Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact Neumann design Very high maximum sound pressure level (144 dB) Slight presence boost above 6 kHz helps vocals to shine in the mix Description The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included.
Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact Neumann design Very high maximum sound pressure level (144 dB) Slight presence boost above 6 kHz helps vocals to shine in the mix Description The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included.
Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact Neumann design Very high maximum sound pressure level (144 dB) Slight presence boost above 6 kHz helps vocals to shine in the mix Description The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included.
Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact Neumann design Very high maximum sound pressure level (144 dB) Slight presence boost above 6 kHz helps vocals to shine in the mix Description The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones at this price. It's reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It's newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permiting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. The capsule has an elastic suspension system reducing handling and structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included.
Last updated at 06/08/2026 14:31:14
Neumann TLM 102 Large Diaphragm Cardioid Condenser Microphone
Delivery $41.45
Neumann TLM 102 - Nickel
Neumann Tlm 102 Large Diaphragm Condenser Microphone Tested From Japan
Free delivery
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Neumann Tlm 102 Condenser Microphone Free Shipping From Japan
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Neumann Tlm 102 Large Diaphragm Cardioid Condenser Microphone Tlm102
Delivery $74.45
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Neumann TLM 102 Studio Set Condenser Microphone
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Neumann Tlm 102 Microphone W-mount, Box And Manual
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Neumann TLM102 (nickel) condenser microphone with a 3-year domestic warranty. by NEUMANN
NEUMANN TLM 102 nickel
Neumann TLM102 - Nickel
Free delivery between 11–18 June
originally posted on bhphotovideo.com
I have been able to gather a fair bit of experience with this microphone using it for vocals and as a spot mic for brass and wood winds. The construction is solid, the shock mount might be one of my favorites of any shock mount I have used - apart from the plastic thread. It is manageable in size and open towards the front. The microphone is very compact and takes relatively high SPL without a pad (which it doesn't have) which makes it quite favorable for live applications. Sonically I don't find it to be quite what people would like it to be. I would describe the overall character as rather unexciting. It is not an overly bright microphone yet it can get slightly nasty and gritty in the top end, for example when used on trumpet. Voice overs / vocals are being ... MoreI have been able to gather a fair bit of experience with this microphone using it for vocals and as a spot mic for brass and wood winds. The construction is solid, the shock mount might be one of my favorites of any shock mount I have used - apart from the plastic thread. It is manageable in size and open towards the front. The microphone is very compact and takes relatively high SPL without a pad (which it doesn't have) which makes it quite favorable for live applications. Sonically I don't find it to be quite what people would like it to be. I would describe the overall character as rather unexciting. It is not an overly bright microphone yet it can get slightly nasty and gritty in the top end, for example when used on trumpet. Voice overs / vocals are being recorded with solid body yet with a rather steril character - the midrange always seems a little bit dull to me. The low-end reproduction is solid yet tight. In a direct VO comparisons having this microphone, a TLM 103 and U87i right next to each other (recorded simultaneously through identical preamps) I found the TLM 102 to be the most uninspiring of the three. The U87 literally sounded dark compared to the other two, but it yields a throaty, lively, open and mid-forward character that just sounds right on about any voice and many instruments. The TLM 103 sounded similarly dynamic to me yet way brighter and sibilant overall. The TLM 102 was a bit darker than it's TLM brother, noticeably inferior in all other respects to me though. I would recommend this microphone as a utility-type mic, in my opinion the expectations the purchase of this my-first-Neumann type microphone raises aren't fully met. Within this price bracket and choosing from current microphones I would rather buy an Audio Technica AT4040 or AT4050 which are solid performers and happen to be cheaper as well. As a point of reference: I have been working in recording professionally for 10+ years, currently specializing in tracking (studio), mixing and location recordings.
originally posted on bhphotovideo.com
I'd previously been using the Rode NT1 as my primary mic, and I loved it. Booked and recorded lots of work on it. However, I have a midrange male voice with a solid amount of nasal resonance and found the NT1 too sharp for my voice at times and missing some of the balancing rich low end frequencies in my voice. The TLM 102 sounds just right. Great full low end, with smooth midrange for my voice. I hardly use an EQ it fits my voice so well.It's sensitivity is also great for my situation. I'm in a Brooklyn apt building. Admittedly I invested about $500 sound proofing and treatment (Audimute isole, and door seals), so my closet boasts a good noise floor (on average -55db to -60db), and the TLM 102 performs really well here. If I'm being really picky about my noise ... MoreI'd previously been using the Rode NT1 as my primary mic, and I loved it. Booked and recorded lots of work on it. However, I have a midrange male voice with a solid amount of nasal resonance and found the NT1 too sharp for my voice at times and missing some of the balancing rich low end frequencies in my voice. The TLM 102 sounds just right. Great full low end, with smooth midrange for my voice. I hardly use an EQ it fits my voice so well.It's sensitivity is also great for my situation. I'm in a Brooklyn apt building. Admittedly I invested about $500 sound proofing and treatment (Audimute isole, and door seals), so my closet boasts a good noise floor (on average -55db to -60db), and the TLM 102 performs really well here. If I'm being really picky about my noise floor, it picks up a fair amount of low frequencies (fridge, elevator, passing trucks, heavy footsteps above me) that I won't be able to eliminate without a full on vocal booth. None of this can't be fixed with modest EQ or by recording at off-peak traffic hours in my building.
originally posted on bhphotovideo.com
I do VO's in a home voice over booth. I have an average voice at best. So, I'm always looking for a mic that enhances my voice to its fullest potential i.e. full, smooth lower range all the way through to the higher range with little to no sibilance (S'ing). AND, little to know popping my Ps, T's and D's. The Neumann LM 102 pretty much gives me all that for a very good price. As a result, my confidence goes up, as does my time savings, since I'm not having to do multiple takes due to the aforementioned. Win, win for me.
| Variant | |
| choose colour | Nickel |
Neumann TLM 102 Large Diaphragm Cardioid Condenser Microphone
Delivery $41.45
Neumann TLM 102 - Nickel
Neumann Tlm 102 Large Diaphragm Condenser Microphone Tested From Japan
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Neumann Tlm 102 Condenser Microphone Free Shipping From Japan
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Neumann Tlm 102 Large Diaphragm Cardioid Condenser Microphone Tlm102
Delivery $74.45
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I have been able to gather a fair bit of experience with this microphone using it for vocals and as a spot mic for brass and wood winds. The construction is solid, the shock mount might be one of my favorites of any shock mount I have used - apart from the plastic thread. It is manageable in size and open towards the front. The microphone is very compact and takes relatively high SPL without a pad (which it doesn't have) which makes it quite favorable for live applications. Sonically I don't find it to be quite what people would like it to be. I would describe the overall character as rather unexciting. It is not an overly bright microphone yet it can get slightly nasty and gritty in the top end, for example when used on trumpet. Voice overs / vocals are being ... MoreI have been able to gather a fair bit of experience with this microphone using it for vocals and as a spot mic for brass and wood winds. The construction is solid, the shock mount might be one of my favorites of any shock mount I have used - apart from the plastic thread. It is manageable in size and open towards the front. The microphone is very compact and takes relatively high SPL without a pad (which it doesn't have) which makes it quite favorable for live applications. Sonically I don't find it to be quite what people would like it to be. I would describe the overall character as rather unexciting. It is not an overly bright microphone yet it can get slightly nasty and gritty in the top end, for example when used on trumpet. Voice overs / vocals are being recorded with solid body yet with a rather steril character - the midrange always seems a little bit dull to me. The low-end reproduction is solid yet tight. In a direct VO comparisons having this microphone, a TLM 103 and U87i right next to each other (recorded simultaneously through identical preamps) I found the TLM 102 to be the most uninspiring of the three. The U87 literally sounded dark compared to the other two, but it yields a throaty, lively, open and mid-forward character that just sounds right on about any voice and many instruments. The TLM 103 sounded similarly dynamic to me yet way brighter and sibilant overall. The TLM 102 was a bit darker than it's TLM brother, noticeably inferior in all other respects to me though. I would recommend this microphone as a utility-type mic, in my opinion the expectations the purchase of this my-first-Neumann type microphone raises aren't fully met. Within this price bracket and choosing from current microphones I would rather buy an Audio Technica AT4040 or AT4050 which are solid performers and happen to be cheaper as well. As a point of reference: I have been working in recording professionally for 10+ years, currently specializing in tracking (studio), mixing and location recordings.
I'd previously been using the Rode NT1 as my primary mic, and I loved it. Booked and recorded lots of work on it. However, I have a midrange male voice with a solid amount of nasal resonance and found the NT1 too sharp for my voice at times and missing some of the balancing rich low end frequencies in my voice. The TLM 102 sounds just right. Great full low end, with smooth midrange for my voice. I hardly use an EQ it fits my voice so well.It's sensitivity is also great for my situation. I'm in a Brooklyn apt building. Admittedly I invested about $500 sound proofing and treatment (Audimute isole, and door seals), so my closet boasts a good noise floor (on average -55db to -60db), and the TLM 102 performs really well here. If I'm being really picky about my noise ... MoreI'd previously been using the Rode NT1 as my primary mic, and I loved it. Booked and recorded lots of work on it. However, I have a midrange male voice with a solid amount of nasal resonance and found the NT1 too sharp for my voice at times and missing some of the balancing rich low end frequencies in my voice. The TLM 102 sounds just right. Great full low end, with smooth midrange for my voice. I hardly use an EQ it fits my voice so well.It's sensitivity is also great for my situation. I'm in a Brooklyn apt building. Admittedly I invested about $500 sound proofing and treatment (Audimute isole, and door seals), so my closet boasts a good noise floor (on average -55db to -60db), and the TLM 102 performs really well here. If I'm being really picky about my noise floor, it picks up a fair amount of low frequencies (fridge, elevator, passing trucks, heavy footsteps above me) that I won't be able to eliminate without a full on vocal booth. None of this can't be fixed with modest EQ or by recording at off-peak traffic hours in my building.
I do VO's in a home voice over booth. I have an average voice at best. So, I'm always looking for a mic that enhances my voice to its fullest potential i.e. full, smooth lower range all the way through to the higher range with little to no sibilance (S'ing). AND, little to know popping my Ps, T's and D's. The Neumann LM 102 pretty much gives me all that for a very good price. As a result, my confidence goes up, as does my time savings, since I'm not having to do multiple takes due to the aforementioned. Win, win for me.
Overall:I just bought Neumann TLM 102 for a few sessions on my vocals and nylon & acoustic guitar. I do noticed, TLM 102 does have a little more presence and somewhat compressed on the bass. If you want to tame the bass, then you'll be happy with TLM 102 (note: There’s no cut low/high filter switch). If you're asking a flat sound, it's not here. Presence is strong? "yes." A lot more than mine Oktava MK 319. Treble? a little less than mine. If you want a little more treble for your vocals, you might want TLM 103. But remember, 103 is two times for you to pay. Do you want something "warm'ish" in your vocals? It's all right. It's not the best for a warm warm sound. BUT it is good though. You may have to turn up the mid a little more when you mixed. On my vocals and ... MoreOverall:I just bought Neumann TLM 102 for a few sessions on my vocals and nylon & acoustic guitar. I do noticed, TLM 102 does have a little more presence and somewhat compressed on the bass. If you want to tame the bass, then you'll be happy with TLM 102 (note: There’s no cut low/high filter switch). If you're asking a flat sound, it's not here. Presence is strong? "yes." A lot more than mine Oktava MK 319. Treble? a little less than mine. If you want a little more treble for your vocals, you might want TLM 103. But remember, 103 is two times for you to pay. Do you want something "warm'ish" in your vocals? It's all right. It's not the best for a warm warm sound. BUT it is good though. You may have to turn up the mid a little more when you mixed. On my vocals and nylon & acoustic, I had to decrease -10 db on the bass. After my recording and testing, I decided to return mine TLM 102. For me, It's just not worth it –especially it’s 8x than my MK319. I really expected a lot more, but I know there are a lot of people that they love it. They say, they would pay 10 times. For the rest of my sessions, I went back to my MK 319. RECOMMENDATION?? Well, if you have a budget….sure. It would be nice recording a few acoustic rhythms. But, I know there are few more mics that are a lot cheaper than TLM 102 with the same quality sound.
The astounding quality of Neuman at an affordable price. With a comparable frequency response to the legendary U87 and crystal clear sound, this mic is a no-brainer for any type of recording. I use it for vocals. Bear in mind it's a condenser mic and needs a 48v preamp - I use a UMC1820 which does the job perfectly and converts to a USB input for Logic on my Mac Studio.
I play acoustic fingerstyle guitar and I was looking at some mics options to do some recordings... this mic is absolutely brilliant ! It captures amazingly the sounds of an acoustic guitar, very detailed and all nuances can be heard. Very rich and natural sound and exactly what I was looking for acoustic guitar recordings. Furthermore the look is stunning and the quality amazing. Love it! I am now considering getting another one so I could pair it nicely with the one I owe. Highly recommended!! Here is a recoding I've made with this mic: https://www.youtube.com/watch?v=DIThVYPlJ5M
I appreciate the Neumann a big investment so I was slightly apprehensive about the purchase as I'm moving up from a Rode NT1, which has always served me well and has been given glowing reviews over the years. But I have to say that it's just a superb bit of kit. There's a subtle but very discernible "lift" in the sound everywhere; more detail in the lows, clarity in the mids and a wonderful top-end that just has a beautiful sheen. You almost don't need any EQ after recording. It's a very small microphone though, so don't buy it to impress your non-musician friends! And definitely buy the pack with the shock-mount as it's very prone to noise from the floor or desks without it. I'd say something like this would be the first major upgrade a hobbyist producer should buy.
Had that mic for a long time ago, but sold for the U87 (such a fool). Just ordered a week ago the bk version and it sounds exactly as before, crisp and clean! Unfortunately returned back cuz one thing is missing (the body from U87). It sounds too thin after the U87 but still a great mic! Maybe someday will buy again just to store and care it with love!For anyone who wants a hi-end mic for a great price, the TLM102 is the best mic ever and trust me, U87 is not worth it (curently selling the U87 and trying to get the Telefunken TF51).Here are some songs I made with TLM102
The Neumann TLM 102 is my first Neumann as the makers designed it to be. The microphone comes in a cardboard box with molded foam inside and a basic screw type stand mount, but no shock mount. I would highly recommend getting a shock mount though, I use a MXL 2003A shock mount for it (much cheaper than the Neumann) and it fits great and eliminates any possible inadvertent handling noise. The Neumann Shockmount looks cooler though and provides a little cutout for the front since its so small. The mic has no switchable frequency response or polar pattern, youre stuck with a fixed cardioid polar pattern so it picks up just whats in front of it and from what Ive tested has pretty good off axis sound rejection. This mic actually has a little pop filter built into the ... MoreThe Neumann TLM 102 is my first Neumann as the makers designed it to be. The microphone comes in a cardboard box with molded foam inside and a basic screw type stand mount, but no shock mount. I would highly recommend getting a shock mount though, I use a MXL 2003A shock mount for it (much cheaper than the Neumann) and it fits great and eliminates any possible inadvertent handling noise. The Neumann Shockmount looks cooler though and provides a little cutout for the front since its so small. The mic has no switchable frequency response or polar pattern, youre stuck with a fixed cardioid polar pattern so it picks up just whats in front of it and from what Ive tested has pretty good off axis sound rejection. This mic actually has a little pop filter built into the grille of the basket if you look closely that helps eliminate plosives, although you still need to use a pop filter! Ive used the AT4040 and SM7B for vocals in my home studio before making this purchase. Obviously every vocalist should test out mics to find the one that best fits their voice but so far I have ABd about 5 different vocalists with this and the other 2 mentioned mics and found this to be the better choice on each for clear articulate and accurate sounding vocals as they sound in the room. This mic is a workhorse. I did A LOT of researching before making this purchase and Im so happy I made the right decision. This works on everything. It can handle sound pressures of greater than 140dB, so no issues sticking it right against a guitar amp, kick drum, cymbals, horns or against a jet engine, you know whatever you need. It fits anywhere, its accurate and has a little top end rise in frequency at about 6K that really helps vocals stick out in a mix. Id really like to buy 2 of them and use for overhead drum mics. For how versatile and great it sounds I would recommend saving up and passing on the crap youre probably tempted to buy and instead get a pair of these. I highly doubt you will be disappointed. When listening to sound tests and reading reviews, etc. I was torn between this and the TLM 103 but I was swayed to spend a little less and I think I made the right decision for an all purpose microphone that was also my go to vocal mic for my home studio. Everything Ive used this on comes out sounding better than any of the thousands of dollars in other crap mics I have or any combo of crap mics. Just do it, you need a good mic in your locker. But check out Ebay or somewhere they sell used because I was surprised to see people selling them for like $500 new in the box Surprise yourself with your first Neumann. Only problem is Now I want moreeeeeeee!!
| Variant | |
| choose colour | Nickel |
