The 1962, 2 x 12′′ combo was called the ‘Bluesbreaker’ because it was famously used by Eric Clapton with the influential British blues rockers, John Mayall’s Bluesbreakers, in 1966. It was this heady, ‘high in the mix’ sound that made the legend of the 1962. GZ34 valve rectification plays a pivotal role in helping to achieve that famed output-stage compression and clean sustain, unique to both the ‘Bluesbreaker’ combo and the JTM45 head. Although tonally similar to the JTM45, The 1962 ‘Bluesbreaker’ speakers add to its sonic characteristics. The 1962 ‘Bluesbreaker’ is loaded with two re-issued Celestion Greenback 25 Watt speakers and has footswitchable Tremolo to recreate that classic ’60s vibe.
The 1962, 2 x 12′′ combo was called the ‘Bluesbreaker’ because it was famously used by Eric Clapton with the influential British blues rockers, John Mayall’s Bluesbreakers, in 1966. It was this heady, ‘high in the mix’ sound that made the legend of the 1962. GZ34 valve rectification plays a pivotal role in helping to achieve that famed output-stage compression and clean sustain, unique to both the ‘Bluesbreaker’ combo and the JTM45 head. Although tonally similar to the JTM45, The 1962 ‘Bluesbreaker’ speakers add to its sonic characteristics. The 1962 ‘Bluesbreaker’ is loaded with two re-issued Celestion Greenback 25 Watt speakers and has footswitchable Tremolo to recreate that classic ’60s vibe.
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Prices last updated 6 Sept 2026.
Marshall 1962 Bluesbreaker Combo Amp
The 1962, 2 x 12′′ combo was called the ‘Bluesbreaker’ because it was famously used by Eric Clapton with the influential British blues rockers, John Mayall’s Bluesbreakers, in 1966. It was this heady, ‘high in the mix’ sound that made the legend of the 1962. GZ34 valve rectification plays a pivotal role in helping to achieve that famed output-stage compression and clean sustain, unique to both the ‘Bluesbreaker’ combo and the JTM45 head. Although tonally similar to the JTM45, The 1962 ‘Bluesbreaker’ speakers add to its sonic characteristics. The 1962 ‘Bluesbreaker’ is loaded with two re-issued Celestion Greenback 25 Watt speakers and has footswitchable Tremolo to recreate that classic ’60s vibe.
The 1962, 2 x 12′′ combo was called the ‘Bluesbreaker’ because it was famously used by Eric Clapton with the influential British blues rockers, John Mayall’s Bluesbreakers, in 1966. It was this heady, ‘high in the mix’ sound that made the legend of the 1962. GZ34 valve rectification plays a pivotal role in helping to achieve that famed output-stage compression and clean sustain, unique to both the ‘Bluesbreaker’ combo and the JTM45 head. Although tonally similar to the JTM45, The 1962 ‘Bluesbreaker’ speakers add to its sonic characteristics. The 1962 ‘Bluesbreaker’ is loaded with two re-issued Celestion Greenback 25 Watt speakers and has footswitchable Tremolo to recreate that classic ’60s vibe.
Last updated at 09/06/2026 13:53:54
Marshall 1962 Bluesbreaker Reissue - 30W 2X12 Combo Amp
Delivery between 9–17 Sept $25
Marshall 1962 "Bluesbreaker" JTM Reissue 30-Watt 2x12" Guitar Combo
Delivery $588.40
Marshall 1962 'Bluesbreaker' Vintage Reissue 2x12" Valve Amp Combo w/ Tremolo 30w
Delivery $210
Marshall 1962 'Bluesbreaker' Vintage Reissue 2x12" Valve Amp Combo w/ Tremolo 30w
Delivery $210
Marshall 1962 Bluesbreaker Reissue 30-Watt 2x12" Valve Combo Amplifier Pre-Owned
Marshall 1962 30w 2x12 Bluesbreaker Combo
Delivery $90
Marshall 1962: 30W 2 x 12 Bluesbreaker Combo
Delivery between Wed – Thu $29.05
Marshall 1962 Bluesbreaker 30W 2x12 Combo Amplifier with Tremolo and Footswitch
Delivery between 10–14 Sept $7
Marshall Mvc-1962 Guitar Amplifier Bluesbreaker Combo Amp 30w 2x12
Free delivery
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Marshall 1962 Bluesbreaker Combo Amp - Buy Online - Belfield Music
Free delivery between 9–21 Sept
originally posted on musiciansfriend.com
I have been playing this gorgeous machine for several years now. I've made a couple of records with it and its has seen tons of stage time. In my opinion, the JTM-45 has the most complex and elegant tone that I have ever heard. The dynamics are stunning and the top end just shimmers. The JTM-45 has a slightly more pronounced bottom end than a Bassman, and AC30-ish highs. I've owned many wonderful all-tube amps in my career: Vox, Fender, Boogie and other Marshall amps as well. This is THE sound that I hear in my head, only somehow it is always better than I remember it...ANY guitar I plug into it sounds brilliant in its own way. I don't bother with the tremelo on it...it is its the least attractive, and fully expendable, feature. This thing never breaks down, ... MoreI have been playing this gorgeous machine for several years now. I've made a couple of records with it and its has seen tons of stage time. In my opinion, the JTM-45 has the most complex and elegant tone that I have ever heard. The dynamics are stunning and the top end just shimmers. The JTM-45 has a slightly more pronounced bottom end than a Bassman, and AC30-ish highs. I've owned many wonderful all-tube amps in my career: Vox, Fender, Boogie and other Marshall amps as well. This is THE sound that I hear in my head, only somehow it is always better than I remember it...ANY guitar I plug into it sounds brilliant in its own way. I don't bother with the tremelo on it...it is its the least attractive, and fully expendable, feature. This thing never breaks down, completely reliable.Be that as it may, I feel that all of you folks who sing the praises of Line6 repros should stick to the fakes and leave the real amps to players who care about their own voice.
originally posted on musiciansfriend.com
When I first got this I was fairly impressed. I was using a handpainted Box of rock from Zvex, and a dumlop wah. This amp sounded beautiful clean. With distortion it only got better. With just boost and wah it was amazing, but I play mostly hard rock. I had read some reviews saying this amp wasnt very good for anything Metal or Hard rock. I started thinking about getting something different b/c for me it was lacking a bit in the gain department. So I decided to give it another chance and went and get a Boss od-20 pedal, which has a ton of distortion types on it. It pretty much turned the bluesbreaker into a beast!. Long story short this amp gives me the ability to sound like nearly anything you could possibly think of Clapton, Hendrix, Zeppelin, Tool, Metallica, Foo ... MoreWhen I first got this I was fairly impressed. I was using a handpainted Box of rock from Zvex, and a dumlop wah. This amp sounded beautiful clean. With distortion it only got better. With just boost and wah it was amazing, but I play mostly hard rock. I had read some reviews saying this amp wasnt very good for anything Metal or Hard rock. I started thinking about getting something different b/c for me it was lacking a bit in the gain department. So I decided to give it another chance and went and get a Boss od-20 pedal, which has a ton of distortion types on it. It pretty much turned the bluesbreaker into a beast!. Long story short this amp gives me the ability to sound like nearly anything you could possibly think of Clapton, Hendrix, Zeppelin, Tool, Metallica, Foo Fighters, A perfect circle. You name it I'm convinced this amp can do it. I would advise you to invest in a few pedals tho if you want a variety of sound, The built in tremolo Is great, but I have to have it around 7 to get a good sound from it. All around this is a great amp if your looking for a versitile combo.
originally posted on musiciansfriend.com
This is all the amp you need for all genres. It gets 4 stars because the way this thing is shipped to you, is on the verge of disgusting. Skimpy box, no padding, and she came with a gouge in the tolex and a dent in the wood. But, at least this amp is definitely built like a tank, so I didn't go through the hassle of returning it. It is true that GIBSONS sound the best through these amps. I have an American Deluxe Strat that sounds great, but my SG sounds the best. worth the price, too. Just buy it!
| Output (RMS) | 30 Watt |
| Speakers | 2 x 12" 25w Celestion Greenback |
| Pre Amp Valves | 3x ECC83 |
| Power Amp Valves | 2x 5881 |
| Dimensions (mm) | 740 x 610 x 265 |
Marshall 1962 Bluesbreaker Reissue - 30W 2X12 Combo Amp
Delivery between 9–17 Sept $25
Marshall 1962 "Bluesbreaker" JTM Reissue 30-Watt 2x12" Guitar Combo
Delivery $588.40
Marshall 1962 'Bluesbreaker' Vintage Reissue 2x12" Valve Amp Combo w/ Tremolo 30w
Delivery $210
Marshall 1962 'Bluesbreaker' Vintage Reissue 2x12" Valve Amp Combo w/ Tremolo 30w
Delivery $210
Marshall 1962 Bluesbreaker Reissue 30-Watt 2x12" Valve Combo Amplifier Pre-Owned
I have been playing this gorgeous machine for several years now. I've made a couple of records with it and its has seen tons of stage time. In my opinion, the JTM-45 has the most complex and elegant tone that I have ever heard. The dynamics are stunning and the top end just shimmers. The JTM-45 has a slightly more pronounced bottom end than a Bassman, and AC30-ish highs. I've owned many wonderful all-tube amps in my career: Vox, Fender, Boogie and other Marshall amps as well. This is THE sound that I hear in my head, only somehow it is always better than I remember it...ANY guitar I plug into it sounds brilliant in its own way. I don't bother with the tremelo on it...it is its the least attractive, and fully expendable, feature. This thing never breaks down, ... MoreI have been playing this gorgeous machine for several years now. I've made a couple of records with it and its has seen tons of stage time. In my opinion, the JTM-45 has the most complex and elegant tone that I have ever heard. The dynamics are stunning and the top end just shimmers. The JTM-45 has a slightly more pronounced bottom end than a Bassman, and AC30-ish highs. I've owned many wonderful all-tube amps in my career: Vox, Fender, Boogie and other Marshall amps as well. This is THE sound that I hear in my head, only somehow it is always better than I remember it...ANY guitar I plug into it sounds brilliant in its own way. I don't bother with the tremelo on it...it is its the least attractive, and fully expendable, feature. This thing never breaks down, completely reliable.Be that as it may, I feel that all of you folks who sing the praises of Line6 repros should stick to the fakes and leave the real amps to players who care about their own voice.
When I first got this I was fairly impressed. I was using a handpainted Box of rock from Zvex, and a dumlop wah. This amp sounded beautiful clean. With distortion it only got better. With just boost and wah it was amazing, but I play mostly hard rock. I had read some reviews saying this amp wasnt very good for anything Metal or Hard rock. I started thinking about getting something different b/c for me it was lacking a bit in the gain department. So I decided to give it another chance and went and get a Boss od-20 pedal, which has a ton of distortion types on it. It pretty much turned the bluesbreaker into a beast!. Long story short this amp gives me the ability to sound like nearly anything you could possibly think of Clapton, Hendrix, Zeppelin, Tool, Metallica, Foo ... MoreWhen I first got this I was fairly impressed. I was using a handpainted Box of rock from Zvex, and a dumlop wah. This amp sounded beautiful clean. With distortion it only got better. With just boost and wah it was amazing, but I play mostly hard rock. I had read some reviews saying this amp wasnt very good for anything Metal or Hard rock. I started thinking about getting something different b/c for me it was lacking a bit in the gain department. So I decided to give it another chance and went and get a Boss od-20 pedal, which has a ton of distortion types on it. It pretty much turned the bluesbreaker into a beast!. Long story short this amp gives me the ability to sound like nearly anything you could possibly think of Clapton, Hendrix, Zeppelin, Tool, Metallica, Foo Fighters, A perfect circle. You name it I'm convinced this amp can do it. I would advise you to invest in a few pedals tho if you want a variety of sound, The built in tremolo Is great, but I have to have it around 7 to get a good sound from it. All around this is a great amp if your looking for a versitile combo.
This is all the amp you need for all genres. It gets 4 stars because the way this thing is shipped to you, is on the verge of disgusting. Skimpy box, no padding, and she came with a gouge in the tolex and a dent in the wood. But, at least this amp is definitely built like a tank, so I didn't go through the hassle of returning it. It is true that GIBSONS sound the best through these amps. I have an American Deluxe Strat that sounds great, but my SG sounds the best. worth the price, too. Just buy it!
I bought this amp in the early 1990s. The one I have is a March 1990 amp. That was 26 years ago. It has been with me since I was 18 years old. I have gigged with it and it always sounded great. I said this amp is "all things to all men" because it is very versatile for people who play blues, Jazz, Rock, Latin, Pop and even Hip Hop. I used it for backing Hip Hop artists and dance music artists in the past and it worked fine. If you want more gain use a pedal in front of it. I use a vintage RAT pedal for extra gain. This amp has one of the best clean tones at volumes below 7 and begins to grind from 7 and up. It also depends on the guitar. With my Fender Telecaster it stays clean longer and with my Les Paul it grinds earlier. With the Tele and the volume on ten ... MoreI bought this amp in the early 1990s. The one I have is a March 1990 amp. That was 26 years ago. It has been with me since I was 18 years old. I have gigged with it and it always sounded great. I said this amp is "all things to all men" because it is very versatile for people who play blues, Jazz, Rock, Latin, Pop and even Hip Hop. I used it for backing Hip Hop artists and dance music artists in the past and it worked fine. If you want more gain use a pedal in front of it. I use a vintage RAT pedal for extra gain. This amp has one of the best clean tones at volumes below 7 and begins to grind from 7 and up. It also depends on the guitar. With my Fender Telecaster it stays clean longer and with my Les Paul it grinds earlier. With the Tele and the volume on ten without pedals, this thing gets Led Zeppelin's "Communication Break Down" tone. With the Les Paul and the volume on ten it gets the "Whole Lot of Love" tone. Lower the volume and a tele can chicken pick, and swing some Jazz. With both tele and Les Paul it can sing and sting the blues. I usually only run a Fender 63 Reverb unit in front, that is it. Unless I want more of a Heavy Metal tone, then I use the RAT pedal and Wah pedal. Truly a great amp. 26 years later this amp has become very expensive to own. But the experience of owning it, is worth it. I am glad I bought mine a long time ago. I highly recommend it. This is an amp that you keep for life.
I play this amp live and in the studio. In both situations it performs and out performs any amp i have ever played through. Marshall is the industry standard and they are for a reason. This amp is solid at nearly 100lbs i don't think anything is going to happen to it. As for "FLEXTONE" by line6, PLEASE, Line six is good for one think... putting their name on other peoples sound. I would gig without a back up with this amp any day of the week. I play this with a 2006 Fender Telecaster HS American and a Fender 89' Strat with lace sensors and the difference in tone is unbelievable. this amp picks up tone changes beautifully. I also drive a ProCo Rat, TS808, and MXR Micro Amp through this and it holds that marshall crunch so nicely. Any one that slams this amp is ... MoreI play this amp live and in the studio. In both situations it performs and out performs any amp i have ever played through. Marshall is the industry standard and they are for a reason. This amp is solid at nearly 100lbs i don't think anything is going to happen to it. As for "FLEXTONE" by line6, PLEASE, Line six is good for one think... putting their name on other peoples sound. I would gig without a back up with this amp any day of the week. I play this with a 2006 Fender Telecaster HS American and a Fender 89' Strat with lace sensors and the difference in tone is unbelievable. this amp picks up tone changes beautifully. I also drive a ProCo Rat, TS808, and MXR Micro Amp through this and it holds that marshall crunch so nicely. Any one that slams this amp is Ignorant. especially people that would play a line 6 over a top of the line marshall.
I like this amp quite a bit. I play my 50's Gibson ES125 with the dog ear p90 and it sounds great at high volume. At bedroom level you need a pedal like a boss blues driver. This amp feels heavier than my TRRI and is a bit more awkward to carry. It is all worth it for the tone, though I leave it in the studio... I play my strats through it with a stock TS-10 and I get that classic BTO, Takin' care of buisness' crunch! This was a restock so the packaging was horrible and came with a few scuffs, but for 2/3rds the price, I shouldn't complain. As far as function, it works flawlessly for hours.
This is one of the best clean sounding Marshalls available. And when you start to crank it, you get that on the edge sweet spot, gritty classic Marshall tone. To get heavy distortion, you will need to use a pedal, which I should mention that pedals works great for this amp. Tremolo sounds good but I won't be using this that much. The 2 Celestion Greenbacks add to the great tone.
Make no mistake. I love this amp! Tone is in my humble opinion better, thicker and crisper than any Fender or Vox.The flip side is its weight. It is the heaviest combo I have ever seen. I decided not to take it to gigs because playing live should be a pleasant experience and unless you've got a roadie for me it isn't.
I can't stress enough how versatile this amplifier is. I was lucky enough to find one used for super cheap and I still get chills just looking at it while the tubes warm up. From squeaky clean to down and dirty and everything in between, this is by far the greatest sounding amp I've played through and had the pleasure to own so far. It might take awhile to tweak some knobs and find the sound you're looking for, but once you do it's all over. Get your favorite reverb pedal (I love my Holy Grail) and overdrive (loves me some TS9) and you're set man. I LOVE THIS AMP!
I bought this amp a few months ago and have not had any problems whatsoever. I play a custom tele with bare knuckle pickups that I built, and it is the most genuine, clean, pure tone that I have ever encompassed myself with. I'm playing through a true bypass AB-Y box to switch from this to my orange ad140 for distorion, and it DOES keep up. As far as whoever thinks line6 creates a better amp than marshall, I would have to completely disagree. the tone, quality, and sheer beauty of this amp completely out-does ANYTHING that line 6 has created. If youre thinking about buying this amp, you really should, and you will be happy you did. I recommend obtaining a road case if you plan to play out with it.
| Output (RMS) | 30 Watt |
| Speakers | 2 x 12" 25w Celestion Greenback |
| Pre Amp Valves | 3x ECC83 |
| Power Amp Valves | 2x 5881 |
| Dimensions (mm) | 740 x 610 x 265 |
