The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by microstep control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed. This compact, lightweight, and dust-, splash-, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors. Subtle angles for beautiful shots The LUMIX S F1.8 Series 50mm lens is designed for superior mobility and beautiful bokeh. It helps you capture unique landscapes and facial expressions. When it’s combined with a LUMIX S series camera, the focus ring control setting can be finely set and focus adjusted to feel just right, so it’s also ideal for video creation. Dust, splash and freeze-resistant design The LUMIX S 50mm F1.8 is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C. Ideal for video recording The lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject. S 50 lens construction The optimized configuration has 9 elements in 8 groups, including 3 ASPH, 1 ED and 1 UHR lenses to minimize aberrations and ensure superb resolution. S 50 MTF chart Offering outstanding sharpness and resolution from the center to the edges of the frame, this is an ideal lens for the LUMIX full-frame system, and provides creative opportunities without compromise.
The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by microstep control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed. This compact, lightweight, and dust-, splash-, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors. Subtle angles for beautiful shots The LUMIX S F1.8 Series 50mm lens is designed for superior mobility and beautiful bokeh. It helps you capture unique landscapes and facial expressions. When it’s combined with a LUMIX S series camera, the focus ring control setting can be finely set and focus adjusted to feel just right, so it’s also ideal for video creation. Dust, splash and freeze-resistant design The LUMIX S 50mm F1.8 is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C. Ideal for video recording The lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject. S 50 lens construction The optimized configuration has 9 elements in 8 groups, including 3 ASPH, 1 ED and 1 UHR lenses to minimize aberrations and ensure superb resolution. S 50 MTF chart Offering outstanding sharpness and resolution from the center to the edges of the frame, this is an ideal lens for the LUMIX full-frame system, and provides creative opportunities without compromise.
The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by microstep control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed. This compact, lightweight, and dust-, splash-, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors. Subtle angles for beautiful shots The LUMIX S F1.8 Series 50mm lens is designed for superior mobility and beautiful bokeh. It helps you capture unique landscapes and facial expressions. When it’s combined with a LUMIX S series camera, the focus ring control setting can be finely set and focus adjusted to feel just right, so it’s also ideal for video creation. Dust, splash and freeze-resistant design The LUMIX S 50mm F1.8 is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C. Ideal for video recording The lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject. S 50 lens construction The optimized configuration has 9 elements in 8 groups, including 3 ASPH, 1 ED and 1 UHR lenses to minimize aberrations and ensure superb resolution. S 50 MTF chart Offering outstanding sharpness and resolution from the center to the edges of the frame, this is an ideal lens for the LUMIX full-frame system, and provides creative opportunities without compromise.
The LUMIX S 50mm F1.8 is a large-diameter standard lens compatible with all L-mount cameras for maximum versatility, yet it has a compact size and weight. ideal for a wide range of photography, from landscape to portraits and snapshots, this lens uses three aspherical lenses to achieve both high depiction performance and beautiful bokeh. An excellent choice for video, it suppresses breathing during focus and realizes smooth exposure change by microstep control of the aperture, enabling high-quality video expression. By using one ED lens, chromatic aberration is well suppressed. This compact, lightweight, and dust-, splash-, and low-temperature resistant lens is easy to carry and dependable even when shooting outdoors. Subtle angles for beautiful shots The LUMIX S F1.8 Series 50mm lens is designed for superior mobility and beautiful bokeh. It helps you capture unique landscapes and facial expressions. When it’s combined with a LUMIX S series camera, the focus ring control setting can be finely set and focus adjusted to feel just right, so it’s also ideal for video creation. Dust, splash and freeze-resistant design The LUMIX S 50mm F1.8 is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allowing you to shoot in temperatures as low as -10 °C. Ideal for video recording The lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject. S 50 lens construction The optimized configuration has 9 elements in 8 groups, including 3 ASPH, 1 ED and 1 UHR lenses to minimize aberrations and ensure superb resolution. S 50 MTF chart Offering outstanding sharpness and resolution from the center to the edges of the frame, this is an ideal lens for the LUMIX full-frame system, and provides creative opportunities without compromise.
Last updated at 06/10/2026 12:42:03
Panasonic LUMIX S Series 50mm F1.8 L-Mount Versatile Fixed Focal Length Camera Lens with Dust/Splash/Freeze Resistant Design (S-S50GC)
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Panasonic Lumix S 50mm f/1.8 Lens (Camera Lens Kit Bundle Packing) S-S
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Panasonic Lumix S 50mm F1.8 (White Box)
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Panasonic Lumix S 50mm F1.8 (White Retail Box)
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Panasonic Lumix S 50mm F1.8 S-S50
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Panasonic Lumix S 50mm f/1.8 Lens
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Panasonic Lumix S 50mm f/1.8 Lens - Brand New
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Panasonic Lumix S 50mm f/1.8 Lens
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Panasonic Lumix S f/1.8 Weather Sealed Prime Lens, 50mm
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Panasonic Lumix S 50mm f/1.8 Weather Sealed Prime Lens
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originally posted on adorama.com
Excellent lens! I shoot with this lens as my primary because it nicely bridges the gap between an ultra wide and a medium lens like my 50mm. This is great for capturing street photography or portraits. The wide open aperture is also great for night photos which are my personal favorite to shoot. I never have to worry about not getting in enough light with this lens.
originally posted on videopro.com.au
50mm lens is a common lens and it reflects how humans see the world. Panasonic recent lenses are unique in a way while they have kept their build quality, lens dimension, weight and filter size are almost similar thus making it easier if decide to use a gimbal for video shooting. Quality of the above lens is very good for street photography with some creativity portrait mode on a sturdy tripod you can combine to produce sharp landscape phots. Colors out of the camera are fabulous, no need of extra post processing, you will be amazed with if you are outputting as jpgs.
originally posted on bhphotovideo.com
I'm currently using this on my Panasonic S5 and have been very impressed with the versatility of this lens. I work full-time shooting corporate videos/photos and plan to use this as a primary lens for interviews and detail shots (and occasionally for portraiture). Even though it doesn't have Panasonic's Pro label, everything about this lens is more than suitable for professional applications -- the quality of the image is tack sharp, AF is great, doesn't weigh much (but not in the way that feels cheap), great form factor, and good price. I'm looking forward to their future release of both the 35mm & 24mm lenses in this series as Panasonic has really outdone themselves with this one!
| Aperture Range | f/1.8 to f/22 |
| Warranty Years | Genuine |
| Focal Length | 50mm |
| Maximum Aperture | f/1.8 |
| Lens Mount | Leica L |
Panasonic LUMIX S Series 50mm F1.8 L-Mount Versatile Fixed Focal Length Camera Lens with Dust/Splash/Freeze Resistant Design (S-S50GC)
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Panasonic Lumix S 50mm f/1.8 Lens (Camera Lens Kit Bundle Packing) S-S
Delivery $20.90
Panasonic Lumix S 50mm F1.8 (White Box)
Free delivery
Panasonic Lumix S 50mm F1.8 (White Retail Box)
Free delivery
Panasonic Lumix S 50mm F1.8 S-S50
Free delivery
Excellent lens! I shoot with this lens as my primary because it nicely bridges the gap between an ultra wide and a medium lens like my 50mm. This is great for capturing street photography or portraits. The wide open aperture is also great for night photos which are my personal favorite to shoot. I never have to worry about not getting in enough light with this lens.
50mm lens is a common lens and it reflects how humans see the world. Panasonic recent lenses are unique in a way while they have kept their build quality, lens dimension, weight and filter size are almost similar thus making it easier if decide to use a gimbal for video shooting. Quality of the above lens is very good for street photography with some creativity portrait mode on a sturdy tripod you can combine to produce sharp landscape phots. Colors out of the camera are fabulous, no need of extra post processing, you will be amazed with if you are outputting as jpgs.
I'm currently using this on my Panasonic S5 and have been very impressed with the versatility of this lens. I work full-time shooting corporate videos/photos and plan to use this as a primary lens for interviews and detail shots (and occasionally for portraiture). Even though it doesn't have Panasonic's Pro label, everything about this lens is more than suitable for professional applications -- the quality of the image is tack sharp, AF is great, doesn't weigh much (but not in the way that feels cheap), great form factor, and good price. I'm looking forward to their future release of both the 35mm & 24mm lenses in this series as Panasonic has really outdone themselves with this one!
I've shot Cooke glass on Red camera systems over the course of my career, and I can honestly say that this 85mm on our S1h yields comparable results. We have two of these lenses that we use almost exclusively for interviews. We consistently get tack sharp focus wide open, with excellent subject separation, color rendering, minimal distortion, and smooth bokeh. Perhaps it's more the Lumix S cameras systems, but like the 20-60mm and, to a slightly lesser degree, the 50mm 1.8, these lenses seem custom-built for video. They deliver astonishing results when used for that purpose. They don't perform quite as well for stills work as the autofocus is still subpar compared to other manufactures. (I will say it is getting markedly better with each camera update.) I've ... MoreI've shot Cooke glass on Red camera systems over the course of my career, and I can honestly say that this 85mm on our S1h yields comparable results. We have two of these lenses that we use almost exclusively for interviews. We consistently get tack sharp focus wide open, with excellent subject separation, color rendering, minimal distortion, and smooth bokeh. Perhaps it's more the Lumix S cameras systems, but like the 20-60mm and, to a slightly lesser degree, the 50mm 1.8, these lenses seem custom-built for video. They deliver astonishing results when used for that purpose. They don't perform quite as well for stills work as the autofocus is still subpar compared to other manufactures. (I will say it is getting markedly better with each camera update.) I've experienced some frustration attempting to get the camera and lens to focus on where I would like in the frame.
I was not excited to spend money on another 24mm lens since I have that covered 3 times already with Lumix brand zoom lenses. I ended up testing now all 4 lenses at 24mm along with the Leica f1.7 Summilux 28mm to assess the value of this purchase. Regardless of f stop, this lens was sharper than any of Panasonic zooms with the 24-70mm f2.8 closest in quality. The Leica, as expected was a hair sharper. Image rendering of the new 24mm was very close to the Leica overall feel with a hair post tweek. Out of focus areas were superior to zooms but not exactly Leica. 3 dimensional depth was much better than the zooms but again not quite Leica. Now the real area I appreciated was the mid highlight rendering which really sparkled compared to the Zooms and closely matched ... MoreI was not excited to spend money on another 24mm lens since I have that covered 3 times already with Lumix brand zoom lenses. I ended up testing now all 4 lenses at 24mm along with the Leica f1.7 Summilux 28mm to assess the value of this purchase. Regardless of f stop, this lens was sharper than any of Panasonic zooms with the 24-70mm f2.8 closest in quality. The Leica, as expected was a hair sharper. Image rendering of the new 24mm was very close to the Leica overall feel with a hair post tweek. Out of focus areas were superior to zooms but not exactly Leica. 3 dimensional depth was much better than the zooms but again not quite Leica. Now the real area I appreciated was the mid highlight rendering which really sparkled compared to the Zooms and closely matched Leica. Overall the lens handles great and does not disappoint in any area especially for the money. Having a lens that functions below freezing was one of my prime reasons for going with Lumix system. I am very happy with results and can easily justify the expense since this lens shoots so well at minimum focus. No real aberrations , a little fringing that immediate clears in post. The wide open sharpness and contrast is simply icing of the cake.
Well built, solid optics and perfectly balanced on the S5II. For a F1.8, it's very sharp and color reproduction is great. For video this lens is so good, with quiet AF and the bokeh is very pleasing. Very pleased with this lens. Highly recommend as one of the first lenses to get when getting into the L-mount system.
I bought this lens to have a relatively fast 50mm and affordable lens for my SL2. I would add that this lens is also light weight and balance well on my SL2.Wide open at f1.8 images are a little soft including in the center. Stopped down just a taste, to f2, and the center sharpens up nicely.While this lens does provide ample Bokeh, small areas such as leaves, can appear busy and choppy when viewed on-screen at 100%.Otherwise this lens, for the money, performs well. I would recommend this lens to someone using an SL2 (and probably an original SL).
Second time I purchased open-box from Best Buy. Will NEVER do it again. Bought "excellent" which means all parts should've been included, but this arrived with ONLY the lens. No caps, no hood. There are a lot of products for Best Buy returns to keep track of, but it takes 2 minutes for them to confirm what parts are supposed to be in the box (hint, it's printed right on the first page of the manual).
This lens is not just great for the price, it is great period. It is exceedingly sharp wide-open and has some of the most pleasing rendering I have ever seen, even when compared to Leica-Certified Lumix lenses I have owned in the past.I was worried that f1.8 would not be shallow enough for my needs, but this lens renders out of focus areas beautifully - it is always silky smooth and never busy, even when shooting in visually-dense woodland environments at a medium distance. The transitions between in-focus and out of focus areas are beautiful. I find the lens sharper than I will ever need for video AND for stills - even wide open.The auto-focus is fast and accurate, the weather sealing has already been handy on multiple occasions and the adjustable focus throw ... MoreThis lens is not just great for the price, it is great period. It is exceedingly sharp wide-open and has some of the most pleasing rendering I have ever seen, even when compared to Leica-Certified Lumix lenses I have owned in the past.I was worried that f1.8 would not be shallow enough for my needs, but this lens renders out of focus areas beautifully - it is always silky smooth and never busy, even when shooting in visually-dense woodland environments at a medium distance. The transitions between in-focus and out of focus areas are beautiful. I find the lens sharper than I will ever need for video AND for stills - even wide open.The auto-focus is fast and accurate, the weather sealing has already been handy on multiple occasions and the adjustable focus throw is a really great feature. I have never detected any perceivable focus breathing in real-world videography.The lens is a little large with the lens hood attached but super light weight.Now I need to save up for the 35mm and the other lenses in this lineup!
This lens has definitely surpassed my expectations. We are a production house that has several S1, S1H, and S5s on gimbals in the field every day. I'm aware of the obvious advantages of native glass, but I did not expect this lens to outperform our adapted Canon 50mm 1.2 lenses; however, it does, by a significant margin. The autofocus performance is noticeably better than the 85mm and 20-60mm, both of which are surprisingly good. This lens is a no-brainer for video work... We don't do a lot of stills work, so I'll defer to others more knowledgeable than I on that front. In short, I'm not ready to offload my Canon glass yet... but this lens gets me one giant step closer. I will update my review once this lens has endured the rigors of being in the field for a more ... MoreThis lens has definitely surpassed my expectations. We are a production house that has several S1, S1H, and S5s on gimbals in the field every day. I'm aware of the obvious advantages of native glass, but I did not expect this lens to outperform our adapted Canon 50mm 1.2 lenses; however, it does, by a significant margin. The autofocus performance is noticeably better than the 85mm and 20-60mm, both of which are surprisingly good. This lens is a no-brainer for video work... We don't do a lot of stills work, so I'll defer to others more knowledgeable than I on that front. In short, I'm not ready to offload my Canon glass yet... but this lens gets me one giant step closer. I will update my review once this lens has endured the rigors of being in the field for a more significant amount of time.
| Aperture Range | f/1.8 to f/22 |
| Warranty Years | Genuine |
| Focal Length | 50mm |
| Maximum Aperture | f/1.8 |
| Lens Mount | Leica L |
