ILFORD ORTHO Plus black and white copy film is designed for many applications. It is particularly recommended for continuous-tone copy work, with no sacrifice in quality when the original includes line work. The blue and green sensitivity enables the film to be handled in red safelight and allows processing by inspection. This versatile film allows you to fine-tune the contrast by the choice of developer, the exposure given and the development time. It is possible to achieve accurate reproduction of most black and white originals or to maintain a clean background in copies of combined line and continuous tone originals.The characteristic curve of ORTHO Plus copy film has been optimised to ensure the tonal range of the original image is maintained. This is different from conventional films, which can give a dull, flat result when used for copying. The qualities of a high-resolution film with precise contrast control are just what is needed for photomicroscopy.ORTHO Plus copy film is highly recommended for this application. ORTHO Plus copy film is coated on 0·180mm/7-mil polyester base, well known for its high dimensional stability and strength. The film is protected by an efficient anti-halation backing which clears during development. If processed and stored properly, ORTHO Plus copy film has excellent archival storage properties.
ILFORD ORTHO Plus black and white copy film is designed for many applications. It is particularly recommended for continuous-tone copy work, with no sacrifice in quality when the original includes line work. The blue and green sensitivity enables the film to be handled in red safelight and allows processing by inspection. This versatile film allows you to fine-tune the contrast by the choice of developer, the exposure given and the development time. It is possible to achieve accurate reproduction of most black and white originals or to maintain a clean background in copies of combined line and continuous tone originals.The characteristic curve of ORTHO Plus copy film has been optimised to ensure the tonal range of the original image is maintained. This is different from conventional films, which can give a dull, flat result when used for copying. The qualities of a high-resolution film with precise contrast control are just what is needed for photomicroscopy.ORTHO Plus copy film is highly recommended for this application. ORTHO Plus copy film is coated on 0·180mm/7-mil polyester base, well known for its high dimensional stability and strength. The film is protected by an efficient anti-halation backing which clears during development. If processed and stored properly, ORTHO Plus copy film has excellent archival storage properties.
ILFORD ORTHO Plus black and white copy film is designed for many applications. It is particularly recommended for continuous-tone copy work, with no sacrifice in quality when the original includes line work. The blue and green sensitivity enables the film to be handled in red safelight and allows processing by inspection. This versatile film allows you to fine-tune the contrast by the choice of developer, the exposure given and the development time. It is possible to achieve accurate reproduction of most black and white originals or to maintain a clean background in copies of combined line and continuous tone originals.The characteristic curve of ORTHO Plus copy film has been optimised to ensure the tonal range of the original image is maintained. This is different from conventional films, which can give a dull, flat result when used for copying. The qualities of a high-resolution film with precise contrast control are just what is needed for photomicroscopy.ORTHO Plus copy film is highly recommended for this application. ORTHO Plus copy film is coated on 0·180mm/7-mil polyester base, well known for its high dimensional stability and strength. The film is protected by an efficient anti-halation backing which clears during development. If processed and stored properly, ORTHO Plus copy film has excellent archival storage properties.
ILFORD ORTHO Plus black and white copy film is designed for many applications. It is particularly recommended for continuous-tone copy work, with no sacrifice in quality when the original includes line work. The blue and green sensitivity enables the film to be handled in red safelight and allows processing by inspection. This versatile film allows you to fine-tune the contrast by the choice of developer, the exposure given and the development time. It is possible to achieve accurate reproduction of most black and white originals or to maintain a clean background in copies of combined line and continuous tone originals.The characteristic curve of ORTHO Plus copy film has been optimised to ensure the tonal range of the original image is maintained. This is different from conventional films, which can give a dull, flat result when used for copying. The qualities of a high-resolution film with precise contrast control are just what is needed for photomicroscopy.ORTHO Plus copy film is highly recommended for this application. ORTHO Plus copy film is coated on 0·180mm/7-mil polyester base, well known for its high dimensional stability and strength. The film is protected by an efficient anti-halation backing which clears during development. If processed and stored properly, ORTHO Plus copy film has excellent archival storage properties.
Last updated at 07/29/2026 05:44:16
Ilford Ortho Plus 80 35mm Film - Single
Delivery $15
Ilford HARMAN ORTHO+ 135 36
Delivery $9.90
Ilford Ortho Plus Black & White 35MM Film 36 Exposures Expired
Ilford Ortho Plus Black & White 35MM Film 36 Exposures
ILFORD Ortho Plus 80 - 36exp, 135/35mm Black & White Negative Film
Delivery $12.81
Ilford Ortho+ 80 35mm
Delivery $10
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Ilford Ortho Plus Iso 80 35mm 36 Exposure Black & White Film (1180958)
Delivery $5
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Ilford Ortho+ 80 35mm
Delivery between 30 July – 7 Aug $9.70
Ilford Ortho+ 135-36exp B&W Film - 80 ISO
Delivery $9.95
Ilford Ortho+ 135-36exp B&W Film - 80 ISO
Delivery $9.95
originally posted on analoguewonderland.co.uk
There was muchos excitement all around when Ilford released this orthochromatic film a couple of months ago. And not wanting to miss out on the party, I grabbed myself a roll straight away.The talk was of fine grain, nice contrast and excellent tonality. And it did not disappoint…This film is amazing. It has absolutely gorgeous tonality with near non existent grain in the right light. The contrast is spot-on. Being an ortho film it doesn’t react to red whatsoever, so skin tones are a tad dark. But for landscape and detail-type shots - YUM YUM YUM!!!!These example shots were shot in Cornwall over the Christmas period; the weather wasn’t great - gloomy, misty, rainy…. but the Ortho took everything in its stride. It really captured the atmosphere.It ain’t the ... MoreThere was muchos excitement all around when Ilford released this orthochromatic film a couple of months ago. And not wanting to miss out on the party, I grabbed myself a roll straight away.The talk was of fine grain, nice contrast and excellent tonality. And it did not disappoint…This film is amazing. It has absolutely gorgeous tonality with near non existent grain in the right light. The contrast is spot-on. Being an ortho film it doesn’t react to red whatsoever, so skin tones are a tad dark. But for landscape and detail-type shots - YUM YUM YUM!!!!These example shots were shot in Cornwall over the Christmas period; the weather wasn’t great - gloomy, misty, rainy…. but the Ortho took everything in its stride. It really captured the atmosphere.It ain’t the cheapest of films. But it really is worth it as it’s quite special.
originally posted on analoguewonderland.co.uk
I'm not sure I got the advertised lower grain but that might be to do with me home developing in Cinestill DF96. Still loved the film though. Really nice contrast and moody vibes. I used it to photograph my little boy playing in the sea like a swamp monster with an MJUII haha.
originally posted on reformedfilmlab.com
A very cool and interesting film to shoot. I experimented with various filters in various conditions and got some interesting results, most notably some self-portraits in-studio (hard to do on film, I admittedly slightly missed focus :c oh well). I used an 80a filter and, being an orthochromatic film, that combo made all my freckles and blemishes appear stronger. Very fun, definitely worth experimenting with further to get more honed results. Beware, even with a filter stopping down your light, it looks like it's easy to overexpose with strobes!Outdoors the landscapes had a striking contrast. I utilized green, yellow, and orange filters, but I honestly found no filters to have the best effect. Perhaps I need more experimentation, as this is a very temperamental ... MoreA very cool and interesting film to shoot. I experimented with various filters in various conditions and got some interesting results, most notably some self-portraits in-studio (hard to do on film, I admittedly slightly missed focus :c oh well). I used an 80a filter and, being an orthochromatic film, that combo made all my freckles and blemishes appear stronger. Very fun, definitely worth experimenting with further to get more honed results. Beware, even with a filter stopping down your light, it looks like it's easy to overexpose with strobes!Outdoors the landscapes had a striking contrast. I utilized green, yellow, and orange filters, but I honestly found no filters to have the best effect. Perhaps I need more experimentation, as this is a very temperamental film. Understanding the orthochromatic nature of the film is essential to really acquire the image you envision. I definitely want to try this again once I better understand how to shoot it. Highly recommended.
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Orthochromatic B&W Negative |
| Film Speed | ISO 80 |
| Film Processing | Standard Black and White Chemistry |
Ilford Ortho Plus 80 35mm Film - Single
Delivery $15
Ilford HARMAN ORTHO+ 135 36
Delivery $9.90
Ilford Ortho Plus Black & White 35MM Film 36 Exposures Expired
Ilford Ortho Plus Black & White 35MM Film 36 Exposures
ILFORD Ortho Plus 80 - 36exp, 135/35mm Black & White Negative Film
Delivery $12.81
There was muchos excitement all around when Ilford released this orthochromatic film a couple of months ago. And not wanting to miss out on the party, I grabbed myself a roll straight away.The talk was of fine grain, nice contrast and excellent tonality. And it did not disappoint…This film is amazing. It has absolutely gorgeous tonality with near non existent grain in the right light. The contrast is spot-on. Being an ortho film it doesn’t react to red whatsoever, so skin tones are a tad dark. But for landscape and detail-type shots - YUM YUM YUM!!!!These example shots were shot in Cornwall over the Christmas period; the weather wasn’t great - gloomy, misty, rainy…. but the Ortho took everything in its stride. It really captured the atmosphere.It ain’t the ... MoreThere was muchos excitement all around when Ilford released this orthochromatic film a couple of months ago. And not wanting to miss out on the party, I grabbed myself a roll straight away.The talk was of fine grain, nice contrast and excellent tonality. And it did not disappoint…This film is amazing. It has absolutely gorgeous tonality with near non existent grain in the right light. The contrast is spot-on. Being an ortho film it doesn’t react to red whatsoever, so skin tones are a tad dark. But for landscape and detail-type shots - YUM YUM YUM!!!!These example shots were shot in Cornwall over the Christmas period; the weather wasn’t great - gloomy, misty, rainy…. but the Ortho took everything in its stride. It really captured the atmosphere.It ain’t the cheapest of films. But it really is worth it as it’s quite special.
I'm not sure I got the advertised lower grain but that might be to do with me home developing in Cinestill DF96. Still loved the film though. Really nice contrast and moody vibes. I used it to photograph my little boy playing in the sea like a swamp monster with an MJUII haha.
A very cool and interesting film to shoot. I experimented with various filters in various conditions and got some interesting results, most notably some self-portraits in-studio (hard to do on film, I admittedly slightly missed focus :c oh well). I used an 80a filter and, being an orthochromatic film, that combo made all my freckles and blemishes appear stronger. Very fun, definitely worth experimenting with further to get more honed results. Beware, even with a filter stopping down your light, it looks like it's easy to overexpose with strobes!Outdoors the landscapes had a striking contrast. I utilized green, yellow, and orange filters, but I honestly found no filters to have the best effect. Perhaps I need more experimentation, as this is a very temperamental ... MoreA very cool and interesting film to shoot. I experimented with various filters in various conditions and got some interesting results, most notably some self-portraits in-studio (hard to do on film, I admittedly slightly missed focus :c oh well). I used an 80a filter and, being an orthochromatic film, that combo made all my freckles and blemishes appear stronger. Very fun, definitely worth experimenting with further to get more honed results. Beware, even with a filter stopping down your light, it looks like it's easy to overexpose with strobes!Outdoors the landscapes had a striking contrast. I utilized green, yellow, and orange filters, but I honestly found no filters to have the best effect. Perhaps I need more experimentation, as this is a very temperamental film. Understanding the orthochromatic nature of the film is essential to really acquire the image you envision. I definitely want to try this again once I better understand how to shoot it. Highly recommended.
I cannot express my love for this film stock enough. A low iso DX coded film I can shoot in almost anything.I usually buy those weird rolls of film without the big brand name, I love the surprise out of the box. But it's so great to have a reliable low iso film I can keep coming back to, the DX coding makes everything so much easier than finding a camera with 80 iso settings or manually using a light meter.A beautiful grainy contrasty delight. Perfect details for macro shots or even beautiful landscapes. The best I've shot in almost 4 years of film photography. I've got more of it in my basket just waiting to be bought.
Ortho Plus 80 was only available in 4×5 for a long time, but in late 2019 Ilford made it available in 35mm and 120 formats. So, of course, we wanted to try it out. For our Ilford Ortho Plus 80 120 film review we put a roll in the Hasselblad took it outside the house. This was shot during Lockdown, that’s as far as we could go!It was nice to be able to use the Hasselblad, even if it was taking photos of very familiar surroundings. We also were interested in what results we would get from orthochromatic film. It has a lack of red sensitivity, that means that reds and oranges are rendered darker with stronger contrast than standard panchromatic films.Even though the film is 80 ISO, we were able to shoot it handheld as it was a sunny day. The images are really sharp ... MoreOrtho Plus 80 was only available in 4×5 for a long time, but in late 2019 Ilford made it available in 35mm and 120 formats. So, of course, we wanted to try it out. For our Ilford Ortho Plus 80 120 film review we put a roll in the Hasselblad took it outside the house. This was shot during Lockdown, that’s as far as we could go!It was nice to be able to use the Hasselblad, even if it was taking photos of very familiar surroundings. We also were interested in what results we would get from orthochromatic film. It has a lack of red sensitivity, that means that reds and oranges are rendered darker with stronger contrast than standard panchromatic films.Even though the film is 80 ISO, we were able to shoot it handheld as it was a sunny day. The images are really sharp with nice contrast. The blacks, in particular, are very strong and give the photos a crisp look. Unsurprisingly, for a slow film in medium format, there is plenty of detail there, even in the shadows.We will definitely shoot this again and look forward to trying it out in 35mm once we can travel a bit further afield.
Back in the day shooting at 80 ISO would have been considered a workaday speed, so unless you're shooting in especially bad light with a heavy camera you can usually work with this film outdoors, as long as you're keeping an eye on your shutter speed. It deserves more than just bright sunny days because its excelled on moody cloudy days at bringing out texture and detail. Sometimes in strong light it can be a tad too contrasty, unless that's your go to look in particular shoot. I love the dark foliage and strong landscapes it produces, and fine grain so I've quickly become a fan.
I shot a roll of Ortho Plus 80 while I was visiting my good friend and fellow AW review contributer, Jim Graves.We took a ride over to Southport (N.W. coast UK) on a rather unpredictable day, as the main street (Lord Street) has \Victorian veranders that are worthy of a few shoys in themselves, but we were thinking about shelter from the predicted showers. The light was reasonably good but the sky was quite overcast and featureless, so we decided to stay in the town rather than venturing towards the coast itself. I chose Ortho 80 as one of my films for the afternoon and loaded it into a Pentax P30n that Jim had kindly loaned me.I soon finished the roll as there's plenty to point a camera at allong Lord Street, but as I was also wanting to see family members and ... MoreI shot a roll of Ortho Plus 80 while I was visiting my good friend and fellow AW review contributer, Jim Graves.We took a ride over to Southport (N.W. coast UK) on a rather unpredictable day, as the main street (Lord Street) has \Victorian veranders that are worthy of a few shoys in themselves, but we were thinking about shelter from the predicted showers. The light was reasonably good but the sky was quite overcast and featureless, so we decided to stay in the town rather than venturing towards the coast itself. I chose Ortho 80 as one of my films for the afternoon and loaded it into a Pentax P30n that Jim had kindly loaned me.I soon finished the roll as there's plenty to point a camera at allong Lord Street, but as I was also wanting to see family members and old friends around the area, I waited untill I got back to Norfolk before I developed the film using HC110 (B) for 8 mins at 20 degrees C. The results are GREAT! If you're thinking of trying this film, just DO IT...you won't regret it!
pretty easy to use, I like discipline of working with a slow film though it had less if the vintage look I used to get with Agfa.Been using it for architectural shots, it's different colour sensitivity definitely brings out the brickwork/pointing.I'll definitely use it again...planning to get some 120 to try out in my 'new' Zeiss Ikonta.I also want to try pushing it to see what happens.It's the first film I've shot since going digital for work quite a while back.Moment of panic trying to remember how to develope film but once you smell the chemicals it all comes flooding back.
Although this no doubt is an orthoChromatic film and can mainly see greens and will not see reds, it seems to behave quite differently to the films I had used in the past .. when they were still widely available; says something about my real age;o) Could be a real stunner for landscapes but from other reviews I do not think many understands how the orthochromatic films behave (the promotional samples compared to reviews scans are quite telling.). I find it much denser and contrast heavy whatever the way you process it. It sports a good latitude if you process towards negatives; this film however is all about matching the process to the exposure style. For positives (it can be reversed !) it definitely needs a lot of practice - so far I tried to develop in Foma ... MoreAlthough this no doubt is an orthoChromatic film and can mainly see greens and will not see reds, it seems to behave quite differently to the films I had used in the past .. when they were still widely available; says something about my real age;o) Could be a real stunner for landscapes but from other reviews I do not think many understands how the orthochromatic films behave (the promotional samples compared to reviews scans are quite telling.). I find it much denser and contrast heavy whatever the way you process it. It sports a good latitude if you process towards negatives; this film however is all about matching the process to the exposure style. For positives (it can be reversed !) it definitely needs a lot of practice - so far I tried to develop in Foma reversal kit and modified Ilford reversal chemistry using Foma special developer and PQ Ilford and I would say the best results you can achieve if you shoot at box speed or slightly over exposed and stick to the developing times. It is quite easy to blow the highlights if you exceed the processing times. Pushing it means increasing contrast considerably, pulling it can be quite a creative fun if you want more shadow details which it can give you.mixed results and mixed feelings about this modern orthochromatic
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Orthochromatic B&W Negative |
| Film Speed | ISO 80 |
| Film Processing | Standard Black and White Chemistry |
