L'Aquarelle Sennelier has been produced the same way for more than a century using the best pigments and the highest quality Kordofan gum Arabic as a binder. This blend of natural ingredients produces colors that have a smooth, light texture and offer vibrant, colorful hues. The combination of Arabic gum and honey offers an exceptional application quality that produces excellent wash. This base is then mixed with pigments and carefully milled. Sennelier makes sure to wet the pigments in purified water (without mineral salts) for 24 hours before mixing with the binder. This improves the way the colours and the adhesive fuse together, which in turn enhances the full beauty of the colours.
L'Aquarelle Sennelier has been produced the same way for more than a century using the best pigments and the highest quality Kordofan gum Arabic as a binder. This blend of natural ingredients produces colors that have a smooth, light texture and offer vibrant, colorful hues. The combination of Arabic gum and honey offers an exceptional application quality that produces excellent wash. This base is then mixed with pigments and carefully milled. Sennelier makes sure to wet the pigments in purified water (without mineral salts) for 24 hours before mixing with the binder. This improves the way the colours and the adhesive fuse together, which in turn enhances the full beauty of the colours.
L'Aquarelle Sennelier has been produced the same way for more than a century using the best pigments and the highest quality Kordofan gum Arabic as a binder. This blend of natural ingredients produces colors that have a smooth, light texture and offer vibrant, colorful hues. The combination of Arabic gum and honey offers an exceptional application quality that produces excellent wash. This base is then mixed with pigments and carefully milled. Sennelier makes sure to wet the pigments in purified water (without mineral salts) for 24 hours before mixing with the binder. This improves the way the colours and the adhesive fuse together, which in turn enhances the full beauty of the colours.
L'Aquarelle Sennelier has been produced the same way for more than a century using the best pigments and the highest quality Kordofan gum Arabic as a binder. This blend of natural ingredients produces colors that have a smooth, light texture and offer vibrant, colorful hues. The combination of Arabic gum and honey offers an exceptional application quality that produces excellent wash. This base is then mixed with pigments and carefully milled. Sennelier makes sure to wet the pigments in purified water (without mineral salts) for 24 hours before mixing with the binder. This improves the way the colours and the adhesive fuse together, which in turn enhances the full beauty of the colours.
Last updated at 03/21/2026 17:28:28
Sennelier 1/2 Pan Watercolour Burnt Sienna 211
Sennelier : Watercolour Paint : Half Pan : Burnt Sienna
Delivery between Mon – Tue $9.70
Sennelier Artist Half Pan Watercolour Paint, Series 1 Burnt Sienna - Luminous, Brilliant Colours, Quality Pigments, Smooth Texture, Long-lasting
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
originally posted on dickblick.com
I've been wanting to try sennelier watercolors for ages but the $ has always been a sticking point for me. I wouldn't have chosen these particular colors for a sampling (I generally prefer single pigment colors and i wish yellow ochre came with it) but I thought they'd work well enough for trying the brand out.What I liked:-The paints wake up easily Some brands I've played with I have to spray water on them and let it sit for a few minutes before I can get much color. Not so with these, they wake up quickly, almost instantly.-Sumptuous is the first word that comes to mind to describe how luxuriously creamy and rich they are. It makes me want to get some of their La Petite Aquarelle colors to try, they may be the same quality as other brands' professional ... MoreI've been wanting to try sennelier watercolors for ages but the $ has always been a sticking point for me. I wouldn't have chosen these particular colors for a sampling (I generally prefer single pigment colors and i wish yellow ochre came with it) but I thought they'd work well enough for trying the brand out.What I liked:-The paints wake up easily Some brands I've played with I have to spray water on them and let it sit for a few minutes before I can get much color. Not so with these, they wake up quickly, almost instantly.-Sumptuous is the first word that comes to mind to describe how luxuriously creamy and rich they are. It makes me want to get some of their La Petite Aquarelle colors to try, they may be the same quality as other brands' professional colors!- Long lasting. As with any great quality pigments a little goes a long way. I've only been playing with these for 2 days but I forsee them lasting quite a while.What I'm not so happy about:- the paintbrush. When I first took the cap off the brush my heart sank, the outer rim of bristles had been pushed the wrong way. I immediately wet the brush and tried to reshape them with The Masters soap and I think most of them can be semi repaired but there are some that are still sticking out at a nearly perpendicular angle and I'll probably have to cut them off to be able to use the brush.- the pans aren't level. This really irked me, the box, otherwise decently constructed, is small, so naturally the pans of color are close to one another. The problem is some of them rest in their indent at an angle and rise above the rim, so when I place a couple drops of water on each to wake them the paint runs into other pans of color. This has been especially bad with the French Vermilion and Cinereous Blue. These pans will probably run out first if I leave them as they came because I keep having to blot them with a paper towel or dry brush to fix it.I expected more attention to detail from Sennelier.
originally posted on dickblick.com
The first thing I do when I get a watercolor set (and I've purchased many over the years!) is to do a Fade Test. I create two panels, one a Control that rarely or never sees UV light, and another for a Fade Test that will spend some time in direct sunlight, up to several days.The picture shows the results. (Disregard the extraneous black spots - my fault - I splattered and didn't want to redo the panels.) There is no noticeable difference in the exposed colors vs. the unexposed ones after at least 5 days in the sun. Note: I did wash/lifts on the right sides to see how the colors would lift out.I have previously tried a couple sets of watercolor brush pens and several of those faded within a couple days' exposure, making them useless. I am confident these colors ... MoreThe first thing I do when I get a watercolor set (and I've purchased many over the years!) is to do a Fade Test. I create two panels, one a Control that rarely or never sees UV light, and another for a Fade Test that will spend some time in direct sunlight, up to several days.The picture shows the results. (Disregard the extraneous black spots - my fault - I splattered and didn't want to redo the panels.) There is no noticeable difference in the exposed colors vs. the unexposed ones after at least 5 days in the sun. Note: I did wash/lifts on the right sides to see how the colors would lift out.I have previously tried a couple sets of watercolor brush pens and several of those faded within a couple days' exposure, making them useless. I am confident these colors will last a long time under normal room exposure, and am looking forward to using them for my paintings!
originally posted on dickblick.com
This is an excellent set to buy. Particularly as your first set. They are absolutely excellent watercolors... there is a reason they are considered the best. But, the greatest thing is you get 18 basic colors and empty slots... so you can get 6 empty half pans and add colors you want to supplement the 18. For me, I am a oil painter, I needed white and a few other colors... so, was able to supplement the 18, and now have a custom 24.
Sennelier 1/2 Pan Watercolour Burnt Sienna 211
Sennelier : Watercolour Paint : Half Pan : Burnt Sienna
Delivery between Mon – Tue $9.70
Sennelier Artist Half Pan Watercolour Paint, Series 1 Burnt Sienna - Luminous, Brilliant Colours, Quality Pigments, Smooth Texture, Long-lasting
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
I've been wanting to try sennelier watercolors for ages but the $ has always been a sticking point for me. I wouldn't have chosen these particular colors for a sampling (I generally prefer single pigment colors and i wish yellow ochre came with it) but I thought they'd work well enough for trying the brand out.What I liked:-The paints wake up easily Some brands I've played with I have to spray water on them and let it sit for a few minutes before I can get much color. Not so with these, they wake up quickly, almost instantly.-Sumptuous is the first word that comes to mind to describe how luxuriously creamy and rich they are. It makes me want to get some of their La Petite Aquarelle colors to try, they may be the same quality as other brands' professional ... MoreI've been wanting to try sennelier watercolors for ages but the $ has always been a sticking point for me. I wouldn't have chosen these particular colors for a sampling (I generally prefer single pigment colors and i wish yellow ochre came with it) but I thought they'd work well enough for trying the brand out.What I liked:-The paints wake up easily Some brands I've played with I have to spray water on them and let it sit for a few minutes before I can get much color. Not so with these, they wake up quickly, almost instantly.-Sumptuous is the first word that comes to mind to describe how luxuriously creamy and rich they are. It makes me want to get some of their La Petite Aquarelle colors to try, they may be the same quality as other brands' professional colors!- Long lasting. As with any great quality pigments a little goes a long way. I've only been playing with these for 2 days but I forsee them lasting quite a while.What I'm not so happy about:- the paintbrush. When I first took the cap off the brush my heart sank, the outer rim of bristles had been pushed the wrong way. I immediately wet the brush and tried to reshape them with The Masters soap and I think most of them can be semi repaired but there are some that are still sticking out at a nearly perpendicular angle and I'll probably have to cut them off to be able to use the brush.- the pans aren't level. This really irked me, the box, otherwise decently constructed, is small, so naturally the pans of color are close to one another. The problem is some of them rest in their indent at an angle and rise above the rim, so when I place a couple drops of water on each to wake them the paint runs into other pans of color. This has been especially bad with the French Vermilion and Cinereous Blue. These pans will probably run out first if I leave them as they came because I keep having to blot them with a paper towel or dry brush to fix it.I expected more attention to detail from Sennelier.
The first thing I do when I get a watercolor set (and I've purchased many over the years!) is to do a Fade Test. I create two panels, one a Control that rarely or never sees UV light, and another for a Fade Test that will spend some time in direct sunlight, up to several days.The picture shows the results. (Disregard the extraneous black spots - my fault - I splattered and didn't want to redo the panels.) There is no noticeable difference in the exposed colors vs. the unexposed ones after at least 5 days in the sun. Note: I did wash/lifts on the right sides to see how the colors would lift out.I have previously tried a couple sets of watercolor brush pens and several of those faded within a couple days' exposure, making them useless. I am confident these colors ... MoreThe first thing I do when I get a watercolor set (and I've purchased many over the years!) is to do a Fade Test. I create two panels, one a Control that rarely or never sees UV light, and another for a Fade Test that will spend some time in direct sunlight, up to several days.The picture shows the results. (Disregard the extraneous black spots - my fault - I splattered and didn't want to redo the panels.) There is no noticeable difference in the exposed colors vs. the unexposed ones after at least 5 days in the sun. Note: I did wash/lifts on the right sides to see how the colors would lift out.I have previously tried a couple sets of watercolor brush pens and several of those faded within a couple days' exposure, making them useless. I am confident these colors will last a long time under normal room exposure, and am looking forward to using them for my paintings!
This is an excellent set to buy. Particularly as your first set. They are absolutely excellent watercolors... there is a reason they are considered the best. But, the greatest thing is you get 18 basic colors and empty slots... so you can get 6 empty half pans and add colors you want to supplement the 18. For me, I am a oil painter, I needed white and a few other colors... so, was able to supplement the 18, and now have a custom 24.
I was looking forward to having a set of Sennelier's watercolors. I've read about them and the richness of the colors and the fact that they use honey in them to keep them moist. This looks like a good set to be going forward with but I can't wait to add more colors to the set gradually. I'm certain it will be one of the staples in my studio. I'm a product designer and an illustrator and I often work on computer I'm looking forward to doing my work and more traditional ways. On top of which I'm a plein air artist and can't wait to get outside with these.
My metal box arrived dented, but the paint pans are all intact and I really like the identifier chart that comes with. The paints themselves are so vivid and luscious....they are really wonderful. I've just started to use them on small projects, but I'm really enjoying the experience of them. I think they might not be as convenient for large projects (pans are small), but the pigments are first rate. The small brush that is included is a very nice introduction brush for these paints - good quality.
This 12+6 was my first foray into professional watercolors. I've been thinking of taking the plunge for a while but the price tags always deterred me. I'm so happy I finally gave in though! It really is so different from student-grade paints. It's incredibly easy to rewet and sometimes I find myself picking up too much pigment- something that would've never happened with my student-grade paints! I'm ready to take on some professional watercolor classes and am so excited to work with it, since all I've done so far is swatch and create color mixes. I didn't give it 5 stars only because I think some of the color choices are a bit strange. Would've liked more single pigment colors for mixing but the paints are so lovely and smooth... I overlook it lol. But perhaps a ... MoreThis 12+6 was my first foray into professional watercolors. I've been thinking of taking the plunge for a while but the price tags always deterred me. I'm so happy I finally gave in though! It really is so different from student-grade paints. It's incredibly easy to rewet and sometimes I find myself picking up too much pigment- something that would've never happened with my student-grade paints! I'm ready to take on some professional watercolor classes and am so excited to work with it, since all I've done so far is swatch and create color mixes. I didn't give it 5 stars only because I think some of the color choices are a bit strange. Would've liked more single pigment colors for mixing but the paints are so lovely and smooth... I overlook it lol. But perhaps a more professional artist would have a different take on the choices. #sweepstakes
I only say "really nice" because I haven't tried enough other brands to make a fair comparison - these are delightful to work with! Beautiful colors that mix and blend smoothly with bright, beautiful pigments. The tin is slender and solid, portable while still being sturdy and large enough to tuck a few brushes in for convenience, and it's perhaps a little too comfortable to balance using the integrated ring (I have a very interesting stripe of sunburn from outer elbow to inner wrist after forgetting to put on sunscreen before painting in the back garden...)Also it works out to an average of about $3.45/half pan. I really can't argue with that value.My one quibble with it is that I don't see an immense value/shade difference between phtalo and cinereous blue and ... MoreI only say "really nice" because I haven't tried enough other brands to make a fair comparison - these are delightful to work with! Beautiful colors that mix and blend smoothly with bright, beautiful pigments. The tin is slender and solid, portable while still being sturdy and large enough to tuck a few brushes in for convenience, and it's perhaps a little too comfortable to balance using the integrated ring (I have a very interesting stripe of sunburn from outer elbow to inner wrist after forgetting to put on sunscreen before painting in the back garden...)Also it works out to an average of about $3.45/half pan. I really can't argue with that value.My one quibble with it is that I don't see an immense value/shade difference between phtalo and cinereous blue and would have preferred to swap one for a different shade of green (why don't they make a normal half-pan of the pretty sap green they put in the Aqua Mini set?), but there's plenty of space in the palette to add a few more half-pans...
I splurged and bought the 24 color Nesting Set after the holidays because I'd been seriously tempted throughout. I belong to the Society for Creative Anachronism and go to many medieval recreation events with the SCA. Not only my garb but my camp stuff and gear are constantly being upgraded to look more period - if not specifically, documentably medieval at least something that could be reasonably considered so. Wooden box sets for painting and illumination are very prized and popular. So when I saw this, I had to give it a try.The color of the wood is lovely, a rich rosewood sort of finish. The little hardware on the top box is a dark metal and very period looking. It'd probably pass muster for Civil War recreations too, and it also has a great elegance for ... MoreI splurged and bought the 24 color Nesting Set after the holidays because I'd been seriously tempted throughout. I belong to the Society for Creative Anachronism and go to many medieval recreation events with the SCA. Not only my garb but my camp stuff and gear are constantly being upgraded to look more period - if not specifically, documentably medieval at least something that could be reasonably considered so. Wooden box sets for painting and illumination are very prized and popular. So when I saw this, I had to give it a try.The color of the wood is lovely, a rich rosewood sort of finish. The little hardware on the top box is a dark metal and very period looking. It'd probably pass muster for Civil War recreations too, and it also has a great elegance for setting out in formal living rooms among traditional furnishings. The strap that holds the boxes together is well made and sturdy, webbing fastened with velcro. While I plan to replace it with a leather strip and metal buckle for SCA events, I'll keep that good webbing strap aside for when I'm not at an event because it's easy to open and convenient.The colors in the 24 color set are as well chosen as those in the 8 Mini that I started with. Plenty of choices for transparency/opacity, warm or cool versions of primaries, well chosen greens and violets and neutrals. It's a little quirky compared to other brands and the reds are fabulous. They vary quite a bit and include fluorescent Opera Rose, something that can give extra brightness as a glaze or even a main element. Lightfastness varies, as is usual for artist grade paints, so I kept the paper wrappers and noted it in my chart.All of the colors have good strong pigment load, smooth solubility and ease of pickup. I haven't tried their tube watercolors but trust those to be as good.The porcelain palette is good and solid, packed with foam under it and next to it. I kept it in its deep box with that foam padding since that protects it so well. The middle box only has the folded napkin in it, a small cloth embroidered with Sennelier on it. That might be handy for cleaning out the palette but doesn't fill its layer, so that middle box is good for my metallic gouache, kneaded eraser, maybe a small ruler, pencil sharpener, all those other handy oddments that accumulate. I might add dip pens and very short flat ink bottles as well later, there is extra space within the set for your added supplies of choice.Aside from medieval recreation, a set like this is something that won't disturb the ambience of a formal living room. I can easily imagine it set out on a coffee table with traditional furnishings and perhaps a bound journal or leather folder with paper. It would make a good object in a still life setup - and wouldn't take much to move the colors and tools in use out of it during that painting either.
I have been using Sennelier tube watercolors for several years in floral and bird paintings, I bought the 12+ 6 tray as an affordable way to try out the pans. Were I to select the colors I would not have included those made of multiple pigments as I prefer single pigment paints; also I am not sure of usefulness of both paynes grey and ivory black. That said, the paints handle very nicely and rewet immediately; they also layer very well. No quality complaints.The palette has room to add several more colors and has plenty mixing area, also the pan tray comes out to give even more mixing area.
These paints are very high quality and have the least amount of granularity compared to other watercolors Ive used like Kuretake Gansai and Daniel Smith. Not only are they smooth on paper but these pans seem to take to the water in a brush very well. The colors themselves are rudimentary and basic but blend well into natural tones so they have a wide range of use.One thing I will say if you are intending to buy from Sennelier are that these paints are best suited to layering techniques - and they do this very well. I have only been using watercolor on and off for about 3-4 years now so I'm by no means a skilled painter. But from the other products I've explored, the way I've seen Sennelier paints used by professionals, and my own personal experience is that they ... MoreThese paints are very high quality and have the least amount of granularity compared to other watercolors Ive used like Kuretake Gansai and Daniel Smith. Not only are they smooth on paper but these pans seem to take to the water in a brush very well. The colors themselves are rudimentary and basic but blend well into natural tones so they have a wide range of use.One thing I will say if you are intending to buy from Sennelier are that these paints are best suited to layering techniques - and they do this very well. I have only been using watercolor on and off for about 3-4 years now so I'm by no means a skilled painter. But from the other products I've explored, the way I've seen Sennelier paints used by professionals, and my own personal experience is that they do best with layering and don't get as rich and dark as other brands.I would highly recommend these to anyone wishing to invest in a quality set of watercolors, im extremely pleased with this set for its quality and price point. Happy painting :)
