High-quality results when scanned for digital outputs Great prints from digital zooms and crop images Bright, colorful prints Kodak Gold 200 film is a color negative film that offers the best combination of color saturation, color accuracy, and sharpness at ISO 200. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photolamps (3400 K) or tungsten illumination (3200 K) with filters. Kodak Gold 200 features excellent color accuracy and saturation and high sharpness and resolution. It also features wide exposure latitude from two stops underexposure to three stops overexposure.
High-quality results when scanned for digital outputs Great prints from digital zooms and crop images Bright, colorful prints Kodak Gold 200 film is a color negative film that offers the best combination of color saturation, color accuracy, and sharpness at ISO 200. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photolamps (3400 K) or tungsten illumination (3200 K) with filters. Kodak Gold 200 features excellent color accuracy and saturation and high sharpness and resolution. It also features wide exposure latitude from two stops underexposure to three stops overexposure.
High-quality results when scanned for digital outputs Great prints from digital zooms and crop images Bright, colorful prints Kodak Gold 200 film is a color negative film that offers the best combination of color saturation, color accuracy, and sharpness at ISO 200. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photolamps (3400 K) or tungsten illumination (3200 K) with filters. Kodak Gold 200 features excellent color accuracy and saturation and high sharpness and resolution. It also features wide exposure latitude from two stops underexposure to three stops overexposure.
High-quality results when scanned for digital outputs Great prints from digital zooms and crop images Bright, colorful prints Kodak Gold 200 film is a color negative film that offers the best combination of color saturation, color accuracy, and sharpness at ISO 200. It is designed for general picture-taking situations in daylight or with electronic flash. You can also expose this film under photolamps (3400 K) or tungsten illumination (3200 K) with filters. Kodak Gold 200 features excellent color accuracy and saturation and high sharpness and resolution. It also features wide exposure latitude from two stops underexposure to three stops overexposure.
Last updated at 07/19/2026 09:04:51
Kodak Gold 200 35mm 24
Delivery $24.58
Kodak Gold 200 - 120
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3-pack Kodak Gold 200 35mm 24
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3-Pack Kodak Gold 200 35mm
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3-Pack Fujifilm 200 35mm 36 Exposures
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3-Pack Lomography Color 400 35mm
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3-Pack Lomography Color 800 35mm
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Kodak Gold 200 135/36 Film 3x StĂĽck 03/26
Kodak Gold 200 135-36 Color Negative Film 3 rolls
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Kodak Gold 200 Iso 35mm Color Negative Film Fresh 3-pack 36 Exp Per
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originally posted on analoguewonderland.co.uk
A few years ago, this was my first roll of film - I shot it in a hand-me-down GR1s (which I didn't realise I was so lucky to have) and the results were so good I was hooked from that moment on.Colours are just what you want - punchy and vibrant if you underexpose a little,warm and clean if you overexpose. With a good scan(first slide) you can see the absurd amount of detail you get from this stock, even on 35mm.Would recommend for literally anyone even over Portra except for studio work.
originally posted on analoguewonderland.co.uk
Well, I thought I was B&W / HP5 all the way, never stray away from the path .. I might just be converted to colour, especially with this lovely film. A few driving factors with me. Playing with my new (old) half frame camera I've found the smaller scale and double image nature of photography suits colour really well, perhaps a bit better than B&W for me, it just benefits from a little colour pop. The distortion from the 1960s lens combines with the old school colour of Kodak Gold to send all my pictures back in time. Shooting film on a fully manual camera, processing C-41 (with an FPP kit from AW) and then scanning takes SOOOO much longer than digital, and is INFINATELY more rewarding.
originally posted on analoguewonderland.co.uk
…especially shot through a thorium lens like I did at one point, oops (don’t do this unless you want every human subject to look like they have advanced jaundice)!A great beginner film that works as an all round outdoor stock both in sunny and overcast conditions, my first few rolls of film have all been Kodak Gold 200. Excels at sunset and when photographing subjects with gold and green tones present. Good dynamic range and the grain isn’t too extreme. Can come out a little orange or with odd skin tones in indoor artificially lit environments, but this can be fixed in Lightroom if you don’t consider that blasphemous.Developed very nicely by Analogue Wonderland too.
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Color Negative |
| ISO/ASA Film Speed | 200 |
| Color Balance | Daylight |
Kodak Gold 200 35mm 24
Delivery $24.58
Kodak Gold 200 - 120
Delivery $24.58
3-pack Kodak Gold 200 35mm 24
Delivery $24.58
3-Pack Kodak Gold 200 35mm
Delivery $24.58
3-Pack Fujifilm 200 35mm 36 Exposures
Delivery $24.58
A few years ago, this was my first roll of film - I shot it in a hand-me-down GR1s (which I didn't realise I was so lucky to have) and the results were so good I was hooked from that moment on.Colours are just what you want - punchy and vibrant if you underexpose a little,warm and clean if you overexpose. With a good scan(first slide) you can see the absurd amount of detail you get from this stock, even on 35mm.Would recommend for literally anyone even over Portra except for studio work.
Well, I thought I was B&W / HP5 all the way, never stray away from the path .. I might just be converted to colour, especially with this lovely film. A few driving factors with me. Playing with my new (old) half frame camera I've found the smaller scale and double image nature of photography suits colour really well, perhaps a bit better than B&W for me, it just benefits from a little colour pop. The distortion from the 1960s lens combines with the old school colour of Kodak Gold to send all my pictures back in time. Shooting film on a fully manual camera, processing C-41 (with an FPP kit from AW) and then scanning takes SOOOO much longer than digital, and is INFINATELY more rewarding.
…especially shot through a thorium lens like I did at one point, oops (don’t do this unless you want every human subject to look like they have advanced jaundice)!A great beginner film that works as an all round outdoor stock both in sunny and overcast conditions, my first few rolls of film have all been Kodak Gold 200. Excels at sunset and when photographing subjects with gold and green tones present. Good dynamic range and the grain isn’t too extreme. Can come out a little orange or with odd skin tones in indoor artificially lit environments, but this can be fixed in Lightroom if you don’t consider that blasphemous.Developed very nicely by Analogue Wonderland too.
This is a massively underrated film. I have come across many reviews on the internet which put it on a level with ColourPlus but I think it is much superior: the grain is finer, the lines are cleaner, there is more life in the image and the colours do not wash out and turn drab when there's a cloud in the sky.I also don't think it is always used right, from what I have seen. I do not over expose it or shoot it at 100ISO. I shoot at box speed and, especially in high contrast lighting, meter for the median between the highlights and shadows. The images I get are exactly as I remember seeing the scene at the time. I think that reviews that complain about its dynamic range or comment on its warm tones look overexposed to me.As a 200ISO it is naturally a film for ... MoreThis is a massively underrated film. I have come across many reviews on the internet which put it on a level with ColourPlus but I think it is much superior: the grain is finer, the lines are cleaner, there is more life in the image and the colours do not wash out and turn drab when there's a cloud in the sky.I also don't think it is always used right, from what I have seen. I do not over expose it or shoot it at 100ISO. I shoot at box speed and, especially in high contrast lighting, meter for the median between the highlights and shadows. The images I get are exactly as I remember seeing the scene at the time. I think that reviews that complain about its dynamic range or comment on its warm tones look overexposed to me.As a 200ISO it is naturally a film for daylight, or else with a tripod or flash in poorer light. Especially in England, going in to the Winter there might be fewer opportunities to shoot in favourable conditions, so it might be advisable to buy 24 exposures and keep an ISO400 film to hand.
I actually shot this film for the first time during a photoshoot (which I wouldn't recommend doing) and actually got some lovely results. Kodak Gold is really well-suited for shooting natural scenery, ideally in bright daylight or golden hour, but the film's natural yellow glow will compensate for any dullness brought upon by overcast lighting situations. However, this film can produce some rather brassy results depending on the lighting or colours of your surroundings. If you're not a fan of this, Kodak Ultramax 400 or Fujicolor C200 could be a good alternative. In general this film can handle 1-2 stops of under/overexposure, although overexposed photos do look slightly nicer than underexposed ones.
I've shot film for 4 years on colorplus bc I'm not a photographer and it's the cheapest for a hobby but Kodak Gold has definitely become my favourite for the beautiful colours and tones it derives from the subject. Gold is a great film if you want a vintage/nostalgic/hazy (but still sharp enough)/cosy feel to your photos. I think it has a lighter tone to photos taken in dark places than colorplus for example, and goldier-green than dark green (not an expert, just based on my own experience). It captures well in sunny, dark, inside and outside conditions so would be great for beginners and hobbyists, especially super easy to use on a point-and-shoot (these photos are taken on a canon prima zoom mini)
AW kindly sent the kodak gold 3 pack in an AW cardboard box and they even included a return label for getting the films developed and an AW sticker which was rather cute. The films have a long date until they expire which is convenient. I have not used them yet but once I do, I will update my review on their quality but knowing they're kodak, you know you're going to get a wonderful end result. it worked out to be £12 a roll including the postage which isn't bad in comparison to other places. thanks AW for all that you do!! kindest regards ✨️ ❤️
Rather like the old days; I used this film for my holiday snaps! Excellent results as one always expected from Kodak. The film showed great tolerance to my sloppy exposure practice and I liked the colours the film produced when scanned on my elderly flat bed scanner. An altogether good experience. It also survived passing through airport hand luggage scanners.
This film produces great results in lots of different conditions. It is even quite good for night photography where there Is lots of artificial lighting. You can just about get away with shooting handheld at F/2. It seems to fall down a bit heading towards dusk when there is less daylight to play with, but in an urban environment it comes back to life once the lights come on.
I tried this film for the first time on a photo walk in Leeds when it was a mild but sunny day. This consumer film gives a warm and golden haze to pictures, making them look nostalgic. It's quite a forgiving film, so good for beginners, however the results are more consistent during daylight as its an ISO 200 film. When rated at 'box speed' it has noticeable grain, and definitely gives off vintage vibes. You could try rating it at ISO 100 if you have a manual camera to reduce grain and that warm cast.Example images taken on Olympus XA rated at EI200.
| Film Format | 35mm |
| Number of Exposures | 36 |
| Film Type | Color Negative |
| ISO/ASA Film Speed | 200 |
| Color Balance | Daylight |
