Designed to maximize the potential of full-frame mirrorless cameras, the Tamron 28-75mm f/2.8 Di III RXD lens delivers high-speed performance in a compact, lightweight frame. The revolutionary RXD motor unit, paired with five optical elements in the body of the lens, delivers fast, clear imagery to your camera with virtually no sound. A moisture-resistant construction and additional coatings on the front and rear elements help ensure your lens stays safe while delivering consistent performance. Keep it quiet The Rapid eXtra-silent stepping Drive (RXD) in the Tamron 28-75mm f/2.8 Di III RXD controls the rotational angle of the motor using a precision actuator, directly driving the focusing lens without passing through a reduction gear, making this lens exceptionally quiet and fast — ideal for video or fast-action stills. Small size, high performance Weighing only 550g (19.4 oz) with a length of 117.8mm (4.6 in), the Tamron 28-75mm f/2.8 Di III RXD packs a lot of power. One Extra-Low Dispersion (XLD) element and one Low Dispersion (LD) help minimize chromatic aberrations and color fringing, improving color accuracy. Three aspherical elements work together to reduce distortion, improving overall image clarity. The 7.5” Minimum Object Distance (MOD) provides flawless close-up shooting at the wide-angle end. Protect your shot Lens surfaces are treated with Tamron’s proprietary Broad-Band Anti-Reflection (BBAR) coating, helping to preserve a crisp image quality while reducing ghosting and flaring. Special moisture-resistant construction as well as fluorine coating further improve the performance of the Tamron 28-75mm f/2.8 Di III RXD, making it convenient to take out into the field as well as use in the studio.
Designed to maximize the potential of full-frame mirrorless cameras, the Tamron 28-75mm f/2.8 Di III RXD lens delivers high-speed performance in a compact, lightweight frame. The revolutionary RXD motor unit, paired with five optical elements in the body of the lens, delivers fast, clear imagery to your camera with virtually no sound. A moisture-resistant construction and additional coatings on the front and rear elements help ensure your lens stays safe while delivering consistent performance. Keep it quiet The Rapid eXtra-silent stepping Drive (RXD) in the Tamron 28-75mm f/2.8 Di III RXD controls the rotational angle of the motor using a precision actuator, directly driving the focusing lens without passing through a reduction gear, making this lens exceptionally quiet and fast — ideal for video or fast-action stills. Small size, high performance Weighing only 550g (19.4 oz) with a length of 117.8mm (4.6 in), the Tamron 28-75mm f/2.8 Di III RXD packs a lot of power. One Extra-Low Dispersion (XLD) element and one Low Dispersion (LD) help minimize chromatic aberrations and color fringing, improving color accuracy. Three aspherical elements work together to reduce distortion, improving overall image clarity. The 7.5” Minimum Object Distance (MOD) provides flawless close-up shooting at the wide-angle end. Protect your shot Lens surfaces are treated with Tamron’s proprietary Broad-Band Anti-Reflection (BBAR) coating, helping to preserve a crisp image quality while reducing ghosting and flaring. Special moisture-resistant construction as well as fluorine coating further improve the performance of the Tamron 28-75mm f/2.8 Di III RXD, making it convenient to take out into the field as well as use in the studio.
Designed to maximize the potential of full-frame mirrorless cameras, the Tamron 28-75mm f/2.8 Di III RXD lens delivers high-speed performance in a compact, lightweight frame. The revolutionary RXD motor unit, paired with five optical elements in the body of the lens, delivers fast, clear imagery to your camera with virtually no sound. A moisture-resistant construction and additional coatings on the front and rear elements help ensure your lens stays safe while delivering consistent performance. Keep it quiet The Rapid eXtra-silent stepping Drive (RXD) in the Tamron 28-75mm f/2.8 Di III RXD controls the rotational angle of the motor using a precision actuator, directly driving the focusing lens without passing through a reduction gear, making this lens exceptionally quiet and fast — ideal for video or fast-action stills. Small size, high performance Weighing only 550g (19.4 oz) with a length of 117.8mm (4.6 in), the Tamron 28-75mm f/2.8 Di III RXD packs a lot of power. One Extra-Low Dispersion (XLD) element and one Low Dispersion (LD) help minimize chromatic aberrations and color fringing, improving color accuracy. Three aspherical elements work together to reduce distortion, improving overall image clarity. The 7.5” Minimum Object Distance (MOD) provides flawless close-up shooting at the wide-angle end. Protect your shot Lens surfaces are treated with Tamron’s proprietary Broad-Band Anti-Reflection (BBAR) coating, helping to preserve a crisp image quality while reducing ghosting and flaring. Special moisture-resistant construction as well as fluorine coating further improve the performance of the Tamron 28-75mm f/2.8 Di III RXD, making it convenient to take out into the field as well as use in the studio.
Designed to maximize the potential of full-frame mirrorless cameras, the Tamron 28-75mm f/2.8 Di III RXD lens delivers high-speed performance in a compact, lightweight frame. The revolutionary RXD motor unit, paired with five optical elements in the body of the lens, delivers fast, clear imagery to your camera with virtually no sound. A moisture-resistant construction and additional coatings on the front and rear elements help ensure your lens stays safe while delivering consistent performance. Keep it quiet The Rapid eXtra-silent stepping Drive (RXD) in the Tamron 28-75mm f/2.8 Di III RXD controls the rotational angle of the motor using a precision actuator, directly driving the focusing lens without passing through a reduction gear, making this lens exceptionally quiet and fast — ideal for video or fast-action stills. Small size, high performance Weighing only 550g (19.4 oz) with a length of 117.8mm (4.6 in), the Tamron 28-75mm f/2.8 Di III RXD packs a lot of power. One Extra-Low Dispersion (XLD) element and one Low Dispersion (LD) help minimize chromatic aberrations and color fringing, improving color accuracy. Three aspherical elements work together to reduce distortion, improving overall image clarity. The 7.5” Minimum Object Distance (MOD) provides flawless close-up shooting at the wide-angle end. Protect your shot Lens surfaces are treated with Tamron’s proprietary Broad-Band Anti-Reflection (BBAR) coating, helping to preserve a crisp image quality while reducing ghosting and flaring. Special moisture-resistant construction as well as fluorine coating further improve the performance of the Tamron 28-75mm f/2.8 Di III RXD, making it convenient to take out into the field as well as use in the studio.
Last updated at 06/10/2026 09:07:35
Tamron 28-75mm F/2.8 for Sony Mirrorless Full Frame E Mount (Tamron 6 Year Limited USA Warranty)
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Tamron 28-75mm F/2.8 Di Iii Rxd Lens For Sony E Mount W/box Hood 1209
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Tamron 28-75mm F2.8 Di Iii Rxd A036 For Sony E-mount [exc+++] A
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Tamron Af 28-75mm F/2.8 Di Iii Rxd Lens For Sony E Mount Full Frame
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Tamron 28-75mm F/2.8 Di Iii Rxd / A036sf (for Sony E Mount) [near
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Tamron 28-75 Sony
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Tamron AF 28-75mm f/2.8 Di III RXD Lens for Sony
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originally posted on adorama.com
I wanted a midrange f/2.8 zoom lens and this was the first alternative to Sony 24-70/2.8 GM with was probably about $2200 in 2019! So Tamron at $800 was about 1/3 of that! And I had seen comparisons that established the image quality to be nearly the same. So it was a no-brainer. I must point out that the GM is 880 grams while Tamron is 550 grams and for similar image quality and focal range and price and weight advantage, there was no comparison for me. I wasn't a busy wedding photographer, but an occasional event shooter and primarily a real estate photographer.I highly recommend this lens, however Sigma 24-70/2.8 Art was not available then and depending on your budget and needs you might consider Sigma for better build and optical quality as well as 24mm on the ... MoreI wanted a midrange f/2.8 zoom lens and this was the first alternative to Sony 24-70/2.8 GM with was probably about $2200 in 2019! So Tamron at $800 was about 1/3 of that! And I had seen comparisons that established the image quality to be nearly the same. So it was a no-brainer. I must point out that the GM is 880 grams while Tamron is 550 grams and for similar image quality and focal range and price and weight advantage, there was no comparison for me. I wasn't a busy wedding photographer, but an occasional event shooter and primarily a real estate photographer.I highly recommend this lens, however Sigma 24-70/2.8 Art was not available then and depending on your budget and needs you might consider Sigma for better build and optical quality as well as 24mm on the wide end which is pretty major difference if you shoot in tight spaces.The focusing is absolutely silent and accurate and the images are plenty sharp on 24MP of A7iii.
originally posted on bhphotovideo.com
(Using lens with A7IV in mostly indoor environments with drastically different lighting conditions, both 4k video and photos)I got this lens based off of essentially every youtube review saying that the original was one of the best lenses for the Sony cameras hands down. I was using a bunch of Sigma prime lenses and when this new one was announced and it was said that it is better than the original in every way I basically jumped on board almost immediately.I got it and I do very much think it's an amazing lens, but I do think my expectations were a bit too high in areas. The autofocus is great when it works and is better than most of my Sigma lenses (which are the older style that had mediocre video AF because they were DSLR conversions), but I was definitely ... More(Using lens with A7IV in mostly indoor environments with drastically different lighting conditions, both 4k video and photos)I got this lens based off of essentially every youtube review saying that the original was one of the best lenses for the Sony cameras hands down. I was using a bunch of Sigma prime lenses and when this new one was announced and it was said that it is better than the original in every way I basically jumped on board almost immediately.I got it and I do very much think it's an amazing lens, but I do think my expectations were a bit too high in areas. The autofocus is great when it works and is better than most of my Sigma lenses (which are the older style that had mediocre video AF because they were DSLR conversions), but I was definitely expecting a bit better considering that these Sigma lenses had some issues with tracking. It might be because I wasn't sure what to expect because this is a zoom lens and the others were all Prime lenses, but I was definitely a little bit disappointed.I almost returned it due to this, but after using it for a while, and understanding how to make the autofocus work for me, I do think it's quite an amazing lens. Sharp almost always with very little issues in 4k video or photos. I think that the bokeh looks pleasing and it's been able to keep up in the focus department once I changed some settings in camera. I haven't been annoyed at all with the reversed focus and zoom rings and connecting to the app on my computer has been super easy and I've been toying around with settings on it, changing what the button controls and different settings for the ring.I'm not putting it at 4 stars due to my own misplaced expectations, I'm putting it at 4 due to the fact that it's definitely got some things I think could be better, mostly with autofocus in less than ideal lighting, but for the price, you absolutely cannot get better. This lens ties all of my Sigma prime lenses in sharpness and keeps up or beats them with the autofocus in well light situations.
originally posted on bhphotovideo.com
Too many good things to say about this lens! As anyone starting off in the professional photo/video industry. This a must have lens especially for the price. The focal length is extremely versatile for all situations, especially when you are in run and gun situations. I'm a wedding photographer/videographer and this lens stays on my camera for 95% of the time. Extremely sharp and great in low light. Highly recommend this lens for anyone.
| Focal Length | 28 to 75mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
Tamron 28-75mm F/2.8 for Sony Mirrorless Full Frame E Mount (Tamron 6 Year Limited USA Warranty)
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Tamron 28-75mm F/2.8 Lens For Sony E Mount
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Mint In Box Tamron 28-75mm F/2.8 Di Iii Rxd Lens Sony And Mount From
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Tamron 28-75mm F/2.8 Di Iii Rxd Lens For Sony E Mount W/box Hood 1209
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Tamron 28-75mm F2.8 Di Iii Rxd A036 For Sony E-mount [exc+++] A
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I wanted a midrange f/2.8 zoom lens and this was the first alternative to Sony 24-70/2.8 GM with was probably about $2200 in 2019! So Tamron at $800 was about 1/3 of that! And I had seen comparisons that established the image quality to be nearly the same. So it was a no-brainer. I must point out that the GM is 880 grams while Tamron is 550 grams and for similar image quality and focal range and price and weight advantage, there was no comparison for me. I wasn't a busy wedding photographer, but an occasional event shooter and primarily a real estate photographer.I highly recommend this lens, however Sigma 24-70/2.8 Art was not available then and depending on your budget and needs you might consider Sigma for better build and optical quality as well as 24mm on the ... MoreI wanted a midrange f/2.8 zoom lens and this was the first alternative to Sony 24-70/2.8 GM with was probably about $2200 in 2019! So Tamron at $800 was about 1/3 of that! And I had seen comparisons that established the image quality to be nearly the same. So it was a no-brainer. I must point out that the GM is 880 grams while Tamron is 550 grams and for similar image quality and focal range and price and weight advantage, there was no comparison for me. I wasn't a busy wedding photographer, but an occasional event shooter and primarily a real estate photographer.I highly recommend this lens, however Sigma 24-70/2.8 Art was not available then and depending on your budget and needs you might consider Sigma for better build and optical quality as well as 24mm on the wide end which is pretty major difference if you shoot in tight spaces.The focusing is absolutely silent and accurate and the images are plenty sharp on 24MP of A7iii.
(Using lens with A7IV in mostly indoor environments with drastically different lighting conditions, both 4k video and photos)I got this lens based off of essentially every youtube review saying that the original was one of the best lenses for the Sony cameras hands down. I was using a bunch of Sigma prime lenses and when this new one was announced and it was said that it is better than the original in every way I basically jumped on board almost immediately.I got it and I do very much think it's an amazing lens, but I do think my expectations were a bit too high in areas. The autofocus is great when it works and is better than most of my Sigma lenses (which are the older style that had mediocre video AF because they were DSLR conversions), but I was definitely ... More(Using lens with A7IV in mostly indoor environments with drastically different lighting conditions, both 4k video and photos)I got this lens based off of essentially every youtube review saying that the original was one of the best lenses for the Sony cameras hands down. I was using a bunch of Sigma prime lenses and when this new one was announced and it was said that it is better than the original in every way I basically jumped on board almost immediately.I got it and I do very much think it's an amazing lens, but I do think my expectations were a bit too high in areas. The autofocus is great when it works and is better than most of my Sigma lenses (which are the older style that had mediocre video AF because they were DSLR conversions), but I was definitely expecting a bit better considering that these Sigma lenses had some issues with tracking. It might be because I wasn't sure what to expect because this is a zoom lens and the others were all Prime lenses, but I was definitely a little bit disappointed.I almost returned it due to this, but after using it for a while, and understanding how to make the autofocus work for me, I do think it's quite an amazing lens. Sharp almost always with very little issues in 4k video or photos. I think that the bokeh looks pleasing and it's been able to keep up in the focus department once I changed some settings in camera. I haven't been annoyed at all with the reversed focus and zoom rings and connecting to the app on my computer has been super easy and I've been toying around with settings on it, changing what the button controls and different settings for the ring.I'm not putting it at 4 stars due to my own misplaced expectations, I'm putting it at 4 due to the fact that it's definitely got some things I think could be better, mostly with autofocus in less than ideal lighting, but for the price, you absolutely cannot get better. This lens ties all of my Sigma prime lenses in sharpness and keeps up or beats them with the autofocus in well light situations.
Too many good things to say about this lens! As anyone starting off in the professional photo/video industry. This a must have lens especially for the price. The focal length is extremely versatile for all situations, especially when you are in run and gun situations. I'm a wedding photographer/videographer and this lens stays on my camera for 95% of the time. Extremely sharp and great in low light. Highly recommend this lens for anyone.
I bought the original G1 the moment it was announced and it has been my most used lens until now. The G1 is still an excellent lens, so if you can't afford this G2, grab a used G1. That'll still be better than anything else you can get for the money. I primarily upgraded for the improved AF and slight reduction to the weight and zoom length. These are important for me as I use this for video on a gimbal a LOT, and those last two factors make it easier to balance.Probably the biggest surprise was how good this lens feels. It feel like a tank. Very smooth focus and zoom rings, almost stiff. As far as image quality goes, I haven't put the two back to back, but I have noticed a little more pop in the images I've been taking with it. Probably means this has a little ... MoreI bought the original G1 the moment it was announced and it has been my most used lens until now. The G1 is still an excellent lens, so if you can't afford this G2, grab a used G1. That'll still be better than anything else you can get for the money. I primarily upgraded for the improved AF and slight reduction to the weight and zoom length. These are important for me as I use this for video on a gimbal a LOT, and those last two factors make it easier to balance.Probably the biggest surprise was how good this lens feels. It feel like a tank. Very smooth focus and zoom rings, almost stiff. As far as image quality goes, I haven't put the two back to back, but I have noticed a little more pop in the images I've been taking with it. Probably means this has a little better contrast and color rendition. Nothing night and day, I thought the G1 was an excellent lens already. But this takes it up a notch, more refined. I also like that this new lens is now made in Japan.
I do a lot of timelapse photography, and needed a fast, sharp lens in this focal range. This lens is both fast and sharp.It's also a wonderful general-purpose lens for hiking, family and spontaneous shooting (see malt shop duotone panorama). Light, fast, autofocus & everything else works well.I also own several Sony primes including 24mm 1.4 and 135mm 1.8 G Masters. ZThey are considered among Sony's sharpest. This lens gives them a run for the money, at least on my a7iii sensor (24MP). I like a zoom for many timelapses, because it allows me to frame the shot perfectly.I've included two still frames from sunset timelapses. One shows trees on a ridge 9 miles away, the other Catalina Island 90 miles away.Very happy with the results this lens gives. Simple ... MoreI do a lot of timelapse photography, and needed a fast, sharp lens in this focal range. This lens is both fast and sharp.It's also a wonderful general-purpose lens for hiking, family and spontaneous shooting (see malt shop duotone panorama). Light, fast, autofocus & everything else works well.I also own several Sony primes including 24mm 1.4 and 135mm 1.8 G Masters. ZThey are considered among Sony's sharpest. This lens gives them a run for the money, at least on my a7iii sensor (24MP). I like a zoom for many timelapses, because it allows me to frame the shot perfectly.I've included two still frames from sunset timelapses. One shows trees on a ridge 9 miles away, the other Catalina Island 90 miles away.Very happy with the results this lens gives. Simple design. Nothing about this lens I don't like. Zero complaints. Highly recommend.
I had a few wide to tele lenses before this one, but f/2.8 has become a must for me and since I travel extensively, I didn't look favorably on the much heavier and/or significantly more expensive alternatives out there, the reviews were very positive, and I decided to go for it. I am not disappointed. This is an excellent lens. IQ is great and it is definitely more affordable the Sony's alternatives. I am very happy with this purchase.
BLUF: Great lens, great price, great performanceI'm a huge fan of versatility, so the Tamron 28-75 made a lot of sense for me. Fast aperture for low-light situations & portrait work, focal lengths for most shoots, and great overall sharpness from corner to corner. Not to mention this lens is super lightweight making it great for carrying around all day or gimbal work.The autofocus is very fast, though I do find it hunting every now and then. However, I chalk that up to operator error more than anything else.I've attached some of the shots I've picked up with the lens since acquiring it and I have to say, I'm super happy with the images. 75mm is close enough to 85mm to make standard portraits actually look like portraits, and 28mm is wide enough to capture ... MoreBLUF: Great lens, great price, great performanceI'm a huge fan of versatility, so the Tamron 28-75 made a lot of sense for me. Fast aperture for low-light situations & portrait work, focal lengths for most shoots, and great overall sharpness from corner to corner. Not to mention this lens is super lightweight making it great for carrying around all day or gimbal work.The autofocus is very fast, though I do find it hunting every now and then. However, I chalk that up to operator error more than anything else.I've attached some of the shots I've picked up with the lens since acquiring it and I have to say, I'm super happy with the images. 75mm is close enough to 85mm to make standard portraits actually look like portraits, and 28mm is wide enough to capture plenty of context in an image.Lens is sharp up and down the aperture range, and handles vibration very well.Overall, I highly recommend this lens to anyone that needs a good run-and-gun lens, or you're starting out with your first.
I replaced a Sony 24-105 F4 with this lens and don't regret it one bit. The Sony did have a bit more reach, but it was 20% heavier, one stop slower, and had a 77mm filter thread which would always snag going into my bag. Autofocus and lens sharpness are every bit as good as the Sony. The Tamron is a great walking around lens and combine it with the 17-28 and you have an incredible, light duo for street, architecture, and landscapes. If you are a hybrid shooter, this is a great lens for video too with and combined with something like the A7C/SIII/A7IV, focus pulls work well and look beautiful. The lens is very sharp and the colors look great.I really only have two things that I wish for on this lens which is why it is four instead of 5 stars. First, lens flare is ... MoreI replaced a Sony 24-105 F4 with this lens and don't regret it one bit. The Sony did have a bit more reach, but it was 20% heavier, one stop slower, and had a 77mm filter thread which would always snag going into my bag. Autofocus and lens sharpness are every bit as good as the Sony. The Tamron is a great walking around lens and combine it with the 17-28 and you have an incredible, light duo for street, architecture, and landscapes. If you are a hybrid shooter, this is a great lens for video too with and combined with something like the A7C/SIII/A7IV, focus pulls work well and look beautiful. The lens is very sharp and the colors look great.I really only have two things that I wish for on this lens which is why it is four instead of 5 stars. First, lens flare is still a little much on all three f2.8 Tamron lenses (17-28, 28-75 g2, 70-180). It can look artistic at times, and some people like it. But I really hate that I can't control it better. Second, I would like a couple more controls on the lens. Maybe an AF/MF switch and I would love a 3 position custom switch like on the Tamron 35-150.
This Camera such a good start for beginners with perfect amount of zoom for wide shots and up close !! With a aperture of 2.8 to really let that light in dos the job very well for low light! Also the fact you cab zoom without the aperture changing is a plus !! Huge shoutout to The man at sony station for helping me find this lens also a body sony A7C i think his name is Leo! Great services at B&H , had good time there wil be coming tomorrow as well for more products as well as a free lesson they provide for hour tutorial for your body purchase. Great experience thankyou B&H!!
This is my first lens that I have purchased for my A7II to replace the kit lens equivalent that came with the camera that fell into the river trying to photograph Neowise. I wasnt bummed since I planned to upgrade but that came sooner rather than later anyways.....I have been doing research and found this lens to be the one for me. I wanted something light, sharp, and affordable. Ding ding ding! The sony GM version is over 2x the cost for marginal benefits. I didn't need the extra buttons nor IS (since I shot on tripod mainly).Over the kit lens, It provides a cleaner and sharper image. The color rendition is great too! The faster lens (relative to the kit) allows an improved control over depth of field as well as increases usability in low light situations.It ... MoreThis is my first lens that I have purchased for my A7II to replace the kit lens equivalent that came with the camera that fell into the river trying to photograph Neowise. I wasnt bummed since I planned to upgrade but that came sooner rather than later anyways.....I have been doing research and found this lens to be the one for me. I wanted something light, sharp, and affordable. Ding ding ding! The sony GM version is over 2x the cost for marginal benefits. I didn't need the extra buttons nor IS (since I shot on tripod mainly).Over the kit lens, It provides a cleaner and sharper image. The color rendition is great too! The faster lens (relative to the kit) allows an improved control over depth of field as well as increases usability in low light situations.It is almost twice the size of the kit lens and when I took it out I was pleased with the build quality! I have read many reviews docking points because of the choice to use plastic but modern polymers have come a long long way and this aint no plastic toy. It definitely feels like a quality item regardless if it uses plastic. Modern materials are very strong and light and I am not taking a hammer to this thing anyways so metal for me is overkill.There is quite the improvement on autofocus compared to the kit lens. It is fast and seems to be more accurate (have barely gotten it and only shot a handful of times) than the kit. It snaps fast to your autofocus point and I photograph a lot of wildlife so it is important that it does it quickly. I took a photograph of a hummingbird and it did not struggle as much as the kit lens.The way the focus and zoom rings are located compared to the kit lens threw me for a small loop but I believe this set up is better. I can focus with the ring that is closer to the body which disrupts less compared to it being further away which is good for hand held shooting so you can be more stabilized. I am still getting adjusted to it but I know I will like it a lot more when I get adjusted.I am extremely satisfied with this lens and it has cemented my decision to purchase the 70-180 next from Tamron.If you want to save some money, not big on thrills and frills, and want to upgrade from the kit lens, this lens will surely not disappoint!
| Focal Length | 28 to 75mm |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | Sony E |
| Lens Format Coverage | Full-Frame |
