A comfortable and versatile wide-angle lens, the AF-S NIKKOR 24mm f/1.8G ED from Nikon offers a wide field of view along with a bright f/1.8 maximum aperture for working in a variety of environments. Its optical design includes both aspherical and extra-low dispersion elements, which help to minimize spherical and chromatic aberrations in order to produce a high degree of sharpness and clarity. Nano Crystal and Super Integrated Coatings are also featured, and boost contrast and color accuracy by reducing flare and ghosting. Additionally, a Silent Wave Motor provides fast, accurate, and quiet autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Bright f/1.8 maximum aperture supports working in low-light conditions and also enables greater control over focus position for shallow depth of field imagery. Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. Nano Crystal and Super Integrated Coatings has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
A comfortable and versatile wide-angle lens, the AF-S NIKKOR 24mm f/1.8G ED from Nikon offers a wide field of view along with a bright f/1.8 maximum aperture for working in a variety of environments. Its optical design includes both aspherical and extra-low dispersion elements, which help to minimize spherical and chromatic aberrations in order to produce a high degree of sharpness and clarity. Nano Crystal and Super Integrated Coatings are also featured, and boost contrast and color accuracy by reducing flare and ghosting. Additionally, a Silent Wave Motor provides fast, accurate, and quiet autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Bright f/1.8 maximum aperture supports working in low-light conditions and also enables greater control over focus position for shallow depth of field imagery. Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. Nano Crystal and Super Integrated Coatings has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
A comfortable and versatile wide-angle lens, the AF-S NIKKOR 24mm f/1.8G ED from Nikon offers a wide field of view along with a bright f/1.8 maximum aperture for working in a variety of environments. Its optical design includes both aspherical and extra-low dispersion elements, which help to minimize spherical and chromatic aberrations in order to produce a high degree of sharpness and clarity. Nano Crystal and Super Integrated Coatings are also featured, and boost contrast and color accuracy by reducing flare and ghosting. Additionally, a Silent Wave Motor provides fast, accurate, and quiet autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Bright f/1.8 maximum aperture supports working in low-light conditions and also enables greater control over focus position for shallow depth of field imagery. Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. Nano Crystal and Super Integrated Coatings has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
A comfortable and versatile wide-angle lens, the AF-S NIKKOR 24mm f/1.8G ED from Nikon offers a wide field of view along with a bright f/1.8 maximum aperture for working in a variety of environments. Its optical design includes both aspherical and extra-low dispersion elements, which help to minimize spherical and chromatic aberrations in order to produce a high degree of sharpness and clarity. Nano Crystal and Super Integrated Coatings are also featured, and boost contrast and color accuracy by reducing flare and ghosting. Additionally, a Silent Wave Motor provides fast, accurate, and quiet autofocus performance along with full-time manual focus override. Wide-angle prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provides a 36mm equivalent focal length. Bright f/1.8 maximum aperture supports working in low-light conditions and also enables greater control over focus position for shallow depth of field imagery. Two extra-low dispersion glass elements are used in the optical construction to reduce a variety of chromatic aberrations and color fringing for a high degree of clarity and color neutrality. Two aspherical elements are featured to control spherical aberrations and distortion in order to produce notable sharpness and resolution. Nano Crystal and Super Integrated Coatings has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. A rear focusing design is also used, where only the rear lens group is moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.
Last updated at 06/09/2026 18:10:08
Nikon NIKKOR AF-S 24mm f/1.8G ED Lens
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Nikon 24mm f1.8G 222292
Nikon 24mm f1.8 G
Nikon Af-s Nikkor 24mm F/1.8g Ed Wide Angle Lens [near Mint] 7087lc
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Nikon Af-s Nikkor 24mm F/1.8g Ed Lens [top Mint]
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Nikon Af-s Nikkor 24mm F/1.8g Ed Lens [top Mint]
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Nikon Af-s Nikkor 24mm F/1.8g Ed Wide Angle Lens [near Mint] 7087lc
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Nikon Af-s Nikkor 24mm F/1.8g Ed Wide Angle Lens [top Mint] Us Stock
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【near Mint】 Nikon Af-s Nikkor 24mm F/1.8g Ed Dslr Lens From Japan
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Near Mint Nikon Af-s Nikkor 24mm F/1.8 Wide Angle Prime Lens Form
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originally posted on bhphotovideo.com
This lens is a dream come true. We are avid travelers and we take photographs of landscapes and architecture. We personally find the 35mm lenses too constricting, and 28mm lenses don’t really work on wide landscapes or large interior spaces. After some consideration we got this lens that does not have the distortions associated with the wide-angle 21mm lenses and below. 24mm is “just right” on full frame.We have had this lens for over a month and we love it. It is not heavy and you can tell immediately it is a new design by Nikon. We use it with the Nikon z7 and Nikon z6 (our favorite) with the new adapter. We are completely happy with the images we obtained. They are tack sharp, with that Nikon quality of embellished reality. We tried other brands, most of them ... MoreThis lens is a dream come true. We are avid travelers and we take photographs of landscapes and architecture. We personally find the 35mm lenses too constricting, and 28mm lenses don’t really work on wide landscapes or large interior spaces. After some consideration we got this lens that does not have the distortions associated with the wide-angle 21mm lenses and below. 24mm is “just right” on full frame.We have had this lens for over a month and we love it. It is not heavy and you can tell immediately it is a new design by Nikon. We use it with the Nikon z7 and Nikon z6 (our favorite) with the new adapter. We are completely happy with the images we obtained. They are tack sharp, with that Nikon quality of embellished reality. We tried other brands, most of them having that unconvincing “digital look.” We also do occasional people and friends photos “on location” where they blend with the composition. We find this lens very polite.
originally posted on bhphotovideo.com
Is this the best lens ever? No, but it will never let you down, I had a Sigma Art 24 1.4 and in the ultimate pixel peeping it may have had a slight edge. However it could mess up focusing and it was heavy. This little gem doesn't do anything wrong; it always hits focus ( albeit at typical Nikon 1,8g series leisurely speed ). It provides consistently sharp beautifully colored files and is a joy to use. Oh, and it doesn't way 800 grams. You can not go wrong here. Perhaps it is about one hundred dollars over priced, but so be it. The build quality freaks might find too much plastic and the manual focus ring isn't the best, ( who is running around manually focusing a 24mm? ) but it is really a nicely made lovely lens to own and use.Oh, one last thought. If you happen to ... MoreIs this the best lens ever? No, but it will never let you down, I had a Sigma Art 24 1.4 and in the ultimate pixel peeping it may have had a slight edge. However it could mess up focusing and it was heavy. This little gem doesn't do anything wrong; it always hits focus ( albeit at typical Nikon 1,8g series leisurely speed ). It provides consistently sharp beautifully colored files and is a joy to use. Oh, and it doesn't way 800 grams. You can not go wrong here. Perhaps it is about one hundred dollars over priced, but so be it. The build quality freaks might find too much plastic and the manual focus ring isn't the best, ( who is running around manually focusing a 24mm? ) but it is really a nicely made lovely lens to own and use.Oh, one last thought. If you happen to move into the Z mirror-less system this will work fine on the adapter, the Sigma may not.
originally posted on ebay.com
I read so many reviews, bad and good ones, a lot about focusing and speed accuracy. All I had so far were on spot. I had no single picture out of focus. This is the best close up lens I had. Amazing fast, picture quality, weight, everything. Mine was refurbished but not a point less than new (came with third party cap). The only lens which could beat sharpness was my 85 1.8 but still super close to each other. Other tele lenses I have wide open are no where close this 24 mm. You will never regret this lens. BTW my camera is D850 and this lens can get the juice the camera can give. Enjoy
| Focal Length | 24mm |
| Maximum Aperture | f/1.8 |
| Lens Mount | Nikon F |
| Lens Format Coverage | Full-Frame |
| Focus Type | Autofocus |
Nikon NIKKOR AF-S 24mm f/1.8G ED Lens
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Nikon 24mm f1.8G 222292
Nikon 24mm f1.8 G
Nikon Af-s Nikkor 24mm F/1.8g Ed Wide Angle Lens [near Mint] 7087lc
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Nikon Af-s Nikkor 24mm F/1.8g Ed Lens [top Mint]
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This lens is a dream come true. We are avid travelers and we take photographs of landscapes and architecture. We personally find the 35mm lenses too constricting, and 28mm lenses don’t really work on wide landscapes or large interior spaces. After some consideration we got this lens that does not have the distortions associated with the wide-angle 21mm lenses and below. 24mm is “just right” on full frame.We have had this lens for over a month and we love it. It is not heavy and you can tell immediately it is a new design by Nikon. We use it with the Nikon z7 and Nikon z6 (our favorite) with the new adapter. We are completely happy with the images we obtained. They are tack sharp, with that Nikon quality of embellished reality. We tried other brands, most of them ... MoreThis lens is a dream come true. We are avid travelers and we take photographs of landscapes and architecture. We personally find the 35mm lenses too constricting, and 28mm lenses don’t really work on wide landscapes or large interior spaces. After some consideration we got this lens that does not have the distortions associated with the wide-angle 21mm lenses and below. 24mm is “just right” on full frame.We have had this lens for over a month and we love it. It is not heavy and you can tell immediately it is a new design by Nikon. We use it with the Nikon z7 and Nikon z6 (our favorite) with the new adapter. We are completely happy with the images we obtained. They are tack sharp, with that Nikon quality of embellished reality. We tried other brands, most of them having that unconvincing “digital look.” We also do occasional people and friends photos “on location” where they blend with the composition. We find this lens very polite.
Is this the best lens ever? No, but it will never let you down, I had a Sigma Art 24 1.4 and in the ultimate pixel peeping it may have had a slight edge. However it could mess up focusing and it was heavy. This little gem doesn't do anything wrong; it always hits focus ( albeit at typical Nikon 1,8g series leisurely speed ). It provides consistently sharp beautifully colored files and is a joy to use. Oh, and it doesn't way 800 grams. You can not go wrong here. Perhaps it is about one hundred dollars over priced, but so be it. The build quality freaks might find too much plastic and the manual focus ring isn't the best, ( who is running around manually focusing a 24mm? ) but it is really a nicely made lovely lens to own and use.Oh, one last thought. If you happen to ... MoreIs this the best lens ever? No, but it will never let you down, I had a Sigma Art 24 1.4 and in the ultimate pixel peeping it may have had a slight edge. However it could mess up focusing and it was heavy. This little gem doesn't do anything wrong; it always hits focus ( albeit at typical Nikon 1,8g series leisurely speed ). It provides consistently sharp beautifully colored files and is a joy to use. Oh, and it doesn't way 800 grams. You can not go wrong here. Perhaps it is about one hundred dollars over priced, but so be it. The build quality freaks might find too much plastic and the manual focus ring isn't the best, ( who is running around manually focusing a 24mm? ) but it is really a nicely made lovely lens to own and use.Oh, one last thought. If you happen to move into the Z mirror-less system this will work fine on the adapter, the Sigma may not.
I read so many reviews, bad and good ones, a lot about focusing and speed accuracy. All I had so far were on spot. I had no single picture out of focus. This is the best close up lens I had. Amazing fast, picture quality, weight, everything. Mine was refurbished but not a point less than new (came with third party cap). The only lens which could beat sharpness was my 85 1.8 but still super close to each other. Other tele lenses I have wide open are no where close this 24 mm. You will never regret this lens. BTW my camera is D850 and this lens can get the juice the camera can give. Enjoy
My motivation for purchasing was the same as reviewer FOCUSING PROBLEMS. I should have taken that person's review to heart as I experienced the same issue with it when attached to my D750 body. I got the lens just in time to take it on a trip to LaQuita, CA. The coral mountains there are just (in my mind) amazing. There is sharp contrast in their formations and should have given this lens ample opportunity to show case what I hoped would be stellar crispness. Didn't happen. The pictures were soft and out of focus. I tried adjusting it using the AF tuning feature of the camera but alas the fix to the problem lay way outside the parameters that were available in the camera. I send it back to B&H and, as otherwise notes, it was a painless process.
I began looking for a lens to bridge the gap between my Sigma 20 and Tamron 35 f/1.4 to round out my set of primes. (Also have a Sigma 50 and 85) The big debate was between the Sigma 24 f/1.4 and Nikon 24 f'/1.8. After reading many reviews and ratings, I chose the Nikon. Most reviews agreed the two were very comparable, but the Nikon was smaller and lighter. Some were concerned the Nikon was not made in Japan. I believe the quality standards of Nikon are the same no matter where they are built. Others had forward focusing issues. I have not had any. I am extremely pleased with the lens.
I decided to buy the 24mm instead of the 28mm based on the 36mm effective focal length when used on my D7200, and the full 24mm when used on my D750. The IQ of this lens, on both bodies, has been excellent. I shoot mostly .jpeg, and, being in the Florida Keys, almost always in decent natural light. Subject matter has been marine-oriented, i.e. boats, marine life, sea birds, and the occasional portrait of a Florida Keys boat Captain, or mate. So far the lens has performed quite well. It focuses fast, renders good color, and contrast, and I've not noticed any vignetting, CA, distortion, or soft edges.
This was an upgrade to the 24mm 2.8D that I own, and I am impressed. You can get substantially closer to the subject with minimal barrel distortion, and the auto focus doesn't have to hunt so much. The lens seems to be sharper closer to f/4, but I have had many instances where I could open up a bit more and still maintain sharpness even though this isn't best practice The struggle with focus comes into play while shooting video. I would suggest developing a solution that routes into a reference monitor with focus peaking. When you shoot that wide, pulling focus is really difficult to nail down without some extra help. It's not the lens's fault, it's just the nature of the beast. In terms of image quality, if you own any of the f/1.8 G lenses, or the 105mm f/2.8 ... MoreThis was an upgrade to the 24mm 2.8D that I own, and I am impressed. You can get substantially closer to the subject with minimal barrel distortion, and the auto focus doesn't have to hunt so much. The lens seems to be sharper closer to f/4, but I have had many instances where I could open up a bit more and still maintain sharpness even though this isn't best practice The struggle with focus comes into play while shooting video. I would suggest developing a solution that routes into a reference monitor with focus peaking. When you shoot that wide, pulling focus is really difficult to nail down without some extra help. It's not the lens's fault, it's just the nature of the beast. In terms of image quality, if you own any of the f/1.8 G lenses, or the 105mm f/2.8 Macro, then you'll feel right at home. It may exist in special circumstances, but I haven't noticed any chromatic abbaritions yet with my style of shooting. I currently own a 24mm 2.8D, 50mm 1.8G, 85mm 1.8G, and a 105mm 2.8 Macro, and this 24mm 1.8G has not left this D610 body since the moment I first mounted it. It's one of my favorite lenses, and I have no regrets about that. Today, my arsenal seems that much more complete.
I just got this lens a couple weeks ago. I've owned many 24mm lenses in 48 years of shooting. Immediately I unwrapped it and started testing sharpness and contrast around my home and property. Wow! Not just sharpness but contrast and saturation too! This lens is far beyond my expectations. This example has a butter-smooth focusing ring too. I debated the f/1.4 version, but my primary use for this lens is landscape and architecture. I have the f/1.4 versions of the 35, 58 and 85mm Nikkor lenses. Those are for skin, hair, face and color rendering, and they are awesome. But this lens isn't going to be working in my studio doing portraits. I tried to choose the right lens for the purpose. So far, so good! 5 stars!
This compact, lightweight little jewel produces images far beyond my expectations. A series of flat field shots with lots of detail at about a meter produced very sharp images to edge of the FX frame (D600). At f1.8 the sharpness was already remarkable right to the edge with very little distortion and stopping down showed a slight, almost imperceptible improvement, but at f4 the detail really pops. The center detail, I would say equals the Sigma f1.4art lens, but the Nikon surpasses the Sigma at the edges. The included sample shots (please forgive the creepy selfie) are straight out of the camera jpegs with a slight crop and no other post processing (image #1 at f5.6, image #2 at f2). As you can see, the lack of distortion is worth mentioning again. As a, not ... MoreThis compact, lightweight little jewel produces images far beyond my expectations. A series of flat field shots with lots of detail at about a meter produced very sharp images to edge of the FX frame (D600). At f1.8 the sharpness was already remarkable right to the edge with very little distortion and stopping down showed a slight, almost imperceptible improvement, but at f4 the detail really pops. The center detail, I would say equals the Sigma f1.4art lens, but the Nikon surpasses the Sigma at the edges. The included sample shots (please forgive the creepy selfie) are straight out of the camera jpegs with a slight crop and no other post processing (image #1 at f5.6, image #2 at f2). As you can see, the lack of distortion is worth mentioning again. As a, not totally relevant, note (unless you are deciding between this lens and the Nikon 18-35 G lens), at f1.8 this 24mm prime bests the 18-35 at 24mm and f5.6, and I have been very pleased with the IQ of the zoom. My copy of the 24mm f1.8G is right on the mark with AF accuracy and required no adjustment on my D600.
What can you say: shes a gem. Hands down the sharpest lens Ive ever put on a Nikon. Used it with an f100, a D7100 (for a 36mm equiv), and a D810. I always suspected that it had more to offer than crop sensor or 35mm frame are able to resolve. Sure enough, it simply sings on FF. Edge-to-edge sharpness, particularly at f8-f11. Scant barrel distortion, and what little exists is fully-correctable in post (no mustachioed nonsense).My only grumble applies to Nikons entire AF-S range: the manual focus ring. If youre used to shooting Nikons AI, AI-s, or other dedicated MF lenses, the MF action here will disappoint. The mechanism is unrefined, the action is jumpy, and its just not satisfying to use. Obviously, this lens was designed for AF, with MF a sort of ... MoreWhat can you say: shes a gem. Hands down the sharpest lens Ive ever put on a Nikon. Used it with an f100, a D7100 (for a 36mm equiv), and a D810. I always suspected that it had more to offer than crop sensor or 35mm frame are able to resolve. Sure enough, it simply sings on FF. Edge-to-edge sharpness, particularly at f8-f11. Scant barrel distortion, and what little exists is fully-correctable in post (no mustachioed nonsense).My only grumble applies to Nikons entire AF-S range: the manual focus ring. If youre used to shooting Nikons AI, AI-s, or other dedicated MF lenses, the MF action here will disappoint. The mechanism is unrefined, the action is jumpy, and its just not satisfying to use. Obviously, this lens was designed for AF, with MF a sort of emergency-use-only after thought.And so I shoot with AF. Admittedly, it takes me out of the process a bit. But, man, you cant argue with the results. And at $800 its a true bargain of a lens. As an urban landscape and architectural photographer, I wouldnt be without it (or, I suppose, Nikons 20G or 28G, depending on ones taste).
| Focal Length | 24mm |
| Maximum Aperture | f/1.8 |
| Lens Mount | Nikon F |
| Lens Format Coverage | Full-Frame |
| Focus Type | Autofocus |
