Sony's acclaimed line-up of Cinema Line cameras sets the standard for film making, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high level grading plus numerous other features. The compact FX30 makes film making more accessible than ever for up-and-coming creators.
Sony's acclaimed line-up of Cinema Line cameras sets the standard for film making, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high level grading plus numerous other features. The compact FX30 makes film making more accessible than ever for up-and-coming creators.
Sony's acclaimed line-up of Cinema Line cameras sets the standard for film making, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high level grading plus numerous other features. The compact FX30 makes film making more accessible than ever for up-and-coming creators.
Sony's acclaimed line-up of Cinema Line cameras sets the standard for film making, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone and S-Log3 for high level grading plus numerous other features. The compact FX30 makes film making more accessible than ever for up-and-coming creators.
Last updated at 06/24/2026 18:56:13
Sony FX30 Cinema Line Camera (ILME-FX30b) body only
Free delivery between 30 June – 7 July
Capture Cinematic Excellence: Sony FX30 Digital Cinema Camera with XLR Handle Unit
Delivery $85.73
originally posted on bhphotovideo.com
First thing to acknowledge that, for $1800, you're getting a rock solid 10-bit 422 imager with a set of monster codecs. H265 suuuper useful. The only 2 real caveats are the rolling shutter and the low light performance.Does this camera exhibit noise at higher isos than the FX3? Yes, absolutely. However, having been constrained to a single Cine EI iso on the FS7/F5 for years, having two bases feels like I'm living large. Having shot the FX3 and the FX30 side by side a number of times now, the FX30's noise performance is great at its bases, so stick to those if you're worried and ETTR if you're using the second base.As for the rolling shutter, this is definitely an issue in some cases. Maybe if you're trying to film a bunch of frantic action or fast moving ... MoreFirst thing to acknowledge that, for $1800, you're getting a rock solid 10-bit 422 imager with a set of monster codecs. H265 suuuper useful. The only 2 real caveats are the rolling shutter and the low light performance.Does this camera exhibit noise at higher isos than the FX3? Yes, absolutely. However, having been constrained to a single Cine EI iso on the FS7/F5 for years, having two bases feels like I'm living large. Having shot the FX3 and the FX30 side by side a number of times now, the FX30's noise performance is great at its bases, so stick to those if you're worried and ETTR if you're using the second base.As for the rolling shutter, this is definitely an issue in some cases. Maybe if you're trying to film a bunch of frantic action or fast moving objects, this isn't the body for you. However, for general b-roll, corporate work, intentional cinema content, etc., it's not an issue. Just be wary of it and know the camera's limitations.The image is beautiful and easily graded, the USB-C port is great for charging and webcam use, and the autofocus is rock solid. If I didn't already have an FX3, I'd buy another.
originally posted on bhphotovideo.com
Like some other Sony's, you can't power it just with the usb cable (or a dedicated power cable). There has to be a battery in it. Worse than that, it's still draining the battery even when the usb cable is plugged into the charger. So if you were thinking you could just plug it in and forget about it, no such luck. You're still going to need to make sure you've got a few fully charged batteries to make it thru a day even when plugged in.Well, I can just buy Sony's dummy battery! Ummm, they don't even make one, and neither do many (any?) well known equipment makers. So you've got to rely on no-name products and hope that their voltages match their listed specs and that you don't fry the camera.It's a big enough issue (failure on Sony's part) to me that I was ... MoreLike some other Sony's, you can't power it just with the usb cable (or a dedicated power cable). There has to be a battery in it. Worse than that, it's still draining the battery even when the usb cable is plugged into the charger. So if you were thinking you could just plug it in and forget about it, no such luck. You're still going to need to make sure you've got a few fully charged batteries to make it thru a day even when plugged in.Well, I can just buy Sony's dummy battery! Ummm, they don't even make one, and neither do many (any?) well known equipment makers. So you've got to rely on no-name products and hope that their voltages match their listed specs and that you don't fry the camera.It's a big enough issue (failure on Sony's part) to me that I was tempted to make this a 3 star review, but there are so many good things about this camera at this price point, that I'm giving it the 4.I've also got a few other gripes about supported frame rates in certain codecs and support for certain memory cards in S&Q mode (even though those cards are supported for higher data rates in regular mode). But I'm hoping those issues can be addressed with firmware updates...
originally posted on bestbuy.com
Before I purchase this camera, I was incredibly hesitant, I was filming with 2 a7iii that mostly did everything I needed, I even figured out a perfect picture profile to produce great skin tones. However, I ran into the need to to shoot at 60 frames per second at 4K and unfortunately, the cameras I had were not capable. I went as far to consider selling both my cameras just to purchase the FX3 but that also seemed way out of my budget. How could I trade two cameras for one even though the FX3 is a great camera, especially in low light. then, and associate recommended meet the FX30 reminding me that I would be shooting with a 6K sensor that with down sample to 4K all at a fraction of the cost of the FX3. The main reason I purchase the FX 30 was because I already had ... MoreBefore I purchase this camera, I was incredibly hesitant, I was filming with 2 a7iii that mostly did everything I needed, I even figured out a perfect picture profile to produce great skin tones. However, I ran into the need to to shoot at 60 frames per second at 4K and unfortunately, the cameras I had were not capable. I went as far to consider selling both my cameras just to purchase the FX3 but that also seemed way out of my budget. How could I trade two cameras for one even though the FX3 is a great camera, especially in low light. then, and associate recommended meet the FX30 reminding me that I would be shooting with a 6K sensor that with down sample to 4K all at a fraction of the cost of the FX3. The main reason I purchase the FX 30 was because I already had some crop sensor lenses that I could use on it the Tamron, 17–70. works great with this camera btw. Matter of fact, I work, so great that I sometimes forget that I am not shooting in full frame. I do eventually want to purchase it but for now this has been a great camera and the Best Buy ;)
| Lens Mount | Sony E-Mount |
| Camera Format | APS-C |
| Sensor Type / Size | CMOS, 23.3 x 15.5 mm |
| Memory Card Type | SD,CFexpress Type A memory card |
| Image Stabilization | Yes, 5-Asix |
Sony FX30 Cinema Line Camera (ILME-FX30b) body only
Free delivery between 30 June – 7 July
Capture Cinematic Excellence: Sony FX30 Digital Cinema Camera with XLR Handle Unit
Delivery $85.73
First thing to acknowledge that, for $1800, you're getting a rock solid 10-bit 422 imager with a set of monster codecs. H265 suuuper useful. The only 2 real caveats are the rolling shutter and the low light performance.Does this camera exhibit noise at higher isos than the FX3? Yes, absolutely. However, having been constrained to a single Cine EI iso on the FS7/F5 for years, having two bases feels like I'm living large. Having shot the FX3 and the FX30 side by side a number of times now, the FX30's noise performance is great at its bases, so stick to those if you're worried and ETTR if you're using the second base.As for the rolling shutter, this is definitely an issue in some cases. Maybe if you're trying to film a bunch of frantic action or fast moving ... MoreFirst thing to acknowledge that, for $1800, you're getting a rock solid 10-bit 422 imager with a set of monster codecs. H265 suuuper useful. The only 2 real caveats are the rolling shutter and the low light performance.Does this camera exhibit noise at higher isos than the FX3? Yes, absolutely. However, having been constrained to a single Cine EI iso on the FS7/F5 for years, having two bases feels like I'm living large. Having shot the FX3 and the FX30 side by side a number of times now, the FX30's noise performance is great at its bases, so stick to those if you're worried and ETTR if you're using the second base.As for the rolling shutter, this is definitely an issue in some cases. Maybe if you're trying to film a bunch of frantic action or fast moving objects, this isn't the body for you. However, for general b-roll, corporate work, intentional cinema content, etc., it's not an issue. Just be wary of it and know the camera's limitations.The image is beautiful and easily graded, the USB-C port is great for charging and webcam use, and the autofocus is rock solid. If I didn't already have an FX3, I'd buy another.
Like some other Sony's, you can't power it just with the usb cable (or a dedicated power cable). There has to be a battery in it. Worse than that, it's still draining the battery even when the usb cable is plugged into the charger. So if you were thinking you could just plug it in and forget about it, no such luck. You're still going to need to make sure you've got a few fully charged batteries to make it thru a day even when plugged in.Well, I can just buy Sony's dummy battery! Ummm, they don't even make one, and neither do many (any?) well known equipment makers. So you've got to rely on no-name products and hope that their voltages match their listed specs and that you don't fry the camera.It's a big enough issue (failure on Sony's part) to me that I was ... MoreLike some other Sony's, you can't power it just with the usb cable (or a dedicated power cable). There has to be a battery in it. Worse than that, it's still draining the battery even when the usb cable is plugged into the charger. So if you were thinking you could just plug it in and forget about it, no such luck. You're still going to need to make sure you've got a few fully charged batteries to make it thru a day even when plugged in.Well, I can just buy Sony's dummy battery! Ummm, they don't even make one, and neither do many (any?) well known equipment makers. So you've got to rely on no-name products and hope that their voltages match their listed specs and that you don't fry the camera.It's a big enough issue (failure on Sony's part) to me that I was tempted to make this a 3 star review, but there are so many good things about this camera at this price point, that I'm giving it the 4.I've also got a few other gripes about supported frame rates in certain codecs and support for certain memory cards in S&Q mode (even though those cards are supported for higher data rates in regular mode). But I'm hoping those issues can be addressed with firmware updates...
Before I purchase this camera, I was incredibly hesitant, I was filming with 2 a7iii that mostly did everything I needed, I even figured out a perfect picture profile to produce great skin tones. However, I ran into the need to to shoot at 60 frames per second at 4K and unfortunately, the cameras I had were not capable. I went as far to consider selling both my cameras just to purchase the FX3 but that also seemed way out of my budget. How could I trade two cameras for one even though the FX3 is a great camera, especially in low light. then, and associate recommended meet the FX30 reminding me that I would be shooting with a 6K sensor that with down sample to 4K all at a fraction of the cost of the FX3. The main reason I purchase the FX 30 was because I already had ... MoreBefore I purchase this camera, I was incredibly hesitant, I was filming with 2 a7iii that mostly did everything I needed, I even figured out a perfect picture profile to produce great skin tones. However, I ran into the need to to shoot at 60 frames per second at 4K and unfortunately, the cameras I had were not capable. I went as far to consider selling both my cameras just to purchase the FX3 but that also seemed way out of my budget. How could I trade two cameras for one even though the FX3 is a great camera, especially in low light. then, and associate recommended meet the FX30 reminding me that I would be shooting with a 6K sensor that with down sample to 4K all at a fraction of the cost of the FX3. The main reason I purchase the FX 30 was because I already had some crop sensor lenses that I could use on it the Tamron, 17–70. works great with this camera btw. Matter of fact, I work, so great that I sometimes forget that I am not shooting in full frame. I do eventually want to purchase it but for now this has been a great camera and the Best Buy ;)
I’m a fairly new videographer in the sense that I’ve used my iPhone for a majority of my career shooting real estate videos. While the wide angle lens on the iPhone does suffice it does not give the clarity or the color that I’m looking for.The Sony FX30 matched with a Tamron 11-20mm f2.8 lens is a ridiculous match up. In the best way. I can get entire rooms or zoom in a little for some fantastic bokeh. When using the FX30 for photos some people might be a bit underwhelmed but it does work quite well.The autofocus is amazing, works splendid on my cats when tracking in video; albeit my cats don’t like staying very still!Using 4:2:2 color with 29.97fps yields 140MB/s files and they can be huge but work extremely well on my Lenovo Legion 5 Pro with a RTX 4060. On ... MoreI’m a fairly new videographer in the sense that I’ve used my iPhone for a majority of my career shooting real estate videos. While the wide angle lens on the iPhone does suffice it does not give the clarity or the color that I’m looking for.The Sony FX30 matched with a Tamron 11-20mm f2.8 lens is a ridiculous match up. In the best way. I can get entire rooms or zoom in a little for some fantastic bokeh. When using the FX30 for photos some people might be a bit underwhelmed but it does work quite well.The autofocus is amazing, works splendid on my cats when tracking in video; albeit my cats don’t like staying very still!Using 4:2:2 color with 29.97fps yields 140MB/s files and they can be huge but work extremely well on my Lenovo Legion 5 Pro with a RTX 4060. On my main rig my Radeon RX 6900 XT cannot even playback the footage from this camera. (My fault! I should’ve went Nvidia ;)”Being a fairly new videographer I’ve noticed my color grading needs a lot of work, thankfully Davinci has free classes and I’ve been slowly picking away at them.Luckily for me the camera is extremely forgiving when it comes to exposure. If it’s underexposed you’re able to save it if it’s not too far off and vice versa tig it’s too bright you can usually bring it down.The colors that come out of this camera with the Sony gamut and S-log3 can be color graded to your hearts content. I recently test shot my friends freshly painted car and some of the colors that this camera was able to get would’ve been nearly impossible to see on an iPhone camera.The low light coming out of this camera is surprisingly clear, from what I can see is over 6400iso it’s really noisy. But staying at 2500 leaves a great texture.For someone with a small grasp on the camera world, this camera has been a fantastic buy. For anything like vlogging, for traveling, and for film making. This camera can do it, given that you learn the camera and understand what it’s capable of. 10/10
I am going to shoot a full on streaming series next summer so I have been looking to upgrade from my current arsenal of 'prosumer' grade movie cameras. The FX30 fills the bill perfectly. I have a fair collection of APSC lenses and am very familiar with the format. At this time my main lens is the Sony 18-105. It is primarily a video lens and fits the FX30 perfectly. I have been running the FX30 through its paces. I shoot totally in Flexible Log. Great image quality. Dynamic Range lets me capture shadow detail under a car and simultaneously detail on a snow covered mountain in the background. Can't ask for more than that. The FX30 has a raft of buttons, similar to an ENG style camera. Every setting you could need while shooting has its own button. I think for Indie ... MoreI am going to shoot a full on streaming series next summer so I have been looking to upgrade from my current arsenal of 'prosumer' grade movie cameras. The FX30 fills the bill perfectly. I have a fair collection of APSC lenses and am very familiar with the format. At this time my main lens is the Sony 18-105. It is primarily a video lens and fits the FX30 perfectly. I have been running the FX30 through its paces. I shoot totally in Flexible Log. Great image quality. Dynamic Range lets me capture shadow detail under a car and simultaneously detail on a snow covered mountain in the background. Can't ask for more than that. The FX30 has a raft of buttons, similar to an ENG style camera. Every setting you could need while shooting has its own button. I think for Indie Film and Documentary makers this camera is a total game changer. With a little planning and appropriate accessories you can 'play with the big boys' regarding image quality. You still need good sound and good actors or presenters of course. The FX30 is the 'real deal' movie camera wise.
The Sony FX30 is an excellent tool for beginners who are looking to shoot cinema movies or vlogs. Here are some of the reasons why:Image Quality: The Sony FX30 is equipped with a 1-inch Exmor RS CMOS sensor, which delivers high-quality images with excellent dynamic range, low noise, and sharp detail. This means that you can capture stunning footage even in low light conditions.4K Recording: The camera records in 4K resolution, which provides four times the resolution of Full HD. This ensures that your footage looks sharp and detailed, even when viewed on a large screen.Built-in Stabilization: The FX30 comes with built-in stabilization that helps to reduce camera shake and ensure that your footage is smooth and steady. This is especially useful when shooting ... MoreThe Sony FX30 is an excellent tool for beginners who are looking to shoot cinema movies or vlogs. Here are some of the reasons why:Image Quality: The Sony FX30 is equipped with a 1-inch Exmor RS CMOS sensor, which delivers high-quality images with excellent dynamic range, low noise, and sharp detail. This means that you can capture stunning footage even in low light conditions.4K Recording: The camera records in 4K resolution, which provides four times the resolution of Full HD. This ensures that your footage looks sharp and detailed, even when viewed on a large screen.Built-in Stabilization: The FX30 comes with built-in stabilization that helps to reduce camera shake and ensure that your footage is smooth and steady. This is especially useful when shooting handheld or moving shots.Versatility: The camera is highly versatile and can be used for a range of applications, including cinema movies, vlogging, and documentary-style filming. It comes with a range of shooting modes and features that make it easy for beginners to get started.User-Friendly: The FX30 is designed to be user-friendly and intuitive, with easy-to-use controls and menus. This means that beginners can quickly learn how to operate the camera and start shooting great footage.Compact and Lightweight: The camera is compact and lightweight, making it easy to carry around and use on the go. This makes it an ideal tool for vlogging or filming in tight spaces.Connectivity: The FX30 comes with built-in Wi-Fi and NFC connectivity, which makes it easy to share your footage and control the camera remotely using a smartphone or tablet.Overall, the Sony FX30 is an excellent choice for beginners who are looking for a versatile and user-friendly camera that can deliver high-quality footage in a range of shooting situations. Whether you're shooting cinema movies or vlogs, the FX30 has the features and capabilities you need to capture stunning footage that will impress your audience.
I'm primarily using this as a B cam with an A7SIII and for live streaming long events. So far I'm loving it! I've put it through a few days of filming now and the 2 cameras match great! The FX30 is noticeably sharper and has a little more of a digital crispness, which I like for some situations. I love the softer, more film like look of the A7SIII generally, but there have been times I've wished that camera were sharper. Now I can easily switch between the two to get the look I want for every scene and I love it!The FX30 is also noticeably noisier than the A7SIII, especially when you start pushing its ISO above 2500, but considering its cropped sensor and price I'm actually very happy with the image (it also cleans up well in Neat). If you need low light ... MoreI'm primarily using this as a B cam with an A7SIII and for live streaming long events. So far I'm loving it! I've put it through a few days of filming now and the 2 cameras match great! The FX30 is noticeably sharper and has a little more of a digital crispness, which I like for some situations. I love the softer, more film like look of the A7SIII generally, but there have been times I've wished that camera were sharper. Now I can easily switch between the two to get the look I want for every scene and I love it!The FX30 is also noticeably noisier than the A7SIII, especially when you start pushing its ISO above 2500, but considering its cropped sensor and price I'm actually very happy with the image (it also cleans up well in Neat). If you need low light performance the A7SIII or FX3 are certainly better, but this is still usable in darker settings. You just can't push it as far and you'll probably need to denoise if you're using it in low light. In a studio setting or anywhere with even moderate light the FX30 handles itself just fine imo.Its also GREAT for live streaming! I occasionally do longer live streams and being able to stream in HD while recording internally at 4k is wonderful! The only downside is that while recording and streaming the battery will drain faster than the USB cable can charge it. I was getting a little over 1 1/2 hours of streaming & recording per battery. The event lasted close to 4 hours though and we only stopped recording long enough to swap batteries. The camera also never got noticeably hot. If the fan ever turned on I didn't hear or notice it.Overall excellent value for money and a great video camera in most situations!
I've shot with Panasonic cameras for many years, started with the DVX-100 SD 24p camcorder, upgraded to HD with the HPX-170, then upgraded to 4K with the GH4, the first mirrorless camera to offer 4K, and until recently was shooting with a GH5. Though I have loved shooting with a Panasonic camera due to the ergonomics, size, color, image quality, and price/performance ratio, I needed autofocus that works for my next project. Therefore, I had to leave the Panasonic fold (I know a new autofocus system is around the corner, but I can not wait any longer; Panasonic should have fixed their autofocus problems a long time ago, but they did not, which started my flirting with defection to the Sony camp. I teach students using the Sony a7iii, which convinced me that Sony's ... MoreI've shot with Panasonic cameras for many years, started with the DVX-100 SD 24p camcorder, upgraded to HD with the HPX-170, then upgraded to 4K with the GH4, the first mirrorless camera to offer 4K, and until recently was shooting with a GH5. Though I have loved shooting with a Panasonic camera due to the ergonomics, size, color, image quality, and price/performance ratio, I needed autofocus that works for my next project. Therefore, I had to leave the Panasonic fold (I know a new autofocus system is around the corner, but I can not wait any longer; Panasonic should have fixed their autofocus problems a long time ago, but they did not, which started my flirting with defection to the Sony camp. I teach students using the Sony a7iii, which convinced me that Sony's autofocus and alpha series was a strong contender. Enter the FX3 and FX30 with 10-bit color, and the deal was sealed. I don't need a full-frame sensor for my use cases, so the price/performance of the FX30 was perfect. Dual card slots, improved menus, 10-bit color, good IBIS, S-Log3, 4K (3840 x 2160) video at a choice of frame rates between 1 and 120 fps, etc., it checked off all of the must-have items for me. What is there not to like about this entry-level cinema camera? I'm thrilled with it. It's not for everyone; the form factor of the FX3 and FX30 is built for specific use cases; if you prefer a hybrid camera form factor, you'll be happier with the a6700 (APS-C) or a7iv (full frame). To get the most out of this camera, you must shoot S-Log3 10-bit 4:2:2 and stick to one of the base ISO ratings. When you stray from those, you'll get the dreaded noise that gives APS-C sensors a bad reputation. Stick to one of the two base ISOs, expose properly, and this camera will punch way above its class.
It did not take me long to decide to get the FX30. I already have the FX3 and have been slowly updating my lens collection to include newer Sony FF glass. The problem is that glass is getting very expensive and I already have a large collection of glass from my FS7 camera. Fujinon and Sigma glass that does not cover the FF sensors. The FX3 weakness is that you can not window the sensor to continue using APS-c glass. The FX30 can give new life to these lenses, as well as giving you a bit more reach on the Tele end of things. Other benefit of the FX30 is higher resolution stills. Many jobs are becoming video and stills and it's nice to not have to change cameras to accomplish both. The weaknesses of the FX3 design are of course still present with the FX30. The twist ... MoreIt did not take me long to decide to get the FX30. I already have the FX3 and have been slowly updating my lens collection to include newer Sony FF glass. The problem is that glass is getting very expensive and I already have a large collection of glass from my FS7 camera. Fujinon and Sigma glass that does not cover the FF sensors. The FX3 weakness is that you can not window the sensor to continue using APS-c glass. The FX30 can give new life to these lenses, as well as giving you a bit more reach on the Tele end of things. Other benefit of the FX30 is higher resolution stills. Many jobs are becoming video and stills and it's nice to not have to change cameras to accomplish both. The weaknesses of the FX3 design are of course still present with the FX30. The twist and lock lens mount makes changing lenses a bit of a monkey dance due to the cameras small size.Also the camera kit does not come with a battery charger. Sony may be taking a page from the Apple iPhone in regards to skipping the charger, but it's always nice to have an eternal battery charger with a camera. I have not had enough time in the field to examine the images to give a detailed opinion, but so far I have been impressed with their quality.
Finally! Sony gives us a Super 35 Cinema Line camera. It is a great package for low impact docco cinematography, where Full Frame is a liability, requiring bigger, heavier, slower, and more expensive glass. I intend to primarily shoot with it very stripped down. No rods, bridgeplate, shoulderpad, or monitor. (I plan to use a HoodMan Loop velcroed to the flip out.) It works!At first glance this matches my Fs7 very well. I look forward to two camera interviews with it.Here is a shout out for the great implementation of a digital zoom from the 6k chip in to 4K. Your 70mm can push to 110mm with no quality reduction! Documentary gold!I bought it with the Tamron 17-70 2.8 and am thrilled with it's compatibility and versatility. The camera corrects any distortion in ... MoreFinally! Sony gives us a Super 35 Cinema Line camera. It is a great package for low impact docco cinematography, where Full Frame is a liability, requiring bigger, heavier, slower, and more expensive glass. I intend to primarily shoot with it very stripped down. No rods, bridgeplate, shoulderpad, or monitor. (I plan to use a HoodMan Loop velcroed to the flip out.) It works!At first glance this matches my Fs7 very well. I look forward to two camera interviews with it.Here is a shout out for the great implementation of a digital zoom from the 6k chip in to 4K. Your 70mm can push to 110mm with no quality reduction! Documentary gold!I bought it with the Tamron 17-70 2.8 and am thrilled with it's compatibility and versatility. The camera corrects any distortion in real time, and the legendary Sony autofocus works perfectly.The Bad: This is the first camera since my Aaton XTR that didn't have internal ND filtration. It is sinking in that having to deal with external ND is not nothing. (I am using a Tilta Mirage VND Mattbox ). They did take out a mechanical shutter from the FX3, so maybe there is some extra room in there for internal Variable ND next time around?The other thing is the Menu organization. Yes, there is a hell of a lot of technology in this little camera, but there has got to be a more sensible way to organize it all. I'm glad its not my job, tho ..There is a Bluetooth capability to control the camera with an iPad or iPhone while seeing the image ... BUT you cant make the image full frame so that you could use the iPad or phone as a monitor ... D'Oh !! Fail.I dearly hope Sony will continue this trend with Super 35 chipped cameras. I will buy the FX60 as soon as its announced!=mark=Pittsburgh? Pittsburgh!
| Lens Mount | Sony E-Mount |
| Camera Format | APS-C |
| Sensor Type / Size | CMOS, 23.3 x 15.5 mm |
| Memory Card Type | SD,CFexpress Type A memory card |
| Image Stabilization | Yes, 5-Asix |
