Over the years, David Gilmour's lead tone has consistently been as varied as it is coveted. An assortment of overdrives, fuzz pedals, and boosters paired with a variety of amps and guitars have produced some of the most vibrant, gloriously rich tones in rock 'n' roll history. While it's evident that no sole effect can replicate Gilmour's unmistakable sound, when it comes to fuzz, the legendary Big Muff has been Gilmour's fuzz unit of choice throughout most of his career, and with so many different incarnations and variants being used at different time periods, his tone has remained incredibly difficult and elusive to pin down. Rather than modeling the Mojo Hand FX Iron Bell Fuzz after a specific Muff circuit, the pedal has been tweaked to be a wide, yet focused platform. As opposed to the Colossus Fuzz, which is based on the Sovtek/Civil War era Muff, the Iron Bell Fuzz is tailored to produce a very open and rich voice, with a harmonic quality that's almost 3-Dimensional. The Iron Bell Fuzz comes equipped with standard Gain and Volume controls, but also features Tone and Colour knobs that allow you to shape the overall spectrum of the EQ. The Iron Bell is tweakable enough that using it in conjunction with a variety of set ups and effect combinations will offeran extensive array of tonal shades and colors. The main focus of the Mojo Hand FX Iron Bell Fuzz is not meant to be "David Gilmour in a box", it's more of a tonal tool that can be used in numerous ways to obtain that epic soaring, yet manageable quality of sound that has become the signature calling card of one of music's most legendary players. The Iron Bell can be much more, and can serve as a tool to take your sound way beyond "The Dark Side of the Moon".