Multigrade FB Warmtone Paper is a premium quality, variable contrast black and white paper which has a warm black image tone on a warm white 255g/m2 fibre base. It is especially suitable for toning.
Multigrade FB Warmtone Paper is a premium quality, variable contrast black and white paper which has a warm black image tone on a warm white 255g/m2 fibre base. It is especially suitable for toning.
Multigrade FB Warmtone Paper is a premium quality, variable contrast black and white paper which has a warm black image tone on a warm white 255g/m2 fibre base. It is especially suitable for toning.
Multigrade FB Warmtone Paper is a premium quality, variable contrast black and white paper which has a warm black image tone on a warm white 255g/m2 fibre base. It is especially suitable for toning.
Last updated at 06/27/2026 11:25:30
Ilford Multigrade FB Warmtone 12 x 16 inches (30.5 x 40.6 centimetres) 10 Sheets
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Ilford Multigrade FB Warmtone 1k Glossy 12 x 16'' - 10 Sheets
Delivery $15
Ilford Multigrade FB Warmtone Glossy 12x16" 10 Sheets Darkroom Paper MGFBWT1K
Free delivery between 3–9 July
Ilford Multigrade Fibre Base Warmtone Glossy Photo Paper
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on bhphotovideo.com
This is a paper with the range, tonal quality, and richness for master prints. Given the relatively small number of fiber-based papers available today, those whose prefer a warm paper with a clean white base will enjoy this one. I am primarily a portraitist, and this is my go-to, toned to varying degrees in a (usually) very dilute selenium solution (1:20) to enhance tonal richness and separation.The surface offers a good look in-between Ilford's matte and newer glossy surface (which is generally slicker than I would like, unlike the former natural gloss surface of years ago; I use it for contact sheets.) I use a kind of subtle varnish on the semi-matte that results in a soft luster that restores much of the tonal depth of the wet print while avoiding a hard gloss.
originally posted on analoguewonderland.co.uk
Although this paper is more expensive than RC papers, and it can take from 5-10 minutes in the fixer as opposed to the maybe 1-3 minutes of RC, this paper will last. It also gives you a wonderful vintage feel, as early papers were fibre based.I don't really like the finish of this paper compared to glossy, but glossy fibre paper is readily available too.P.S. That's Granddad in his youth 😀
originally posted on bhphotovideo.com
I've been using Ilford papers almost exclusively for my darkroom work for about 15 years. Out of thousands of sheets of paper the quality is consistent: I've never received a bad batch.For the last 8 years MG FB Warmtone has been my favorite paper. This paper is not as warm as some warm tone papers, it just adds a subtle nuance to prints. It takes toners (such as gold and selenium) well. Although the Matt finish isn't as punchy/contrasty as the glossy version, I prefer it because it allows me to document my prints (with a DSLR) and not worry about glare--which can otherwise be an issue because this paper does have a tendency to curl somewhat.
| Developer | Dilution |
| BROMOPHEN | 1 + 3 |
| PQ UNIVERSAL | 1 + 9 |
| ILFOSTOP | 1 + 19 |
| RAPID | 1 + 4 |
Ilford Multigrade FB Warmtone 12 x 16 inches (30.5 x 40.6 centimetres) 10 Sheets
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Ilford Multigrade FB Warmtone 1k Glossy 12 x 16'' - 10 Sheets
Delivery $15
Ilford Multigrade FB Warmtone Glossy 12x16" 10 Sheets Darkroom Paper MGFBWT1K
Free delivery between 3–9 July
Ilford Multigrade Fibre Base Warmtone Glossy Photo Paper
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
This is a paper with the range, tonal quality, and richness for master prints. Given the relatively small number of fiber-based papers available today, those whose prefer a warm paper with a clean white base will enjoy this one. I am primarily a portraitist, and this is my go-to, toned to varying degrees in a (usually) very dilute selenium solution (1:20) to enhance tonal richness and separation.The surface offers a good look in-between Ilford's matte and newer glossy surface (which is generally slicker than I would like, unlike the former natural gloss surface of years ago; I use it for contact sheets.) I use a kind of subtle varnish on the semi-matte that results in a soft luster that restores much of the tonal depth of the wet print while avoiding a hard gloss.
Although this paper is more expensive than RC papers, and it can take from 5-10 minutes in the fixer as opposed to the maybe 1-3 minutes of RC, this paper will last. It also gives you a wonderful vintage feel, as early papers were fibre based.I don't really like the finish of this paper compared to glossy, but glossy fibre paper is readily available too.P.S. That's Granddad in his youth 😀
I've been using Ilford papers almost exclusively for my darkroom work for about 15 years. Out of thousands of sheets of paper the quality is consistent: I've never received a bad batch.For the last 8 years MG FB Warmtone has been my favorite paper. This paper is not as warm as some warm tone papers, it just adds a subtle nuance to prints. It takes toners (such as gold and selenium) well. Although the Matt finish isn't as punchy/contrasty as the glossy version, I prefer it because it allows me to document my prints (with a DSLR) and not worry about glare--which can otherwise be an issue because this paper does have a tendency to curl somewhat.
If you want to print on the best multi-grade fiber paper out there, this is IMO the one. The 9.5x12 size makes helps when printing a full 7x10 or 8x10, when you want extra white border for mounting exhibition prints.
One of my go to papers. I always have some on hand. I've been using Ilford Multigrade Warmtone FB Paper for 25 years. Its slightly creamy base and subtle warm image tone is ideal for subjects calling for a little bit of warmth. I like the effect I can get using it for Lith prints also.
Even though Multi FB warmtone has changed over the years, I still think it is Ilford's best Fiber multigrade paper, and I will keep buying it until it changes.The paper is not as warm and is faster than it used to be- two things that worry me about it.I have used this paper for many big shows, as it is very consistent from batch to batch and although I wish it was the same as it was 20-30 years ago, I will keep using it if it stays the same as it is currently.I do think Gallery is better paper, but since it only comes in grade 3 now, it is not nearly as versatile, even though I have reached the conclusion that it is closer to the way it was 20-30 years ago than the Multigrade fiber warmtone, and I have grown to like the more neutral tones, especially now that ... MoreEven though Multi FB warmtone has changed over the years, I still think it is Ilford's best Fiber multigrade paper, and I will keep buying it until it changes.The paper is not as warm and is faster than it used to be- two things that worry me about it.I have used this paper for many big shows, as it is very consistent from batch to batch and although I wish it was the same as it was 20-30 years ago, I will keep using it if it stays the same as it is currently.I do think Gallery is better paper, but since it only comes in grade 3 now, it is not nearly as versatile, even though I have reached the conclusion that it is closer to the way it was 20-30 years ago than the Multigrade fiber warmtone, and I have grown to like the more neutral tones, especially now that the warmtone multigrade fiber is less warm than it used to be.As long as ilford keeps making both (Gallery and warmtone fiber) the same way it is today, I will keep buying it.
So grateful that Ilford FB papers are still available. It's my first choice for exhibition prints. I vastly prefer glossy, which isn't all that glossy--pretty much the same as Epson Exhibition fiber, which I use for inkjet prints.
Ilford MG FB Warmtone is an important survivinggelatin-silver paper. It has a sensitivity and contrastrange that is reliable as is its surface.
Warmtone FB has been my primary paper for years. I use the glossy surface for proofs and semi-matte, which I varnish, for prints. The varnish is not glossy but restores the range and separation, leaving a soft luster surface.The full range of contrast allows tuning prints from a variety of negatives to the ideal presentation to evoke the mood I wish to convey. I use selenium toner, usually at 1:19, to tone from 2-7 minutes.The consistency and reliability of the paper, batch to batch, makes this paper stand out from others available in yet another way.
Fantastic paper. It's not too warm, as others have said. Just enough to give your images a little life. Particularly wonderful for pictures of people, but frankly I like it for everything. It's a tad expensive, to be sure, but absolutely worth it.
| Developer | Dilution |
| BROMOPHEN | 1 + 3 |
| PQ UNIVERSAL | 1 + 9 |
| ILFOSTOP | 1 + 19 |
| RAPID | 1 + 4 |
