
Ultra wide-angle 2.4x zoom lens with 109° to 61° field of view, equivalent to 15-36mm in 35mm format. Designed for use with DX-format digital SLRs, the high quality optical design boasts three aspherical and two ED glass elements to deliver images with outstanding resolution, contrast and minimized distortion. Ideal for capturing landscapes, images with exaggerated perspectives and for shooting in tight spaces, it features Nikon’s exclusive Silent Wave Motor for smooth, quiet autofocus with all Nikon DX-format cameras. 2.4x zoom lens with 10 to 24mm focal range (35mm equivalent: 15-36mm). Extreme wide-angle coverage lets you capture sweeping panoramas and images with an exaggerated perspective. Exceptional optical performance designed specifically for use with Nikon DX format digital SLR sensors. ED (Extra low Dispersion) glass and aspherical lens elements ensure high resolution and superior contrast. SWM (Silent Wave Motor) for fast, whisper-quiet autofocus. IF (Internal Focusing) design for fixed lens length and non-rotating front element; allows use of polarizing filters and lens-mounted flash accessories. Snap-on front lens cap, rear lens cap, bayonet lens hood and lens pouch included.
Ultra wide-angle 2.4x zoom lens with 109° to 61° field of view, equivalent to 15-36mm in 35mm format. Designed for use with DX-format digital SLRs, the high quality optical design boasts three aspherical and two ED glass elements to deliver images with outstanding resolution, contrast and minimized distortion. Ideal for capturing landscapes, images with exaggerated perspectives and for shooting in tight spaces, it features Nikon’s exclusive Silent Wave Motor for smooth, quiet autofocus with all Nikon DX-format cameras. 2.4x zoom lens with 10 to 24mm focal range (35mm equivalent: 15-36mm). Extreme wide-angle coverage lets you capture sweeping panoramas and images with an exaggerated perspective. Exceptional optical performance designed specifically for use with Nikon DX format digital SLR sensors. ED (Extra low Dispersion) glass and aspherical lens elements ensure high resolution and superior contrast. SWM (Silent Wave Motor) for fast, whisper-quiet autofocus. IF (Internal Focusing) design for fixed lens length and non-rotating front element; allows use of polarizing filters and lens-mounted flash accessories. Snap-on front lens cap, rear lens cap, bayonet lens hood and lens pouch included.
Ultra wide-angle 2.4x zoom lens with 109° to 61° field of view, equivalent to 15-36mm in 35mm format. Designed for use with DX-format digital SLRs, the high quality optical design boasts three aspherical and two ED glass elements to deliver images with outstanding resolution, contrast and minimized distortion. Ideal for capturing landscapes, images with exaggerated perspectives and for shooting in tight spaces, it features Nikon’s exclusive Silent Wave Motor for smooth, quiet autofocus with all Nikon DX-format cameras. 2.4x zoom lens with 10 to 24mm focal range (35mm equivalent: 15-36mm). Extreme wide-angle coverage lets you capture sweeping panoramas and images with an exaggerated perspective. Exceptional optical performance designed specifically for use with Nikon DX format digital SLR sensors. ED (Extra low Dispersion) glass and aspherical lens elements ensure high resolution and superior contrast. SWM (Silent Wave Motor) for fast, whisper-quiet autofocus. IF (Internal Focusing) design for fixed lens length and non-rotating front element; allows use of polarizing filters and lens-mounted flash accessories. Snap-on front lens cap, rear lens cap, bayonet lens hood and lens pouch included.
Ultra wide-angle 2.4x zoom lens with 109° to 61° field of view, equivalent to 15-36mm in 35mm format. Designed for use with DX-format digital SLRs, the high quality optical design boasts three aspherical and two ED glass elements to deliver images with outstanding resolution, contrast and minimized distortion. Ideal for capturing landscapes, images with exaggerated perspectives and for shooting in tight spaces, it features Nikon’s exclusive Silent Wave Motor for smooth, quiet autofocus with all Nikon DX-format cameras. 2.4x zoom lens with 10 to 24mm focal range (35mm equivalent: 15-36mm). Extreme wide-angle coverage lets you capture sweeping panoramas and images with an exaggerated perspective. Exceptional optical performance designed specifically for use with Nikon DX format digital SLR sensors. ED (Extra low Dispersion) glass and aspherical lens elements ensure high resolution and superior contrast. SWM (Silent Wave Motor) for fast, whisper-quiet autofocus. IF (Internal Focusing) design for fixed lens length and non-rotating front element; allows use of polarizing filters and lens-mounted flash accessories. Snap-on front lens cap, rear lens cap, bayonet lens hood and lens pouch included.
Last updated at 07/18/2026 08:52:43
Used Nikon 10-24mm f/3.5-4.5G ED AF-S DX - Fair
Delivery $42.98
Used Nikon AF-S 10-24mm f/3.5-4.5G - Good
Delivery $35.82
Used Nikon 10-24mm f/3.5-4.5G ED AF-S DX - Excellent
Delivery $35.82
Nikon AF-S DX Nikkor 10-24mm f/3.5-4.5G ED Ultra Wide Angle Zoom Lens - Blac
Delivery $35.82
Nikon DX 10-24mm F3.5-4.5G ED Zoom lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon Af-s Nikkor 10-24mm F/3.5-4.5g Ed Dx Lens Nikon F Mount [exc+++]
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
[mint] Nikon Af-s Nikkor 10-24mm F/3.5-4.5g Ed Dx Lens Nikon F Mount
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
[mint-- W/ Hood] Nikon Af-s Dx Nikkor 10-24mm F/3.5-4.5g Ed Zoom Lens
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon Af-s Dx 10-24mm F/3.5-4.5g Ed Wide-angle Lens, Good Condition
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Nikon Af-s Dx 10-24mm F/3.5-4.5g Ed Wide-angle Lens For Nikon Dx
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on bhphotovideo.com
Mine is a Nikon-USA refurb'd. I use this lens primarily on my D5200, but the lens also works great with my older D40x. I choose a zoom lens because I can zoom in or out faster than I can step back or forward. and many time I can't step back because of room. I shoot photos of people, mostly teenagers, so I must act fast if I want the shot. This lens has a metal lens mount that some people prefer because it is more durable. I have personally shot over 150,000 photos with my 18-55 and 55-200 mm kit lenses with a plastic mount without any issues. Personally, I like the plastic lens mount because it is lighter than it's metal counterpart After many years of toting around a Nikon F1, this lightweight is god-send. For me, I like to use the lens hood when ever possible, ... MoreMine is a Nikon-USA refurb'd. I use this lens primarily on my D5200, but the lens also works great with my older D40x. I choose a zoom lens because I can zoom in or out faster than I can step back or forward. and many time I can't step back because of room. I shoot photos of people, mostly teenagers, so I must act fast if I want the shot. This lens has a metal lens mount that some people prefer because it is more durable. I have personally shot over 150,000 photos with my 18-55 and 55-200 mm kit lenses with a plastic mount without any issues. Personally, I like the plastic lens mount because it is lighter than it's metal counterpart After many years of toting around a Nikon F1, this lightweight is god-send. For me, I like to use the lens hood when ever possible, especially outdoors. The problem is that there is nothing holding it in place, so it could easily accidentally fall off and not missed. I wish there was a click or detent mechanism to hold the lens hood in place. Currently i am using a piece of Scotch tape to prevent it from accidentally rotating and falling off. This lens is a bit too long to use with the built-in flash at the 10mm setting. you get a shadow of the lens in the picture, so if you want to take flash pictures and use this lens, you need to get an external flash such as Nikon SB400, of which I have. Also if you plan to us flash at 10-18mm, you will need a diffuser, because there is definitely light fall-off at the edges, ie you get darkened edges which is quite apparent. Be aware that this lens does not have Nikon's VR vibration reduction feature, so you will need to hold the camera steady for a bit longer to insure that you don't get any blurred photos.
originally posted on adorama.com
For 50 years I have been bemoaning the fact that every wide angle lens I bought was not quite wide enough to capture what I wanted to capture. In the 60's it was 35mm. In the 70's the 28mm came into vogue. Then there was the 21mm but, it frequently seamed I could never capture everything I wanted in a single frame. Finely, I got my wish!I bought this lens last month just before we took our vacation in Sydney, Australia. After using it and seeing the results, I wouldn't take another trip without it. The super wide angle capability it added is unbelievable. For the first time, I was able to take interior photos in everything from our hotel room to historic sites and capture everything. In downtown Sydney, I was able to capture entire skyscrapers from across narrow ... MoreFor 50 years I have been bemoaning the fact that every wide angle lens I bought was not quite wide enough to capture what I wanted to capture. In the 60's it was 35mm. In the 70's the 28mm came into vogue. Then there was the 21mm but, it frequently seamed I could never capture everything I wanted in a single frame. Finely, I got my wish!I bought this lens last month just before we took our vacation in Sydney, Australia. After using it and seeing the results, I wouldn't take another trip without it. The super wide angle capability it added is unbelievable. For the first time, I was able to take interior photos in everything from our hotel room to historic sites and capture everything. In downtown Sydney, I was able to capture entire skyscrapers from across narrow streets without the extreme distortion of a fisheye. And, you should see the sweeping landscapes and seascapes. This is not to mention the extreme depth of field and how it allowed me to place subjects close to the lens while having the background in sharp focus. This ability does come at a cost. If the person is far off center the distortion is noticeable but, there are work arounds.Because of the extreme wide angle, it is necessary to do perspective correction in post production for many photos but, in many cases, the distortion adds to the feel of the photographs. Using Photoshop's perspective correction tool, you can correct most of the photos to the point that only a critical eye will perceive the distortion. This comes at a price however. Some of the width of the frame must be cropped out but, it still gives better results then using a 28mm for example and not being able to capture everything.I bought this lens knowing I will be upgrading from my D90 to a D800 before our Hawaii cruise next spring. The advantages of the 110 degree angle at 10mm outweighs the fact that it is a DX lens. In summary, now that I have it, I will not part with it.
originally posted on ebay.com
This review is from the perspective of something relatively new to DSLR photography (2 years into it). This functions really well as a wide angle lens, great for those lanscape shots where you want that dramatic view. Also, you can really create a sense of an object in the foreground being really close to you, in a way other focal lengths can't. Keep it away from portrait work, as the effect can be really weird (unless you're going for that). Image quality is quite good, I'm aware of lenses that can do better but these are much, more expensive. Even then, you'll aways have a trade off: different lens for different jobs. Taking price and image quality into account, this is a good lens for a hobbyist but professional photographers may want something else. Overall, a ... MoreThis review is from the perspective of something relatively new to DSLR photography (2 years into it). This functions really well as a wide angle lens, great for those lanscape shots where you want that dramatic view. Also, you can really create a sense of an object in the foreground being really close to you, in a way other focal lengths can't. Keep it away from portrait work, as the effect can be really weird (unless you're going for that). Image quality is quite good, I'm aware of lenses that can do better but these are much, more expensive. Even then, you'll aways have a trade off: different lens for different jobs. Taking price and image quality into account, this is a good lens for a hobbyist but professional photographers may want something else. Overall, a good quality wide angle lens but I recommend buying second hand. This will save you at least 300.
| Focal Length | 10 to 24mm (35mm Equivalent- 15 to 36mm) |
| Maximum Aperture | f/3.5 to 4.5 |
| Minimum Aperture | f/22 |
| Lens Mount | Nikon F |
| Lens Format Coverage | APS-C |
Used Nikon 10-24mm f/3.5-4.5G ED AF-S DX - Fair
Delivery $42.98
Used Nikon AF-S 10-24mm f/3.5-4.5G - Good
Delivery $35.82
Used Nikon 10-24mm f/3.5-4.5G ED AF-S DX - Excellent
Delivery $35.82
Nikon AF-S DX Nikkor 10-24mm f/3.5-4.5G ED Ultra Wide Angle Zoom Lens - Blac
Delivery $35.82
Nikon DX 10-24mm F3.5-4.5G ED Zoom lens
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Mine is a Nikon-USA refurb'd. I use this lens primarily on my D5200, but the lens also works great with my older D40x. I choose a zoom lens because I can zoom in or out faster than I can step back or forward. and many time I can't step back because of room. I shoot photos of people, mostly teenagers, so I must act fast if I want the shot. This lens has a metal lens mount that some people prefer because it is more durable. I have personally shot over 150,000 photos with my 18-55 and 55-200 mm kit lenses with a plastic mount without any issues. Personally, I like the plastic lens mount because it is lighter than it's metal counterpart After many years of toting around a Nikon F1, this lightweight is god-send. For me, I like to use the lens hood when ever possible, ... MoreMine is a Nikon-USA refurb'd. I use this lens primarily on my D5200, but the lens also works great with my older D40x. I choose a zoom lens because I can zoom in or out faster than I can step back or forward. and many time I can't step back because of room. I shoot photos of people, mostly teenagers, so I must act fast if I want the shot. This lens has a metal lens mount that some people prefer because it is more durable. I have personally shot over 150,000 photos with my 18-55 and 55-200 mm kit lenses with a plastic mount without any issues. Personally, I like the plastic lens mount because it is lighter than it's metal counterpart After many years of toting around a Nikon F1, this lightweight is god-send. For me, I like to use the lens hood when ever possible, especially outdoors. The problem is that there is nothing holding it in place, so it could easily accidentally fall off and not missed. I wish there was a click or detent mechanism to hold the lens hood in place. Currently i am using a piece of Scotch tape to prevent it from accidentally rotating and falling off. This lens is a bit too long to use with the built-in flash at the 10mm setting. you get a shadow of the lens in the picture, so if you want to take flash pictures and use this lens, you need to get an external flash such as Nikon SB400, of which I have. Also if you plan to us flash at 10-18mm, you will need a diffuser, because there is definitely light fall-off at the edges, ie you get darkened edges which is quite apparent. Be aware that this lens does not have Nikon's VR vibration reduction feature, so you will need to hold the camera steady for a bit longer to insure that you don't get any blurred photos.
For 50 years I have been bemoaning the fact that every wide angle lens I bought was not quite wide enough to capture what I wanted to capture. In the 60's it was 35mm. In the 70's the 28mm came into vogue. Then there was the 21mm but, it frequently seamed I could never capture everything I wanted in a single frame. Finely, I got my wish!I bought this lens last month just before we took our vacation in Sydney, Australia. After using it and seeing the results, I wouldn't take another trip without it. The super wide angle capability it added is unbelievable. For the first time, I was able to take interior photos in everything from our hotel room to historic sites and capture everything. In downtown Sydney, I was able to capture entire skyscrapers from across narrow ... MoreFor 50 years I have been bemoaning the fact that every wide angle lens I bought was not quite wide enough to capture what I wanted to capture. In the 60's it was 35mm. In the 70's the 28mm came into vogue. Then there was the 21mm but, it frequently seamed I could never capture everything I wanted in a single frame. Finely, I got my wish!I bought this lens last month just before we took our vacation in Sydney, Australia. After using it and seeing the results, I wouldn't take another trip without it. The super wide angle capability it added is unbelievable. For the first time, I was able to take interior photos in everything from our hotel room to historic sites and capture everything. In downtown Sydney, I was able to capture entire skyscrapers from across narrow streets without the extreme distortion of a fisheye. And, you should see the sweeping landscapes and seascapes. This is not to mention the extreme depth of field and how it allowed me to place subjects close to the lens while having the background in sharp focus. This ability does come at a cost. If the person is far off center the distortion is noticeable but, there are work arounds.Because of the extreme wide angle, it is necessary to do perspective correction in post production for many photos but, in many cases, the distortion adds to the feel of the photographs. Using Photoshop's perspective correction tool, you can correct most of the photos to the point that only a critical eye will perceive the distortion. This comes at a price however. Some of the width of the frame must be cropped out but, it still gives better results then using a 28mm for example and not being able to capture everything.I bought this lens knowing I will be upgrading from my D90 to a D800 before our Hawaii cruise next spring. The advantages of the 110 degree angle at 10mm outweighs the fact that it is a DX lens. In summary, now that I have it, I will not part with it.
This review is from the perspective of something relatively new to DSLR photography (2 years into it). This functions really well as a wide angle lens, great for those lanscape shots where you want that dramatic view. Also, you can really create a sense of an object in the foreground being really close to you, in a way other focal lengths can't. Keep it away from portrait work, as the effect can be really weird (unless you're going for that). Image quality is quite good, I'm aware of lenses that can do better but these are much, more expensive. Even then, you'll aways have a trade off: different lens for different jobs. Taking price and image quality into account, this is a good lens for a hobbyist but professional photographers may want something else. Overall, a ... MoreThis review is from the perspective of something relatively new to DSLR photography (2 years into it). This functions really well as a wide angle lens, great for those lanscape shots where you want that dramatic view. Also, you can really create a sense of an object in the foreground being really close to you, in a way other focal lengths can't. Keep it away from portrait work, as the effect can be really weird (unless you're going for that). Image quality is quite good, I'm aware of lenses that can do better but these are much, more expensive. Even then, you'll aways have a trade off: different lens for different jobs. Taking price and image quality into account, this is a good lens for a hobbyist but professional photographers may want something else. Overall, a good quality wide angle lens but I recommend buying second hand. This will save you at least 300.
Superb quality lens, in mint condition.Fantastic for my landscape photos of the desert, its hills, the sea (was by Red Sea) views.Autofocus is great tooExcellent delivery service too
I've been using this for two full years now, I shoot both photos and video with it on my Nikon D500. I'm not impressed with the picture quality, there is a lot of blur on the sides. This is obviously expected with a wide angle, but the quality is really poor...like really poor. I expect a name brand, especially nikkor, to have better quality on the more distorted parts of the image. Picture fringe is also poor. The price of this lens is pretty high for the end results, better to go with Sigma like so many have suggested.
I do a lot of different "projects" with my photography, including real estate work I do for a few local realtors. I use a Nikon D7100 and this lens is exactly what I wanted. It allows me to get some real nice images inside at 10mm (15mm equivalent). Since I use the HDR approach with my interiors and shoot at f8 most of the time, I don't need the more expensive f2.8 lens. This lens works with the exteriors as well. I process in Lightroom 6 so I can make adjustments using the transform tool to get everything nice and straight. The lens is on the camera most of the time even when I am doing other types of work. I also use a Nikon D610 which is use with the Nikon 70-200 f2.8 and know I can use the 10-24 lens on that camera as well. The fact that I had a $250 gift ... MoreI do a lot of different "projects" with my photography, including real estate work I do for a few local realtors. I use a Nikon D7100 and this lens is exactly what I wanted. It allows me to get some real nice images inside at 10mm (15mm equivalent). Since I use the HDR approach with my interiors and shoot at f8 most of the time, I don't need the more expensive f2.8 lens. This lens works with the exteriors as well. I process in Lightroom 6 so I can make adjustments using the transform tool to get everything nice and straight. The lens is on the camera most of the time even when I am doing other types of work. I also use a Nikon D610 which is use with the Nikon 70-200 f2.8 and know I can use the 10-24 lens on that camera as well. The fact that I had a $250 gift certificate made the purchase a little easier!
After my unfortunate foray with the Sigma 10-20mm f3.5 (see my 1 star review ) I decided that I could ill afford the risk with another dud from Sigma and managed to get the finance set up for this Nikon.I'm glad that I did.My review is geared more for those who know that this sort of focal range is for them.I cannot compare optical qualities with the Sigma as that was never sharp at any setting or aperture. The Nikon though is usable at all apertures and handholdable on my D7000 down to 1/13th second, easily. At f3.5, 1/13 sec and the D7000's high iso capabilities you have an urban weapon that gets dynamic angles from so many situations, at night, that you'll want to wander down to your town centre at midnight, just to try it out! Even wide open, flare from ... MoreAfter my unfortunate foray with the Sigma 10-20mm f3.5 (see my 1 star review ) I decided that I could ill afford the risk with another dud from Sigma and managed to get the finance set up for this Nikon.I'm glad that I did.My review is geared more for those who know that this sort of focal range is for them.I cannot compare optical qualities with the Sigma as that was never sharp at any setting or aperture. The Nikon though is usable at all apertures and handholdable on my D7000 down to 1/13th second, easily. At f3.5, 1/13 sec and the D7000's high iso capabilities you have an urban weapon that gets dynamic angles from so many situations, at night, that you'll want to wander down to your town centre at midnight, just to try it out! Even wide open, flare from bright city lights are extremely well handled.Distortion is lower than expected. Of course there's barrel distortion at 10mm but 4% pincushion added in Photoshop and that's that sorted. It gets better from then on zoomed in. That's about the same as my Nikkor 18-200mm, at 18mm. Set the camera to auto distortion control and it's done for you, there and then, at the time of taking, though that's jpegs only.But, the best aspect for me - and over the Sigma 14mm EX f2.8 FX superwide (equivalent to 9mm on DX) that I use on my FX D700, and which no filter can be attached at all, is that 77mm filters can be attached and used easily with this Nikkor. A polariser on the equivalent of a 15mm lens is incredible to have - see my black & white shot with the clouds - the polariser allowed for the cloud detail to be revealed - so shots with blue skies will look amazing and mind-blowing, when we actually get some! My slimline Sigma polariser shows no traces of vignetting at 10mm, though I cannot answer for thicker mounted filters. I can also use my 77mm Tiffen ND filter on it, for long exposure use, to blur water and clouds.Build quality - the zoom action is perfect, solid yet smooth. The SWM focus is swift and whisper quiet. As for that variable aperture that pro's and people like me dislike - well, this lens will be used at 10mm most of the time, by most users. As I said, it's fully usable at f3.5 and wide open at any other setting. Even corners wide open are OK and edges good - stop down to f8 and it's bitingly sharp all over. With the lenshood in place and Nikon's legendary multicoating and you've contrasty rich and bright colours, with depth and excellent shadow detail.Fitting into a system - I'm using my lighter and smaller DX D7000 a lot more and plan to cycle when it's not freezing cold. I can take just two lenses - this and the 18-200mm and I've got the equivalent of 15-300mm in just two lenses. Both are compact and easy to use.If I'm out with quality in mind, say for decent landscapes, I can team up with my Sigma 24-70mm f2.8 HSM (which is far from being a dud!) and then a 70-300mm on top. So, for me, the 24mm top end of this Nikon is really useful.Cost - for its spec, it is very good value. I know many don't agree but if you consider what you're actually getting, in terms of superwide capability and its sheer performance, then it's brilliant value. That's if you're going to use it, of course, and boy, how I'm going to use it!However, if you're an enthusiast who uses such wide lenses only occasionally and who is cost conscience, then the Sigma 10-20mm f4-5.6 will probably do the job. If you're semi-pro, like me and likely to have this in your kit bag all the time, then the extra is really worth it.
If you do landscapes or building interior photography, you are faced with challenges getting sufficient depth of field or in getting startling results. For interior photography, the challenge is in making rooms look big or in getting depth of field from near objects to far objects hanging on walls. For landscape photography, the challenge is drawing attention to foreground flora/fauna while retaining the grand sweeping views and dramatic skies. This is the one lens in the Nikkor arsenal that can achieve these results for the DX format. As a former film photographer, I made heavy use of Nikon's film equivalent lens: the 15mm Nikkor. The 10-24mm lens has made great strides in reducing apparent distortion at the sides of the scene and in being an f-stop faster. It also ... MoreIf you do landscapes or building interior photography, you are faced with challenges getting sufficient depth of field or in getting startling results. For interior photography, the challenge is in making rooms look big or in getting depth of field from near objects to far objects hanging on walls. For landscape photography, the challenge is drawing attention to foreground flora/fauna while retaining the grand sweeping views and dramatic skies. This is the one lens in the Nikkor arsenal that can achieve these results for the DX format. As a former film photographer, I made heavy use of Nikon's film equivalent lens: the 15mm Nikkor. The 10-24mm lens has made great strides in reducing apparent distortion at the sides of the scene and in being an f-stop faster. It also is amazingly light weight in comparison and much less bulky to point quickly. To date, the biggest problem I've experienced is the unevenness of circular polarization in skies. I never had this problem using planar polarization with the old 15mm. You might well ask why use a polarizer at all, but color saturation is so vastly improved (especially in my shooting environment of coastal glare), I really don't feel shooting without a polarizer is a good option. If you've never used a superwide angle lens before, keep in mind things closer to the lens appear much larger than things further away. The end distortion to familiar objectslike peopleyou may not find acceptable until you choose angles that help make the distortion work for you. The beginner's mistake of never moving from eye-level photography is not the best option for framing using this lens.
Very pleased with expectations verses what I received. Adequately packed. Item in excellent shape.
If you're a DX shooter and want a versatile wide angle lens that is super sharp, this is the lens for you. I am not a fan of off-brand equipment as I have never had good success with it. When preparing for this purchase, I read reviews, tested other brands, and talked with friends and ultimately decided to continue my trend of purchasing only Nikkor lenses. I am not disappointed! The lens focuses very quickly, is super sharp (with the exception of corner issues which is universal to wide angle lenses), is well made, and brings a whole new world of versatility to your creativity. I love the consistency of the focus/zoom setup that is the same for every medium-quality Nikon lens. I also love the M/MA focus override (confusing nomenclature but wonderful function) that ... MoreIf you're a DX shooter and want a versatile wide angle lens that is super sharp, this is the lens for you. I am not a fan of off-brand equipment as I have never had good success with it. When preparing for this purchase, I read reviews, tested other brands, and talked with friends and ultimately decided to continue my trend of purchasing only Nikkor lenses. I am not disappointed! The lens focuses very quickly, is super sharp (with the exception of corner issues which is universal to wide angle lenses), is well made, and brings a whole new world of versatility to your creativity. I love the consistency of the focus/zoom setup that is the same for every medium-quality Nikon lens. I also love the M/MA focus override (confusing nomenclature but wonderful function) that allows for focus fine-tuning. With a wide angle lens and creative landscape and nature photography, this is a real plus. I would definitely buys this lens again in a heartbeat if something happened to it.
| Focal Length | 10 to 24mm (35mm Equivalent- 15 to 36mm) |
| Maximum Aperture | f/3.5 to 4.5 |
| Minimum Aperture | f/22 |
| Lens Mount | Nikon F |
| Lens Format Coverage | APS-C |