The Sony FE 135mm f1.8 G Master is a telephoto prime lens with stunning resolution and bokeh. Using their most advanced optical technologies Sony has produced a large aperture prime telephoto lens that delivers outstanding corner to corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. Dual front and rear XD linear motors achieve fast, precise and quiet AF. Floating focus mechanism for improved close up capability. XA elements and Super ED glass for high resolution throughout the image area. Sony Nano AR coating to eliminate flare and ghosting. 82mm filter thread. 70cm close focusing distance. Comes complete with ALC-F82S front lens cap, ALC-R1EM rear lens cap, ALC-SH156 lens hood and lens case.
The Sony FE 135mm f1.8 G Master is a telephoto prime lens with stunning resolution and bokeh. Using their most advanced optical technologies Sony has produced a large aperture prime telephoto lens that delivers outstanding corner to corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. Dual front and rear XD linear motors achieve fast, precise and quiet AF. Floating focus mechanism for improved close up capability. XA elements and Super ED glass for high resolution throughout the image area. Sony Nano AR coating to eliminate flare and ghosting. 82mm filter thread. 70cm close focusing distance. Comes complete with ALC-F82S front lens cap, ALC-R1EM rear lens cap, ALC-SH156 lens hood and lens case.
The Sony FE 135mm f1.8 G Master is a telephoto prime lens with stunning resolution and bokeh. Using their most advanced optical technologies Sony has produced a large aperture prime telephoto lens that delivers outstanding corner to corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. Dual front and rear XD linear motors achieve fast, precise and quiet AF. Floating focus mechanism for improved close up capability. XA elements and Super ED glass for high resolution throughout the image area. Sony Nano AR coating to eliminate flare and ghosting. 82mm filter thread. 70cm close focusing distance. Comes complete with ALC-F82S front lens cap, ALC-R1EM rear lens cap, ALC-SH156 lens hood and lens case.
The Sony FE 135mm f1.8 G Master is a telephoto prime lens with stunning resolution and bokeh. Using their most advanced optical technologies Sony has produced a large aperture prime telephoto lens that delivers outstanding corner to corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. Dual front and rear XD linear motors achieve fast, precise and quiet AF. Floating focus mechanism for improved close up capability. XA elements and Super ED glass for high resolution throughout the image area. Sony Nano AR coating to eliminate flare and ghosting. 82mm filter thread. 70cm close focusing distance. Comes complete with ALC-F82S front lens cap, ALC-R1EM rear lens cap, ALC-SH156 lens hood and lens case.
Last updated at 06/07/2026 23:15:43
FE 135mm F1.8 G Master Telephoto Prime Lens for Sony E-Mount
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2ND HAND - Sony FE 135mm f1.8 GM
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Sony FE 135mm F1.8 GM Lens | Secondhand
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2ND HAND - Sony FE 135mm f1.8 GM
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Sony FE 135mm F1.8 GM Lens
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Sony FE 135mm F1.8 GM Lens Bxd
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originally posted on bhphotovideo.com
Taking out any evaluation of the optical improvements (of which there are many), this lens is a functional marvel. The iris ring that can be de-clicked with the touch of a switch, the smaller size, lighter weight, and ability to adjust the speed of the zoom ring are massive improvements. These aren't just cosmetic, and can't be overstated. It's game changing when you're filming for 18 hours doing handheld or monopod work. You want to carry as little as possible, with as little sacrifice to the quality of the glass.From what I can tell, the glass is extremely sharp, corner to corner throughout the entire zoom range of this lens. The bokeh also looks better to my eye, and matches better with my 70-200 GM ii. This upgrade hasn't gotten a lot of love, for some reason. ... MoreTaking out any evaluation of the optical improvements (of which there are many), this lens is a functional marvel. The iris ring that can be de-clicked with the touch of a switch, the smaller size, lighter weight, and ability to adjust the speed of the zoom ring are massive improvements. These aren't just cosmetic, and can't be overstated. It's game changing when you're filming for 18 hours doing handheld or monopod work. You want to carry as little as possible, with as little sacrifice to the quality of the glass.From what I can tell, the glass is extremely sharp, corner to corner throughout the entire zoom range of this lens. The bokeh also looks better to my eye, and matches better with my 70-200 GM ii. This upgrade hasn't gotten a lot of love, for some reason. Maybe it's because the 24-70 i was a decent enough lens- no argument there. It was good. But this is great. If you do documentary work you'll love this lens. If you like buttery bokeh and a substantially smaller form factor, this is for you.
originally posted on bhphotovideo.com
I bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal ... MoreI bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal or other kind of support devices used by video creators and bloggers.Fifth, I really appreciate its capability to get very close thanks to its minimum focusing distance.Finally, the Bokeh is not as 'creamy' as the Sony FE 24mm f/1.4 GM but it is absolutely satisfying nevertheless.One minor disappointment about this lens relates to having a very noticeable 'lens breathing' effect. So if you are into pulling focus on videos - you will need to deal with this minor limitation.This is one of my favorite Sony Lenses, I own and use almost all of the GM series, except for the Super Telephoto ones.I will soon travel to Bolivia's Uyuni Salt Flats where I will be able to test this lens for Low-Light and Astrophotography.
originally posted on bhphotovideo.com
All the rave reviews for this lens are true. It truly is superb. The only drawback is its relatively high price. The question for me was is it worth the upgrade from the older Zeiss 35/1.4? It is smaller, lighter and sharper than the older lens which I also own. I think I got one of the later good copies of the Zeiss 35mm f1.4 (earlier copies seem to have been plagued with quality control issues). Certainly at 100% magnification on 50 mp and 62 mp sensors, the GM is noticeably sharper and higher in contrast wide open but the difference is not huge. In normal use I think the image quality from the older lens is more than sufficient. You can do a little sharpening in post processing if you want. I decided to go ahead and purchase the GM but if cost were a limiting ... MoreAll the rave reviews for this lens are true. It truly is superb. The only drawback is its relatively high price. The question for me was is it worth the upgrade from the older Zeiss 35/1.4? It is smaller, lighter and sharper than the older lens which I also own. I think I got one of the later good copies of the Zeiss 35mm f1.4 (earlier copies seem to have been plagued with quality control issues). Certainly at 100% magnification on 50 mp and 62 mp sensors, the GM is noticeably sharper and higher in contrast wide open but the difference is not huge. In normal use I think the image quality from the older lens is more than sufficient. You can do a little sharpening in post processing if you want. I decided to go ahead and purchase the GM but if cost were a limiting factor, the Zeiss is a very nice lens (albeit larger and heavier) at a much better price point. You can get them used now for a bargain.
FE 135mm F1.8 G Master Telephoto Prime Lens for Sony E-Mount
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
2ND HAND - Sony FE 135mm f1.8 GM
Free delivery between Tue – Wed
Sony FE 135mm F1.8 GM Lens | Secondhand
Free delivery
2ND HAND - Sony FE 135mm f1.8 GM
Delivery between Wed – Sat $10
Sony FE 135mm F1.8 GM Lens
Delivery between 12–16 June $40
Taking out any evaluation of the optical improvements (of which there are many), this lens is a functional marvel. The iris ring that can be de-clicked with the touch of a switch, the smaller size, lighter weight, and ability to adjust the speed of the zoom ring are massive improvements. These aren't just cosmetic, and can't be overstated. It's game changing when you're filming for 18 hours doing handheld or monopod work. You want to carry as little as possible, with as little sacrifice to the quality of the glass.From what I can tell, the glass is extremely sharp, corner to corner throughout the entire zoom range of this lens. The bokeh also looks better to my eye, and matches better with my 70-200 GM ii. This upgrade hasn't gotten a lot of love, for some reason. ... MoreTaking out any evaluation of the optical improvements (of which there are many), this lens is a functional marvel. The iris ring that can be de-clicked with the touch of a switch, the smaller size, lighter weight, and ability to adjust the speed of the zoom ring are massive improvements. These aren't just cosmetic, and can't be overstated. It's game changing when you're filming for 18 hours doing handheld or monopod work. You want to carry as little as possible, with as little sacrifice to the quality of the glass.From what I can tell, the glass is extremely sharp, corner to corner throughout the entire zoom range of this lens. The bokeh also looks better to my eye, and matches better with my 70-200 GM ii. This upgrade hasn't gotten a lot of love, for some reason. Maybe it's because the 24-70 i was a decent enough lens- no argument there. It was good. But this is great. If you do documentary work you'll love this lens. If you like buttery bokeh and a substantially smaller form factor, this is for you.
I bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal ... MoreI bought this lens mainly because I needed a Fast Wide Angle Lens (Faster than f/2.8) with minimal distortion and chromatic aberration.First, the optics of this lens are comparable to the Sony FE 24mm f/1.4 GM.Second, the angle of view seems to be appropriate for most Wide Angle needs but it is particularly well-suited for those who want a blogging lens - since this one gives you a few extra degrees of view where you can comfortably fit your face.Third, the Autofocus is fast and accurate, except under very special circumstances (like low light).Forth, I love this lens for those situations when I need minimal weight (i.e. when I'm hiking in high altitudes and every extra pound feels like a ton). For this reason, it is also a great lens to be used on a Gimbal or other kind of support devices used by video creators and bloggers.Fifth, I really appreciate its capability to get very close thanks to its minimum focusing distance.Finally, the Bokeh is not as 'creamy' as the Sony FE 24mm f/1.4 GM but it is absolutely satisfying nevertheless.One minor disappointment about this lens relates to having a very noticeable 'lens breathing' effect. So if you are into pulling focus on videos - you will need to deal with this minor limitation.This is one of my favorite Sony Lenses, I own and use almost all of the GM series, except for the Super Telephoto ones.I will soon travel to Bolivia's Uyuni Salt Flats where I will be able to test this lens for Low-Light and Astrophotography.
All the rave reviews for this lens are true. It truly is superb. The only drawback is its relatively high price. The question for me was is it worth the upgrade from the older Zeiss 35/1.4? It is smaller, lighter and sharper than the older lens which I also own. I think I got one of the later good copies of the Zeiss 35mm f1.4 (earlier copies seem to have been plagued with quality control issues). Certainly at 100% magnification on 50 mp and 62 mp sensors, the GM is noticeably sharper and higher in contrast wide open but the difference is not huge. In normal use I think the image quality from the older lens is more than sufficient. You can do a little sharpening in post processing if you want. I decided to go ahead and purchase the GM but if cost were a limiting ... MoreAll the rave reviews for this lens are true. It truly is superb. The only drawback is its relatively high price. The question for me was is it worth the upgrade from the older Zeiss 35/1.4? It is smaller, lighter and sharper than the older lens which I also own. I think I got one of the later good copies of the Zeiss 35mm f1.4 (earlier copies seem to have been plagued with quality control issues). Certainly at 100% magnification on 50 mp and 62 mp sensors, the GM is noticeably sharper and higher in contrast wide open but the difference is not huge. In normal use I think the image quality from the older lens is more than sufficient. You can do a little sharpening in post processing if you want. I decided to go ahead and purchase the GM but if cost were a limiting factor, the Zeiss is a very nice lens (albeit larger and heavier) at a much better price point. You can get them used now for a bargain.
The standout feature of this lens is undoubtedly its optical performance. The Sony GM 35mm 1.4 produces stunningly sharp and detailed images with excellent contrast and color rendition. The wide aperture of f/1.4 allows for exceptional low-light performance, making it well-suited for shooting in challenging lighting conditions or achieving a shallow depth of field with beautiful background blur. Whether you're capturing portraits, landscapes, street photography, or any other genre, this lens delivers outstanding image quality across the board.The build quality of the Sony GM 35mm 1.4 lens is excellent. It features a robust and durable construction that feels solid in hand. The lens is weather-sealed, providing protection against dust and moisture, which is crucial ... MoreThe standout feature of this lens is undoubtedly its optical performance. The Sony GM 35mm 1.4 produces stunningly sharp and detailed images with excellent contrast and color rendition. The wide aperture of f/1.4 allows for exceptional low-light performance, making it well-suited for shooting in challenging lighting conditions or achieving a shallow depth of field with beautiful background blur. Whether you're capturing portraits, landscapes, street photography, or any other genre, this lens delivers outstanding image quality across the board.The build quality of the Sony GM 35mm 1.4 lens is excellent. It features a robust and durable construction that feels solid in hand. The lens is weather-sealed, providing protection against dust and moisture, which is crucial for outdoor photography in unpredictable conditions. The smooth and precise focus ring enhances the overall handling and operation of the lens, allowing for manual focus adjustments with ease and precision.Autofocus performance is another area where this lens shines. Equipped with Sony's advanced Direct Drive Super Sonic Wave Motor (DDSSM), the lens provides fast, accurate, and virtually silent autofocus. It locks onto subjects swiftly and tracks them with precision, ensuring that you can capture those decisive moments without any compromise. The autofocus performance is especially impressive when combined with Sony's advanced autofocus systems found in their full-frame mirrorless cameras.In terms of versatility, the 35mm focal length is a popular choice among photographers due to its wide range of applications. It offers a natural field of view that closely resembles the human eye, making it suitable for documentary-style photography or capturing everyday scenes with a realistic perspective. The lens excels in capturing environmental portraits, street photography, and general-purpose photography, providing a great balance between wide-angle and standard perspectives.While the Sony GM 35mm 1.4 lens delivers exceptional performance, it does come with a higher price tag compared to other 35mm lenses on the market. However, the lens justifies its cost through its exceptional image quality, build quality, and autofocus performance. It is an investment for those who demand the utmost quality and reliability in their gear.In conclusion, the Sony GM 35mm 1.4 lens is a top-tier prime lens that offers outstanding optical performance, excellent build quality, and fast autofocus capabilities. It is a versatile lens suitable for various photography genres and excels in low-light conditions. Although it comes with a higher price point, it delivers the image quality and features that professionals and enthusiasts alike seek. If you're looking for a premium 35mm lens, the Sony GM 35mm 1.4 is definitely worth considering.
Sharpest, fastest, most accurate 50mm lens I have ever used from any brand. You can use this lens at any aperture and get sharp results that will not disappoint. I was gob smacked as they say, about how sharp and clean it is at 1.2 across the frame.The most critical reviews I saw about this lens in my view show how good the lens is.Those critiques were that it was far too perfect in image quality and that the lens doesn't change character when you stop down, meaning that the only real benefit you are going to see is increasing the depth of field when you stop down. So if you prefer the various looks (AKA obvious defects wide open that lessen on stopping down) of other 1.2 lenses like the Canon 50mm f1.2L EF, don't buy this.My most critical issues with the lens ... MoreSharpest, fastest, most accurate 50mm lens I have ever used from any brand. You can use this lens at any aperture and get sharp results that will not disappoint. I was gob smacked as they say, about how sharp and clean it is at 1.2 across the frame.The most critical reviews I saw about this lens in my view show how good the lens is.Those critiques were that it was far too perfect in image quality and that the lens doesn't change character when you stop down, meaning that the only real benefit you are going to see is increasing the depth of field when you stop down. So if you prefer the various looks (AKA obvious defects wide open that lessen on stopping down) of other 1.2 lenses like the Canon 50mm f1.2L EF, don't buy this.My most critical issues with the lens are the focus breathing and cat's eye bokeh that goes away around by f2.5. However, every other 1.2 50mm I have seen better in these regards is either way larger and heavier, doesn't have auto focus or the AF is not nearly is fast/accurate, or the IQ isn't as good. So its basically a trade off here.I would say that unless there is some revolutionary change in lens design that happens soon, you will enjoy this lens for a very long time without the need to upgrade when a version 2 or even version 3 come about.
This lens instantly turned my videos into something spectacular. If you were looking for a lens to make your content stand out...this is the one. It is my go-to for making eye-catching visuals. No other lens captures a scene like this one.The low light performance of the A7S3 plus this lens, makes the most amazing low light captures look like a Hollywood film scene. It's that good.The lens is lightweight and compact. Just this lens alone, I can get about 80% of an event captured. The rest are just tighter or telephoto shots. I did a lot of research before getting this lens because I needed one to capture groups and close-quarter wide angles, especially in dark-lit places...like wedding after parties. This lens is absolutely amazing. The images are insanely ... MoreThis lens instantly turned my videos into something spectacular. If you were looking for a lens to make your content stand out...this is the one. It is my go-to for making eye-catching visuals. No other lens captures a scene like this one.The low light performance of the A7S3 plus this lens, makes the most amazing low light captures look like a Hollywood film scene. It's that good.The lens is lightweight and compact. Just this lens alone, I can get about 80% of an event captured. The rest are just tighter or telephoto shots. I did a lot of research before getting this lens because I needed one to capture groups and close-quarter wide angles, especially in dark-lit places...like wedding after parties. This lens is absolutely amazing. The images are insanely sharp. The bokeh is so dramatic at f1.4. I consider this lens an absolute necessity for anyone with a Sony and would buy it again and again.This is now my most used lens. Thank you, Sony and B&H!
I got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great ... MoreI got the chance to test out this lens versus the famous Sigma 24-70 2.8 DG DN on my a7rV. Shot side by side with the same scene, same settings, focused in same areas the GM II was consistently doing better than the sigma. It was especially noticeable when shooting wide open. The GM II was displaying better micro contrast, resolving better than the sigma in the center and corners. This was more noticable when shooting distant objects, focused at infinity which I often do for landscapes or at hyperfocal.Colors wise the sony render more on neutral side where the sigma is more on warmer side. Is the GM II 2x better than the sigma for the price? That's for you to decide. Maybe not but overall what you are paying for here is the AF/ergonimics/size/weight and great optics. To me the sigma has annoyed me the past with missing focus during critical moments during events which caused me having to reshoot but missing the better moment.Also please take into consideration sample variation because I had to go through TWO copies of the GM II to get this excellent one which is NOT FUN. Copy variation plagues the 24-70 zoom lenses in particular as they are difficult to design and have different tolerances. I was not happy with my two previous copies as they were softer on the left side of the frame even stopped down at most FL which was not OK. I had the same experience when I got my sony 12-24 GM lens. I really wish this wasn't the same case in 2023 but here we are.Still highly recommend this lens if you can afford it and want the best AF especially.
It was a really hard choice to get this or the 24mm f/1.4 GM Lens, but I'm so happy I opted for this one. The sharpness on this lens is ridiculous, especially wide open at f/1.8 and corner to corner. I honestly can't believe how clean and detailed everything looks, it may be my favorite lens I've ever used and this is coming from a hobbyist photographer/videographer for over 16 years having used a ton of equipment.I love to shoot video a bit more than capturing images and the video output from the lens is so stunningly cinematic. It's the perfect field of view for 2.35:1 crop and it's more in line with a 19mm lens rather than a true 20mm (which is even better). This lens is wide, but not to the point of crazy distortion, it looks extremely natural, like a ... MoreIt was a really hard choice to get this or the 24mm f/1.4 GM Lens, but I'm so happy I opted for this one. The sharpness on this lens is ridiculous, especially wide open at f/1.8 and corner to corner. I honestly can't believe how clean and detailed everything looks, it may be my favorite lens I've ever used and this is coming from a hobbyist photographer/videographer for over 16 years having used a ton of equipment.I love to shoot video a bit more than capturing images and the video output from the lens is so stunningly cinematic. It's the perfect field of view for 2.35:1 crop and it's more in line with a 19mm lens rather than a true 20mm (which is even better). This lens is wide, but not to the point of crazy distortion, it looks extremely natural, like a first-person view of things.I'm probably going to have this lens on my a7III 90% of the time because of how incredible the image quality is and how fun it is to use. This lens is a steal for the price range it's in. You're getting 94% of the quality of a GM lens for nearly half the price.
Near Perfect but let down by Sony camera’s limitation.I only had this lens for more than 2 weeks. I have been testing this lens ever since I received this.In a short test period, I would say this lens performance is good in areas:1.Wide end image quality: Good.2.Tele end image quality: Good (but pay attention to shutter speed to reduce blurring due to shake).3.AF acquisition and final focus result: Good (there is slight focus breathing when you change focal length and re-focus).4.Handling: Good, balances well on camera (I use A1).The only area I’m a little critical is non-OIS in lens. The Sony camera I use is the A1 and it has IBIS but it’s certainly not that effective in the Tele end. I must increase the shutter speed to minimize shake, and this ... MoreNear Perfect but let down by Sony camera’s limitation.I only had this lens for more than 2 weeks. I have been testing this lens ever since I received this.In a short test period, I would say this lens performance is good in areas:1.Wide end image quality: Good.2.Tele end image quality: Good (but pay attention to shutter speed to reduce blurring due to shake).3.AF acquisition and final focus result: Good (there is slight focus breathing when you change focal length and re-focus).4.Handling: Good, balances well on camera (I use A1).The only area I’m a little critical is non-OIS in lens. The Sony camera I use is the A1 and it has IBIS but it’s certainly not that effective in the Tele end. I must increase the shutter speed to minimize shake, and this limits my use case. Sony should either improve the cameras (A1) IBIS effective stops or include OIS in lens. The Focus breathing issue might not be an issue if you have newer released Sony cameras after A1 release. The new cameras have focus breathing compensation. Sony should improve/add this in A1 or build lens with better focus breathing handling.But from an Image quality point, the G2 is certainly better (not a huge amount but slightly) than other 24-70mm F2.8 lens.
This lens is the one - the one you take if you can only take one!! With a focal range wide enough that you can shoot large vistas, or groups of people/vehicles & telephoto enough that you can totally isolate an object and have nice compression.All around the most versatile high-quality lens in my line-up. If I'm going on a hike, and want to enjoy it in a minimalistic fashion, I'm very comfortable with just this one lens slung around my body. When shooting an off-road 4x4 tour, or any event, this lens must be on me.Just recently I photographed a three-day overland event out in Sand Hollow, Utah and did not switch lenses once. I was able to do everything with the 24-70mm GM. What was cool was the speed at which I was able to go from shooting many vehicles together ... MoreThis lens is the one - the one you take if you can only take one!! With a focal range wide enough that you can shoot large vistas, or groups of people/vehicles & telephoto enough that you can totally isolate an object and have nice compression.All around the most versatile high-quality lens in my line-up. If I'm going on a hike, and want to enjoy it in a minimalistic fashion, I'm very comfortable with just this one lens slung around my body. When shooting an off-road 4x4 tour, or any event, this lens must be on me.Just recently I photographed a three-day overland event out in Sand Hollow, Utah and did not switch lenses once. I was able to do everything with the 24-70mm GM. What was cool was the speed at which I was able to go from shooting many vehicles together and then just isolating one at a time as they went over obstacles. This lens executed flawlessly and made my job easy.When in crop-sensor mode this lens becomes a 36-105mm and if you're using the Sony Alpha 7R IV body, that will result in a 26-megapixel image which is a huge benefit of combining this lens with this camera. This only adds to the versatility of this great lens which I also can be used to shoot the stars at night since the aperture is 2.8.