Ideal for the photographer looking for real quality. The Zeiss 35mm f/1.4 Distagon T* ZA lens has it all. The super quick f/1.4 aperture ensures you can always be ready, never missing a moment. The ideal lens for any photographer looking to achieve fantastic photographs.
Ideal for the photographer looking for real quality. The Zeiss 35mm f/1.4 Distagon T* ZA lens has it all. The super quick f/1.4 aperture ensures you can always be ready, never missing a moment. The ideal lens for any photographer looking to achieve fantastic photographs.
Ideal for the photographer looking for real quality. The Zeiss 35mm f/1.4 Distagon T* ZA lens has it all. The super quick f/1.4 aperture ensures you can always be ready, never missing a moment. The ideal lens for any photographer looking to achieve fantastic photographs.
Ideal for the photographer looking for real quality. The Zeiss 35mm f/1.4 Distagon T* ZA lens has it all. The super quick f/1.4 aperture ensures you can always be ready, never missing a moment. The ideal lens for any photographer looking to achieve fantastic photographs.
Last updated at 06/09/2026 20:26:54
Sony SEL35F14Z Full Frame E-Mount FE 35mm F1.4 Distagon T Zeiss Lens, Black
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Sony Distagon T* FE 35mm f/1.4 ZA
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Sony FE 35mm F1.4 Zeiss Lens
Sony Distagon FE 35mm F1.4 ZA | Secondhand
Sony FE Zeiss Distagon T 35mm F1.4 ZA Lens Full Frame Wide Aperture Lens With Dust And Moisture Resistance
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Sony Distagon T Fe 35mm F/1.4 Za Lens Sel35f14z
Delivery $142.20
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Sony Distagon T Fe 35mm F1.4 Za Lens For Full Frame E Mount
Delivery $126.57
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Sony Distagon T* FE 35mm f/1.4 ZA Lens
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Sony Zeiss 35mm F1.4 E-mount Full Frame Lens
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Sony Sel35f14z E Mount - Full Frame Distagon T 35mm F1.4 Zeiss Lens
Delivery $81.61
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originally posted on bhphotovideo.com
I read for years in the many photography blogs, forums, pro reviews - how bad this lens is - decentering issues et' al.' So, despite the many excellent photos from this lens on Flickr, I held off buying because of the fear I'd end up with a decentered copy. Well, I am not doubting that quality issues plagued this lens early on. But when the price dropped by $500, I thought it was worth the risk to buy one...with the confidence that B&H would seamlessly either exchange it or provide refund. Lo and behold this lens is not anything remotely close to what the poor reviews say about it - at least not my copy. This lens produces some of the creamiest and amazing bokeh for a 35mm lens. It is sharp corner to corner. And it is a feather weight compared to my Sigma 35 F1.2 ... MoreI read for years in the many photography blogs, forums, pro reviews - how bad this lens is - decentering issues et' al.' So, despite the many excellent photos from this lens on Flickr, I held off buying because of the fear I'd end up with a decentered copy. Well, I am not doubting that quality issues plagued this lens early on. But when the price dropped by $500, I thought it was worth the risk to buy one...with the confidence that B&H would seamlessly either exchange it or provide refund. Lo and behold this lens is not anything remotely close to what the poor reviews say about it - at least not my copy. This lens produces some of the creamiest and amazing bokeh for a 35mm lens. It is sharp corner to corner. And it is a feather weight compared to my Sigma 35 F1.2 (another amazing 35 - but more clinical in comparison).
originally posted on bhphotovideo.com
The copy of the Sony Distagon I received, after examining numerous, brick wall and other images at f/1.4 and other apertures at various distances showed no evidence of the right-side lens tilt or decentering that this lens is often accused of. Of course, I don't own an optical bench; who knows what that might reveal, but to my eyes, the lens' characteristics appeared to conform pretty closely to the DXOMark test measurements. This is not a perfect lens. I'd prefer that it had an on-lens, auto-manual switch; it doesn't. I'd also prefer that it was sharper in the corners, wide open. I also wish the aperture settings on the Sony went to F/22 instead of just F16. But that's not a deal breaker for me. I'm very satisfied with the image quality of this lens and have ... MoreThe copy of the Sony Distagon I received, after examining numerous, brick wall and other images at f/1.4 and other apertures at various distances showed no evidence of the right-side lens tilt or decentering that this lens is often accused of. Of course, I don't own an optical bench; who knows what that might reveal, but to my eyes, the lens' characteristics appeared to conform pretty closely to the DXOMark test measurements. This is not a perfect lens. I'd prefer that it had an on-lens, auto-manual switch; it doesn't. I'd also prefer that it was sharper in the corners, wide open. I also wish the aperture settings on the Sony went to F/22 instead of just F16. But that's not a deal breaker for me. I'm very satisfied with the image quality of this lens and have included a few of images with minimum post processing and some cropping in Lightroom; two at f/1.4 and the other at f/16. Basically, you have to work with this lens' strengths. This means, for example, when recording images with the lens fully open and up to f/2.2, center focusing without recomposing and composing with crops during processing. Where this lens really shines is between f/2.8 and f/11, where its easily as sharp as my Sony FE 55mm f/1.8. Fully open at f/1.4, the lens does an excellent job of isolating a subject with a very decently smooth, blurred background. For me, this means close-up work reproduction ratio is ca. 0.2 with found objects, flowers, etc., and some portraiture. I don't tend to do a lot of low-light work, but the capability is there if I need it. Except at low light, where the lens hunts a bit, the auto focus is superb in all modes. I don't do video, so I can't really assess the lens' capabilities for video capture. All in all, this lens is capable of delivering stunning images, so long as one learns and accepts its characteristics and plays to its strengths. If I could, I would rate this lens at 4.5, but I'm rounding up to a 5, because it is really is a pleasure to use.
originally posted on bhphotovideo.com
I read the lens wasn't sharp, I read the lens was impossible to find centered. Just goes to show you that it pays to find out for yourself.The lens is sharp, has beautiful bokeh, this Zeiss Distagon makes 3D images that are unique. I have the 35 1.4 GM as well. While I think that lens is amazing, somehow I like the images this Zeiss puts out better. It's a people lens.The design is beautiful too, looks really nice, built like a tank. Feels very high end, MF is dampened perfectly.Anyways, thought I'd give my opinion.
| Lens system | |
| Closest focusing distance | 0.3 m |
| Maximum aperture number | 16 |
| Number of diaphragm blades | 9 |
| Diagonal angle of view (max) | 44° |
Sony SEL35F14Z Full Frame E-Mount FE 35mm F1.4 Distagon T Zeiss Lens, Black
Free delivery
Affiliate Disclosure: We may receive a small commission for purchases made through this link at no extra cost to you. This helps support our site. Thank you!
Sony Distagon T* FE 35mm f/1.4 ZA
Free delivery
Sony FE 35mm F1.4 Zeiss Lens
Sony Distagon FE 35mm F1.4 ZA | Secondhand
Sony FE Zeiss Distagon T 35mm F1.4 ZA Lens Full Frame Wide Aperture Lens With Dust And Moisture Resistance
Delivery $9.95
I read for years in the many photography blogs, forums, pro reviews - how bad this lens is - decentering issues et' al.' So, despite the many excellent photos from this lens on Flickr, I held off buying because of the fear I'd end up with a decentered copy. Well, I am not doubting that quality issues plagued this lens early on. But when the price dropped by $500, I thought it was worth the risk to buy one...with the confidence that B&H would seamlessly either exchange it or provide refund. Lo and behold this lens is not anything remotely close to what the poor reviews say about it - at least not my copy. This lens produces some of the creamiest and amazing bokeh for a 35mm lens. It is sharp corner to corner. And it is a feather weight compared to my Sigma 35 F1.2 ... MoreI read for years in the many photography blogs, forums, pro reviews - how bad this lens is - decentering issues et' al.' So, despite the many excellent photos from this lens on Flickr, I held off buying because of the fear I'd end up with a decentered copy. Well, I am not doubting that quality issues plagued this lens early on. But when the price dropped by $500, I thought it was worth the risk to buy one...with the confidence that B&H would seamlessly either exchange it or provide refund. Lo and behold this lens is not anything remotely close to what the poor reviews say about it - at least not my copy. This lens produces some of the creamiest and amazing bokeh for a 35mm lens. It is sharp corner to corner. And it is a feather weight compared to my Sigma 35 F1.2 (another amazing 35 - but more clinical in comparison).
The copy of the Sony Distagon I received, after examining numerous, brick wall and other images at f/1.4 and other apertures at various distances showed no evidence of the right-side lens tilt or decentering that this lens is often accused of. Of course, I don't own an optical bench; who knows what that might reveal, but to my eyes, the lens' characteristics appeared to conform pretty closely to the DXOMark test measurements. This is not a perfect lens. I'd prefer that it had an on-lens, auto-manual switch; it doesn't. I'd also prefer that it was sharper in the corners, wide open. I also wish the aperture settings on the Sony went to F/22 instead of just F16. But that's not a deal breaker for me. I'm very satisfied with the image quality of this lens and have ... MoreThe copy of the Sony Distagon I received, after examining numerous, brick wall and other images at f/1.4 and other apertures at various distances showed no evidence of the right-side lens tilt or decentering that this lens is often accused of. Of course, I don't own an optical bench; who knows what that might reveal, but to my eyes, the lens' characteristics appeared to conform pretty closely to the DXOMark test measurements. This is not a perfect lens. I'd prefer that it had an on-lens, auto-manual switch; it doesn't. I'd also prefer that it was sharper in the corners, wide open. I also wish the aperture settings on the Sony went to F/22 instead of just F16. But that's not a deal breaker for me. I'm very satisfied with the image quality of this lens and have included a few of images with minimum post processing and some cropping in Lightroom; two at f/1.4 and the other at f/16. Basically, you have to work with this lens' strengths. This means, for example, when recording images with the lens fully open and up to f/2.2, center focusing without recomposing and composing with crops during processing. Where this lens really shines is between f/2.8 and f/11, where its easily as sharp as my Sony FE 55mm f/1.8. Fully open at f/1.4, the lens does an excellent job of isolating a subject with a very decently smooth, blurred background. For me, this means close-up work reproduction ratio is ca. 0.2 with found objects, flowers, etc., and some portraiture. I don't tend to do a lot of low-light work, but the capability is there if I need it. Except at low light, where the lens hunts a bit, the auto focus is superb in all modes. I don't do video, so I can't really assess the lens' capabilities for video capture. All in all, this lens is capable of delivering stunning images, so long as one learns and accepts its characteristics and plays to its strengths. If I could, I would rate this lens at 4.5, but I'm rounding up to a 5, because it is really is a pleasure to use.
I read the lens wasn't sharp, I read the lens was impossible to find centered. Just goes to show you that it pays to find out for yourself.The lens is sharp, has beautiful bokeh, this Zeiss Distagon makes 3D images that are unique. I have the 35 1.4 GM as well. While I think that lens is amazing, somehow I like the images this Zeiss puts out better. It's a people lens.The design is beautiful too, looks really nice, built like a tank. Feels very high end, MF is dampened perfectly.Anyways, thought I'd give my opinion.
The predominately metal build on this lens is to the highest standards and reminds me of a 1cm longer version of the Sony FE 16-35 f4. Even the lens hoods are similar. Yes, it is a bit heavy to carry around all day compared to a Loxia 35/2, but manageable given the promised performance of an auto-focus f/1.4. The FE 35mm f/1.4 had a snappy focus and tracked well except in low-light situations, and then it was not lumbering, just slower with a bit of hunting. The manual focus was very responsive and useful when trying to obtain maximum sharpness at f/1.4 for still photography. In looking at sample images taken during a day of shooting, I found extreme softness on the left and right edges with my copy of the Sony FE 35mm f/1.4 for shots that were taken wide open at ... MoreThe predominately metal build on this lens is to the highest standards and reminds me of a 1cm longer version of the Sony FE 16-35 f4. Even the lens hoods are similar. Yes, it is a bit heavy to carry around all day compared to a Loxia 35/2, but manageable given the promised performance of an auto-focus f/1.4. The FE 35mm f/1.4 had a snappy focus and tracked well except in low-light situations, and then it was not lumbering, just slower with a bit of hunting. The manual focus was very responsive and useful when trying to obtain maximum sharpness at f/1.4 for still photography. In looking at sample images taken during a day of shooting, I found extreme softness on the left and right edges with my copy of the Sony FE 35mm f/1.4 for shots that were taken wide open at 1.4, which is not that surprising with a lens of this speed. While the left side resolved itself by f/4, however, the right side remained soft until f/8. I also found that the color rendering from this lens did not have that Zeiss pop or saturation of the Loxia or Batis lenses, but was more similar to the SONY FE 16-35 f/4. Additionally I discovered that the bokeh of the Loxia 35 was slightly better too, perhaps because it has 10 diaphragm blades instead of 9. In some images of cascading sunlight, the Sony FE 35 1.4 bokeh resemble thinly sliced onions. Not my favorite look. While I am open to finding a faster, auto-focus alternative to my Loxia 35 for this focal length, the Sony FE 35mm f/1.4 lens is not that piece of glass for me due to the reasons cited above. With the gracious support of the customer service staff at B&H Photo I returned this lens and will not spend any further time looking for a good copy, as has been noted in other reviews. Until Sony takes the QC measures to insure their lenses perform as advertised and touted by their artisans, I will look to Carl Zeiss and others to fill my lens requirements.
I have had this incredible lens for a few years now and thought I would upgrade to the newer and lighter Sony 35 mm f/1.4 GM lens. With both lenses on hand, I did a few tests. Firstly, the front element on the Zeiss is much larger and is able to gather more light. At the same ISO/shutter speed/aperture, the Zeiss is a little brighter and this is evident on the histogram. This naturally means a little bit less noise if you have to crank up the shadows in post. Secondly, while the new GM lens is slightly sharper, rendering a pleasing photograph must include things like micro contrast (the ability to capture and render subtle tonal gradations therefore greater dimensionality throughout the image). In this regard, the Zeiss destroys the Sony G Master, which has a much ... MoreI have had this incredible lens for a few years now and thought I would upgrade to the newer and lighter Sony 35 mm f/1.4 GM lens. With both lenses on hand, I did a few tests. Firstly, the front element on the Zeiss is much larger and is able to gather more light. At the same ISO/shutter speed/aperture, the Zeiss is a little brighter and this is evident on the histogram. This naturally means a little bit less noise if you have to crank up the shadows in post. Secondly, while the new GM lens is slightly sharper, rendering a pleasing photograph must include things like micro contrast (the ability to capture and render subtle tonal gradations therefore greater dimensionality throughout the image). In this regard, the Zeiss destroys the Sony G Master, which has a much flatter rendering. Thirdly, while the Zeiss has a little more chromatic aberration (a byproduct of the three-dimensional ‘pop’ design that Zeiss is known for), it is easily corrected in post. What you can’t re-create in post is micro contrast detail. I LOVE this lens and will be keeping it instead of the G Master.
Superb quality and fast autofocus. Unfortunately, this lens paired with the Sony a7iii felt ver uncomfortable in my hands. I have big hands. Be that as it may, the Olympus em 1 mark ii feels almost perfect in my hands. Rented for a mini maternity shot
The lens is a beautiful lens, just like most lenses with the Zeiss logo on them. It's lightweight, feels great in the hands, and takes amazing photos, but...The problem I have with this lens is its autofocus capabilities. Yes, it's fast. Yes, it works. Yes, it produces great photos. However, using eye-autofocus on this lens isn't consistent enough. It does work most of the time, but it misses enough times to be of super annoyance.If you're a multimedia specialist that stays in auto-focus most of the time, then I would not recommend this lens. It isn't reliable enough in my testing. When it misses, the center of the image comes out super soft. For video, it works considerably better and produces wildly beautiful imagery. But if you're okay with having to shoot ... MoreThe lens is a beautiful lens, just like most lenses with the Zeiss logo on them. It's lightweight, feels great in the hands, and takes amazing photos, but...The problem I have with this lens is its autofocus capabilities. Yes, it's fast. Yes, it works. Yes, it produces great photos. However, using eye-autofocus on this lens isn't consistent enough. It does work most of the time, but it misses enough times to be of super annoyance.If you're a multimedia specialist that stays in auto-focus most of the time, then I would not recommend this lens. It isn't reliable enough in my testing. When it misses, the center of the image comes out super soft. For video, it works considerably better and produces wildly beautiful imagery. But if you're okay with having to shoot manual for photos, from time to time, then this lens will work for you.When focus is locked on, auto or manual, the imagery and colors are outstanding! I wanted to love this lens so much, but the inconsistent autofocus when shooting photos was too much to bare. For that reason, I give it three stars.Shoutout to B&H's excellent customer service for processing an easy return after two weeks of using the lens.
I listened to all the tech pundits when building my Sony Mirrorless system. I listened to hard.I had forgot my original reason to select Sony ... they had a tradition of Zeiss partnership (i.e. Sony A mount) ... which furthered my previous dedication to Zeiss with my older Contax system.I'm now correcting that error, and this Distagon 35/1.4 is just one of the prime lenses I've added (such as the Zeiss 50/1.4)This Zeiss 35mm replaces my Sony 35/1.4GM, which is a great lens but doesn't have the Zeiss look and feel ... it is a creative and aesthetic decision which adds to my 6 lens Zeiss FE line-up.Shot a wedding the day after I got the lens and it did not disappoint. Lens to lens, all the images consistently had that Zeiss snap.Lens is built very well, ... MoreI listened to all the tech pundits when building my Sony Mirrorless system. I listened to hard.I had forgot my original reason to select Sony ... they had a tradition of Zeiss partnership (i.e. Sony A mount) ... which furthered my previous dedication to Zeiss with my older Contax system.I'm now correcting that error, and this Distagon 35/1.4 is just one of the prime lenses I've added (such as the Zeiss 50/1.4)This Zeiss 35mm replaces my Sony 35/1.4GM, which is a great lens but doesn't have the Zeiss look and feel ... it is a creative and aesthetic decision which adds to my 6 lens Zeiss FE line-up.Shot a wedding the day after I got the lens and it did not disappoint. Lens to lens, all the images consistently had that Zeiss snap.Lens is built very well, focuses quickly, has an aperture ring and is less expensive than the GM ... it is a bit bigger and heavier, so if that is your goal this lens may not be for you.
I was shooting with Canon for a decade before switching to Sony and never got to experience the joy of having a flagship 35mm lens in my arsenal during the time. This lens has simply been lens GOALS. I now own a Sony Alpha a9 and the Sony Alpha a7R III as my duo.I am a photographer that shoots portraits for MANY different applications and genres, from fashion, to beauty, to commercial, to editorial, lifestyle, art, everything. I like to have a lot of environment in my shots, so this lens is literally perfection for that cause. At f/1.4, you can shoot a full-body shot wide open and get the majority of details in clothing and face with a pleasantly smooth background. When I need a lot of background in my shot, no other lens adds a such a sense of dimension and ... MoreI was shooting with Canon for a decade before switching to Sony and never got to experience the joy of having a flagship 35mm lens in my arsenal during the time. This lens has simply been lens GOALS. I now own a Sony Alpha a9 and the Sony Alpha a7R III as my duo.I am a photographer that shoots portraits for MANY different applications and genres, from fashion, to beauty, to commercial, to editorial, lifestyle, art, everything. I like to have a lot of environment in my shots, so this lens is literally perfection for that cause. At f/1.4, you can shoot a full-body shot wide open and get the majority of details in clothing and face with a pleasantly smooth background. When I need a lot of background in my shot, no other lens adds a such a sense of dimension and belonging in my shots. Closing the lens up results in tack-sharp imagery. Landscapes are incredibly on this lens. Incredible sharpness edge to edge and colors seem so pure.The focus is incredibly fast & snappy on both the a9 & a7R3 and even in lowlight, it finds the target. I've heard a lot of things about this lens being heavy for a mirrorless lens and yes - if you're speaking in terms of mirrorless everything. For those like myself, who are used to heavy lenses like Sigma Art & Canon L optics, this lens actually feels pretty light for what it looks like.One thing I will mention is that if you are used to changing aperture on your camera, I recommend leaving the aperture ring on the lens to "A", otherwise you will have to use the ring each and every time for changes. =]
JUST LOOK AT THIS STUNNING GALLERY OF PORTRAITS THAT WAS PRODUCED BY #1 UP AND COMING VOTED DOG PORTRAITURE ARTIST PHOTOGRAPHER @natehusbands it is simply stunning and for that I give it 5 stars in every category. To be fair I had to rent this for a while and it produced some beautifully sharp images. That extra .4 from a usual 1.8 prime makes such a huge difference. I didn’t realize what I had rented tell I checked out the aperture control right on the lens body and it worked amazing. I also used it for video (the real reason I used it) of a local health companies company message and it performed better than expected. I had the cheap 220$ 1.8 50mm prime and didn’t really think about it much cause it performed just fine. Than I put this bad boy on and BAM, focuses ... MoreJUST LOOK AT THIS STUNNING GALLERY OF PORTRAITS THAT WAS PRODUCED BY #1 UP AND COMING VOTED DOG PORTRAITURE ARTIST PHOTOGRAPHER @natehusbands it is simply stunning and for that I give it 5 stars in every category. To be fair I had to rent this for a while and it produced some beautifully sharp images. That extra .4 from a usual 1.8 prime makes such a huge difference. I didn’t realize what I had rented tell I checked out the aperture control right on the lens body and it worked amazing. I also used it for video (the real reason I used it) of a local health companies company message and it performed better than expected. I had the cheap 220$ 1.8 50mm prime and didn’t really think about it much cause it performed just fine. Than I put this bad boy on and BAM, focuses like a halk *SIR DAVID ATTENBOROUGH* 1000ft in the air focusing in on it’s prey. An unsuspecting tree squirrel scurries across the ground, an old mountain road that leaves it helpless to attacks from above. SQREAAAAAACCCCHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH it seems as is the helpless squirrel has been become prey to the razor sharp focus of the American bald eagle, which still isn’t nearly as sharp as the focus on this amazing Zeiss lens. I was extremely impressed with its capabilities.
| Lens system | |
| Closest focusing distance | 0.3 m |
| Maximum aperture number | 16 |
| Number of diaphragm blades | 9 |
| Diagonal angle of view (max) | 44° |
