but I wish the manual focus ring was more damped. Not quite an issue as I zone focus most of the time when using manual focusing with this lens. Aperture ring clicks are well defined, unlike on some of my previous Fuji lenses. Image quality is excellent, I was surprised to see that despite its wide angle (21mm equivalent) it has no perceivable distortion whatsoever. Some vignetting is present though, especially at large apertures and it does not seem to decrease that much by stopping down. Colour rendition and contrast is superb and I do not see much to worry about chromatic aberrations either. This lens is quite sharp. It's absolutely cracking in the centre of the frame right from f/2.8. Corners are still great at this aperture albeit not exceptional but of course it greatly improves by stopping down and the sweet spot is between f/5.6 and f/8, which is the most commonly used setting for the large depth of field it provides at this viewing angle anyways. All in all, it's a brilliant performer, if it had weather sealing this would be the perfect landscape lens to me but it doesn't stop me from using it outdoors. I find it remains attached to my camera most of the time which is a telltale sign. I tend to combine this lens with the 18-55mm zoom on most of my trips as they share the same filter size and these two lenses cover most of my needs and comprise a fairly light setup. Highly recommended buy.
originally posted on adorama.com
As one of the older XF lens designs, one's expectations might be overly, um, managed with regard to the image quality this 21mm equivalent lens can produce, especially on the 40MP X-T5 and X-H2 sensors. Well, unmanage them. This rather surprisingly small lens produces technically outstanding photos, with excellent color and contrast. The lens is well suited for real estate, urban, and landscape photography. It also seems to produce almost no side exaggeration distortions when photographing larger groups of people. All in all an excellent tool in one's kit.
| Focal length description | 14 mm |
| Lens type | Wide Angle |
| Compatible mountings | Fujifilm X |
| Camera lens description | 14 |
| Model year | 2012 |
Fujifilm XF 14mm F2.8 R Lens - AU Version
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Fujifilm Fujinon Xf 14mm F/2.8 R (fuji X Mount) 200
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Fujifilm Xf 14mm F2.8 R - Excellent Condition
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Fujifilm Fujinon XF 14mm F/2.8 R Lens
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Fujifilm Fujinon Super Ebc Xf 14mm F/2.8 R Lens from Japan
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This lens is truly a must own lens even if you don't shoot wide often. The lens is sharp and with little to no distortion which is truly amazing for an ultra wide angle lens. Comparing this to my Nikon 14mm f/2.8, the fuji is superior being sharper in the center and in the corners with lower distortion. The fact that its also a fraction of the cost is a bonus. Granted the Nikon is a full frame lens and has more to it (i.e. larger glass) having to cover a larger frame. This fuji remains sharp even wide open with a little softness in the corners but that is to be expected. For the price, this lens is simply amazing. Its a flexible lens.... beyond wide coverage for landscapes, this lens provides the ability to shoot in close and tight situations. The minimum focus ... MoreThis lens is truly a must own lens even if you don't shoot wide often. The lens is sharp and with little to no distortion which is truly amazing for an ultra wide angle lens. Comparing this to my Nikon 14mm f/2.8, the fuji is superior being sharper in the center and in the corners with lower distortion. The fact that its also a fraction of the cost is a bonus. Granted the Nikon is a full frame lens and has more to it (i.e. larger glass) having to cover a larger frame. This fuji remains sharp even wide open with a little softness in the corners but that is to be expected. For the price, this lens is simply amazing. Its a flexible lens.... beyond wide coverage for landscapes, this lens provides the ability to shoot in close and tight situations. The minimum focus distance is ~5 inches to the lens which makes it that much more useful when composing. My 23mm f/1.4 was my favorite Fuji lens prior to getting this lens but I find myself shooting with the 14mm more often now. Yes I have to get a little closer to my subjects at times but the wider view allows me to grab a larger scope of shoots. Cons: a little loud to focus compared with newer lenses. Wish: it was a little smaller to match the compact form factor of the fuji cameras. A must own lens in my humble opinion.
The build quality is on par with the rest of the XF line, it is an all metal construction and feels solidly built. The focusing ring is combined with a clutch for easy switching between manual and autofocusing which is a nice idea. Focusing speed is good but I wish the manual focus ring was more damped. Not quite an issue as I zone focus most of the time when using manual focusing with this lens. Aperture ring clicks are well defined, unlike on some of my previous Fuji lenses. Image quality is excellent, I was surprised to see that despite its wide angle (21mm equivalent) it has no perceivable distortion whatsoever. Some vignetting is present though, especially at large apertures and it does not seem to decrease that much by stopping down. Colour rendition and ... MoreThe build quality is on par with the rest of the XF line, it is an all metal construction and feels solidly built. The focusing ring is combined with a clutch for easy switching between manual and autofocusing which is a nice idea. Focusing speed is good but I wish the manual focus ring was more damped. Not quite an issue as I zone focus most of the time when using manual focusing with this lens. Aperture ring clicks are well defined, unlike on some of my previous Fuji lenses. Image quality is excellent, I was surprised to see that despite its wide angle (21mm equivalent) it has no perceivable distortion whatsoever. Some vignetting is present though, especially at large apertures and it does not seem to decrease that much by stopping down. Colour rendition and contrast is superb and I do not see much to worry about chromatic aberrations either. This lens is quite sharp. It's absolutely cracking in the centre of the frame right from f/2.8. Corners are still great at this aperture albeit not exceptional but of course it greatly improves by stopping down and the sweet spot is between f/5.6 and f/8, which is the most commonly used setting for the large depth of field it provides at this viewing angle anyways. All in all, it's a brilliant performer, if it had weather sealing this would be the perfect landscape lens to me but it doesn't stop me from using it outdoors. I find it remains attached to my camera most of the time which is a telltale sign. I tend to combine this lens with the 18-55mm zoom on most of my trips as they share the same filter size and these two lenses cover most of my needs and comprise a fairly light setup. Highly recommended buy.
As one of the older XF lens designs, one's expectations might be overly, um, managed with regard to the image quality this 21mm equivalent lens can produce, especially on the 40MP X-T5 and X-H2 sensors. Well, unmanage them. This rather surprisingly small lens produces technically outstanding photos, with excellent color and contrast. The lens is well suited for real estate, urban, and landscape photography. It also seems to produce almost no side exaggeration distortions when photographing larger groups of people. All in all an excellent tool in one's kit.
This is a very sharp well corrected lens. As camera manufacturers move more to software correction this lens is an anomally as it is mostly optics that make this lens shine. Its very contrasty and sharp across the frame good wide open but the way I use it it is always stopped down. Same for the bokeh its good but I dont use a uW lens that way but maybe its time to experiment and have some fun. It is tiny compared to my 16-35 Nikkor that has OIS but this lens does not have OIS. It is closer to the size of my Tokina apsc 12-24 but weighs less. It is resistant to flare auto focus is quiet .Taking some test shots using the Domke bag as a model the fabric in the strap and bag show the resolving power and punch and contrast. it uses the same hood as the 18-55 which is ... MoreThis is a very sharp well corrected lens. As camera manufacturers move more to software correction this lens is an anomally as it is mostly optics that make this lens shine. Its very contrasty and sharp across the frame good wide open but the way I use it it is always stopped down. Same for the bokeh its good but I dont use a uW lens that way but maybe its time to experiment and have some fun. It is tiny compared to my 16-35 Nikkor that has OIS but this lens does not have OIS. It is closer to the size of my Tokina apsc 12-24 but weighs less. It is resistant to flare auto focus is quiet .Taking some test shots using the Domke bag as a model the fabric in the strap and bag show the resolving power and punch and contrast. it uses the same hood as the 18-55 which is included as is a bag/ wrap and the 2 caps. The lens cap is a center pinch with good depth so it does not pop out of your hand like other caps with shallow finger wells. Fuji does pay attention to small details. Great lens.
From the perspective of owning at least 12 Fuji XF lenses, I can say there are no bad ones in the lineup. I line them up in three categories...lenses that do a great job with no particular weakness(ie, kit lens, 35/2, etc,. Then there are lenses that are tack sharp...80 macro, 60 macro, 90/2, 50/2, etc. Then there are lenses that are visually interesting...35/1.4, 23/1.4, the 16/1.4, and the lens in consideration...the XF14/2.8. People will use the word 'rendering' as well to describe this. The best way I know how to define it is that the lens brings something to the table that is added to the photographer's skill to make the image more appealing. In a sense, a wide angle lens does that inherently anyway, but the 14 seems to go beyond that a bit and create that ... MoreFrom the perspective of owning at least 12 Fuji XF lenses, I can say there are no bad ones in the lineup. I line them up in three categories...lenses that do a great job with no particular weakness(ie, kit lens, 35/2, etc,. Then there are lenses that are tack sharp...80 macro, 60 macro, 90/2, 50/2, etc. Then there are lenses that are visually interesting...35/1.4, 23/1.4, the 16/1.4, and the lens in consideration...the XF14/2.8. People will use the word 'rendering' as well to describe this. The best way I know how to define it is that the lens brings something to the table that is added to the photographer's skill to make the image more appealing. In a sense, a wide angle lens does that inherently anyway, but the 14 seems to go beyond that a bit and create that dimensional feel that raises my curiosity a bit when viewing. It's not that we want that all the time, as there is a place for the sharp, flat, and sterile image. But when the situation calls for it, the might XF14 will answer the call and be standing along side the first generation Fuji XF lenses to make life a bit more interesting.In terms of handling, I find nothing objectionable about this lens at all. The aperture ring is not loose, the manual focus slide is never in the way, and the 14 is in now way 'large' or heavy. The newest Fuji lenses will focus a tad faster...ie, the 16, 23/2, 35/2, and the 50/2. They are also weather resistant. They all have their strong points...and my perspective of shooting a lot of frames with the 14 over the past two weeks, the strength of the XF14 is its visual personality. I simply find it an interesting lens that produces interesting images. And since I own the 16-55 zoom lens, the 14 provides me with a prime that is not replicated in anything else I own.
I thought I'd give it a try although I already had the 16mm, can't decide between the two ... Although it's bigger and heavier than the more modern 16mm, it is that bit wider, that bit more immersive.It's at the maximum point of wideness before things get silly.I also like the manual lens "clutch" feature - push forward for autofocus, pull back to reveal manual focus with distance scale.
So like many here I've read the reviews of this lens. And like others I've used it for landscape work and images taken in parks. But this past Xmas my wife and I travelled to my son's and family's place for Xmas. And to experience our first Christmas holiday with our new grandchild. I brought along my 50, 35 and 14 lenses. I don't know what I was thinking, the 50 inside just doesn't work. The 35 was still not giving me the views I was after. I pulled out the 14 and it worked like a charm. Why did I only give it four stars? The loose aperture ring which really isn't that big a deal, but to get 5 stars the lens has to be perfect. This lens is just nearly perfect. And this is my way to tell you guys and gals, don't forget to use this lens at Xmas and other holidays ... MoreSo like many here I've read the reviews of this lens. And like others I've used it for landscape work and images taken in parks. But this past Xmas my wife and I travelled to my son's and family's place for Xmas. And to experience our first Christmas holiday with our new grandchild. I brought along my 50, 35 and 14 lenses. I don't know what I was thinking, the 50 inside just doesn't work. The 35 was still not giving me the views I was after. I pulled out the 14 and it worked like a charm. Why did I only give it four stars? The loose aperture ring which really isn't that big a deal, but to get 5 stars the lens has to be perfect. This lens is just nearly perfect. And this is my way to tell you guys and gals, don't forget to use this lens at Xmas and other holidays inside the home.
Before digital, I frequently used Leica rangefinders in addition to Nikon, then Canon, SLRs. While I used the 35mm and 50mm Summicrons extensively, the 21mm was the other lens I used most often. This 3-lens outfit served me well for years and I only sold that equipment when the ease and quality of digital photography prevailed--along with being able to sell the Leica equipment for considerably more than I had paid for it. Fast forward to today and I am now using Fuji X-Pro1 cameras instead of Leica M6 cameras and Fuji XF lenses have replaced the Leica optics. The 14mm Fujinon is the most recent addition to my bag. It is an outstanding addition too. Being an equivalent 21mm lens, it's not my most used lens. But it is a lens capable of stunning results. I've always ... MoreBefore digital, I frequently used Leica rangefinders in addition to Nikon, then Canon, SLRs. While I used the 35mm and 50mm Summicrons extensively, the 21mm was the other lens I used most often. This 3-lens outfit served me well for years and I only sold that equipment when the ease and quality of digital photography prevailed--along with being able to sell the Leica equipment for considerably more than I had paid for it. Fast forward to today and I am now using Fuji X-Pro1 cameras instead of Leica M6 cameras and Fuji XF lenses have replaced the Leica optics. The 14mm Fujinon is the most recent addition to my bag. It is an outstanding addition too. Being an equivalent 21mm lens, it's not my most used lens. But it is a lens capable of stunning results. I've always liked the expansive view of wide angle lenses over the compressed view of long lenses. The 14mm is very wide--not stupid wide, but wide enough to encompass a lot of subject matter. Something this wide may not be essential to everyone's photography but nothing can replace it when needed. Image quality is superb, distortion is minimal and build is confidence-inspiring.
My XF10-24 was in for repair and I had no wide angle option for my vacation, so I decided to try the 14mm as a small alternative and as a nice complement to my 18-55. I kind of knew what to expect from reading all of the reviews and seeing great photos shot with this lens but I have to say it performed admirably. My reason for getting it was primarily for travel due to its small size but I found that I liked it so much I actually sold my 10-24 to finance other gear. I may regret that some day but for now the 14 does the job. From a handling aspect I liked the marked aperture ring, as opposed to the unmarked one on the 10-24 (why?), and the focusing clutch.The close focusing ability and sharpness right from the get-go at f2.8 makes this lens useful as a walk ... MoreMy XF10-24 was in for repair and I had no wide angle option for my vacation, so I decided to try the 14mm as a small alternative and as a nice complement to my 18-55. I kind of knew what to expect from reading all of the reviews and seeing great photos shot with this lens but I have to say it performed admirably. My reason for getting it was primarily for travel due to its small size but I found that I liked it so much I actually sold my 10-24 to finance other gear. I may regret that some day but for now the 14 does the job. From a handling aspect I liked the marked aperture ring, as opposed to the unmarked one on the 10-24 (why?), and the focusing clutch.The close focusing ability and sharpness right from the get-go at f2.8 makes this lens useful as a walk around, especially in an urban environment. At least 60% of my photos from a recent trip were shot with the 14 and my 35 f1.4 and 18-55 rounded out the rest. Coupled with an X-T10, it made for a very compact travel setup that yielded great results.Being a prime lens there is that compromise on versatility compared to a zoom. But the prime lends itself to thinking a bit more about composition and pre-visualizing angles of view. I find the 21mm equivalent focal length offers that wide-angle view without getting too carried away. As an old film photographer I find it is a classic view.
This is one of my favorite lenses in the Fuji lineup. For a decently fast wide it sports an excellent performance with not much to complain about.Good: Very sharp across the frame at most apertures and always sharp in the center. Contrast - while not up to the level of excellence that some of Fujis other primes reach, is still great. AF is quick enough. Build quality is excellent and size is just right. Little-to-no distortion is quite a feature. It has no issues with flaring or ghosting.Not so good: Coma isnt a huge problem but does exist to a moderate extent at f/2.8 and mostly vanishes by f/4 - not the best for astro but with some clever processing and framing you can work around it. At times color temp can render a bit too cool - some would call this ... MoreThis is one of my favorite lenses in the Fuji lineup. For a decently fast wide it sports an excellent performance with not much to complain about.Good: Very sharp across the frame at most apertures and always sharp in the center. Contrast - while not up to the level of excellence that some of Fujis other primes reach, is still great. AF is quick enough. Build quality is excellent and size is just right. Little-to-no distortion is quite a feature. It has no issues with flaring or ghosting.Not so good: Coma isnt a huge problem but does exist to a moderate extent at f/2.8 and mostly vanishes by f/4 - not the best for astro but with some clever processing and framing you can work around it. At times color temp can render a bit too cool - some would call this rendering clinical but its fixable in lightroom (and even in-camera). Sunstars dont have much definition.IMO this lens makes a great all-around wide angle, its always in my bag when I need a wide.
| Focal length description | 14 mm |
| Lens type | Wide Angle |
| Compatible mountings | Fujifilm X |
| Camera lens description | 14 |
| Model year | 2012 |
