The NT1000 Large Diaphragm Condenser Microphone from RODE is a side address, large diaphragm microphone intended for vocal and general instrument recording. The NT1000 features a gold plated large diaphragm capsule with a cardioid polar pattern. The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone. The capsule is internally shock mounted, further minimizing handling noise as well as protecting the capsule from potential damage. The NT1000 provides a wide frequency response of 20 Hz to 20 kHz. High quality output electronics provide transparent audio reproduction at high output levels while maintaining a low noise floor. The NT1000 is powered via +48 Volt Phantom Power and includes the RODE RM2 ring-mount microphone stand. Cardioid Polar Pattern The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone such as monitors, instruments, room ambiance etc. Gold Plated Diaphragm The gold plated diaphragm provides transparent signal reproduction and frequency response. The diaphragm is internally shock-mounted, providing protection against potential damage. Wide Frequency Response The NT1000's 20 Hz to 20 kHz frequency response allows the microphone to be used in a variety of applications.
The NT1000 Large Diaphragm Condenser Microphone from RODE is a side address, large diaphragm microphone intended for vocal and general instrument recording. The NT1000 features a gold plated large diaphragm capsule with a cardioid polar pattern. The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone. The capsule is internally shock mounted, further minimizing handling noise as well as protecting the capsule from potential damage. The NT1000 provides a wide frequency response of 20 Hz to 20 kHz. High quality output electronics provide transparent audio reproduction at high output levels while maintaining a low noise floor. The NT1000 is powered via +48 Volt Phantom Power and includes the RODE RM2 ring-mount microphone stand. Cardioid Polar Pattern The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone such as monitors, instruments, room ambiance etc. Gold Plated Diaphragm The gold plated diaphragm provides transparent signal reproduction and frequency response. The diaphragm is internally shock-mounted, providing protection against potential damage. Wide Frequency Response The NT1000's 20 Hz to 20 kHz frequency response allows the microphone to be used in a variety of applications.
The NT1000 Large Diaphragm Condenser Microphone from RODE is a side address, large diaphragm microphone intended for vocal and general instrument recording. The NT1000 features a gold plated large diaphragm capsule with a cardioid polar pattern. The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone. The capsule is internally shock mounted, further minimizing handling noise as well as protecting the capsule from potential damage. The NT1000 provides a wide frequency response of 20 Hz to 20 kHz. High quality output electronics provide transparent audio reproduction at high output levels while maintaining a low noise floor. The NT1000 is powered via +48 Volt Phantom Power and includes the RODE RM2 ring-mount microphone stand. Cardioid Polar Pattern The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone such as monitors, instruments, room ambiance etc. Gold Plated Diaphragm The gold plated diaphragm provides transparent signal reproduction and frequency response. The diaphragm is internally shock-mounted, providing protection against potential damage. Wide Frequency Response The NT1000's 20 Hz to 20 kHz frequency response allows the microphone to be used in a variety of applications.
The NT1000 Large Diaphragm Condenser Microphone from RODE is a side address, large diaphragm microphone intended for vocal and general instrument recording. The NT1000 features a gold plated large diaphragm capsule with a cardioid polar pattern. The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone. The capsule is internally shock mounted, further minimizing handling noise as well as protecting the capsule from potential damage. The NT1000 provides a wide frequency response of 20 Hz to 20 kHz. High quality output electronics provide transparent audio reproduction at high output levels while maintaining a low noise floor. The NT1000 is powered via +48 Volt Phantom Power and includes the RODE RM2 ring-mount microphone stand. Cardioid Polar Pattern The cardioid pick-up pattern is effective in minimizing noise from off axis sections of the microphone such as monitors, instruments, room ambiance etc. Gold Plated Diaphragm The gold plated diaphragm provides transparent signal reproduction and frequency response. The diaphragm is internally shock-mounted, providing protection against potential damage. Wide Frequency Response The NT1000's 20 Hz to 20 kHz frequency response allows the microphone to be used in a variety of applications.
Last updated at 07/23/2026 15:37:30
RØDE NT1000 Versatile Large Diaphragm Cardioid Condenser Microphone for Vocal and Instrument Recording, Gold
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Rode - NT1000
RODE NT1000 Cardioid Condenser Microphone
Delivery $119.41
Rode NT1000 Studio Condenser Microphone
Delivery between 27 July – 4 Aug $15
Rode NT1000 Large Diaphragm Condenser Microphone
Rode NT1000 Studio Condenser Microphone
Free delivery between 29 July – 4 Aug
Rode NT1000
Delivery $15
Rode NT1000 Cardioid Condenser Microphone
Free delivery
Rode NT1000
Free delivery between 28 July – 3 Aug
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Delivery $96
originally posted on americanmusical.com
I'm not sure I've ever worked with a more cost effective piece of gear. This thing sounds like a microphone 4 times the cost. Built like a take, performs each and every time you need it, and will make your vocals sound clear, crisp, and solid. 10/10 would recommend this mic.
originally posted on americanmusical.com
This microphone sounds better than a lot of more expensive microphone. I would recommend this microphone to anyone and everyone , it's smooth on vocals and great on acoustic guitar.
originally posted on musiciansfriend.com
see aboveThis was the first large diaphragm condenser I purchased and it still works great seven years and a half dozen drops later!My gut instinct is that it's possible to get a professional take with just about any large diaphragm condenser nowadays, so if you already own another make and are pondering whether you should first invest in some new mic preamps or perhaps a new recording interface, go with upgrading those first (as you'll see more of an immediate improvement out of it).Even so, I'd have to put this at the top of the list of mics I'd recommend as an eventual necessary purchase for any studio or home enthusiast. It's a little clearer and fuller than your typical MXL or other mid-range variety, and the transients less brittle. If you use low noize, ... Moresee aboveThis was the first large diaphragm condenser I purchased and it still works great seven years and a half dozen drops later!My gut instinct is that it's possible to get a professional take with just about any large diaphragm condenser nowadays, so if you already own another make and are pondering whether you should first invest in some new mic preamps or perhaps a new recording interface, go with upgrading those first (as you'll see more of an immediate improvement out of it).Even so, I'd have to put this at the top of the list of mics I'd recommend as an eventual necessary purchase for any studio or home enthusiast. It's a little clearer and fuller than your typical MXL or other mid-range variety, and the transients less brittle. If you use low noize, clear pres (Mackie VLZ3's are affordable and do the job), it will you give that familiar, smoky, saturated, condenser sound on vocals that makes mediocre singers sound like superstars. You know; THAT studio sound.A word of caution: the right or wrong selection of pres, as well as eq curve, can make a huge difference with this mic. Rhode mics tend to have a noticeable presence boost. The highs are little smoother and silkier than say, the NT1 (which is also pretty good) and the bottom a little fatter, but for many applications this mic will still seem just a little too bright and in need of some analog warming. Generally, if I'm recording an acoustic guitar, I couple this mic with my Shiny Box ribbon or something else with more pronounced mid-lows to help fill out the sonic spectrum. If going in mono, its a good idea to send it through a tube pre or compensate for the brightness. You wouldn't be bad off to pick up a Presonus or an Art tube for extra if you don't have one already.All in all, bang for the buck, there isn't a better choice. If I had to live with only mic in my closet, it would be either this or the SM7B (another must-have, swiss army knife of a mic). It doesn't have the warmth of a ribbon, but then condensers seldom do. And after all, that's why eqs were invented....
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | Condenser |
| Diaphragm | 1” / 25.40 mm |
| Polar Pattern | Cardioid |
RØDE NT1000 Versatile Large Diaphragm Cardioid Condenser Microphone for Vocal and Instrument Recording, Gold
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Rode - NT1000
RODE NT1000 Cardioid Condenser Microphone
Delivery $119.41
Rode NT1000 Studio Condenser Microphone
Delivery between 27 July – 4 Aug $15
Rode NT1000 Large Diaphragm Condenser Microphone
I'm not sure I've ever worked with a more cost effective piece of gear. This thing sounds like a microphone 4 times the cost. Built like a take, performs each and every time you need it, and will make your vocals sound clear, crisp, and solid. 10/10 would recommend this mic.
This microphone sounds better than a lot of more expensive microphone. I would recommend this microphone to anyone and everyone , it's smooth on vocals and great on acoustic guitar.
see aboveThis was the first large diaphragm condenser I purchased and it still works great seven years and a half dozen drops later!My gut instinct is that it's possible to get a professional take with just about any large diaphragm condenser nowadays, so if you already own another make and are pondering whether you should first invest in some new mic preamps or perhaps a new recording interface, go with upgrading those first (as you'll see more of an immediate improvement out of it).Even so, I'd have to put this at the top of the list of mics I'd recommend as an eventual necessary purchase for any studio or home enthusiast. It's a little clearer and fuller than your typical MXL or other mid-range variety, and the transients less brittle. If you use low noize, ... Moresee aboveThis was the first large diaphragm condenser I purchased and it still works great seven years and a half dozen drops later!My gut instinct is that it's possible to get a professional take with just about any large diaphragm condenser nowadays, so if you already own another make and are pondering whether you should first invest in some new mic preamps or perhaps a new recording interface, go with upgrading those first (as you'll see more of an immediate improvement out of it).Even so, I'd have to put this at the top of the list of mics I'd recommend as an eventual necessary purchase for any studio or home enthusiast. It's a little clearer and fuller than your typical MXL or other mid-range variety, and the transients less brittle. If you use low noize, clear pres (Mackie VLZ3's are affordable and do the job), it will you give that familiar, smoky, saturated, condenser sound on vocals that makes mediocre singers sound like superstars. You know; THAT studio sound.A word of caution: the right or wrong selection of pres, as well as eq curve, can make a huge difference with this mic. Rhode mics tend to have a noticeable presence boost. The highs are little smoother and silkier than say, the NT1 (which is also pretty good) and the bottom a little fatter, but for many applications this mic will still seem just a little too bright and in need of some analog warming. Generally, if I'm recording an acoustic guitar, I couple this mic with my Shiny Box ribbon or something else with more pronounced mid-lows to help fill out the sonic spectrum. If going in mono, its a good idea to send it through a tube pre or compensate for the brightness. You wouldn't be bad off to pick up a Presonus or an Art tube for extra if you don't have one already.All in all, bang for the buck, there isn't a better choice. If I had to live with only mic in my closet, it would be either this or the SM7B (another must-have, swiss army knife of a mic). It doesn't have the warmth of a ribbon, but then condensers seldom do. And after all, that's why eqs were invented....
Super satisfied with my purchase! For an LDC, the NT1000 delivers amazing clarity with a ridiculously low noise floor to boot. Really impressed with both the build and sound quality - hats off to RODE! DJ City delivered the product in stellar condition very promptly - I would not hesitate to recommend or purchase from them again.
This is a great overall mic. I use it often for recording acoustic guitar in my studio, and it shines there, especially when run through a good preamp. It's a little overbright and over crisp for my vocals at times (I prefer a tube mic for my vocals), but I use this often to make a strong demo vocal when writing and, again, on several acoustic instruments. It could even be used as a drum overhead, although if you've got a cymbal heavy drummer you may need to put a shelf on the high end to attenuate some of the high end and presence boost this mic gives.It's very very quiet, and makes an excellent workhorse mic for any budget studio. Sounds as good as other condensers that cost at least twice as much. Rode gives a free 10-year warranty too, which is an awesome ... MoreThis is a great overall mic. I use it often for recording acoustic guitar in my studio, and it shines there, especially when run through a good preamp. It's a little overbright and over crisp for my vocals at times (I prefer a tube mic for my vocals), but I use this often to make a strong demo vocal when writing and, again, on several acoustic instruments. It could even be used as a drum overhead, although if you've got a cymbal heavy drummer you may need to put a shelf on the high end to attenuate some of the high end and presence boost this mic gives.It's very very quiet, and makes an excellent workhorse mic for any budget studio. Sounds as good as other condensers that cost at least twice as much. Rode gives a free 10-year warranty too, which is an awesome perk, that you probably won't ever need to use, as these are well made.
I upgraded from a Samson CO1U to the Rode NT1000 for recording male vocals for music. Its definitely worth the switch! Big upgrade in the sound of quality. Ive known about the NT 1000 for years as a friend of mine has it. Also, I always saw good reviews on its clarity & quality as well as longevity. Im happy to own 1 now!
I have been project studio recording for many years, and I can tell you that for the money (I hate it when people say that cliche') this is probably the best mic for me. I have used it on acoustic guitars, vocals, and various other percussive instruments and I can tell you simply-it sits well in the mix. It does have a slight warmth to it-not colored-and certainly has a bite at the top. I find that combination works for cutting popular vocals through and putting them in your face. Kind of like they just "float" out there, which is very desirable for my style of recording. It is really solidly built, hard metal and mesh-I would DEFINITELY recommend the shock mount (extra) and a pop screen. All in all, if this is to be your only mic you can't go wrong.
What to do?! What to do?! I did a lot of research in this price range for a decent workhorse mic. I have a long history of recording in simple and high end studios, so I have heard the big money gear and the lower end gear for years. My gear budget needed to cover other gear too, so I had to make wise choices. The NT1000 had a consistant record of impressing pro reviewers and reviews from people like me out here in the home recording world were usually pretty positive. So ...... I made the decision to buy one of these. I was really impressed at what I was hearing from my investment and that's what a mic is, an investment in dollars and in the outcome of our recordings. I've mostly used mine to mic a Marshall cab and to record acoustic guitar (I do instrumentals, so ... MoreWhat to do?! What to do?! I did a lot of research in this price range for a decent workhorse mic. I have a long history of recording in simple and high end studios, so I have heard the big money gear and the lower end gear for years. My gear budget needed to cover other gear too, so I had to make wise choices. The NT1000 had a consistant record of impressing pro reviewers and reviews from people like me out here in the home recording world were usually pretty positive. So ...... I made the decision to buy one of these. I was really impressed at what I was hearing from my investment and that's what a mic is, an investment in dollars and in the outcome of our recordings. I've mostly used mine to mic a Marshall cab and to record acoustic guitar (I do instrumentals, so I haven't used it on vocals yet). It has a definite higher end, smooth quality to it. I've been working it hard for 2 years with impressive results and it's built rock solid. It's just a quality piece of gear that holds it's value pretty well because the Rode name holds respect..
This mic and my Audix i5 see so much use when recording it's rediculous. I pull the NT1000 out for almost everything. I got it for a good price with a Presonus studio channel preamp and with some soft compression dialed in the two make everything sound sooooo nice. I've experienced no need to EQ at all for vocals (maybe a slight roll off in the highs, this mic has a LOT of presence so you may expect to use a desser) Yet somehow with having such a bright sound it has a very warm tonality on guitar amps, I've gotten the best results putting the NT1000 mixed with an i5 on guitar cabs. The crisp sound is great for micing acoustics as well or cymbals. Pretty much the only thing I don't use this for is group shouting parts in rock and metal songs, I use an omnidirectional ... MoreThis mic and my Audix i5 see so much use when recording it's rediculous. I pull the NT1000 out for almost everything. I got it for a good price with a Presonus studio channel preamp and with some soft compression dialed in the two make everything sound sooooo nice. I've experienced no need to EQ at all for vocals (maybe a slight roll off in the highs, this mic has a LOT of presence so you may expect to use a desser) Yet somehow with having such a bright sound it has a very warm tonality on guitar amps, I've gotten the best results putting the NT1000 mixed with an i5 on guitar cabs. The crisp sound is great for micing acoustics as well or cymbals. Pretty much the only thing I don't use this for is group shouting parts in rock and metal songs, I use an omnidirectional for that. And that is in fact the only thing this mic lacks, and omni and figure-8 polar pattern, I'd change nothing else. It is heavy as can be, you can really feel the quality just holding it in your hand. This is one purchase you won't regret.
Overall:this mic is worth every penny. Its very soft warm and clear. like the reviews said it is also built like a TANK a lot of people get the nt1a as an entry level microphone but think about it for $100 dollars more with less accessories what would you be getting? Exactly, this is in fact a studio microphone to good to be used at home in my opinion and guess where I am using it? In my home lol.
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | Condenser |
| Diaphragm | 1” / 25.40 mm |
| Polar Pattern | Cardioid |