The Behringer EUROLIVE F1220D Bi-Amped 250-Watt Monitor Speaker System utilizes a 250-Watt Class D amplifier in a true bi-amp configuration to power a single 12" woofer for bass and a high resolution 3" tweeter for highs loaded in a proprietary wide-dispersion horn for live performance and playback applications. The unit includes an adjustable feedback filter as well as an integrated limiter for system control and speaker protection. For inputs, a built-in 2-channel mixer with individual mic/line inputs and volume controls offers a wide range of connectivity and the dedicated 3-band EQ allows for precise shaping of your sound. An additional line output allows for linking of additional speakers into the system. An internal switch-mode power supply provides superior transient response, low power consumption, and low-noise audio. An integrated 35 mm pole socket allows you to mount the unit on a stand, or it can be placed on the ground and used as a floor monitor. At only 23.6 lb (10.7 kg), the speaker is well suited for travel to and from gigs, on the road, on stage, and in the studio.
The Behringer EUROLIVE F1220D Bi-Amped 250-Watt Monitor Speaker System utilizes a 250-Watt Class D amplifier in a true bi-amp configuration to power a single 12" woofer for bass and a high resolution 3" tweeter for highs loaded in a proprietary wide-dispersion horn for live performance and playback applications. The unit includes an adjustable feedback filter as well as an integrated limiter for system control and speaker protection. For inputs, a built-in 2-channel mixer with individual mic/line inputs and volume controls offers a wide range of connectivity and the dedicated 3-band EQ allows for precise shaping of your sound. An additional line output allows for linking of additional speakers into the system. An internal switch-mode power supply provides superior transient response, low power consumption, and low-noise audio. An integrated 35 mm pole socket allows you to mount the unit on a stand, or it can be placed on the ground and used as a floor monitor. At only 23.6 lb (10.7 kg), the speaker is well suited for travel to and from gigs, on the road, on stage, and in the studio.
The Behringer EUROLIVE F1220D Bi-Amped 250-Watt Monitor Speaker System utilizes a 250-Watt Class D amplifier in a true bi-amp configuration to power a single 12" woofer for bass and a high resolution 3" tweeter for highs loaded in a proprietary wide-dispersion horn for live performance and playback applications. The unit includes an adjustable feedback filter as well as an integrated limiter for system control and speaker protection. For inputs, a built-in 2-channel mixer with individual mic/line inputs and volume controls offers a wide range of connectivity and the dedicated 3-band EQ allows for precise shaping of your sound. An additional line output allows for linking of additional speakers into the system. An internal switch-mode power supply provides superior transient response, low power consumption, and low-noise audio. An integrated 35 mm pole socket allows you to mount the unit on a stand, or it can be placed on the ground and used as a floor monitor. At only 23.6 lb (10.7 kg), the speaker is well suited for travel to and from gigs, on the road, on stage, and in the studio.
The Behringer EUROLIVE F1220D Bi-Amped 250-Watt Monitor Speaker System utilizes a 250-Watt Class D amplifier in a true bi-amp configuration to power a single 12" woofer for bass and a high resolution 3" tweeter for highs loaded in a proprietary wide-dispersion horn for live performance and playback applications. The unit includes an adjustable feedback filter as well as an integrated limiter for system control and speaker protection. For inputs, a built-in 2-channel mixer with individual mic/line inputs and volume controls offers a wide range of connectivity and the dedicated 3-band EQ allows for precise shaping of your sound. An additional line output allows for linking of additional speakers into the system. An internal switch-mode power supply provides superior transient response, low power consumption, and low-noise audio. An integrated 35 mm pole socket allows you to mount the unit on a stand, or it can be placed on the ground and used as a floor monitor. At only 23.6 lb (10.7 kg), the speaker is well suited for travel to and from gigs, on the road, on stage, and in the studio.
Last updated at 06/09/2026 21:58:44
Behringer Ultralink ULM202USB Wireless Mic System - Buy Online
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Behringer Eurolive F1220D Powered Monitor Speaker - Buy Online - Belfield Music
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The Behringer Eurolive F1220D Bi-Amped 250-Watt Monitor Speaker System
The Behringer Eurolive F1220D Bi-Amped 250-Watt Monitor Speaker System
Behringer EUROLIVE F1220D Bi Amped Monitor Speaker, 250W Power, 12" Woofer, 3" Tweeter, Adjustable Feedback Filter, Built In Limiter, 3 Band EQ, Mic L
Delivery between 15–19 June $213.36
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originally posted on guitarcenter.com
I needed a powered stage monitor that was loud enough, reasonable footprint, easy to transport and wedge shaped. This does it for me. The two inputs (mic and live) with separate volumes give two power output options. The anti-feedback works well. It's loud enough for both the bassist and I to use. I simply tap off the "thru" on one of the mains and hear the front of house. I also use it as a monitor in my studio. I really like it!
originally posted on guitarcenter.com
I've owned this monitor for almost a year now and can't praise it enough. But there are a few shortcomings (very minor). And I'll start with those. The inputs and output are XLRs. Of course this is fine for the mic input, but the line input? I know plenty of mixers will have XLR outs, but most don't. They should have just used a multi-jack (XLR/stereo). And that's it for the negative. Now to the good points. This thing is super light and plenty powerful. Don't let the 250w fool you, everyone is going to hear this. I've read that others had problems with this, and I can tell you exactly why, it has a very narrow range. Unless you're standing directly in front of it, you won't hear it. So, when being used as a monitor, this can be a problem if it's not pointed ... MoreI've owned this monitor for almost a year now and can't praise it enough. But there are a few shortcomings (very minor). And I'll start with those. The inputs and output are XLRs. Of course this is fine for the mic input, but the line input? I know plenty of mixers will have XLR outs, but most don't. They should have just used a multi-jack (XLR/stereo). And that's it for the negative. Now to the good points. This thing is super light and plenty powerful. Don't let the 250w fool you, everyone is going to hear this. I've read that others had problems with this, and I can tell you exactly why, it has a very narrow range. Unless you're standing directly in front of it, you won't hear it. So, when being used as a monitor, this can be a problem if it's not pointed directly at you. And as a main, this can be a problem because it won't be pointed at you at all. I don't list this as a problem, because I believe it helps tremendously with feedback. The narrow range also helps when doing small gigs in narrow bars. You'll get plenty of volume to the crowd without blowing out the bartender. And we all know, you don't want to annoy off the bartender. Overall, this is a great little monitor and good main for small acoustic setups. I plan on getting another one soon. Sure, if I had 800 for a more powerful monitor, I'd do that, I'm no fool. But for this price, your just can't beat it.
originally posted on guitarcenter.com
First off, as soon as I un-boxed this monitor I had a sinking feeling. I heard something like a "knock" from inside the cabinet. I moved it around in all directions and could only reproduce the sound intermittently. So I fired it up and it works perfectly and sounds pretty good, at least in a home test. On stage will be the real test. BUT... since it works, and I really wanted to use it this weekend, I decided to open it up and see what was going on. I first removed the grill and speaker and found nothing inside, but there is a partition between the speaker and electronics portions of the cabinet. So I removed the amp chassis and found, again nothing. But I did finally notice that there's a ferrite choke on the power wiring and it winds up somewhat near the pole ... MoreFirst off, as soon as I un-boxed this monitor I had a sinking feeling. I heard something like a "knock" from inside the cabinet. I moved it around in all directions and could only reproduce the sound intermittently. So I fired it up and it works perfectly and sounds pretty good, at least in a home test. On stage will be the real test. BUT... since it works, and I really wanted to use it this weekend, I decided to open it up and see what was going on. I first removed the grill and speaker and found nothing inside, but there is a partition between the speaker and electronics portions of the cabinet. So I removed the amp chassis and found, again nothing. But I did finally notice that there's a ferrite choke on the power wiring and it winds up somewhat near the pole mounting socket. So occasionally this choke will move around with the flexible wires and bump up against the pole mount. So no problem.I ordered this monitor when the band I work with could not get their monitor system straight, due to unrealistic expectations with the limited equipment they have. Everyone always needed "more monitor", but the level is always right at the verge of feedback, and sometimes beyond the verge. Being a semi-pro with over 30 years experience, I don't have time for people who won't take words of wisdom and experience in solving such problems.So I ordered this monitor after the last gig with either not enough monitor or squealing intermittent feedback. I plan to split my vocal signal and send one to this monitor and the other to the PA, where they can do what they will with it. The second channel (line input) I will use to return a monitor signal from the PA so I can hear everyone else, but at a level that doesn't cause feedback, at least in my monitor.I also have the Behringer B205D, which would accomplish the same thing. However I've used it in some small venues where it nearly crashed to the ground on its mic stand, so I figure something that's on the ground already is safe
| Maximum Output Power | 250 W |
| Configuration | Bi-amping |
| Crossover Type | Active |
| Crossover Frequency | 2 kHz |
| Mix Outputs | 1x XLR |
Behringer Ultralink ULM202USB Wireless Mic System - Buy Online
Free delivery between 12–24 June
Behringer Eurolive F1220D Powered Monitor Speaker - Buy Online - Belfield Music
Free delivery between 12–24 June
The Behringer Eurolive F1220D Bi-Amped 250-Watt Monitor Speaker System
The Behringer Eurolive F1220D Bi-Amped 250-Watt Monitor Speaker System
Behringer EUROLIVE F1220D Bi Amped Monitor Speaker, 250W Power, 12" Woofer, 3" Tweeter, Adjustable Feedback Filter, Built In Limiter, 3 Band EQ, Mic L
Delivery between 15–19 June $213.36
I needed a powered stage monitor that was loud enough, reasonable footprint, easy to transport and wedge shaped. This does it for me. The two inputs (mic and live) with separate volumes give two power output options. The anti-feedback works well. It's loud enough for both the bassist and I to use. I simply tap off the "thru" on one of the mains and hear the front of house. I also use it as a monitor in my studio. I really like it!
I've owned this monitor for almost a year now and can't praise it enough. But there are a few shortcomings (very minor). And I'll start with those. The inputs and output are XLRs. Of course this is fine for the mic input, but the line input? I know plenty of mixers will have XLR outs, but most don't. They should have just used a multi-jack (XLR/stereo). And that's it for the negative. Now to the good points. This thing is super light and plenty powerful. Don't let the 250w fool you, everyone is going to hear this. I've read that others had problems with this, and I can tell you exactly why, it has a very narrow range. Unless you're standing directly in front of it, you won't hear it. So, when being used as a monitor, this can be a problem if it's not pointed ... MoreI've owned this monitor for almost a year now and can't praise it enough. But there are a few shortcomings (very minor). And I'll start with those. The inputs and output are XLRs. Of course this is fine for the mic input, but the line input? I know plenty of mixers will have XLR outs, but most don't. They should have just used a multi-jack (XLR/stereo). And that's it for the negative. Now to the good points. This thing is super light and plenty powerful. Don't let the 250w fool you, everyone is going to hear this. I've read that others had problems with this, and I can tell you exactly why, it has a very narrow range. Unless you're standing directly in front of it, you won't hear it. So, when being used as a monitor, this can be a problem if it's not pointed directly at you. And as a main, this can be a problem because it won't be pointed at you at all. I don't list this as a problem, because I believe it helps tremendously with feedback. The narrow range also helps when doing small gigs in narrow bars. You'll get plenty of volume to the crowd without blowing out the bartender. And we all know, you don't want to annoy off the bartender. Overall, this is a great little monitor and good main for small acoustic setups. I plan on getting another one soon. Sure, if I had 800 for a more powerful monitor, I'd do that, I'm no fool. But for this price, your just can't beat it.
First off, as soon as I un-boxed this monitor I had a sinking feeling. I heard something like a "knock" from inside the cabinet. I moved it around in all directions and could only reproduce the sound intermittently. So I fired it up and it works perfectly and sounds pretty good, at least in a home test. On stage will be the real test. BUT... since it works, and I really wanted to use it this weekend, I decided to open it up and see what was going on. I first removed the grill and speaker and found nothing inside, but there is a partition between the speaker and electronics portions of the cabinet. So I removed the amp chassis and found, again nothing. But I did finally notice that there's a ferrite choke on the power wiring and it winds up somewhat near the pole ... MoreFirst off, as soon as I un-boxed this monitor I had a sinking feeling. I heard something like a "knock" from inside the cabinet. I moved it around in all directions and could only reproduce the sound intermittently. So I fired it up and it works perfectly and sounds pretty good, at least in a home test. On stage will be the real test. BUT... since it works, and I really wanted to use it this weekend, I decided to open it up and see what was going on. I first removed the grill and speaker and found nothing inside, but there is a partition between the speaker and electronics portions of the cabinet. So I removed the amp chassis and found, again nothing. But I did finally notice that there's a ferrite choke on the power wiring and it winds up somewhat near the pole mounting socket. So occasionally this choke will move around with the flexible wires and bump up against the pole mount. So no problem.I ordered this monitor when the band I work with could not get their monitor system straight, due to unrealistic expectations with the limited equipment they have. Everyone always needed "more monitor", but the level is always right at the verge of feedback, and sometimes beyond the verge. Being a semi-pro with over 30 years experience, I don't have time for people who won't take words of wisdom and experience in solving such problems.So I ordered this monitor after the last gig with either not enough monitor or squealing intermittent feedback. I plan to split my vocal signal and send one to this monitor and the other to the PA, where they can do what they will with it. The second channel (line input) I will use to return a monitor signal from the PA so I can hear everyone else, but at a level that doesn't cause feedback, at least in my monitor.I also have the Behringer B205D, which would accomplish the same thing. However I've used it in some small venues where it nearly crashed to the ground on its mic stand, so I figure something that's on the ground already is safe
Picked this up to use as a monitor for practicing acoustic drums with backing tracks. I wanted more volume than the Kustom 50w powered monitor with 10" speaker could deliver. I was excited to have more volume and fuller sound with a larger speaker...plugged her in and connected the cables and quickly discovered this thing for 250 watts does not deliver...at 80 percent volume the clipping light kept coming on and sound cutting in and out. I then A/B tested against my Kustom with 1/5 the power rating...everything else the same and only switching the XLR input, the Kustom killed this amp both in volume and tone. I went back and forth in disbelief 3x and same result each time. It was back in the box and returned immediately...exchanged for the 100W version of my Kustom ... MorePicked this up to use as a monitor for practicing acoustic drums with backing tracks. I wanted more volume than the Kustom 50w powered monitor with 10" speaker could deliver. I was excited to have more volume and fuller sound with a larger speaker...plugged her in and connected the cables and quickly discovered this thing for 250 watts does not deliver...at 80 percent volume the clipping light kept coming on and sound cutting in and out. I then A/B tested against my Kustom with 1/5 the power rating...everything else the same and only switching the XLR input, the Kustom killed this amp both in volume and tone. I went back and forth in disbelief 3x and same result each time. It was back in the box and returned immediately...exchanged for the 100W version of my Kustom which is awesome! I think Beringer maybe put an extra 0 and this thing is really 25 watts, not 250 as claimed. Waste of time! Go for a Kustom!
This speaker is better than I expected. It looks great, and sounds better. It is pretty powerful run through the mixer, not quite so loud if used directly.It you are an acoustic singer, it might be a bit quite in some venues. However, it is plenty loud for our purpose, as a floor amp.I'm not sure about durability, I have only been using it for a week.
I bought this so I could control my monitor signal independently, but it hasn't worked out. I have a 10" 50 watt powered monitor that sounds better than this (the "K" brand), but is only a powered speaker.The 2 channels, EQ, and Feedback control seemed like a huge upgrade, not to mention 250 watts!And seriously; don't mention 250 watts because this thing doesn't put out 250 no matter how you measure it. Once could claim that since it is bi-amped it would only be 125 per "amp", but that be wrong also. If this thing puts out more than 50 watts I would be surprised; it doesn't sound like it.It seemed like a great deal that would have solved several problems for me. It turned out to be an over-rated waste and will be going back.
| Maximum Output Power | 250 W |
| Configuration | Bi-amping |
| Crossover Type | Active |
| Crossover Frequency | 2 kHz |
| Mix Outputs | 1x XLR |