Raising the bar above the previous generation of UltraLite, the MOTU UltraLite-mk5 desktop 18x22 USB Type-C audio/MIDI interface provides a slew of enhancements inside and out, from its fresh appearance and simplified operation to updated DACs and improved analog performance. With its flexible connectivity, generous software bundle, virtual loopback function, and host-based or standalone use, the UltraLite-mk5 is equally advantageous for musicians, producers, podcasters, and content creators.The mic preamps on the UltraLite now deliver up to +74 dB of gain, more than enough to get a robust recording level even from low-output dynamic mics. The two combo inputs can also accept line/instrument sources while the six rear-panel 1/4" inputs are dedicated for line-level sources. Thanks to the 10 DC-coupled line outputs and stereo headphone out, the interface can easily feed speakers, cans, and outboard gear. Plus, 10 channels of digital audio I/O and traditional MIDI I/O are present, should you need to integrate the UltraLite-mk5 with more complex setups.
Raising the bar above the previous generation of UltraLite, the MOTU UltraLite-mk5 desktop 18x22 USB Type-C audio/MIDI interface provides a slew of enhancements inside and out, from its fresh appearance and simplified operation to updated DACs and improved analog performance. With its flexible connectivity, generous software bundle, virtual loopback function, and host-based or standalone use, the UltraLite-mk5 is equally advantageous for musicians, producers, podcasters, and content creators.The mic preamps on the UltraLite now deliver up to +74 dB of gain, more than enough to get a robust recording level even from low-output dynamic mics. The two combo inputs can also accept line/instrument sources while the six rear-panel 1/4" inputs are dedicated for line-level sources. Thanks to the 10 DC-coupled line outputs and stereo headphone out, the interface can easily feed speakers, cans, and outboard gear. Plus, 10 channels of digital audio I/O and traditional MIDI I/O are present, should you need to integrate the UltraLite-mk5 with more complex setups.
Raising the bar above the previous generation of UltraLite, the MOTU UltraLite-mk5 desktop 18x22 USB Type-C audio/MIDI interface provides a slew of enhancements inside and out, from its fresh appearance and simplified operation to updated DACs and improved analog performance. With its flexible connectivity, generous software bundle, virtual loopback function, and host-based or standalone use, the UltraLite-mk5 is equally advantageous for musicians, producers, podcasters, and content creators.The mic preamps on the UltraLite now deliver up to +74 dB of gain, more than enough to get a robust recording level even from low-output dynamic mics. The two combo inputs can also accept line/instrument sources while the six rear-panel 1/4" inputs are dedicated for line-level sources. Thanks to the 10 DC-coupled line outputs and stereo headphone out, the interface can easily feed speakers, cans, and outboard gear. Plus, 10 channels of digital audio I/O and traditional MIDI I/O are present, should you need to integrate the UltraLite-mk5 with more complex setups.
Raising the bar above the previous generation of UltraLite, the MOTU UltraLite-mk5 desktop 18x22 USB Type-C audio/MIDI interface provides a slew of enhancements inside and out, from its fresh appearance and simplified operation to updated DACs and improved analog performance. With its flexible connectivity, generous software bundle, virtual loopback function, and host-based or standalone use, the UltraLite-mk5 is equally advantageous for musicians, producers, podcasters, and content creators.The mic preamps on the UltraLite now deliver up to +74 dB of gain, more than enough to get a robust recording level even from low-output dynamic mics. The two combo inputs can also accept line/instrument sources while the six rear-panel 1/4" inputs are dedicated for line-level sources. Thanks to the 10 DC-coupled line outputs and stereo headphone out, the interface can easily feed speakers, cans, and outboard gear. Plus, 10 channels of digital audio I/O and traditional MIDI I/O are present, should you need to integrate the UltraLite-mk5 with more complex setups.
Last updated at 06/05/2026 18:41:38
MOTU - UltraLite-mk5 18x22 USB Audio Interface
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MOTU UltraLite-Mk5 18x22 USB-C Audio Interface w/ 2 Mic Preamps
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface, 2 Mic Preamps w/ Mogami Gold Cable
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface, 2 Mic Preamps w/ Mogami CorePlus Cables
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface, 2 Mic Preamps w/ Mogami Gold Cable & Headphones
MOTU UltraLite-mk5 USB-C Audio Interface
MOTU UltraLite mk5 (USB Audio Interface) (USB-C) (Mots) (Maximum 18-channel input, 22-channel output) (DTM)
MOTU Ultralite MK5 Audio Interface
Delivery $35.95
Motu Ultralite-mk5 40 Channel Usb Audio Interface
Delivery $151.03
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Motu Ultralite-mk5 18x22 Usb Audio Interface With Usb Type-c Cable &
Delivery $147.60
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originally posted on bhphotovideo.com
This is an impressive recorder: It has a ton of inputs, the sound quality is stellar, the software is easy to use*, most of the important controls are right in front. The monochrome design is pretty spiffy There is a printed manual(!), and it's actually useful(!).Small nitpicks:-downside of monochrome design: you can't see if the input is clipping on the front screen, and the vu meter isn't super useful; a grayscale screen would be much better IMO!-speaking of, the front screen developed a stuck line after a week of use -_--there is a slight pop when you shut down the unit; the downside of not using relays I guess?-there's no way to dim the screen-a balanced headphone output would have been nice?(* at least on a trashcan Mac Pro running Catalina)
originally posted on bhphotovideo.com
I needed something compact & portable that could handle 7.1 output monitoring for Pro Tools, and this is pretty much the only thing in this price point that will do it. You have to spend at least 3x as much for the next viable option, so while I'm still not the biggest fan of MOTU's converters or overall sound quality, for the price it can't be beat. Drivers are solid on Mac OS Monterey and CueMix 5 is much better than prior versions for I/O setup.
originally posted on bhphotovideo.com
I like the hardware. The interface comes in a metal casing that feels sturdy. I appreciate they added the ability to house this in a rack with the optional 1U rack ears.The sound is very clean and the ASIO latency is a lot less than my old Microbook II. It just works.I will say though that Cuemix 5 seems lacking. The feature set is lacking from previous Ultralite and Cuemix versions.Now you only get 4 nodes of EQ on channels and 3 on the master out. The compressor is missing Knee and Trim controls now too. And the compressor is entirely missing from the master out!Previous versions of Cuemix came with 7 band EQ and the extra compressor features as well as having this on the Master out. That was handy when listening to youtube interviews or tutorials as well ... MoreI like the hardware. The interface comes in a metal casing that feels sturdy. I appreciate they added the ability to house this in a rack with the optional 1U rack ears.The sound is very clean and the ASIO latency is a lot less than my old Microbook II. It just works.I will say though that Cuemix 5 seems lacking. The feature set is lacking from previous Ultralite and Cuemix versions.Now you only get 4 nodes of EQ on channels and 3 on the master out. The compressor is missing Knee and Trim controls now too. And the compressor is entirely missing from the master out!Previous versions of Cuemix came with 7 band EQ and the extra compressor features as well as having this on the Master out. That was handy when listening to youtube interviews or tutorials as well as podcasts where the audio wasn't treated properly.There is also no way to hold a text parameter value on the EQ display and drag it to whatever value you want. You have to click on it and type in your value or drag the node in the above graph. And the only way to control Q is through typing the value. Also, Q is fixed on the HPF at what appears to be 12 db. Old Cuemix gave you options from 6-30db! And a LPF (which is also missing).They also removed the Instrument Tuner, audio analysis tools, O-scope, and the sound generator (if you used those).Therefore, I hope MOTU is planning on working on the software features of Cuemix 5 more. It needs a lot of work imo.
| Form Factor | Desktop |
| Display | 1 x Monochrome OLED |
| Built-In DSP | Yes |
| Maximum Sampling Rate | 192 kHz / 24-Bit |
| Number of Microphone Preamps | 2 Preamps |
MOTU - UltraLite-mk5 18x22 USB Audio Interface
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface w/ 2 Mic Preamps
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface, 2 Mic Preamps w/ Mogami Gold Cable
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface, 2 Mic Preamps w/ Mogami CorePlus Cables
MOTU UltraLite-Mk5 18x22 USB-C Audio Interface, 2 Mic Preamps w/ Mogami Gold Cable & Headphones
This is an impressive recorder: It has a ton of inputs, the sound quality is stellar, the software is easy to use*, most of the important controls are right in front. The monochrome design is pretty spiffy There is a printed manual(!), and it's actually useful(!).Small nitpicks:-downside of monochrome design: you can't see if the input is clipping on the front screen, and the vu meter isn't super useful; a grayscale screen would be much better IMO!-speaking of, the front screen developed a stuck line after a week of use -_--there is a slight pop when you shut down the unit; the downside of not using relays I guess?-there's no way to dim the screen-a balanced headphone output would have been nice?(* at least on a trashcan Mac Pro running Catalina)
I needed something compact & portable that could handle 7.1 output monitoring for Pro Tools, and this is pretty much the only thing in this price point that will do it. You have to spend at least 3x as much for the next viable option, so while I'm still not the biggest fan of MOTU's converters or overall sound quality, for the price it can't be beat. Drivers are solid on Mac OS Monterey and CueMix 5 is much better than prior versions for I/O setup.
I like the hardware. The interface comes in a metal casing that feels sturdy. I appreciate they added the ability to house this in a rack with the optional 1U rack ears.The sound is very clean and the ASIO latency is a lot less than my old Microbook II. It just works.I will say though that Cuemix 5 seems lacking. The feature set is lacking from previous Ultralite and Cuemix versions.Now you only get 4 nodes of EQ on channels and 3 on the master out. The compressor is missing Knee and Trim controls now too. And the compressor is entirely missing from the master out!Previous versions of Cuemix came with 7 band EQ and the extra compressor features as well as having this on the Master out. That was handy when listening to youtube interviews or tutorials as well ... MoreI like the hardware. The interface comes in a metal casing that feels sturdy. I appreciate they added the ability to house this in a rack with the optional 1U rack ears.The sound is very clean and the ASIO latency is a lot less than my old Microbook II. It just works.I will say though that Cuemix 5 seems lacking. The feature set is lacking from previous Ultralite and Cuemix versions.Now you only get 4 nodes of EQ on channels and 3 on the master out. The compressor is missing Knee and Trim controls now too. And the compressor is entirely missing from the master out!Previous versions of Cuemix came with 7 band EQ and the extra compressor features as well as having this on the Master out. That was handy when listening to youtube interviews or tutorials as well as podcasts where the audio wasn't treated properly.There is also no way to hold a text parameter value on the EQ display and drag it to whatever value you want. You have to click on it and type in your value or drag the node in the above graph. And the only way to control Q is through typing the value. Also, Q is fixed on the HPF at what appears to be 12 db. Old Cuemix gave you options from 6-30db! And a LPF (which is also missing).They also removed the Instrument Tuner, audio analysis tools, O-scope, and the sound generator (if you used those).Therefore, I hope MOTU is planning on working on the software features of Cuemix 5 more. It needs a lot of work imo.
I was looking for a solid audio interface to go along with my Mac. I use it with Cubase but also to mix external audio with application audio into an output (I use CASTER for that).My choice fell on the Ultralite based on the mix of audio performance, physical controls on the unit and the software it comes with. And really it fully delivers. Installation was very easy. Recording via the mic input works great, the loopback function to record application output into Cubase works great. I love the fact that i can set the level of the mic input right on the interface using a level meter (my old interface just had an overload warning).And last but not least the headphone output works great. It sounds good and delivers enough power for my needs.
If you are looking at the interface, you probably already have reasons for wanting to buy this, and I can only recommend this a a purchase.In the past I have owned a Scarlett Audio Interface, and then Steinberg UR22C... this MOTU is far superior in every aspect.BUT:With great power comes great complexity. It is not plug and play, and you will need to dive into the CueMix software to get things working just right for you. This can be a pain, but if you are a hobbyist audio nerd like me, this is part of the fun and this interface will be a great addition to any studio.
I ordered mine back in June, it took 4 months to arrive, then I've had 3 months of tech support trying to get the midi and audio to work properly and not cut out randomly. When the unit works, its fantastic. But mine doesn't work properly and Motu are dragging their feet in replacing/repairing it. Its been 7 months of not being able to make music properly because of motu and this interface. I'm quite frustrated. But I also am able to realize I likely got unlucky so based on the functional aspect of it, its easily 4 stars.
I have two of these with the same issues! I've had many issues with this interface with my M1 Max MacBook Pro. The stock cables that come with the unit don't actually work through standard USB-C, they will immediately present sample rate issues. The only workaround I found is that using a 3rd party cable sometimes works, or if you use their stock cable into a dock/hub of sorts. Second, I've experienced many dropouts with this interface. It will literally drop audio in the middle of a show even though the hardware panel keeps showing audio. They really just need to make it M1 compatible. Otherwise the features on this are so promising, but was a total letdown.
Very versatile, great sounding and compact. Definitely my favorite portable audio interface. Comes with Performer lite - a pro level but very straight-ahead sequencing program. Really nice sounding converters, essentially zero latency, and a lot of options for input. One of my favorite aspects about the way the new MOTU interfaces work is that they can be networked and routed. It can be connected directly to an iOS device (and of course computer - mac or PC), and can output audio while recording for studio or live use. I could not be happier with this unit.
I love the compact design, and the ESS chips produce a very accurate and clear analog sound. The Cuemix 5 app is awesome on a MacBook Pro, I love it. Total control of the device from the desktop. Even firmware updating is streamlined into Cuemix 5. I downloaded the iPhone app, but have not yet used it.What I don't like so much is the power button, I didn't even realize that it even had a power on/off switch at first. The more typical dedicated on/off switch would have been better than having to hold down a button for a few seconds. The OLED display is nice but takes some getting used to as it's monochrome. I would have preferred colored meters such as those found on the M2/M4/M6 series.Still great overall. Recommended.
MOTU strikes again with this solid little interface. I'm the proud owner of not one but TWO MOTU 828's.I was looking for an interface that could do two things:1. Give me SIMULTANEOUS MULTI TRACK INPUTS into my iPad which is running Cubasis3 for live recording.2. Give me an interface to my iPad so that I can use LOOPY and TC Helicon's Voice Jam Studio when I play out live.The UltraLite MK5 does it all. NOTE! I don't use LOOPY or VOICE JAM when doing multi-track recording in Cubasis3. Likewise, I don't use Cubasis3 when playing out using LOOPY and VOICE JAM. I also use a Behringer Ultra Gain Pro-8 and it's light pipe (fiber optic) output to add the hardware for an additional 8 channels of input to the MK5.One last thing... my only disappointment with this ... MoreMOTU strikes again with this solid little interface. I'm the proud owner of not one but TWO MOTU 828's.I was looking for an interface that could do two things:1. Give me SIMULTANEOUS MULTI TRACK INPUTS into my iPad which is running Cubasis3 for live recording.2. Give me an interface to my iPad so that I can use LOOPY and TC Helicon's Voice Jam Studio when I play out live.The UltraLite MK5 does it all. NOTE! I don't use LOOPY or VOICE JAM when doing multi-track recording in Cubasis3. Likewise, I don't use Cubasis3 when playing out using LOOPY and VOICE JAM. I also use a Behringer Ultra Gain Pro-8 and it's light pipe (fiber optic) output to add the hardware for an additional 8 channels of input to the MK5.One last thing... my only disappointment with this unit... when playing out live and running LOOPY and VOICE JAM, the ONLY inputs that get signal into (and out of) the iPad are the two Mic/Line/Instrument jacks on the front. The other line inputs just don't work for doing live looping. Oh well. Buy one. You won't be disappointed.
| Form Factor | Desktop |
| Display | 1 x Monochrome OLED |
| Built-In DSP | Yes |
| Maximum Sampling Rate | 192 kHz / 24-Bit |
| Number of Microphone Preamps | 2 Preamps |