
Korg Volca Keys Analog Synthesizer at a Glance: True analog synthesis with 3-note polyphony Loop sequencer and Motion sequencer capture your performance Truly portable, and easy to integrate with other gear True analog synthesis with 3-note polyphony Korg’s Volca Keys is quite a flexible synthesizer, despite its compact size. Its 3-voice design lets you create 3-note chords, or combine them in unison for huge lead sounds. Even better, there’s a built-in delay effect for incredibly vibrant sounds. Loop sequencer and Motion sequencer capture your performance Whether you’re playing the built-in ribbon controller or triggering it via an external MIDI controller, the Volca Keys is great for on-the-fly creation. Use the loop sequencer to capture your idea, then use the Motion sequencer to record your knob-turning in real-time. You can easily twist one simple sequence into something entirely new, just one sure sign of a great synthesizer. Truly portable, and easy to integrate with other gear With its compact size and optional AC or battery power, the Korg Volca Keys is truly a go-anywhere analog synthesizer. Best of all, it’s got the right connections to interface with any of your gear. It’s got a MIDI input so you can control it via any MIDI sequencer, and it even has Sync I/O so it can play in time with Korg’s Monotribe and Monotron analog synthesizers. Or simply create whatever synth sounds you like, then sample them for sequencing elsewhere.
Korg Volca Keys Analog Synthesizer at a Glance: True analog synthesis with 3-note polyphony Loop sequencer and Motion sequencer capture your performance Truly portable, and easy to integrate with other gear True analog synthesis with 3-note polyphony Korg’s Volca Keys is quite a flexible synthesizer, despite its compact size. Its 3-voice design lets you create 3-note chords, or combine them in unison for huge lead sounds. Even better, there’s a built-in delay effect for incredibly vibrant sounds. Loop sequencer and Motion sequencer capture your performance Whether you’re playing the built-in ribbon controller or triggering it via an external MIDI controller, the Volca Keys is great for on-the-fly creation. Use the loop sequencer to capture your idea, then use the Motion sequencer to record your knob-turning in real-time. You can easily twist one simple sequence into something entirely new, just one sure sign of a great synthesizer. Truly portable, and easy to integrate with other gear With its compact size and optional AC or battery power, the Korg Volca Keys is truly a go-anywhere analog synthesizer. Best of all, it’s got the right connections to interface with any of your gear. It’s got a MIDI input so you can control it via any MIDI sequencer, and it even has Sync I/O so it can play in time with Korg’s Monotribe and Monotron analog synthesizers. Or simply create whatever synth sounds you like, then sample them for sequencing elsewhere.
Korg Volca Keys Analog Synthesizer at a Glance: True analog synthesis with 3-note polyphony Loop sequencer and Motion sequencer capture your performance Truly portable, and easy to integrate with other gear True analog synthesis with 3-note polyphony Korg’s Volca Keys is quite a flexible synthesizer, despite its compact size. Its 3-voice design lets you create 3-note chords, or combine them in unison for huge lead sounds. Even better, there’s a built-in delay effect for incredibly vibrant sounds. Loop sequencer and Motion sequencer capture your performance Whether you’re playing the built-in ribbon controller or triggering it via an external MIDI controller, the Volca Keys is great for on-the-fly creation. Use the loop sequencer to capture your idea, then use the Motion sequencer to record your knob-turning in real-time. You can easily twist one simple sequence into something entirely new, just one sure sign of a great synthesizer. Truly portable, and easy to integrate with other gear With its compact size and optional AC or battery power, the Korg Volca Keys is truly a go-anywhere analog synthesizer. Best of all, it’s got the right connections to interface with any of your gear. It’s got a MIDI input so you can control it via any MIDI sequencer, and it even has Sync I/O so it can play in time with Korg’s Monotribe and Monotron analog synthesizers. Or simply create whatever synth sounds you like, then sample them for sequencing elsewhere.
Korg Volca Keys Analog Synthesizer at a Glance: True analog synthesis with 3-note polyphony Loop sequencer and Motion sequencer capture your performance Truly portable, and easy to integrate with other gear True analog synthesis with 3-note polyphony Korg’s Volca Keys is quite a flexible synthesizer, despite its compact size. Its 3-voice design lets you create 3-note chords, or combine them in unison for huge lead sounds. Even better, there’s a built-in delay effect for incredibly vibrant sounds. Loop sequencer and Motion sequencer capture your performance Whether you’re playing the built-in ribbon controller or triggering it via an external MIDI controller, the Volca Keys is great for on-the-fly creation. Use the loop sequencer to capture your idea, then use the Motion sequencer to record your knob-turning in real-time. You can easily twist one simple sequence into something entirely new, just one sure sign of a great synthesizer. Truly portable, and easy to integrate with other gear With its compact size and optional AC or battery power, the Korg Volca Keys is truly a go-anywhere analog synthesizer. Best of all, it’s got the right connections to interface with any of your gear. It’s got a MIDI input so you can control it via any MIDI sequencer, and it even has Sync I/O so it can play in time with Korg’s Monotribe and Monotron analog synthesizers. Or simply create whatever synth sounds you like, then sample them for sequencing elsewhere.
Last updated at 06/07/2026 20:01:16
Korg KO-VOLCAKEYS Volca Keys Analog Loop Synthesizer
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Korg Volca Keys Analogue Loop Synthesizer
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Korg Volca Keys True Analog Synth Machine
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Korg Volca Keys Analog Synthesizer Sequencer Module Tested Working
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Korg Volca Keys Analog Polyphonic Sequencer Synthesizer Loop Sequencer
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Korg Volca Keys Sequencer Analog Synthesizer Loop Sequencer Good Gp
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Korg Analog Loop Synthesizer Volca Keys Volka Keys Japan
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Korg Volca Keys Analog Loop Synth Synthesizer 100% Genuine Product
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Korg Volca Keys Keyboard Synthesizer
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Korg Volca Keys Analog Polyphonic Sequencer Synthesizer Loop Sequencer
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originally posted on dv247.com/en_GB/GBP
Haven't used it much but it's well made and sounds good. Probably needs some effects or a pedal to make it sound really nice.Few things I mind a bit:-It takes like 15 seconds to start up. Kind of annoying for a simple synth.-I wish it would start up when the power is connected. All other devices I have start=up like this, or have a static switch, but the Volca's always require you to press a button.-I struggled a bit to get this thing to pick up MIDI notes. Between badly explained MIDI/Global settings, sometimes I just had to restart all devices to get it to pick up on MIDI...
originally posted on walmart.com
The Korg Volca Bass is a fun but very limited analog semi-mono synth. I say semi-mono because each voice can have its own lane for sequence information. And the coolest part of this is that each lane can have its own step length. So with three sequences playing at once, paraphonicly (single filter for all three oscillators), you can get some very evolving sequences. I would say each iteration of the dynamic loop isn't always as useful as the previous or the next. To remedy this, I record the sequencer playing itself into my DAW and just chop up my favorite combinations of the odd sequence alignments. The sound of the Volca Bass is not fat by any means. It can do bass but with the octave knob can be dialed into higher registers as well. Three note minor chords are ... MoreThe Korg Volca Bass is a fun but very limited analog semi-mono synth. I say semi-mono because each voice can have its own lane for sequence information. And the coolest part of this is that each lane can have its own step length. So with three sequences playing at once, paraphonicly (single filter for all three oscillators), you can get some very evolving sequences. I would say each iteration of the dynamic loop isn't always as useful as the previous or the next. To remedy this, I record the sequencer playing itself into my DAW and just chop up my favorite combinations of the odd sequence alignments. The sound of the Volca Bass is not fat by any means. It can do bass but with the octave knob can be dialed into higher registers as well. Three note minor chords are particularly welcome. I bought this specifically for adding three tunable oscillators to my Korg Monotribe, which has a filter in. Since I have a modded MIDI out on my Monotribe, I can drive the Volca Bass with the sequencer of the Montribe and tune each oscillator for slight detuning around the pitch center of the Monotribe or I can tune three intervals above and/or below the Monotribe. In this setup with the filter all the way open and the volume at 50% on the Volca Bass, I now have essentially a four oscillator MS20 with a sequencer and the oscillators of the Volca Bass sound identical to the Mobotribe's to my ears. One drawback of the Volca Bass is its inability to store every function parameter as part of the memory location. The VCO Group type is naturally saved, as that dictates how many lanes of sequence there are, but all the rest of the parameters - LFO Target, LFO Wave, VCO Wave, Sustain On, and Amp EG On - don't get stored within memory. Indeed they will remain the same from memory to memory when you change a setting. I see this as a limitation especially for live performance because there can be no recall of contrasting settings upon loading a new memory. It seems that the Volca Bass is best suited for studio recording with maybe all eight memories thoughtfully programmed and then performed. Just be sure you have your settings set as you actually intend to have them. The only other drawback of the Volca Bass, and this is a matter of personal preference, is that, above 3 o'clock on the LFO Rate, it seems a bit unusable for the filter and the amp. Above that modifying pitch can get some very aggressive analog-FM tones but I would honestly prefer the LFO to go even faster for heightened analog-FM. All in all a decently cool synth but very limited. Great for adding oscillators to something with a filter in and, honestly, that might be what it's best suited for.
originally posted on dv247.com/en_GB/GBP
Okay, start with good side:- Versatile. Power from 6 AAA and small to travel. Range of sounds huge for small piece all-in-one modular system.- Easy to hook up with other volca units. Ofcourse, duh!- Sequencer. Typical volca seq, but have more function this time, at least that fit that modular approach.- Can be standalone unit. You are need only fx and recorder after that... (maybe only recorder)- Alot of pins.Some with cons:- Design. Not the coolest from Korg. On video looks much cooler!- No midi from the box. (sad sad thing, but you can mod your one if you lurk on internet for guide, I guess)- Those small pins... They are not always fit well.- Built factor. I by mistake put pins between case and pinhole from time to time.Overall, I would say that synth ... MoreOkay, start with good side:- Versatile. Power from 6 AAA and small to travel. Range of sounds huge for small piece all-in-one modular system.- Easy to hook up with other volca units. Ofcourse, duh!- Sequencer. Typical volca seq, but have more function this time, at least that fit that modular approach.- Can be standalone unit. You are need only fx and recorder after that... (maybe only recorder)- Alot of pins.Some with cons:- Design. Not the coolest from Korg. On video looks much cooler!- No midi from the box. (sad sad thing, but you can mod your one if you lurk on internet for guide, I guess)- Those small pins... They are not always fit well.- Built factor. I by mistake put pins between case and pinhole from time to time.Overall, I would say that synth is good one, just because that cool one, grab one and play it!
| Keyboard | Multi-Touch Keyboard |
| Synthesiser Type | Analogue Synthesis |
| Polyphony | 3 Voices (Maximum) |
| Number of Parts | 1 |
| Number of Steps | 16 |
Korg KO-VOLCAKEYS Volca Keys Analog Loop Synthesizer
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Korg Volca Keys Analogue Loop Synthesizer
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Korg Volca Keys True Analog Synth Machine
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Korg Volca Keys Analog Synthesizer Sequencer Module Tested Working
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Korg Volca Keys Analog Polyphonic Sequencer Synthesizer Loop Sequencer
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Haven't used it much but it's well made and sounds good. Probably needs some effects or a pedal to make it sound really nice.Few things I mind a bit:-It takes like 15 seconds to start up. Kind of annoying for a simple synth.-I wish it would start up when the power is connected. All other devices I have start=up like this, or have a static switch, but the Volca's always require you to press a button.-I struggled a bit to get this thing to pick up MIDI notes. Between badly explained MIDI/Global settings, sometimes I just had to restart all devices to get it to pick up on MIDI...
The Korg Volca Bass is a fun but very limited analog semi-mono synth. I say semi-mono because each voice can have its own lane for sequence information. And the coolest part of this is that each lane can have its own step length. So with three sequences playing at once, paraphonicly (single filter for all three oscillators), you can get some very evolving sequences. I would say each iteration of the dynamic loop isn't always as useful as the previous or the next. To remedy this, I record the sequencer playing itself into my DAW and just chop up my favorite combinations of the odd sequence alignments. The sound of the Volca Bass is not fat by any means. It can do bass but with the octave knob can be dialed into higher registers as well. Three note minor chords are ... MoreThe Korg Volca Bass is a fun but very limited analog semi-mono synth. I say semi-mono because each voice can have its own lane for sequence information. And the coolest part of this is that each lane can have its own step length. So with three sequences playing at once, paraphonicly (single filter for all three oscillators), you can get some very evolving sequences. I would say each iteration of the dynamic loop isn't always as useful as the previous or the next. To remedy this, I record the sequencer playing itself into my DAW and just chop up my favorite combinations of the odd sequence alignments. The sound of the Volca Bass is not fat by any means. It can do bass but with the octave knob can be dialed into higher registers as well. Three note minor chords are particularly welcome. I bought this specifically for adding three tunable oscillators to my Korg Monotribe, which has a filter in. Since I have a modded MIDI out on my Monotribe, I can drive the Volca Bass with the sequencer of the Montribe and tune each oscillator for slight detuning around the pitch center of the Monotribe or I can tune three intervals above and/or below the Monotribe. In this setup with the filter all the way open and the volume at 50% on the Volca Bass, I now have essentially a four oscillator MS20 with a sequencer and the oscillators of the Volca Bass sound identical to the Mobotribe's to my ears. One drawback of the Volca Bass is its inability to store every function parameter as part of the memory location. The VCO Group type is naturally saved, as that dictates how many lanes of sequence there are, but all the rest of the parameters - LFO Target, LFO Wave, VCO Wave, Sustain On, and Amp EG On - don't get stored within memory. Indeed they will remain the same from memory to memory when you change a setting. I see this as a limitation especially for live performance because there can be no recall of contrasting settings upon loading a new memory. It seems that the Volca Bass is best suited for studio recording with maybe all eight memories thoughtfully programmed and then performed. Just be sure you have your settings set as you actually intend to have them. The only other drawback of the Volca Bass, and this is a matter of personal preference, is that, above 3 o'clock on the LFO Rate, it seems a bit unusable for the filter and the amp. Above that modifying pitch can get some very aggressive analog-FM tones but I would honestly prefer the LFO to go even faster for heightened analog-FM. All in all a decently cool synth but very limited. Great for adding oscillators to something with a filter in and, honestly, that might be what it's best suited for.
Okay, start with good side:- Versatile. Power from 6 AAA and small to travel. Range of sounds huge for small piece all-in-one modular system.- Easy to hook up with other volca units. Ofcourse, duh!- Sequencer. Typical volca seq, but have more function this time, at least that fit that modular approach.- Can be standalone unit. You are need only fx and recorder after that... (maybe only recorder)- Alot of pins.Some with cons:- Design. Not the coolest from Korg. On video looks much cooler!- No midi from the box. (sad sad thing, but you can mod your one if you lurk on internet for guide, I guess)- Those small pins... They are not always fit well.- Built factor. I by mistake put pins between case and pinhole from time to time.Overall, I would say that synth ... MoreOkay, start with good side:- Versatile. Power from 6 AAA and small to travel. Range of sounds huge for small piece all-in-one modular system.- Easy to hook up with other volca units. Ofcourse, duh!- Sequencer. Typical volca seq, but have more function this time, at least that fit that modular approach.- Can be standalone unit. You are need only fx and recorder after that... (maybe only recorder)- Alot of pins.Some with cons:- Design. Not the coolest from Korg. On video looks much cooler!- No midi from the box. (sad sad thing, but you can mod your one if you lurk on internet for guide, I guess)- Those small pins... They are not always fit well.- Built factor. I by mistake put pins between case and pinhole from time to time.Overall, I would say that synth is good one, just because that cool one, grab one and play it!
The Korg Volca Keys is a fantastic sounding analog poly synth even if it were more expensive. This can really get pretty fat too. I love the Volca Keys so much that I made a sample library with it using motion recording and doing two passes of each sound to give me stereo imagining of the LFO phase. If there's one thing that's greatest about it, it's the filter. Korg filters are the best and this filter, based on the miniKORG 700S, is no exception. The different oscillator modes give it a wide range of sounds and one of my favorite features of this is the pitch envelope. The pitch envelope just really sets it apart from synths lacking such control. I've used this with its sequencer and that's totally fun for DAWless jams. I'm now also enjoying using it in sampled ... MoreThe Korg Volca Keys is a fantastic sounding analog poly synth even if it were more expensive. This can really get pretty fat too. I love the Volca Keys so much that I made a sample library with it using motion recording and doing two passes of each sound to give me stereo imagining of the LFO phase. If there's one thing that's greatest about it, it's the filter. Korg filters are the best and this filter, based on the miniKORG 700S, is no exception. The different oscillator modes give it a wide range of sounds and one of my favorite features of this is the pitch envelope. The pitch envelope just really sets it apart from synths lacking such control. I've used this with its sequencer and that's totally fun for DAWless jams. I'm now also enjoying using it in sampled form. Every parameter is motion recordable except oscillator mode & resonance and you can motion record all other parameters without limit. I hope to always have a Volca Keys and I just know I'll only ever get rid of it if Korg comes out with a Volca Keys 2.
The Korg Volca Keys is a fantastic sounding analog poly synth even if it were more expensive. This can really get pretty fat too. I love the Volca Keys so much that I made a sample library with it using motion recording and doing two passes of each sound to give me stereo imagining of the LFO phase. If there's one thing that's greatest about it, it's the filter. Korg filters are the best and this filter, based on the miniKORG 700S, is no exception. The different oscillator modes give it a wide range of sounds and one of my favorite features of this is the pitch envelope. The pitch envelope just really sets it apart from synths lacking such control. I've used this with its sequencer and thats totally fun for DAWless jams. I'm now also enjoying using it in sampled ... MoreThe Korg Volca Keys is a fantastic sounding analog poly synth even if it were more expensive. This can really get pretty fat too. I love the Volca Keys so much that I made a sample library with it using motion recording and doing two passes of each sound to give me stereo imagining of the LFO phase. If there's one thing that's greatest about it, it's the filter. Korg filters are the best and this filter, based on the miniKORG 700S, is no exception. The different oscillator modes give it a wide range of sounds and one of my favorite features of this is the pitch envelope. The pitch envelope just really sets it apart from synths lacking such control. I've used this with its sequencer and thats totally fun for DAWless jams. I'm now also enjoying using it in sampled form. Every parameter is motion recordable except oscillator mode & resonance and you can motion record all other parameters without limit. I hope to always have a Volca Keys and I just know Ill only ever get rid of it if Korg comes out with a Volca Keys 2.
I LOVE the Volca KeysSo much so that I made a sample library with it using automation and anything I could think ofIf there's one thing that's greatest about itIt's the filterKorg filter are the best(Sorry Moog)And this filter is no exceptionI've used this with its sequencer and it can be funBut I think from now onI'm going to use it to create samples and then load the samples in a Waldorf Blofeld for playbackWhen I was using the sequencerI got the best results recording automation from Ableton with a Max for Live device that controlled all automatable parametersFor sonic precisionUsing a software device to create your automation is a breeze and is so expressive
This mini synth feels fairly rugged and the plethora of flashing lights add to the retro aesthetic.As a novice, I found the instructions rather sparse. But if you already know your way round a synth, I expect you'll be fine.This is great for recording little sequences on the fly and experimenting with variations in sound. But if you want to use it seriously, you'll probably want to plug in an external MIDI keyboard since the tiny ribbon keyboard isn't great for hitting chords accurately.Batteries last quite a while, but if you want a mains adaptor you'll need to buy this separately.Overall, this is a lot of fun in a small package. It just takes a lot of experimenting to unlock its full potential.
I’ve owned Synthesizers since 1972. I currently own quite a few from several manufacturers, Behringer, Roland, ASM, Elektron, Modal, Teenage Engineering and Korg (Volca FM 2 and Sample 2) to name a few.10 years in the marketplace this Volca Keys has really held up to the test of time.Marketed as an “Analogue” Synthesizer in reality the control signals are generated digitally with the CPU using a 10-bit DAC giving it near-analogue resolution. So this is a Subtractive Hybrid unit; an analogue sound engine with digital control so dial tweaks and note info can be recorded into the sequencer/accessed over MIDI. By the way, this is a good thing not a negative at all.It’s a pretty easy to use, straightforward, with no menu screen, pretty much a dial per function ... MoreI’ve owned Synthesizers since 1972. I currently own quite a few from several manufacturers, Behringer, Roland, ASM, Elektron, Modal, Teenage Engineering and Korg (Volca FM 2 and Sample 2) to name a few.10 years in the marketplace this Volca Keys has really held up to the test of time.Marketed as an “Analogue” Synthesizer in reality the control signals are generated digitally with the CPU using a 10-bit DAC giving it near-analogue resolution. So this is a Subtractive Hybrid unit; an analogue sound engine with digital control so dial tweaks and note info can be recorded into the sequencer/accessed over MIDI. By the way, this is a good thing not a negative at all.It’s a pretty easy to use, straightforward, with no menu screen, pretty much a dial per function arrangement. Great for beginners but powerful enough for experienced users.I did notice notice that some dials are translucent and some solid. As a rule I found the solid dials' movements can't be sequenced, but the translucent dials can be sequenced and are backlit red plus flash to denote which parameters are active or recorded in a 'motion sequence' (motion sequencing captures dial movements into the sequencer). The tempo dials flash in time with the internal/MIDI-clocked tempo and each key/sequence step has its own LED too, convenient for letting you know what's happening at a glance within complex sequences.It has 3 sawtooth wave oscillators & produces great upfront three-note chords, dirty lead/bass lines, ring modulated sounds and detuned unisons. It also features octave/fifth mono modes, a versatile tempo-syncable analogue-style delay that does reverbs/bit-crushing (from the Monotron Delay) freeform unquantised flux recording and 1/1, 1⁄2 and 1⁄4 tempo modes.It uses the great MiniKORG700s filter. The LFO has 3 waveforms: sawtooth, square & triangle which make for some great modulation variety.The Volca Keys really packs a lot in, it's very versatile and a true value at such a low cost.
Overall:and, amazing price if you do the payment plan as I did. A few months of $27 beats all at once. the learning curve for this synth is not at all sharp watch a few videos on You Tube and play along it all comes easily or how the ad speak goes, Its very intuitive. Hooks up easily to speakers with 3.5mm audio cord. With good batteries you have good battery life. And, keep the box it comes in cause its great just to put in that and put it in your bag for portability. And, so far seems quite durable in my klutzy hands.And, the sound is just great to my ears and you have each step in a sequence have its own flavor and you can go three layers deep to really fill out your sound. Also, for someone who's looking to get into synths this is a great place to start.Lastly ... MoreOverall:and, amazing price if you do the payment plan as I did. A few months of $27 beats all at once. the learning curve for this synth is not at all sharp watch a few videos on You Tube and play along it all comes easily or how the ad speak goes, Its very intuitive. Hooks up easily to speakers with 3.5mm audio cord. With good batteries you have good battery life. And, keep the box it comes in cause its great just to put in that and put it in your bag for portability. And, so far seems quite durable in my klutzy hands.And, the sound is just great to my ears and you have each step in a sequence have its own flavor and you can go three layers deep to really fill out your sound. Also, for someone who's looking to get into synths this is a great place to start.Lastly its exactly what its described to be.
This is a great little instrument, makes for endless experimentation and the sounds are great. Seems to be pretty efficient with the batteries so far, I'll probably get a power supply. Only cons for me: 1- the instructions are a little vague on the recording key sequence, I am still trying to figure out exactly what combo of buttons to push to get it to record every time. Sometimes it saves things and sometimes it doesn't, wierd. 2- in tandem with the above #1, triggering record sends it into some altered-sound mode where the recording is not exactly what the thing is playing when you trigger record. Again, instructions are not clear on why this is, you have to play around a lot to figure the thing out. Still, for the budget it's an easy way to get your hands on ... MoreThis is a great little instrument, makes for endless experimentation and the sounds are great. Seems to be pretty efficient with the batteries so far, I'll probably get a power supply. Only cons for me: 1- the instructions are a little vague on the recording key sequence, I am still trying to figure out exactly what combo of buttons to push to get it to record every time. Sometimes it saves things and sometimes it doesn't, wierd. 2- in tandem with the above #1, triggering record sends it into some altered-sound mode where the recording is not exactly what the thing is playing when you trigger record. Again, instructions are not clear on why this is, you have to play around a lot to figure the thing out. Still, for the budget it's an easy way to get your hands on this kind of a synth and see if higher grade gear is worth your time. You can be Roger Waters for cheap!
| Keyboard | Multi-Touch Keyboard |
| Synthesiser Type | Analogue Synthesis |
| Polyphony | 3 Voices (Maximum) |
| Number of Parts | 1 |
| Number of Steps | 16 |