Discover the unparalleled performance of the Sigma 35mm f/1.2 Dg Dn Art Lens for Leica L, a groundbreaking addition to the world of mirrorless cameras. This lens, the first of its kind with an F1.2 large aperture prime, is designed to elevate your photography experience by delivering stunningly sharp and detailed images, even in low-light conditions. As part of Sigma's esteemed Art line, this lens embodies the pursuit of ultimate image quality, offering astounding resolution and large bokeh effects. It's perfect for creating captivating portraits with a shallow depth of field. The lens is designed to thoroughly correct aberrations that are challenging to post-process, enhancing resolution and image quality. The Sigma 35mm f/1.2 Dg Dn Art Lens is optimized for mirrorless cameras, taking full advantage of the short flange focal length. The lens construction consists of 17 elements in 12 groups, including three Sld glass elements and three aspherical lenses, one of which is double-sided.
Discover the unparalleled performance of the Sigma 35mm f/1.2 Dg Dn Art Lens for Leica L, a groundbreaking addition to the world of mirrorless cameras. This lens, the first of its kind with an F1.2 large aperture prime, is designed to elevate your photography experience by delivering stunningly sharp and detailed images, even in low-light conditions. As part of Sigma's esteemed Art line, this lens embodies the pursuit of ultimate image quality, offering astounding resolution and large bokeh effects. It's perfect for creating captivating portraits with a shallow depth of field. The lens is designed to thoroughly correct aberrations that are challenging to post-process, enhancing resolution and image quality. The Sigma 35mm f/1.2 Dg Dn Art Lens is optimized for mirrorless cameras, taking full advantage of the short flange focal length. The lens construction consists of 17 elements in 12 groups, including three Sld glass elements and three aspherical lenses, one of which is double-sided.
Discover the unparalleled performance of the Sigma 35mm f/1.2 Dg Dn Art Lens for Leica L, a groundbreaking addition to the world of mirrorless cameras. This lens, the first of its kind with an F1.2 large aperture prime, is designed to elevate your photography experience by delivering stunningly sharp and detailed images, even in low-light conditions. As part of Sigma's esteemed Art line, this lens embodies the pursuit of ultimate image quality, offering astounding resolution and large bokeh effects. It's perfect for creating captivating portraits with a shallow depth of field. The lens is designed to thoroughly correct aberrations that are challenging to post-process, enhancing resolution and image quality. The Sigma 35mm f/1.2 Dg Dn Art Lens is optimized for mirrorless cameras, taking full advantage of the short flange focal length. The lens construction consists of 17 elements in 12 groups, including three Sld glass elements and three aspherical lenses, one of which is double-sided.
Discover the unparalleled performance of the Sigma 35mm f/1.2 Dg Dn Art Lens for Leica L, a groundbreaking addition to the world of mirrorless cameras. This lens, the first of its kind with an F1.2 large aperture prime, is designed to elevate your photography experience by delivering stunningly sharp and detailed images, even in low-light conditions. As part of Sigma's esteemed Art line, this lens embodies the pursuit of ultimate image quality, offering astounding resolution and large bokeh effects. It's perfect for creating captivating portraits with a shallow depth of field. The lens is designed to thoroughly correct aberrations that are challenging to post-process, enhancing resolution and image quality. The Sigma 35mm f/1.2 Dg Dn Art Lens is optimized for mirrorless cameras, taking full advantage of the short flange focal length. The lens construction consists of 17 elements in 12 groups, including three Sld glass elements and three aspherical lenses, one of which is double-sided.
Last updated at 06/08/2026 18:00:58
Sigma AF 35mm F1.2 DG DN Art - L-Mount
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SIGMA 35mm F1.2 DG DN ART** L MOUNT Ć82mm
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Sigma 35mm F1.2 DG DN Art Lens - L Mount
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Sigma 35mm F/1.2 Dg Dn Art (for L Mount) 283
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Sigma 35mm F/1.2 Dg Dn Art (for L Mount) 189 -near Mint-
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ćmintćsigma 35mm F1.2 Art Dg Dn - Leica L-mount Dslr Camera Lens
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Sigma 35mm F/1.2 Dg Dn Art Lens For L-mount
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originally posted on bhphotovideo.com
The Sigma DG DN 35mm DG DN Art f/1.4 lens features a solid build, quality finish, comfortable controls, fast focusing ability, excellent sharpness, and pleasing bokeh.The Sony 35mm f/1.4 GM likely has an edge for sports and action photography. But for most uses - portraits, street photography, landscapes, low-light environments, etc. - the Sigma 35mm DG DN f/1.4, costing ~40% less than the Sony, represents a tremendous value.
originally posted on bhphotovideo.com
I am completing my collection of primes. I have a Sony 20mm 1.8 for astrophotography and landscape. This is the second prime and I find it to be a great focal length for indoors and general carry around. An 85 and a 135 will complete my kit. I really love the Sigma Art lens. It is tack sharp and focuses just fine on my a7r iii. Sorry 50mm I don't think I need you (yet).
originally posted on bestbuy.com
This lens is almost exactly the same size as the 24-70mm GM lens, but heavier. F1.2 is great for low-light, better than F1.4 and much better than F1.8 and beyond. However, I don't like the image quality wide open @ F1.2. The bokeh is busy and a bit distracting, there is noticeable vignetting, and pictures just don't "pop". It's also a challenge to get focus right where you want it @ F1.2, but this is not the fault of the lens. Stop it down to F2.0-F2.8 and the quality is MUCH better- increased sharpness, great bokeh, just much better overall. For me, I will use this lens within that range unless I really need the extra speed in low light.Autofocus is fast but a little noisy if using AF-C. AF-S just snaps into focus, even in low light. It's a heavy lens but easy to ...Ā MoreThis lens is almost exactly the same size as the 24-70mm GM lens, but heavier. F1.2 is great for low-light, better than F1.4 and much better than F1.8 and beyond. However, I don't like the image quality wide open @ F1.2. The bokeh is busy and a bit distracting, there is noticeable vignetting, and pictures just don't "pop". It's also a challenge to get focus right where you want it @ F1.2, but this is not the fault of the lens. Stop it down to F2.0-F2.8 and the quality is MUCH better- increased sharpness, great bokeh, just much better overall. For me, I will use this lens within that range unless I really need the extra speed in low light.Autofocus is fast but a little noisy if using AF-C. AF-S just snaps into focus, even in low light. It's a heavy lens but easy to handle. I like the aperture ring, either with clicks or without. Build quality is excellent. Sunstars are pleasing with this lens as well.Would I choose this as my go-to lens over the 24-70mm GM? Hard to say. 35mm is a very useful focal length, and the ability to go F1.2 is unmatched, but I feel like the 24-70mm GM is just more usable and more consistent in more situations. Definitely a great lens if you know you will be out after dark or really want that super specific depth of field look and are willing to take time with the focus.
| Focal Length | 35mm |
| Maximum Aperture | f/1.2 |
| Minimum Aperture | f/16 |
| Lens Mount | Leica L |
| Lens Format Coverage | Full-Frame |
Sigma AF 35mm F1.2 DG DN Art - L-Mount
14-day returns
Sigma AF 35mm F1.2 DG DN Art - Sony E-Mount | Secondhand
Free delivery
Sigma AF 35mm F1.2 DG DN Art - L-Mount | Secondhand
Free delivery
SIGMA 35mm F1.2 DG DN ART** L MOUNT Ć82mm
Delivery between Thu ā Mon $10
Sigma 35mm F1.2 DG DN Art Lens - L Mount
Free delivery between Thu ā Mon
The Sigma DG DN 35mm DG DN Art f/1.4 lens features a solid build, quality finish, comfortable controls, fast focusing ability, excellent sharpness, and pleasing bokeh.The Sony 35mm f/1.4 GM likely has an edge for sports and action photography. But for most uses - portraits, street photography, landscapes, low-light environments, etc. - the Sigma 35mm DG DN f/1.4, costing ~40% less than the Sony, represents a tremendous value.
I am completing my collection of primes. I have a Sony 20mm 1.8 for astrophotography and landscape. This is the second prime and I find it to be a great focal length for indoors and general carry around. An 85 and a 135 will complete my kit. I really love the Sigma Art lens. It is tack sharp and focuses just fine on my a7r iii. Sorry 50mm I don't think I need you (yet).
This lens is almost exactly the same size as the 24-70mm GM lens, but heavier. F1.2 is great for low-light, better than F1.4 and much better than F1.8 and beyond. However, I don't like the image quality wide open @ F1.2. The bokeh is busy and a bit distracting, there is noticeable vignetting, and pictures just don't "pop". It's also a challenge to get focus right where you want it @ F1.2, but this is not the fault of the lens. Stop it down to F2.0-F2.8 and the quality is MUCH better- increased sharpness, great bokeh, just much better overall. For me, I will use this lens within that range unless I really need the extra speed in low light.Autofocus is fast but a little noisy if using AF-C. AF-S just snaps into focus, even in low light. It's a heavy lens but easy to ...Ā MoreThis lens is almost exactly the same size as the 24-70mm GM lens, but heavier. F1.2 is great for low-light, better than F1.4 and much better than F1.8 and beyond. However, I don't like the image quality wide open @ F1.2. The bokeh is busy and a bit distracting, there is noticeable vignetting, and pictures just don't "pop". It's also a challenge to get focus right where you want it @ F1.2, but this is not the fault of the lens. Stop it down to F2.0-F2.8 and the quality is MUCH better- increased sharpness, great bokeh, just much better overall. For me, I will use this lens within that range unless I really need the extra speed in low light.Autofocus is fast but a little noisy if using AF-C. AF-S just snaps into focus, even in low light. It's a heavy lens but easy to handle. I like the aperture ring, either with clicks or without. Build quality is excellent. Sunstars are pleasing with this lens as well.Would I choose this as my go-to lens over the 24-70mm GM? Hard to say. 35mm is a very useful focal length, and the ability to go F1.2 is unmatched, but I feel like the 24-70mm GM is just more usable and more consistent in more situations. Definitely a great lens if you know you will be out after dark or really want that super specific depth of field look and are willing to take time with the focus.
I purchased this lens to augment my collection of primes. It was on sale at $150 off for the holiday. That ended my fretting about if I would get the Sony 1.4 GM or the Sigma Art. I had all of the APSC Sigma Primes for my A6000 and I loved them. When I sold the kit I missed them. This lens does everything I want it to do for a semi wide focal length. I really love the lock on the shade. It is well built, bright and makes a great carry around. I also own the Sony 20mm 1.8 g and the Sigma 85 1.4 art. Eventually the Sigma 135 1.8 art will complete my prime lens collection unless I get a hankering for a 50mm. Look out Sony 24 - 105. Fast primes are coming for you!
Iāve had this lens out and about for a while now here in Korea and I am very satisfied with that I got for the price.Pros: very sharp from f1.2 through f16. Honestly I donāt even think about sharpness with this lens, I pick the aperture for the shutter speed and depth of field required and shoot. Frees up the mind to focus on more creative aspects of shooting, which to me, is the hallmark of good equipment. I shouldnāt have to be thinking about how to overcome equipment shortfalls/quirks while shooting.Autofocus is fast and accurate. I shot some f1.2 portraits of myself with a remote, and even with zero human oversight on focusing, I got sharp eyes using the standard center AF on my Sony A7RII.Manual aperture ring, AF/MF switch (why Zeiss, is this not on the ...Ā MoreIāve had this lens out and about for a while now here in Korea and I am very satisfied with that I got for the price.Pros: very sharp from f1.2 through f16. Honestly I donāt even think about sharpness with this lens, I pick the aperture for the shutter speed and depth of field required and shoot. Frees up the mind to focus on more creative aspects of shooting, which to me, is the hallmark of good equipment. I shouldnāt have to be thinking about how to overcome equipment shortfalls/quirks while shooting.Autofocus is fast and accurate. I shot some f1.2 portraits of myself with a remote, and even with zero human oversight on focusing, I got sharp eyes using the standard center AF on my Sony A7RII.Manual aperture ring, AF/MF switch (why Zeiss, is this not on the Batis lenses?), AF lock, well-done manual focus by wire.....all work without any tinkering or quirks, again, exactly how it should be.Good flare resistance, the lens was built assuming the use of filters so there is no severe vignetting even with a C-Pol stacked on a 10-stop ND. (Part of why it is so big). Again; they designed it to disappear between you and the creative process, you donāt have to āthinkā about the lens when shooting.Cons: It is huge and heavy. I am seriously considering a second 35mm for backpacking.The rendering is accurate and clinical. Thereās no āmagicā like some brands. Not a big deal, just post process.There is field curvature. At f1.2-2 if I want the corner at infinity to be sharp, I need to focus at the corner. This is almost never occurring in real shooting situations. Itās very much a problem if youāre primary subject matter are resolution charts and brick walls at ultra wide apertures. Thankfully, I shoot real photos and not lens tests, so this has never effected a real world image.Donāt hesitate!
I was looking for a 35mmf1.4, already owning Sony 20mmf1.8, Sony 24mmf1.4 GM, Samyang 50mmf.1.4 version II, Sigma 85mmf1.4 DN Art for my A7R4. All those lenses are excellent, including the Samyang (although it's eye AF in low light is not as strong as others). Most reviews say Sony 35mmf1.4 GM is better optically than the Sigma, especially regarding longitudinal chromatic aberration. So I bought a used (Condition 10 good as new) Sony 35mm from BHphoto. I was disappointed with its sharpness at f1.4 even with good AF in daylight. So I returned it and bought this Sigma. The Sigma definitely sharp wide open and eye AF is quick and accurate. I couldn't really see any distracting loCA. Bokeh is nice and soft. Definitely better than the used Sony I bought, which could be a ...Ā MoreI was looking for a 35mmf1.4, already owning Sony 20mmf1.8, Sony 24mmf1.4 GM, Samyang 50mmf.1.4 version II, Sigma 85mmf1.4 DN Art for my A7R4. All those lenses are excellent, including the Samyang (although it's eye AF in low light is not as strong as others). Most reviews say Sony 35mmf1.4 GM is better optically than the Sigma, especially regarding longitudinal chromatic aberration. So I bought a used (Condition 10 good as new) Sony 35mm from BHphoto. I was disappointed with its sharpness at f1.4 even with good AF in daylight. So I returned it and bought this Sigma. The Sigma definitely sharp wide open and eye AF is quick and accurate. I couldn't really see any distracting loCA. Bokeh is nice and soft. Definitely better than the used Sony I bought, which could be a bad copy. Build quality is also better than the sony but heavier. Definitely a great buy, especially at its current sale price.
If you're debating over the different brands I'll save you some time and tell you to get this lens. Is it better than the Zeiss branded one?Is it better than the Zeiss branded one? In some ways yes, and in some ways no. However, with the Zeiss branded one having a history for being decentered, I didn't want to risk buying used - and the two I tried at a local camera shop were both noticeably decentered.Is it better than the GM? No, it's not and it shouldn't be. However, it's pretty darn close and I would recommend most people to save the $500 and get this lens. Where it's most noticeable for me is AF tracking in tougher lighting conditions - and the difference is tiny. Otherwise it can hold up to the higher MP of my A7R3a, and it's great when paired with my ...Ā MoreIf you're debating over the different brands I'll save you some time and tell you to get this lens. Is it better than the Zeiss branded one?Is it better than the Zeiss branded one? In some ways yes, and in some ways no. However, with the Zeiss branded one having a history for being decentered, I didn't want to risk buying used - and the two I tried at a local camera shop were both noticeably decentered.Is it better than the GM? No, it's not and it shouldn't be. However, it's pretty darn close and I would recommend most people to save the $500 and get this lens. Where it's most noticeable for me is AF tracking in tougher lighting conditions - and the difference is tiny. Otherwise it can hold up to the higher MP of my A7R3a, and it's great when paired with my A7S3. A friend borrowed it and used it on his A7R4 - and only had good things to say and opted for it over the GM too.Ultimately, I made the decision to go with this one because the GM didn't provide me $500 more performance.
I am glad that I went with this lens. It offers crisp sharpness, beautiful color and bokeh renderings. The lens balances exceptionally well on my A7r II. The design of the lens is grand; it is the perfect weight and length. In one hand, I had an A7r II with a Sony 24mm g master lens, and in the other, this lens with an A7r II, and there was no noticeable weight difference between the two setups, despite the 24mm being about 200 grams lighter. I am happy I went with the Sigma in lieu of the new Sony 35mm g master. Not only is it substantially less costly, but it captures more in the frame because it has a wider angle of view. Also, I chose this over the Sony FE 35mm 1.8 because of the wider aperture and design. You can't go wrong with the Art series.
After checking many reviews and talk to some professionals that have use this lens I decided to purchase it and be my own judge and critic and this are my points of view and personal opinion.The most relevant cons about this lens are: 1. The chromatic aberration is noticeable "But can be fix in post" 2. The weight and size of this lens is a bit more than Sony's. And last. The ghosting the lens have while focusing on photo mode on Sony cameras is Not affecting when you take pictures in a regular fast environment... I mean, i use Sony a7r iv and a7 iv systems and both cameras shoot 9 out of 10 and 10 perfect pictures at variable depth without hosting or delay focusing at all...The price of this little tank is so great that really doesn't make any cense spend ...Ā MoreAfter checking many reviews and talk to some professionals that have use this lens I decided to purchase it and be my own judge and critic and this are my points of view and personal opinion.The most relevant cons about this lens are: 1. The chromatic aberration is noticeable "But can be fix in post" 2. The weight and size of this lens is a bit more than Sony's. And last. The ghosting the lens have while focusing on photo mode on Sony cameras is Not affecting when you take pictures in a regular fast environment... I mean, i use Sony a7r iv and a7 iv systems and both cameras shoot 9 out of 10 and 10 perfect pictures at variable depth without hosting or delay focusing at all...The price of this little tank is so great that really doesn't make any cense spend double if you shot commercially and have a good practical use of your equipment... trust this lens because it will give you joy and help you save money...
For some background, I generally do not mind lens price tags like this (I paid $1,500) if the performance is outstanding and the rendering is beautiful. For the latter, the rendering is the reason to buy this lens. The look of a moderately wide angle combined with the 1.2 aperture is really a unique look. Fortunately, the lens is sharp at the point of focus whether at close distance or far and whether you are focusing at the center of the frame or mid-frame. If you focus toward the edges it can help to stop down a bit. The bokeh is really appealing: not too busy unlike other fast 35s and I personally really like the vignette it produces. As for negatives, there are a few. I don't mind the size given it's a 1.2 with autofocus, but I expected more symmetric distortion ...Ā MoreFor some background, I generally do not mind lens price tags like this (I paid $1,500) if the performance is outstanding and the rendering is beautiful. For the latter, the rendering is the reason to buy this lens. The look of a moderately wide angle combined with the 1.2 aperture is really a unique look. Fortunately, the lens is sharp at the point of focus whether at close distance or far and whether you are focusing at the center of the frame or mid-frame. If you focus toward the edges it can help to stop down a bit. The bokeh is really appealing: not too busy unlike other fast 35s and I personally really like the vignette it produces. As for negatives, there are a few. I don't mind the size given it's a 1.2 with autofocus, but I expected more symmetric distortion and field curvature. The distortion is a bit funny in that the correction affects one side of the image more than the other. It's not a simple barrel in the middle and that can make compositions on flat surfaces more challenging. The big issue I have found is the field curvature and in summary, the lens' performance isn't a harmonic improvement when stopping down. Instead I find it is best at either 1.2 or smaller than f/4. For some reason the field seems relatively flat at 1.2, but from 1.4 to f/4 (or so) and in I can't get sharpness on a flat plane if I focus at the center at infinity. Using an off-center mid-field focus point is better as is focusing at a close distance where the curvature seems to affect the plane of sharpness less. The final issue is autofocus in that in single AF it can lock focus then refocus again on its own. I'm not sure how that happens but also haven't seen a firmware update.
| Focal Length | 35mm |
| Maximum Aperture | f/1.2 |
| Minimum Aperture | f/16 |
| Lens Mount | Leica L |
| Lens Format Coverage | Full-Frame |
