Discover the next evolution of autofocus performance in full-frame mirrorless photography with the Sony Alpha 7R V. This camera features Sony's advanced artificial intelligence technology for enhanced autofocus capabilities. The BIONZ XR imaging processor and AI processing unit work together to deliver stunning 61.0 MP images with 8.0 steps 5-axis IBIS. Capture 8K 24/25p and 4K 50/60p HDR videos, and enjoy advanced subject recognition with an expanded database for humans, animals, birds, insects, cars, trains, and airplanes. Other notable features include 693 phase-detect AF points, expanded ISO of 102400 (Stills) and 32000(Movie), 10fps Stills burst shooting, and a 184 RAW(Compressed) + JPEG buffer depth. The camera also boasts improved weather sealing, heat dissipation, Bluetooth 5.0, Wi-Fi, and dual CFe-Type A SD Card media slots. Experience the crisp, clear viewfinder with a 9.44 million-dot Quad XGA EVF, capable of up to 120fps refresh rate.
Discover the next evolution of autofocus performance in full-frame mirrorless photography with the Sony Alpha 7R V. This camera features Sony's advanced artificial intelligence technology for enhanced autofocus capabilities. The BIONZ XR imaging processor and AI processing unit work together to deliver stunning 61.0 MP images with 8.0 steps 5-axis IBIS. Capture 8K 24/25p and 4K 50/60p HDR videos, and enjoy advanced subject recognition with an expanded database for humans, animals, birds, insects, cars, trains, and airplanes. Other notable features include 693 phase-detect AF points, expanded ISO of 102400 (Stills) and 32000(Movie), 10fps Stills burst shooting, and a 184 RAW(Compressed) + JPEG buffer depth. The camera also boasts improved weather sealing, heat dissipation, Bluetooth 5.0, Wi-Fi, and dual CFe-Type A SD Card media slots. Experience the crisp, clear viewfinder with a 9.44 million-dot Quad XGA EVF, capable of up to 120fps refresh rate.
Discover the next evolution of autofocus performance in full-frame mirrorless photography with the Sony Alpha 7R V. This camera features Sony's advanced artificial intelligence technology for enhanced autofocus capabilities. The BIONZ XR imaging processor and AI processing unit work together to deliver stunning 61.0 MP images with 8.0 steps 5-axis IBIS. Capture 8K 24/25p and 4K 50/60p HDR videos, and enjoy advanced subject recognition with an expanded database for humans, animals, birds, insects, cars, trains, and airplanes. Other notable features include 693 phase-detect AF points, expanded ISO of 102400 (Stills) and 32000(Movie), 10fps Stills burst shooting, and a 184 RAW(Compressed) + JPEG buffer depth. The camera also boasts improved weather sealing, heat dissipation, Bluetooth 5.0, Wi-Fi, and dual CFe-Type A SD Card media slots. Experience the crisp, clear viewfinder with a 9.44 million-dot Quad XGA EVF, capable of up to 120fps refresh rate.
Discover the next evolution of autofocus performance in full-frame mirrorless photography with the Sony Alpha 7R V. This camera features Sony's advanced artificial intelligence technology for enhanced autofocus capabilities. The BIONZ XR imaging processor and AI processing unit work together to deliver stunning 61.0 MP images with 8.0 steps 5-axis IBIS. Capture 8K 24/25p and 4K 50/60p HDR videos, and enjoy advanced subject recognition with an expanded database for humans, animals, birds, insects, cars, trains, and airplanes. Other notable features include 693 phase-detect AF points, expanded ISO of 102400 (Stills) and 32000(Movie), 10fps Stills burst shooting, and a 184 RAW(Compressed) + JPEG buffer depth. The camera also boasts improved weather sealing, heat dissipation, Bluetooth 5.0, Wi-Fi, and dual CFe-Type A SD Card media slots. Experience the crisp, clear viewfinder with a 9.44 million-dot Quad XGA EVF, capable of up to 120fps refresh rate.
Last updated at 06/02/2026 13:04:52
Sony A7R V Mirrorless Camera Body
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Sony A7R mark V (5) Mirrorless Camera
Sony a7R V Mirrorless Camera ILCE7RM5 A7r5
Delivery $26.90
Brand Sony Alpha A7r V 61mp Full Frame Mirrorless Camera
Delivery $35
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Sony A7r V Body
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Sony Alpha A7r V Mirrorless Digital Camera (body Only)
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Sony Alpha a7R V 61.0MP Mirrorless Camera - Black (FE 28-70mm f/3.5-5.6 OSS)
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Sony Alpha 7r V Full Frame Camera (body Only) -
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Sony Alpha 7R V 61MP Mirrorless Interchangeable Lens Camera - Black
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Sony A7r V Mirrorless Camera Body Style:camera Only
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originally posted on bhphotovideo.com
This camera has it all - while not being the best at any one thing. It isn't the highest resolution (See Fuji medium frame 100Mpx for the same price), it isn't the fastest shutter (see just about any other modern non-Sony mirrorless), it isn't the best low light (see Sony's high sensitivity series), it doesn't have the fastest auto-tracking (see most Stacked cameras, such as Sony A9 or A1, Canon R3, Nikon Z9), it doesn't have the most loved user interface (some people prefer Nikon button layout or canon screen - I haven't played with their systems so I can't personally compare).Yet, I can't think of a feature I want that it's missing. Insanely high resolution (allows gorgeous crops), insanely vibrant dynamic range (lightroom recovers eye dropped results from the ... MoreThis camera has it all - while not being the best at any one thing. It isn't the highest resolution (See Fuji medium frame 100Mpx for the same price), it isn't the fastest shutter (see just about any other modern non-Sony mirrorless), it isn't the best low light (see Sony's high sensitivity series), it doesn't have the fastest auto-tracking (see most Stacked cameras, such as Sony A9 or A1, Canon R3, Nikon Z9), it doesn't have the most loved user interface (some people prefer Nikon button layout or canon screen - I haven't played with their systems so I can't personally compare).Yet, I can't think of a feature I want that it's missing. Insanely high resolution (allows gorgeous crops), insanely vibrant dynamic range (lightroom recovers eye dropped results from the shadows or highlights), it's lack of super-high ISO can be compensated by AI software (such as from topaz - I have ZERO complaints from my 4,000 iso images in mostly night-lit rooms).It feels perfect in my hand (though when sporting the Sony 70-200GMii for a 1.5 hour video shoot, my arms were pushing the limits of image-stabilization). The menus felt intuitive (to me - not having a pre-conceived preferred menu layout from other vendors). The C1, C2, etc custom buttons are nicely placed to help mental spatial memory. I do kind of wish it had a knob-button on the top-left, but LOVE that I have 4 tactile knobs on the right side so I never need to move my eye from the eye-piece.I haven't even kicked in the 9Mpix viewfinder - the resolution (reduced by default) is already just gorgeous. (in theory you have better battery life with the lower res/lower frame-rate).The auto-bracketing seems to work well (I use either photoshop or helios) for normal lenses ; For macro lenses I had to resort to a more manual setting. I have not yet tried pixel-shift; but as I understand it; you need a VERY stable shooting environment - and you'd have to use the Sony software (which I'm not overly excited about).The flash system seems to work decently (I'm still trying to get high-speed flash sync ; but this is probably user error; I haven't yet read the instructions). The combination of high-res, side-flash, mounted-macro-rail,cell-phone-trigger is producing gorgeous micro-photography for me.There has been a working exif-hack to get the .ARW files to work in lightroom. I successfully got one image to work in this fashion - but I think lightroom and capture-one now officially support AR7V anyway (so, glad I didn't waste too much time on it). Prior to this, I used a combination of the MASSIVE jpeg files or using the Sony-software to export-as-TIFF; both worked as one would expect (within their respective limits). My prior experience with the AR7iii in lightroom with ARW files suggests this should be equally amazing.The AI tracking is very good. My cats are both curious and yet unwilling to pose for more than 3 seconds; yet I already have a thousand shots (many of which are pretty good).. The (cat) subject is always selected, no matter what direction they face; and I can flip detection between person (e.g. my children) or animal and it always correctly boxes the subject-type. I haven't yet tried insects or birds. The eye focusing, in general, has trouble in darker lights (which is consistent with online reviews). But the hybrid manual focus (DMF) easily compensates for this.The battery life is ok - but by the end of a shooting session I'm down to 5%. Since I rarely use the back-screen (mostly using the eye piece), I might do well to disable it; so as to gain some extra time. Similarly, I played with, but don't use the touch-screen.. Using the thumb, wheel and zoom-in/zoom-out while looking through eye-piece is far more rewarding than pinch-zoom on the lower-contrast/lower-brightness backlit display.The external USB-C transfer speed is decent - not great.. I'm only getting 40MB/sec off a 300MB/s UHS-II v90 onboard card. If i simultaneously copy from both cards (over the USB) it divides the bandwidth between them. Still, I find that more convenient than pulling the SD cards and plugging in a portable SD-reader (100GB transfers fast enough for a bathroom break). I did decide to wait on purchasing compact-flash express Type-A cards.. VERY sad that Sony refuses to catch up with 3 year old cameras and offer Type-B. Twice the size, 3x the bandwidth and half the price as the Type-A. Still, I have yet to max out my SD card bandwidth - My son likes to hold the shutter button down, and we've yet to get a buffer-full notice. (we store RAW on SD1 and JPEG on SD2). In theory the highest resolution video might max out the SD card - so this is still to be seen (I've only used 4k 24fps video to date).I haven't tested the rolling shutter effect - but I expect it will be annoying with fast moving targets - as seen on youtube reviews.With inflation hitting, and even used equipment going up in price, this could be seen as a good long term investment. I would have loved to wait for a Sony A1 mark ii, (or really, any high res stacked sensor) but I bet it'll be twice this camera's price at launch. My only hope is that Sony is willing to update the AI models over time (as AI-weight-files are pure software; should have no limitations on the existing hardware of this device).
originally posted on bhphotovideo.com
I have also own an A7Riv, and have owned the A7Riii, a7iv, a7iii and also the a6500 + 3 Nex-7 bodies and an RX10iv. The a7Rv is superior to all these.The 61mp sensor suits my needs better than those of lesser resolution, allowing deeper cropping instead of toting burdensome super telephotos, and improves resolution when cropping macro images.Contrary to what had been conventional wisdom, the fine pixel pitch of the 61mp sensor does not interfere with low light, high ISO, astro landscapes. Noise is finer grain and easier to filter in post, with retention of greater detail. Thus my previous modus operandi of using a lower resolution a7iii or a7iv for night landscapes was not advantageous.The pivoting screen for tilted use in portrait orientation enables better ... MoreI have also own an A7Riv, and have owned the A7Riii, a7iv, a7iii and also the a6500 + 3 Nex-7 bodies and an RX10iv. The a7Rv is superior to all these.The 61mp sensor suits my needs better than those of lesser resolution, allowing deeper cropping instead of toting burdensome super telephotos, and improves resolution when cropping macro images.Contrary to what had been conventional wisdom, the fine pixel pitch of the 61mp sensor does not interfere with low light, high ISO, astro landscapes. Noise is finer grain and easier to filter in post, with retention of greater detail. Thus my previous modus operandi of using a lower resolution a7iii or a7iv for night landscapes was not advantageous.The pivoting screen for tilted use in portrait orientation enables better composition and easier use when on a low tripod or close to the ground.Ability to close the shutter with power-off protects the sensor from airborne dust when changing lenses outdoors. Sensor cleaning is needed less often, same as with the a7iv, which I enjoyed for this feature.While my a7Riv could only track humans in AF-C, now the the camera can also track furry animals, birds, insects. (I don't care about trains planes and cars so I inactivated these selections). I have this feature programmed to the red top button when in photo mode.Ability to program the right top wheel to ISO puts ISO where it belongs, and the wheel locks with a button, preventing accidental ISO shifts.The processor is much faster than that in the a7Riv. All operations occur faster. The camera is again ready to shoot sooner after buffering and writing to the card. Fewer shots are missed. The camera is more pleasant to operate.The new menu takes learning. I learned it on an a7iv. It's a beast with 900 nodes! But it is very capable. Now I can program a custom button to AF-C tracking. Thus I have two back buttons set for focus, one for single focus (usually center focus), and one for AF-C tracking.Those who shoot video will love the ability to program all the custom buttons separately for photo and for video, and flip between these with one lever under the mode dial.I do notice the 75 g increased weight. This is a small penalty.The higher resolution EVF is a further improvement on the excellent focus mag and peaking of all recent Sony cameras.Thus the a7Rv is more capable and nicer to operate than the already excellent a7Riv, but is just a little heavier out in the field.
originally posted on sony.co.uk
The A7R IV A was fundamentally incompatible with the FE 200-600 G lens. Producing soft, coarse grain images, that one could not crop. Even after major de-noising.The A7RV produces far sharper, cleaner images with the FE 200-600 G provided the lens has had the November 2022 Firmware update.The AI based AF system has improved tracking a moving subject eg Birds in flight, and the keeper rate is higher.The A7R V Focus Bracketing function is disappointing. The lack of being able to set a far focus point, is a major flaw when one has a subject that requires a focus stack to give an in focus subject, but still requires a de-focused background. For example in a macro scene where the background needs to be blurred. Sony need to improve this function, so one is not ... MoreThe A7R IV A was fundamentally incompatible with the FE 200-600 G lens. Producing soft, coarse grain images, that one could not crop. Even after major de-noising.The A7RV produces far sharper, cleaner images with the FE 200-600 G provided the lens has had the November 2022 Firmware update.The AI based AF system has improved tracking a moving subject eg Birds in flight, and the keeper rate is higher.The A7R V Focus Bracketing function is disappointing. The lack of being able to set a far focus point, is a major flaw when one has a subject that requires a focus stack to give an in focus subject, but still requires a de-focused background. For example in a macro scene where the background needs to be blurred. Sony need to improve this function, so one is not guessing how many images, at what spacing are needed to produce the correct stack of images for blending. I would suggest they look at the in camera Focus Bracketing offered by Fuji in most models and particularly that of the Phaseone XF, that demonstrates the standard to aspire to.Additionally it is a disappointment that the focus bracketing function does not work with Sony A mount lens with LA-EA5 converter. So no opportunity to use the classic Minolta 200 mm macro for focus bracketing with an A7R V.I would welcome Firmware updates that improved the Focus Bracketing function in these two areas. A Sony FE 200 mm GM Macro would also be welcome, as would a FE 100-400 GM II with an internal focus and a zoom, like the FE 200-600 G, making the 100-400 a far better wildlife lens.
| Lens Mount | Sony E-Mount |
| Camera Format | Full-Frame |
| Sensor Type / Size | CMOS, 35.7 x 23.8 mm |
| Bit Depth | 14-Bit |
| Memory Card Type | CFexpress Type A / SD (UHS-II) |
Sony A7R V Mirrorless Camera Body
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony A7R mark V (5) Mirrorless Camera
Sony a7R V Mirrorless Camera ILCE7RM5 A7r5
Delivery $26.90
Brand Sony Alpha A7r V 61mp Full Frame Mirrorless Camera
Delivery $35
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony A7r V Body
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
This camera has it all - while not being the best at any one thing. It isn't the highest resolution (See Fuji medium frame 100Mpx for the same price), it isn't the fastest shutter (see just about any other modern non-Sony mirrorless), it isn't the best low light (see Sony's high sensitivity series), it doesn't have the fastest auto-tracking (see most Stacked cameras, such as Sony A9 or A1, Canon R3, Nikon Z9), it doesn't have the most loved user interface (some people prefer Nikon button layout or canon screen - I haven't played with their systems so I can't personally compare).Yet, I can't think of a feature I want that it's missing. Insanely high resolution (allows gorgeous crops), insanely vibrant dynamic range (lightroom recovers eye dropped results from the ... MoreThis camera has it all - while not being the best at any one thing. It isn't the highest resolution (See Fuji medium frame 100Mpx for the same price), it isn't the fastest shutter (see just about any other modern non-Sony mirrorless), it isn't the best low light (see Sony's high sensitivity series), it doesn't have the fastest auto-tracking (see most Stacked cameras, such as Sony A9 or A1, Canon R3, Nikon Z9), it doesn't have the most loved user interface (some people prefer Nikon button layout or canon screen - I haven't played with their systems so I can't personally compare).Yet, I can't think of a feature I want that it's missing. Insanely high resolution (allows gorgeous crops), insanely vibrant dynamic range (lightroom recovers eye dropped results from the shadows or highlights), it's lack of super-high ISO can be compensated by AI software (such as from topaz - I have ZERO complaints from my 4,000 iso images in mostly night-lit rooms).It feels perfect in my hand (though when sporting the Sony 70-200GMii for a 1.5 hour video shoot, my arms were pushing the limits of image-stabilization). The menus felt intuitive (to me - not having a pre-conceived preferred menu layout from other vendors). The C1, C2, etc custom buttons are nicely placed to help mental spatial memory. I do kind of wish it had a knob-button on the top-left, but LOVE that I have 4 tactile knobs on the right side so I never need to move my eye from the eye-piece.I haven't even kicked in the 9Mpix viewfinder - the resolution (reduced by default) is already just gorgeous. (in theory you have better battery life with the lower res/lower frame-rate).The auto-bracketing seems to work well (I use either photoshop or helios) for normal lenses ; For macro lenses I had to resort to a more manual setting. I have not yet tried pixel-shift; but as I understand it; you need a VERY stable shooting environment - and you'd have to use the Sony software (which I'm not overly excited about).The flash system seems to work decently (I'm still trying to get high-speed flash sync ; but this is probably user error; I haven't yet read the instructions). The combination of high-res, side-flash, mounted-macro-rail,cell-phone-trigger is producing gorgeous micro-photography for me.There has been a working exif-hack to get the .ARW files to work in lightroom. I successfully got one image to work in this fashion - but I think lightroom and capture-one now officially support AR7V anyway (so, glad I didn't waste too much time on it). Prior to this, I used a combination of the MASSIVE jpeg files or using the Sony-software to export-as-TIFF; both worked as one would expect (within their respective limits). My prior experience with the AR7iii in lightroom with ARW files suggests this should be equally amazing.The AI tracking is very good. My cats are both curious and yet unwilling to pose for more than 3 seconds; yet I already have a thousand shots (many of which are pretty good).. The (cat) subject is always selected, no matter what direction they face; and I can flip detection between person (e.g. my children) or animal and it always correctly boxes the subject-type. I haven't yet tried insects or birds. The eye focusing, in general, has trouble in darker lights (which is consistent with online reviews). But the hybrid manual focus (DMF) easily compensates for this.The battery life is ok - but by the end of a shooting session I'm down to 5%. Since I rarely use the back-screen (mostly using the eye piece), I might do well to disable it; so as to gain some extra time. Similarly, I played with, but don't use the touch-screen.. Using the thumb, wheel and zoom-in/zoom-out while looking through eye-piece is far more rewarding than pinch-zoom on the lower-contrast/lower-brightness backlit display.The external USB-C transfer speed is decent - not great.. I'm only getting 40MB/sec off a 300MB/s UHS-II v90 onboard card. If i simultaneously copy from both cards (over the USB) it divides the bandwidth between them. Still, I find that more convenient than pulling the SD cards and plugging in a portable SD-reader (100GB transfers fast enough for a bathroom break). I did decide to wait on purchasing compact-flash express Type-A cards.. VERY sad that Sony refuses to catch up with 3 year old cameras and offer Type-B. Twice the size, 3x the bandwidth and half the price as the Type-A. Still, I have yet to max out my SD card bandwidth - My son likes to hold the shutter button down, and we've yet to get a buffer-full notice. (we store RAW on SD1 and JPEG on SD2). In theory the highest resolution video might max out the SD card - so this is still to be seen (I've only used 4k 24fps video to date).I haven't tested the rolling shutter effect - but I expect it will be annoying with fast moving targets - as seen on youtube reviews.With inflation hitting, and even used equipment going up in price, this could be seen as a good long term investment. I would have loved to wait for a Sony A1 mark ii, (or really, any high res stacked sensor) but I bet it'll be twice this camera's price at launch. My only hope is that Sony is willing to update the AI models over time (as AI-weight-files are pure software; should have no limitations on the existing hardware of this device).
I have also own an A7Riv, and have owned the A7Riii, a7iv, a7iii and also the a6500 + 3 Nex-7 bodies and an RX10iv. The a7Rv is superior to all these.The 61mp sensor suits my needs better than those of lesser resolution, allowing deeper cropping instead of toting burdensome super telephotos, and improves resolution when cropping macro images.Contrary to what had been conventional wisdom, the fine pixel pitch of the 61mp sensor does not interfere with low light, high ISO, astro landscapes. Noise is finer grain and easier to filter in post, with retention of greater detail. Thus my previous modus operandi of using a lower resolution a7iii or a7iv for night landscapes was not advantageous.The pivoting screen for tilted use in portrait orientation enables better ... MoreI have also own an A7Riv, and have owned the A7Riii, a7iv, a7iii and also the a6500 + 3 Nex-7 bodies and an RX10iv. The a7Rv is superior to all these.The 61mp sensor suits my needs better than those of lesser resolution, allowing deeper cropping instead of toting burdensome super telephotos, and improves resolution when cropping macro images.Contrary to what had been conventional wisdom, the fine pixel pitch of the 61mp sensor does not interfere with low light, high ISO, astro landscapes. Noise is finer grain and easier to filter in post, with retention of greater detail. Thus my previous modus operandi of using a lower resolution a7iii or a7iv for night landscapes was not advantageous.The pivoting screen for tilted use in portrait orientation enables better composition and easier use when on a low tripod or close to the ground.Ability to close the shutter with power-off protects the sensor from airborne dust when changing lenses outdoors. Sensor cleaning is needed less often, same as with the a7iv, which I enjoyed for this feature.While my a7Riv could only track humans in AF-C, now the the camera can also track furry animals, birds, insects. (I don't care about trains planes and cars so I inactivated these selections). I have this feature programmed to the red top button when in photo mode.Ability to program the right top wheel to ISO puts ISO where it belongs, and the wheel locks with a button, preventing accidental ISO shifts.The processor is much faster than that in the a7Riv. All operations occur faster. The camera is again ready to shoot sooner after buffering and writing to the card. Fewer shots are missed. The camera is more pleasant to operate.The new menu takes learning. I learned it on an a7iv. It's a beast with 900 nodes! But it is very capable. Now I can program a custom button to AF-C tracking. Thus I have two back buttons set for focus, one for single focus (usually center focus), and one for AF-C tracking.Those who shoot video will love the ability to program all the custom buttons separately for photo and for video, and flip between these with one lever under the mode dial.I do notice the 75 g increased weight. This is a small penalty.The higher resolution EVF is a further improvement on the excellent focus mag and peaking of all recent Sony cameras.Thus the a7Rv is more capable and nicer to operate than the already excellent a7Riv, but is just a little heavier out in the field.
The A7R IV A was fundamentally incompatible with the FE 200-600 G lens. Producing soft, coarse grain images, that one could not crop. Even after major de-noising.The A7RV produces far sharper, cleaner images with the FE 200-600 G provided the lens has had the November 2022 Firmware update.The AI based AF system has improved tracking a moving subject eg Birds in flight, and the keeper rate is higher.The A7R V Focus Bracketing function is disappointing. The lack of being able to set a far focus point, is a major flaw when one has a subject that requires a focus stack to give an in focus subject, but still requires a de-focused background. For example in a macro scene where the background needs to be blurred. Sony need to improve this function, so one is not ... MoreThe A7R IV A was fundamentally incompatible with the FE 200-600 G lens. Producing soft, coarse grain images, that one could not crop. Even after major de-noising.The A7RV produces far sharper, cleaner images with the FE 200-600 G provided the lens has had the November 2022 Firmware update.The AI based AF system has improved tracking a moving subject eg Birds in flight, and the keeper rate is higher.The A7R V Focus Bracketing function is disappointing. The lack of being able to set a far focus point, is a major flaw when one has a subject that requires a focus stack to give an in focus subject, but still requires a de-focused background. For example in a macro scene where the background needs to be blurred. Sony need to improve this function, so one is not guessing how many images, at what spacing are needed to produce the correct stack of images for blending. I would suggest they look at the in camera Focus Bracketing offered by Fuji in most models and particularly that of the Phaseone XF, that demonstrates the standard to aspire to.Additionally it is a disappointment that the focus bracketing function does not work with Sony A mount lens with LA-EA5 converter. So no opportunity to use the classic Minolta 200 mm macro for focus bracketing with an A7R V.I would welcome Firmware updates that improved the Focus Bracketing function in these two areas. A Sony FE 200 mm GM Macro would also be welcome, as would a FE 100-400 GM II with an internal focus and a zoom, like the FE 200-600 G, making the 100-400 a far better wildlife lens.
Most people have covered the reasons why you want this camera: AF, resolution, image quality, etc. Here are five things I've discovered that reviews didn't really talk about.1. Sony cameras disengage the EVF sensor when the screen is not flat against the camera. This works great on tilting screens, which I always flip out a bit when I'm using the screen. However, on cameras with fully articulating screens (A7C & A7 IV), I usually have the screen flat against the camera even when I'm using it, meaning I keep triggering the EVF sensor, so I disabled the auto-switch and got used to mapping one custom button to the EVF/LCD switch. This A7R V has a tilting and articulating screen, and therefore, I find myself flipping it out a bit every time I use the screen, and now I ... MoreMost people have covered the reasons why you want this camera: AF, resolution, image quality, etc. Here are five things I've discovered that reviews didn't really talk about.1. Sony cameras disengage the EVF sensor when the screen is not flat against the camera. This works great on tilting screens, which I always flip out a bit when I'm using the screen. However, on cameras with fully articulating screens (A7C & A7 IV), I usually have the screen flat against the camera even when I'm using it, meaning I keep triggering the EVF sensor, so I disabled the auto-switch and got used to mapping one custom button to the EVF/LCD switch. This A7R V has a tilting and articulating screen, and therefore, I find myself flipping it out a bit every time I use the screen, and now I get to use more custom buttons!2. I am primarily a stills shooter, but I do take video. When I heard that the 4K60 had a 1.2x crop, I didn't realize that it meant that you can't shoot in Super 35 at all in 4K60, even if you have a crop lens. This is a bit infuriating, but a workaround is that you can use Clear Image Zoom to zoom into the picture to remove the vignette, or if you're outputting square/vertical video, the vignette is invisible, anyway. However, lens distortion for APS-C is not corrected in 4K60 (or 8K24 mode), so your APS-C lenses will look far more distorted than otherwise, with a fisheye type effect. Not a dealbreaker, and I plan on using the wild, uncorrected 4K60 casually for fun videos, but I wish a reviewer had pointed this out. Super 35 is great in 4K24/30, but if you want professional quality Super 35 in 4K60 from a full-frame camera, stick with the A7 IV.3. You don't have to shoot in 61 MP all the time. I really like the 26 MP option. Because these 26 MP images are downsampled from a 61 MP sensor, they're much more detailed and less noisy than a native 26 MP image like one from an EOS RP. Most images don't have 61 MP of detail, unless you're near base ISO in good lighting with fast shutter speeds, so why save 61 MP worth of data? Try out the intermediate file sizes, and the crop mode for stills is great, too, as it actually has more MP in crop mode than all Sony APS-C cameras at the moment. File sizes are very manageable.4. I loved the mode dial on the A7 IV. The A7R V has a similar mode dial with a subdial for movie/stills, but the main dial has a lock button. This little button has to be pressed every time while turning the mode dial. I wish this was a latching button like on the rightmost dial. I am starting to get used to it, but it slows me down. Did anyone really need that lock to be there? Could be a problem for people in cold weather.5. One of the things I always found annoying about touch operation on the Sony is that unlike on a Canon, there's no way to get to the Fn screen by tapping the screen, and you can't map the Fn menu to any custom button. Very annoying if you're shooting yourself on a tripod and need to change settings. However, there's this new thing called Main Menu on the A7R V which has all the major settings in an easily accessed grid (reminds me of Olympus SCP), and you can map Main Menu to a custom button. I put it on C2 and now I have a super useful button that I can click whether I'm in front of or behind the camera. I can even format memory cards from that button. I love it.Overall, great camera with some quirks, but the good far outweighs the bad. Hopefully, some of my deep dive has given you something to think about.
The 60 Megapixels offers photographers plenty of room in the editing process to crop into the best frame of every shot. Paired with the AI autofocus and dedicated subject/eye tracking processor, the speed and accuracy of the autofocus is top tier. Not many consumer level cameras even come close at the accuracy and speed, even in tough environments like forests or two stops below ideal exposure.The subject tracking has been extended to humans, animals, insects, birds, planes, and even trains.I use for weddings, the option to record at lossless L, M, snd S MP equivalent sizes is amazing. If you don’t need the full 60MP, no problem, save file size and memory by choosing the M format (roughly 26MP).Video is amazing too! It’s not a dedicated video line camera, but ... MoreThe 60 Megapixels offers photographers plenty of room in the editing process to crop into the best frame of every shot. Paired with the AI autofocus and dedicated subject/eye tracking processor, the speed and accuracy of the autofocus is top tier. Not many consumer level cameras even come close at the accuracy and speed, even in tough environments like forests or two stops below ideal exposure.The subject tracking has been extended to humans, animals, insects, birds, planes, and even trains.I use for weddings, the option to record at lossless L, M, snd S MP equivalent sizes is amazing. If you don’t need the full 60MP, no problem, save file size and memory by choosing the M format (roughly 26MP).Video is amazing too! It’s not a dedicated video line camera, but it holds its weight with 4:2:2 10-bit and 4k60 and 8K.Admittedly not ideal for low light overall, but it holds its dynamic range pretty close to its smaller MP counterparts like the A7iii, actually boasting a slight edge l across iso values, especially its second native iso of 320. Mind the increased noise in lower light situations, it’s still very useable up to 3000 with no problem in photo mode. Video is even a stronger contender with Slog3 with surprisingly useable noise levels almost reaching 10,000.As always use lights and wide apertures if available, but even without it is a strong contender.The low-light crop-in photos attached shows how the low-light, crop-in, and post-processing noise reduction all work together to make otherwise impossible situations possible without additional light.
With the release of the mark V version, Sony offered a great rebate on the mark III version. As a hobbyist, this is more than enough camera that I will ever need. If I had waited for the used market to respond, probably could have gotten an even better deal. I am upgrading from an old Nikon DX camera APS sensor and a Sony rx100 mark 1 (was using the sony much more).I felt it time to re-energize this hobby. I became interested when I notices the Sony RX1 cameras, full frame, small size. My interest is portrait (family, pets, and friends), street and travel. I bought a couple Samyang lenses (35 mm f/2.8 and 45 mm f/1.8); affordable and small with the 45mm having some great reviews. I also bought a Voightlander Nokton 50 mm f/1.2 on the used market (great deal). The ... MoreWith the release of the mark V version, Sony offered a great rebate on the mark III version. As a hobbyist, this is more than enough camera that I will ever need. If I had waited for the used market to respond, probably could have gotten an even better deal. I am upgrading from an old Nikon DX camera APS sensor and a Sony rx100 mark 1 (was using the sony much more).I felt it time to re-energize this hobby. I became interested when I notices the Sony RX1 cameras, full frame, small size. My interest is portrait (family, pets, and friends), street and travel. I bought a couple Samyang lenses (35 mm f/2.8 and 45 mm f/1.8); affordable and small with the 45mm having some great reviews. I also bought a Voightlander Nokton 50 mm f/1.2 on the used market (great deal). The theme here is small, very good quality and a bag that I will use. The Sigma Art and Sony GM look like great options, but, I am deterred by their size, weight, and price tag. These are more for the pros, wedding, etc. I also picked up a used Zeiss Batis 85mm f/1.8....The flexibility, quality, and ease of use will challenge my current default use Sony RX 100 or my cell phone as my go to camera. I look forward to grabbing my a7Riii with the Samyang 45mm on our next family outing!Lastly, if I find I am not using either the higher end lenses I have bought, I can sell with minimal loss. If I start using my new a7Riii a lot, I likely will engage in the used lens market, reselling the glass I do not use....Am a repeat Adorama customer of both new and used equipment, never had a problem. Haven't needed to use their customer service (though had a minor problem with one of their competitors, so, have been sticking with Adorama, KEH, eBay, and my local store, etc).
I was convinced that my A7R4 was more than adequate, and no need to spend so much more money for the A1. But I finally succumbed to the temptation of the A1. The higher frame rate when shooting BIF (Birds in Flight) - 30 FPS compared to 10 FPS on the A7R4 filled the time gaps in capturing subtle but important and rapid changes in wing position. But even more remarkable were the rapid and dramatic changes in feather positions and configuration that I had only rarely been able to previously capture. The Bird setting for Eye-AutoFocus provided outstanding results when combined with the 200-600 mm telephoto. The Bird-EyeAF is best with lower angle light to enhance the visualization of the pupil. Keeper rate depends upon distance from bird, angle of lighting, air ... MoreI was convinced that my A7R4 was more than adequate, and no need to spend so much more money for the A1. But I finally succumbed to the temptation of the A1. The higher frame rate when shooting BIF (Birds in Flight) - 30 FPS compared to 10 FPS on the A7R4 filled the time gaps in capturing subtle but important and rapid changes in wing position. But even more remarkable were the rapid and dramatic changes in feather positions and configuration that I had only rarely been able to previously capture. The Bird setting for Eye-AutoFocus provided outstanding results when combined with the 200-600 mm telephoto. The Bird-EyeAF is best with lower angle light to enhance the visualization of the pupil. Keeper rate depends upon distance from bird, angle of lighting, air temperature and heat columns, shutter speeds, ambient lighting, etc. But frequently will yield 90% keepers of flying egrets and great blue herons at distance of 180 - 200 feet with 600 mm zoom and 30 FPS. Results with rented 100-400 mm GM are mind boggling. Blazing fast AF. Will Autofocus at apertures of F22. Noise levels of cropped pictures is better than the A7R4, despite the reduction of pixel density from 61 MP to 50 MP - largely thanks to lower noise level of newer sensor and dual CPUs.Weight of A1 combined with the 200-600 mm telephoto is biggest disadvantage. Total weight is ca. 7 pounds. Heavy weight of lens then requires big tripod and gimbal, adding another 7-9 pounds to the final total kit weight of 15 pounds. Wish SONY would follow lead of Canon and Nikon and Olympus in developing high end lighter weight telephoto lenses.Other notable benefits of the A1:No blackouts while shooting at 30 FPS is terrificImprovements to touch screen monitor allow more intuitive reviewing of images, with touch/sweep to change images, two-finger Zoom In/Out. Customizable buttons provides excellent personalization. e.g. instantaneous changeover from Full Frame to APS-C.Sensor protector shutter does its job. When changing lenses in the field, I had to clean sensor on the A6500 and A7R4 at least monthly. Since using the A1, and after 6 months of moderate usage, I have had to do a simple dusting with a pneumatic bulb only once. I have not had to use a sterile swab to clean the sensor itself.Yes, it is far too expensive, but once I paid for it, I quickly came to appreciate it's many advanced capabilities, and forgot about the price.. CF Express is very pricey, but I Now mostly shooting photos of birds in the local marshes, and never have the buffer lag that was characteristic of previous SONY cameras.Global shutter is wonderful.Silent shooting is truly inaudible.No light bands when shooting with LEDs.If I don't try to review my photos on the monitor, but mainly use battery for focus and shooting (and don't use the Bluetooth remote control) I can shoot more than 1,000 pictures on a single battery when shooting at 10 to 30 FPSNegative things?Weight creep with each new model. But still lighter than competing Nikon Z9No built in Panoramic capture/display.No built-in HDRNo built-in Multi-pixel ultra high resolution display.No PreCapture as on Olympus and Nikon Z9. (Overcomes delayed reaction time when trying to capture take-off of birds, by allowing user to save the few seconds of exposure immediately prior to pressing shutter.)Remote Control SONY Bluetooth P1BT drains battery of camera, and often freezes camera. But I suspect that this is a problem with the remote controller programming, as I had the same problem with the P1BT when used on my A7R4 as well.Needs a much better User Manual.Best camera I have ever owned in 75 years of photography.
We have been shooting for 30 years and have been in the Canon, Nikon and Sony ecosystems. The Sony A1 is the first camera I've used that I thought was fun to shoot and not just a tool. It is fantastic in low light, autofocus is quick accurate and sticky. The files are great, needing minimal processing in raw. Everything really came together in terms of photography in this camera. BUT, the A1 is billed as a hybrid camera and not just a stills camera. How Sony got a pass on the overheating issues in the A1 is amazing. On a recent trip to Rwanda, we got 7 and 9 minutes respectively at 8k/24. Then less than 20 minutes when switching directly to 4k. We ended up recording the last 30 minutes of our time with gorillas using iPhones. While the A1s don't always overheat that ... MoreWe have been shooting for 30 years and have been in the Canon, Nikon and Sony ecosystems. The Sony A1 is the first camera I've used that I thought was fun to shoot and not just a tool. It is fantastic in low light, autofocus is quick accurate and sticky. The files are great, needing minimal processing in raw. Everything really came together in terms of photography in this camera. BUT, the A1 is billed as a hybrid camera and not just a stills camera. How Sony got a pass on the overheating issues in the A1 is amazing. On a recent trip to Rwanda, we got 7 and 9 minutes respectively at 8k/24. Then less than 20 minutes when switching directly to 4k. We ended up recording the last 30 minutes of our time with gorillas using iPhones. While the A1s don't always overheat that quickly they do invariably overheat, making them unusable as an A cam or even a B cam on anything long form. We do have the temperature set to high and occasionally catch the odor of burning plastic about the time the high temperature warning goes off in the viewfinder. Slog is still Slog in video, but PP OFF is so strong and accurate we regularly shoot with that. The A1 is at least a full stop better than the R5 in low light and probably two stops better in DR. At double the price it should be better. The last negative: AF tracking in video is not very good with wildlife and any type of interference (like sagebrush in the foreground) and the camera AF just will not stay with a moving subject such as a grizzly bear. It's the best single camera on the market, but, at this price point should have been better.
Coming from a Sony A7iii (with grip), I had very high expectations when purchasing this camera. I will use this almost exclusively as a nature photography tool, and already I can appreciate the focus abilities, resolution, and ability to track many subjects - especially birds in flight. It seems as if there is almost endless ability to program the buttons and features, but the design of this camera is less refined than that of my A7iii. The biggest drawback is the placement of the movie button where C1 used to be (and visa versa). Luckily I was able to program the movie button to function the way I want so it is consistent with the function on my A7iii. However, if I change the C1 function to act as the movie button, the grip will now start movie recording when ... MoreComing from a Sony A7iii (with grip), I had very high expectations when purchasing this camera. I will use this almost exclusively as a nature photography tool, and already I can appreciate the focus abilities, resolution, and ability to track many subjects - especially birds in flight. It seems as if there is almost endless ability to program the buttons and features, but the design of this camera is less refined than that of my A7iii. The biggest drawback is the placement of the movie button where C1 used to be (and visa versa). Luckily I was able to program the movie button to function the way I want so it is consistent with the function on my A7iii. However, if I change the C1 function to act as the movie button, the grip will now start movie recording when pressing C1. Therefore I had to set the C1 function and Movie button as the same so the battery grip functions the way I want the C1 button to work. The battery grips for these cameras are not cheap, but I won't use these bodies without them. Herein also lies my gripe with Sony design. The grip on this A7RV is nowhere near as refined as the grip with the A7iii. The way the grip fits with the body on the A7RV is not well designed - almost as if it wasn't made for it. A real disappointment considering the cost and button placement. I know I'll come to love it eventually, but the design is a bit to be desired. This camera is an energy hog, so the grip is a necessity for me to have the power without changing batteries mid-shoot. You will have to check your post processing software to make sure it is compatible with the latest 'R' raw files. I had to update my software, but that is a minor gripe. The viewfinder is spectacular, and a real joy to use in the field!
Came to this from the A7R-IV, so I am going to speak strictly to the differences. To set the context here, and all shooters are different: I also shoot exclusively still images - no video, so look elsewhere for comments on video performance. Finally, as a rule I shoot raw and process in post. I have almost never relied on in-camera processing for noise, color, or sharpening in my jpeg output. Again, I shoot exclusively raw. Others, therefore, can speak more confidently about the camera's jpeg rendering.While the image sensor has not changed in this model, this camera is a huge improvement over its predecessor. This model has retained all of the strengths image-quality-wise, while making massive improvements in autofocus and image stabilization.I have worked ... MoreCame to this from the A7R-IV, so I am going to speak strictly to the differences. To set the context here, and all shooters are different: I also shoot exclusively still images - no video, so look elsewhere for comments on video performance. Finally, as a rule I shoot raw and process in post. I have almost never relied on in-camera processing for noise, color, or sharpening in my jpeg output. Again, I shoot exclusively raw. Others, therefore, can speak more confidently about the camera's jpeg rendering.While the image sensor has not changed in this model, this camera is a huge improvement over its predecessor. This model has retained all of the strengths image-quality-wise, while making massive improvements in autofocus and image stabilization.I have worked birds-in-flight, birds in captivity, cats, and human family members since taking delivery about 2 weeks ago and can say that the subject autofocus is snappy and accurate. The camera identifies the subject consistently and finds the head pretty much whenever it is visible, even when the subject is in odd positions. Eye autofocus is very reliable when the eye is in view. For BIF, the autofocus hit rate is very high.The other place where this camera sees a massive improvement is image stabilization. My experience with the prior model was that I had to "tripod up" pretty much all of the time. Because of pixel density, the "5.5 stops" of image stabilization was just sufficient to enable the reciprocal rule for shutter speed - or maybe just a hair better. This made handheld shooting impractical in many situations where it would otherwise have been preferred. This was a big issue when shooting indoors for family events and when traveling for tourism. (I make the distinction between traveling for photography and traveling for tourism. One is about getting photographs as the primary reason for taking the trip. The other is about having a travel experience and using the tool simply to capture that experience. I do both and can tell you that these are two VERY different types of shooting - and traveling.)This new model's image stabilization is vastly improved over the old model. I was able over the holidays to shoot handheld indoors with my 85mm lens at f/4-f/8 and get good images at 1/10 second, and even that limit was reached due more to subject motion than camera movement. Shots with my 20mm lens were, well, completely limited by subject motion. THIS is a camera that you can slap a "walk-around" lens on, hang it off you via a strap, and go walk around a city or countryside or museum or art gallery and you won't need to lug a tripod - and you will still be able to capture sharp images with massive amounts of detail. You can keep it on the side table next to you on Christmas morning and "grab and shoot" when opportunities arise, still be fully engaged in the festivities with your family instead of "checking out to be the photographer" and still get great images.The use of CF-A cards makes the camera more responsive, since it completes image-writing procedures nearly as fast as you take the images. I have yet to get the hated "you can't do that right now" (or something to that effect) when the camera is waiting to flush its buffer. Even shooting birds in flight, by the time I chimp the images the care writes are done. I can't wait to take this thing to our local airshow this spring, to try out the vehicle AF and not sit around waiting for the buffer to clear my bursts.Other upgrades that many people talk about that I found less significant:- The EVF was great on the last unit. Maybe my eyes are too old. But I did notice that when doing BIF shooting the motion remained smoother more consistently, even when using the physical shutter. That made tracking a little easier, although it is not a big enough improvement to justify a camera upgrade sans all the other improvements.- Same with the "flippy screen". You video folks can gush about that. I almost exclusively use the viewfinder for shooting. Only in specific circumstances to I switch to the rear screen for shooting. So the flippy screen thing is, well, and underwhelming thing for me. I am sure many of you will love it though. If you can't find a position that it supports, I would guess it is on you and not the hardware.Downsides to this camera are pretty much the same as the last model.- Large file sizes mean lots of storage- Cards that are fast enough to take advantage are expensive (and now more so).- Motion distortion can still be a problem since the sensor is not stacked. If this is important to you then the A1 or upcoming A9 upgrade are going to make you happier.Overall, this is an incredibly versatile camera. Few others come close.
| Lens Mount | Sony E-Mount |
| Camera Format | Full-Frame |
| Sensor Type / Size | CMOS, 35.7 x 23.8 mm |
| Bit Depth | 14-Bit |
| Memory Card Type | CFexpress Type A / SD (UHS-II) |
