This model is based on the highly innovative Tokina AT-X 16-28mm F/2.8 PRO FX HD SLR optic. It has been fully converted to a cinema lens, and fits Super 35mm cameras as well as cameras with APS-C and smaller sized image sensors. It incorporates a large-diameter aspherical element, two molded-glass aspherical elements and three elements of SD (Super-Low Dispersion) glass installed in the rear optical groups. Optical design and use of special materials yields high 4K lens construction and control of both spherical and chromatic aberration. LDS (Lens Data System) support is possible. Durable, all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems. Common 114mm front diameter for use with a wide variety of matt boxes and accessories.
This model is based on the highly innovative Tokina AT-X 16-28mm F/2.8 PRO FX HD SLR optic. It has been fully converted to a cinema lens, and fits Super 35mm cameras as well as cameras with APS-C and smaller sized image sensors. It incorporates a large-diameter aspherical element, two molded-glass aspherical elements and three elements of SD (Super-Low Dispersion) glass installed in the rear optical groups. Optical design and use of special materials yields high 4K lens construction and control of both spherical and chromatic aberration. LDS (Lens Data System) support is possible. Durable, all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems. Common 114mm front diameter for use with a wide variety of matt boxes and accessories.
This model is based on the highly innovative Tokina AT-X 16-28mm F/2.8 PRO FX HD SLR optic. It has been fully converted to a cinema lens, and fits Super 35mm cameras as well as cameras with APS-C and smaller sized image sensors. It incorporates a large-diameter aspherical element, two molded-glass aspherical elements and three elements of SD (Super-Low Dispersion) glass installed in the rear optical groups. Optical design and use of special materials yields high 4K lens construction and control of both spherical and chromatic aberration. LDS (Lens Data System) support is possible. Durable, all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems. Common 114mm front diameter for use with a wide variety of matt boxes and accessories.
This model is based on the highly innovative Tokina AT-X 16-28mm F/2.8 PRO FX HD SLR optic. It has been fully converted to a cinema lens, and fits Super 35mm cameras as well as cameras with APS-C and smaller sized image sensors. It incorporates a large-diameter aspherical element, two molded-glass aspherical elements and three elements of SD (Super-Low Dispersion) glass installed in the rear optical groups. Optical design and use of special materials yields high 4K lens construction and control of both spherical and chromatic aberration. LDS (Lens Data System) support is possible. Durable, all-metal cine-style housing with geared manual zoom, focus and aperture rings for use in follow-focus systems. Common 114mm front diameter for use with a wide variety of matt boxes and accessories.
