The Sony SELP28135G Camera Lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. Three control rings offer manual control for demanding large format production, and the first SSM drive in a lens designed for movies contributes to quiet powered zoom. Perfect Usability The Sony Sony SELP28135G Camera Lens emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. Gives constant F4 maximum aperture throughout the zoom range. Equipped with 35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors. The Sony SELP28135G Camera Lens are Small and light for better handling. It has a minimum aperture of 22 F and maximum aperture 4 F. Focal length is 28–135 mm. It has dust and moisture resistant design. Filter diameter is 95 mm.
The Sony SELP28135G Camera Lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. Three control rings offer manual control for demanding large format production, and the first SSM drive in a lens designed for movies contributes to quiet powered zoom. Perfect Usability The Sony Sony SELP28135G Camera Lens emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. Gives constant F4 maximum aperture throughout the zoom range. Equipped with 35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors. The Sony SELP28135G Camera Lens are Small and light for better handling. It has a minimum aperture of 22 F and maximum aperture 4 F. Focal length is 28–135 mm. It has dust and moisture resistant design. Filter diameter is 95 mm.
The Sony SELP28135G Camera Lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. Three control rings offer manual control for demanding large format production, and the first SSM drive in a lens designed for movies contributes to quiet powered zoom. Perfect Usability The Sony Sony SELP28135G Camera Lens emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. Gives constant F4 maximum aperture throughout the zoom range. Equipped with 35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors. The Sony SELP28135G Camera Lens are Small and light for better handling. It has a minimum aperture of 22 F and maximum aperture 4 F. Focal length is 28–135 mm. It has dust and moisture resistant design. Filter diameter is 95 mm.
The Sony SELP28135G Camera Lens boasts a precision optical design that supports 4K as well as upcoming high-resolution formats with minimum breathing and image shift. Three control rings offer manual control for demanding large format production, and the first SSM drive in a lens designed for movies contributes to quiet powered zoom. Perfect Usability The Sony Sony SELP28135G Camera Lens emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist's vision. Gives constant F4 maximum aperture throughout the zoom range. Equipped with 35 mm equivalent focal length (APS-C)" and "Angle of View (APS-C)" are with interchangeable lens digital camera incorporating APS-C type image sensors. The Sony SELP28135G Camera Lens are Small and light for better handling. It has a minimum aperture of 22 F and maximum aperture 4 F. Focal length is 28–135 mm. It has dust and moisture resistant design. Filter diameter is 95 mm.
Last updated at 06/09/2026 10:24:52
Sony SELP28135G Full Frame E-Mount FE PZ 28-135mm F4 G OSS Lens Black
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Sony 28-135mm G OSS FF Lens
Sony SELP28135G FE PZ 28-135mm F4 G OSS Lens
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Sony FE PZ 28-135mm f/4 G OSS Lens (SELP28135G)
Free delivery
Sony SELP28135G FE PZ 28-135mm F4 G OSS Lens
Free delivery
Sony FE PZ 28-135mm f/4 G OSS Lens (SELP28135G)
Free delivery
Sony FE PZ 28-135mm F4 G OSS Lens (SELP28135G)
14-day returns
Sony FE PZ 28-135MM f/4 G OSS E-Mount Lens
Free delivery between 12–19 June
Sony SELP28135G FE PZ 28-135mm F4 G OSS Lens
Free delivery
Sony FE PZ 28-135mm f/4 G OSS Lens
Delivery between 12–17 June $12.90
originally posted on sony.com.au
This is an excellent, versatile and affordable cine style lens with smooth zooming that holds focus throughout the zoom range. Focusing has almost no breathing. I had one of these for several years until it was broken in an accident. Looking around at other options recently, this was still the best choice for my needs.
originally posted on bhphotovideo.com
I bought this lens to pair with the FX6 after having used it years ago with FS7 cameras. While it is a good general use video lens that does exactly what it is supposed to, here in the future, I think it is a bit heavy and clunky. Because it makes my camera front heavy, and seemingly requiring me to build the whole system up to a "cinema" rig with rails and all that, I am not sure if I want to keep it. On the one hand, I love using my zoom rocker, but on the other, I could live without that and cut my camera's build weight in half by running a smaller photo lens. Ideally, Sony would release an 18/24mm - 105-135mm range PZ lens that is built to the size of a photo lens, like the newer PZ 16-35mm. With any luck we see something like that here in 2023! I know I will ... MoreI bought this lens to pair with the FX6 after having used it years ago with FS7 cameras. While it is a good general use video lens that does exactly what it is supposed to, here in the future, I think it is a bit heavy and clunky. Because it makes my camera front heavy, and seemingly requiring me to build the whole system up to a "cinema" rig with rails and all that, I am not sure if I want to keep it. On the one hand, I love using my zoom rocker, but on the other, I could live without that and cut my camera's build weight in half by running a smaller photo lens. Ideally, Sony would release an 18/24mm - 105-135mm range PZ lens that is built to the size of a photo lens, like the newer PZ 16-35mm. With any luck we see something like that here in 2023! I know I will jump on that immediately if it comes out!- one star because this is beginning to become a dated design, that is begging to be upgraded. Also I don't trust it on my camera without a 15mm rail and lens support.Probably would only buy again if the camera were to always live in studio on a tripod.
originally posted on bhphotovideo.com
I eventually pulled the trigger on this lens. For certain type of video shooting, power zoom is a must. Fashion show, performance on the stage, conference, etc. If you go to those event with a normal zoom lens, your footage is not ok. It is either you are stuck with one focal length or you try to zoom the photo lens and the result is just not acceptable. But when we look at consumer world, there is no alternative to this lens in any system (at least before canon 24-105 f2.8 with the power zoom unit) and if you do not want go with camcorder way. Buy a Sony camera with this 28-135 is the only choice. I do want to give it a 5 stars for how unique and essential this lens is. But due to the outdated design and average optical quality, I just can not. The power zoom is ... MoreI eventually pulled the trigger on this lens. For certain type of video shooting, power zoom is a must. Fashion show, performance on the stage, conference, etc. If you go to those event with a normal zoom lens, your footage is not ok. It is either you are stuck with one focal length or you try to zoom the photo lens and the result is just not acceptable. But when we look at consumer world, there is no alternative to this lens in any system (at least before canon 24-105 f2.8 with the power zoom unit) and if you do not want go with camcorder way. Buy a Sony camera with this 28-135 is the only choice. I do want to give it a 5 stars for how unique and essential this lens is. But due to the outdated design and average optical quality, I just can not. The power zoom is very slow even at maxiam speed (control it by how much force you push the leveler). The manual zoom operation is pretty much useless to me. The feedback is just too lagging. The manual focus feedback is bad (in auto focus position). And the focus tracking while zoom in and out is not always spot on. I guess it is not optimize for that back then. And the resolution just not on par with recent Sony lens. Decent for 4k. That's being said I can not live without this Lens. The price is right for what it is. And there is simply no alternative in any brand. In my lens collection, I think this is the lens that I wanted an updated version badly.
| Lens system | |
| Closest focusing distance | 0.4 m |
| Maximum aperture number | 22 |
| Lens mount interface | Sony E |
| Number of diaphragm blades | 9 |
Sony SELP28135G Full Frame E-Mount FE PZ 28-135mm F4 G OSS Lens Black
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony 28-135mm G OSS FF Lens
Sony SELP28135G FE PZ 28-135mm F4 G OSS Lens
Free delivery
Sony FE PZ 28-135mm f/4 G OSS Lens (SELP28135G)
Free delivery
Sony SELP28135G FE PZ 28-135mm F4 G OSS Lens
Free delivery
This is an excellent, versatile and affordable cine style lens with smooth zooming that holds focus throughout the zoom range. Focusing has almost no breathing. I had one of these for several years until it was broken in an accident. Looking around at other options recently, this was still the best choice for my needs.
I bought this lens to pair with the FX6 after having used it years ago with FS7 cameras. While it is a good general use video lens that does exactly what it is supposed to, here in the future, I think it is a bit heavy and clunky. Because it makes my camera front heavy, and seemingly requiring me to build the whole system up to a "cinema" rig with rails and all that, I am not sure if I want to keep it. On the one hand, I love using my zoom rocker, but on the other, I could live without that and cut my camera's build weight in half by running a smaller photo lens. Ideally, Sony would release an 18/24mm - 105-135mm range PZ lens that is built to the size of a photo lens, like the newer PZ 16-35mm. With any luck we see something like that here in 2023! I know I will ... MoreI bought this lens to pair with the FX6 after having used it years ago with FS7 cameras. While it is a good general use video lens that does exactly what it is supposed to, here in the future, I think it is a bit heavy and clunky. Because it makes my camera front heavy, and seemingly requiring me to build the whole system up to a "cinema" rig with rails and all that, I am not sure if I want to keep it. On the one hand, I love using my zoom rocker, but on the other, I could live without that and cut my camera's build weight in half by running a smaller photo lens. Ideally, Sony would release an 18/24mm - 105-135mm range PZ lens that is built to the size of a photo lens, like the newer PZ 16-35mm. With any luck we see something like that here in 2023! I know I will jump on that immediately if it comes out!- one star because this is beginning to become a dated design, that is begging to be upgraded. Also I don't trust it on my camera without a 15mm rail and lens support.Probably would only buy again if the camera were to always live in studio on a tripod.
I eventually pulled the trigger on this lens. For certain type of video shooting, power zoom is a must. Fashion show, performance on the stage, conference, etc. If you go to those event with a normal zoom lens, your footage is not ok. It is either you are stuck with one focal length or you try to zoom the photo lens and the result is just not acceptable. But when we look at consumer world, there is no alternative to this lens in any system (at least before canon 24-105 f2.8 with the power zoom unit) and if you do not want go with camcorder way. Buy a Sony camera with this 28-135 is the only choice. I do want to give it a 5 stars for how unique and essential this lens is. But due to the outdated design and average optical quality, I just can not. The power zoom is ... MoreI eventually pulled the trigger on this lens. For certain type of video shooting, power zoom is a must. Fashion show, performance on the stage, conference, etc. If you go to those event with a normal zoom lens, your footage is not ok. It is either you are stuck with one focal length or you try to zoom the photo lens and the result is just not acceptable. But when we look at consumer world, there is no alternative to this lens in any system (at least before canon 24-105 f2.8 with the power zoom unit) and if you do not want go with camcorder way. Buy a Sony camera with this 28-135 is the only choice. I do want to give it a 5 stars for how unique and essential this lens is. But due to the outdated design and average optical quality, I just can not. The power zoom is very slow even at maxiam speed (control it by how much force you push the leveler). The manual zoom operation is pretty much useless to me. The feedback is just too lagging. The manual focus feedback is bad (in auto focus position). And the focus tracking while zoom in and out is not always spot on. I guess it is not optimize for that back then. And the resolution just not on par with recent Sony lens. Decent for 4k. That's being said I can not live without this Lens. The price is right for what it is. And there is simply no alternative in any brand. In my lens collection, I think this is the lens that I wanted an updated version badly.
my main purpose for buying this lens was to attempt to emulate a camcorder servo zoom type of thing. on my A7III you basically get a 4.8x zoom. using Clear Image Zoom end up with a potential 9.6x zoom. so 10x is not extreme zoom but would have been good enough for me as my old DVX100 from years ago was only a 10x. i also bought the Sony VCTVPR1w/remote zoom handle. first ill say that the lens by itself is pretty sweet! optically i say its very good although not insane top tier but fully adequate for how i wanted to use it. there has been a lot of varied opinions in reviews about does the zoom have multiple speeds and or does it ease in and ease out. the answer is yes...the zoom lever on the side of the lens does ease in and out nicely. actually using the side zoom ... Moremy main purpose for buying this lens was to attempt to emulate a camcorder servo zoom type of thing. on my A7III you basically get a 4.8x zoom. using Clear Image Zoom end up with a potential 9.6x zoom. so 10x is not extreme zoom but would have been good enough for me as my old DVX100 from years ago was only a 10x. i also bought the Sony VCTVPR1w/remote zoom handle. first ill say that the lens by itself is pretty sweet! optically i say its very good although not insane top tier but fully adequate for how i wanted to use it. there has been a lot of varied opinions in reviews about does the zoom have multiple speeds and or does it ease in and ease out. the answer is yes...the zoom lever on the side of the lens does ease in and out nicely. actually using the side zoom toggle is better than i thought it would be. using the zoom / handle trigger from the tripod worked even better and very easy to get a somewhat higher end easing in & out vibe. i took the handle zoom from the cheap tripod off and rigged it onto my nicer video tripod handle which was very workable. now the negatives that are less of a negative of the lens but of what i was needing from my quest of a servo-zoom camcorder vibe. OPTICALLY the zoom was everything i could have asked for...BUT...when zooming in and reaching the 135mm optical and crossing over and continuing into the 2x Clear Image Zoom... this was the downfall for me as there is a stutter / pause as it transitioned from optical to CIZ. IF...you went at the slowest zoom speed then there was NOT A STUTTER / PAUSE. this was a consolation but ultimately would become problematic as it would be very hard to always be mindful of executing the slowest zoom speed at that transition point. anything short of the slowest zoom and crossing that transition point will look bad and look like the shooter made and error. ARGH! ah...so close but oh so far! it was painful for me to return this package to B&H as i fell in love with this lens but had to admit that it just wasnt quite right for what i had hoped it would be. on another note Ive seen in many reviews that this lenses AF is not the best in medium to lower light and i will attest to that as well. i had considered keeping this lens just for its 4.8x zoom but because of the less than stellar AF it also contributed to me sending it back. the hard stops on the manual focus ring is a high point of this lens as it the par-focal aspects. the internal IS was ok but nothing to get excited about. even though this package didnt work out for me i still highly recommend this lens as its unique in what it offers.
This lens on an FX9 is terrible. The zoom motor is jumpy, not smooth. It's fine if you are shooting a convention or slow moving sports event. I had lens error pop up multiple times in the middle of a shoot. I had to reboot the camera 3 times to finally get the lens to work again. Not worth the money.
Ive used this on FS700 camcorders and a7iii cameras. It works very well on both. Performs like an ENG style camcorder lens with smooth variable speed power zoom. The three rings for focus, zoom and f stop make it just like an old school camcorder. F4 works very for low light and bokah on mirrorless cameras. The lens looks and performs like a professional lens. Well worth the money if you can find one! Optical stabilization works great even when on a tripod which is where this lens belongs. Its heavy and has some very quality glass. I love the super slow zoom speed. Great lens for weddings and events where you want a super slow and smooth zoom.
I have had this lens malfunction on me twice! Both times it decides to stop reading the f-stops, which means that none of the other functions work either, rendering the lens useless. I had it fixed by Sony the first time (it happened while I had it locked away in a cupboard - ie, just sitting there, no knocks, no bumps etc) and it was fixed under warranty - and yesterday it has done it AGAIN! I use this lens entirely for work, and now I have to cancel all of my upcoming work until I get it fixed. The second time it did it half way through a shoot. Again, no knocks, no nothing - just decided to stop reading the f-stops. For the many thousands of dollars I have paid for this lens I am utterly heartbroken and now very scared of loosing more income thanks to faulty ... MoreI have had this lens malfunction on me twice! Both times it decides to stop reading the f-stops, which means that none of the other functions work either, rendering the lens useless. I had it fixed by Sony the first time (it happened while I had it locked away in a cupboard - ie, just sitting there, no knocks, no bumps etc) and it was fixed under warranty - and yesterday it has done it AGAIN! I use this lens entirely for work, and now I have to cancel all of my upcoming work until I get it fixed. The second time it did it half way through a shoot. Again, no knocks, no nothing - just decided to stop reading the f-stops. For the many thousands of dollars I have paid for this lens I am utterly heartbroken and now very scared of loosing more income thanks to faulty connections. Last fix was this - Dismantled and replaced CL01030 PCB, group block assembly and distance sensor.Reassembled and soak test operations ok. - worked again for about a year - then SAME FAULT. I fully LOVE this lens, it is my go to and utterly perfect in all the ways except this - and I am not the only one with complaints and having to send it back - so BUYER BEWARE.
This is a perfect all round single video lens solution. The focus is smooth and reliable in most of the main focus modes. Even though only a F4 lens and most people think of wanting a F2.8 lens. With the amazing ISO value these days, it becomes irrelevant, as F4 is absolutely fine and I had no issues in lower light. As hoped, the pull focus works well too.Although some may feel this is a heavier lens you get what you pay for, quality glass comes with added weight, the results reflect in its great image quality. The aperture ring with its choice of clickable or smooth motion is a great option when needed.Having a big traditional video lens shade is great. But what was Sony thinking of not supplying a traditional 95mm lens cap with this quality lens. They supplied ... MoreThis is a perfect all round single video lens solution. The focus is smooth and reliable in most of the main focus modes. Even though only a F4 lens and most people think of wanting a F2.8 lens. With the amazing ISO value these days, it becomes irrelevant, as F4 is absolutely fine and I had no issues in lower light. As hoped, the pull focus works well too.Although some may feel this is a heavier lens you get what you pay for, quality glass comes with added weight, the results reflect in its great image quality. The aperture ring with its choice of clickable or smooth motion is a great option when needed.Having a big traditional video lens shade is great. But what was Sony thinking of not supplying a traditional 95mm lens cap with this quality lens. They supplied a disposable coffee cup lid, come on what ever the reason, you dropped the ball with just customer perception alone!! This should have been a 100% perfect lens purchase, but dropped to a 99.9% lens purchase after I had to buy a £4.99 lens hood. But saying this, this is a very minor issue, but important in this competitive retail market from Sony’s point of view.As you can see from the images, I use the Sony A7iii with the lens on a gimbal, perfectly balanced and a joy to work with. I would recommend this lens to all video users.
This is an excellent lens. I use to own another one but sold it about 2 years ago to my assistant who needed one. I just got my new 28-135 lens in about 2 weeks ago and as usual, I still love it. We film stage and dance productions for many different companies. We need the reach we get from this lens. It has never let me down and I highly recommend it for filming. I use my new one on my Sony PXW FS7 MK 2 camera. The quality of this lens is outstanding. It has a great look too on the camera. This is definitely a 'must buy' item if you need the reach.
This is advertised as a parfocal lens, but in my experience it doesn't seem completely so. I need to do more experimentation to really be sure. But for the money, it is a very solid build and is better than my Sony stills 24-240mm, which has a long reach but would go out of focus momentarily when zooming out from all the way zoomed in, (even in AF mode) which can spoil a shot when recording never-to-be-repeated events such as dance or sports. My Sony FS7 has a decent autofocus, (although I think the FX6 is better) and this lens does not exhibit the same loss of focus during a zoom that the stills lens does. Just wish Sony had made this a little faster, and longer. Still, you can go into crop mode on the camera to get some extra reach. Is it a bit pricey? Yes, but I ... MoreThis is advertised as a parfocal lens, but in my experience it doesn't seem completely so. I need to do more experimentation to really be sure. But for the money, it is a very solid build and is better than my Sony stills 24-240mm, which has a long reach but would go out of focus momentarily when zooming out from all the way zoomed in, (even in AF mode) which can spoil a shot when recording never-to-be-repeated events such as dance or sports. My Sony FS7 has a decent autofocus, (although I think the FX6 is better) and this lens does not exhibit the same loss of focus during a zoom that the stills lens does. Just wish Sony had made this a little faster, and longer. Still, you can go into crop mode on the camera to get some extra reach. Is it a bit pricey? Yes, but I don't think you're going to find anything comparable in capabilities at this price. That's just the state of things at the moment.
| Lens system | |
| Closest focusing distance | 0.4 m |
| Maximum aperture number | 22 |
| Lens mount interface | Sony E |
| Number of diaphragm blades | 9 |
