50mm lens is a common lens and it reflects how humans see the world. Panasonic recent lenses are unique in a way while they have kept their build quality, lens dimension, weight and filter size are almost similar thus making it easier if decide to use a gimbal for video shooting. Quality of the above lens is very good for street photography with some creativity portrait mode on a sturdy tripod you can combine to produce sharp landscape phots. Colors out of the camera are fabulous, no need of extra post processing, you will be amazed with if you are outputting as jpgs.

I've shot Cooke glass on Red camera systems over the course of my career, and I can honestly say that this 85mm on our S1h yields comparable results. We have two of these lenses that we use almost exclusively for interviews. We consistently get tack sharp focus wide open, with excellent subject separation, color rendering, minimal distortion, and smooth bokeh. Perhaps it's more the Lumix S cameras systems, but like the 20-60mm and, to a slightly lesser degree, the 50mm 1.8, these lenses seem custom-built for video. They deliver astonishing results when used for that purpose. They don't perform quite as well for stills work as the autofocus is still subpar compared to other manufactures. (I will say it is getting markedly better with each camera update.) I've ... MoreI've shot Cooke glass on Red camera systems over the course of my career, and I can honestly say that this 85mm on our S1h yields comparable results. We have two of these lenses that we use almost exclusively for interviews. We consistently get tack sharp focus wide open, with excellent subject separation, color rendering, minimal distortion, and smooth bokeh. Perhaps it's more the Lumix S cameras systems, but like the 20-60mm and, to a slightly lesser degree, the 50mm 1.8, these lenses seem custom-built for video. They deliver astonishing results when used for that purpose. They don't perform quite as well for stills work as the autofocus is still subpar compared to other manufactures. (I will say it is getting markedly better with each camera update.) I've experienced some frustration attempting to get the camera and lens to focus on where I would like in the frame.

I bought this lens to have a relatively fast 50mm and affordable lens for my SL2. I would add that this lens is also light weight and balance well on my SL2.Wide open at f1.8 images are a little soft including in the center. Stopped down just a taste, to f2, and the center sharpens up nicely.While this lens does provide ample Bokeh, small areas such as leaves, can appear busy and choppy when viewed on-screen at 100%.Otherwise this lens, for the money, performs well. I would recommend this lens to someone using an SL2 (and probably an original SL).