
The Nikon AF-S NIKKOR 50mm f/1.8G lens is an updated classic with a fast maximum aperture that is ideal for everyday shooting, perfect in low lighting situations, and great for producing images with beautiful background blur (Bokeh). Fast, f/1.8 compact FX-format prime (fixed focal length) lens This updated classic with a fast maximum aperture is ideal for everyday shooting, perfect in low lighting situations and great for producing images with beautiful background blur (Bokeh). The AF-S NIKKOR 50mm f/1.8G includes Silent Wave Motor technology (SWM) for fast and precise autofocus, M/A Focus Mode Switch for seamless changes between manual and autofocus operation and an aspherical lens element for outstanding optical performance with high contrast. Get astonishing low light results This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance. Achieve more natural depth of field Whether you're shooting portraits, food or nature—indoors or outdoors—the AF-S NIKKOR 50mm f/1.8G renders a beautiful, natural background blur (Bokeh) at its wider aperture settings. And its 50mm focal length is perfect for creating natural perspective in your photographs. Shoot tack-sharp portraits every time Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.8G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.
The Nikon AF-S NIKKOR 50mm f/1.8G lens is an updated classic with a fast maximum aperture that is ideal for everyday shooting, perfect in low lighting situations, and great for producing images with beautiful background blur (Bokeh). Fast, f/1.8 compact FX-format prime (fixed focal length) lens This updated classic with a fast maximum aperture is ideal for everyday shooting, perfect in low lighting situations and great for producing images with beautiful background blur (Bokeh). The AF-S NIKKOR 50mm f/1.8G includes Silent Wave Motor technology (SWM) for fast and precise autofocus, M/A Focus Mode Switch for seamless changes between manual and autofocus operation and an aspherical lens element for outstanding optical performance with high contrast. Get astonishing low light results This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance. Achieve more natural depth of field Whether you're shooting portraits, food or nature—indoors or outdoors—the AF-S NIKKOR 50mm f/1.8G renders a beautiful, natural background blur (Bokeh) at its wider aperture settings. And its 50mm focal length is perfect for creating natural perspective in your photographs. Shoot tack-sharp portraits every time Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.8G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.
The Nikon AF-S NIKKOR 50mm f/1.8G lens is an updated classic with a fast maximum aperture that is ideal for everyday shooting, perfect in low lighting situations, and great for producing images with beautiful background blur (Bokeh). Fast, f/1.8 compact FX-format prime (fixed focal length) lens This updated classic with a fast maximum aperture is ideal for everyday shooting, perfect in low lighting situations and great for producing images with beautiful background blur (Bokeh). The AF-S NIKKOR 50mm f/1.8G includes Silent Wave Motor technology (SWM) for fast and precise autofocus, M/A Focus Mode Switch for seamless changes between manual and autofocus operation and an aspherical lens element for outstanding optical performance with high contrast. Get astonishing low light results This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance. Achieve more natural depth of field Whether you're shooting portraits, food or nature—indoors or outdoors—the AF-S NIKKOR 50mm f/1.8G renders a beautiful, natural background blur (Bokeh) at its wider aperture settings. And its 50mm focal length is perfect for creating natural perspective in your photographs. Shoot tack-sharp portraits every time Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.8G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.
The Nikon AF-S NIKKOR 50mm f/1.8G lens is an updated classic with a fast maximum aperture that is ideal for everyday shooting, perfect in low lighting situations, and great for producing images with beautiful background blur (Bokeh). Fast, f/1.8 compact FX-format prime (fixed focal length) lens This updated classic with a fast maximum aperture is ideal for everyday shooting, perfect in low lighting situations and great for producing images with beautiful background blur (Bokeh). The AF-S NIKKOR 50mm f/1.8G includes Silent Wave Motor technology (SWM) for fast and precise autofocus, M/A Focus Mode Switch for seamless changes between manual and autofocus operation and an aspherical lens element for outstanding optical performance with high contrast. Get astonishing low light results This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 aperture, the AF-S NIKKOR 50mm f/1.8G will capture even low-light situations with stunning brilliance. Achieve more natural depth of field Whether you're shooting portraits, food or nature—indoors or outdoors—the AF-S NIKKOR 50mm f/1.8G renders a beautiful, natural background blur (Bokeh) at its wider aperture settings. And its 50mm focal length is perfect for creating natural perspective in your photographs. Shoot tack-sharp portraits every time Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.8G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.
Last updated at 06/08/2026 14:39:45
Nikon 50mm f1.8 G 3171099
Nikon 50mm f1.8 G US6002322
Nikon 50mm f1.8 G 2045628
Nikon 50mm f1.8 G 2789251
Nikon 50mm f1.8 G
2ND HAND - Nikon AFS 50mm f1.8 G FX Ø58mm
Delivery between Thu – Mon $10
Nikon Nikkor AF-S 50mm f/1.8G Standard Lens
Free delivery between Thu – Mon
Nikon AF-S 50mm f/1.8G Lens
Delivery between Thu – Mon $10
Nikon AF-S 50mm f1.8 G Lens (FX) Ø58mm
Delivery between Thu – Mon $10
Nikon AF-S 50mm f/1.8G Lens
Delivery between Thu – Mon $10
originally posted on bhphotovideo.com
I had the previous version of this lens and recently gave it to a granddaughter, along with a camera, so I had realistic expectations for the lens on my N-850. I bought the new version because I missed that lens. With the previous version of the lens I mostly used it for low light situations but I decided to try the new version in other situations, e.g., portrait and sports action.The lens surprised me in the portrait setting. The 1.8 allowed me to use a lower ISO setting and the pictures are very sharp. I shoot a lot of basketball photos for our local community college and, when recent repainting in the gym lowered the lighting, I decided to give the lens a try in that capacity. So you'll know the lens I'm comparing, I usually use a 24-70 2.8 zoom Nikkor lens. In ... MoreI had the previous version of this lens and recently gave it to a granddaughter, along with a camera, so I had realistic expectations for the lens on my N-850. I bought the new version because I missed that lens. With the previous version of the lens I mostly used it for low light situations but I decided to try the new version in other situations, e.g., portrait and sports action.The lens surprised me in the portrait setting. The 1.8 allowed me to use a lower ISO setting and the pictures are very sharp. I shoot a lot of basketball photos for our local community college and, when recent repainting in the gym lowered the lighting, I decided to give the lens a try in that capacity. So you'll know the lens I'm comparing, I usually use a 24-70 2.8 zoom Nikkor lens. In the comparison, the 1.8 allowed me to use a 1600 ISO rather than the 3200 ISO for my 2.8 zoom....that's a plus for the 1.8, AND it's a LOT lighter and that's another plus. The 2.8 zoom lens produced better results when I set the shutter on high speed and I missed the zoom.In summary, the 1.8 lens is a very good buy and I'll mount it on the camera when I'm out and about and don't know what I may encounter and/or photograph. I'll continue to use it for portraits; it's a good prime lens that can focus very close.
originally posted on bhphotovideo.com
I bought this lens as an upgrade to my old 50mm f/1.4D lens. I have to put upgrade in quotes because in some ways it is certainly not. Specifically, the old D lens has a wider max aperture while still being a smaller and sharper lens. For any given aperture that the G lens can match, the D lens wins optically.Still, there is one important reason someone might choose this lens over the old 1.4D (which can be bought for roughly the same price used): autofocus. Obviously, if your camera doesn't have a built-in AF motor, you'll want to stick to the G series. But even with the high-end bodies with robust motors (I use a D810), AF is still improved on this G lens. I wouldn't say this lens focuses any faster than the 1.4D, but it is quieter and more precise more of the ... MoreI bought this lens as an upgrade to my old 50mm f/1.4D lens. I have to put upgrade in quotes because in some ways it is certainly not. Specifically, the old D lens has a wider max aperture while still being a smaller and sharper lens. For any given aperture that the G lens can match, the D lens wins optically.Still, there is one important reason someone might choose this lens over the old 1.4D (which can be bought for roughly the same price used): autofocus. Obviously, if your camera doesn't have a built-in AF motor, you'll want to stick to the G series. But even with the high-end bodies with robust motors (I use a D810), AF is still improved on this G lens. I wouldn't say this lens focuses any faster than the 1.4D, but it is quieter and more precise more of the time.It's never fun to give up image quality, but I'll take a slightly softer image over an OOF image any day. And sadly, the latter simply happened too often with the old 1.4D lens.And don't get me wrong; I'm not saying you can't take sharp pictures with this lens. But you won't be able to do it wide open. The lens starts to get good in the center by f/2.8, and very good by f/4. Of course, you'll be sacrificing light and possibly creating a busier background. The edges never really get good in my opinion, so be sure to place your subject somewhere near the middle.
originally posted on wexphotographic.com
Nikons 50mm 1.8 lens is a must have lens as part of your kit. The G lenes are relatively inexpensive but more expensive than the better 1.8d lens. The older version had no barrel distortion that this and its more expensive sidekick the 1.4G has. All are great lenses though. The draw back with the older 50mm 1.8d was that there was no built in AF motor within the lens, so you were reliant on the AF motor with in camera body, not all bodies had the built in AF motor, so the older 1.8d lens was a manual only lens when fitted to those.The G lenses are more bulky due to the inbuilt AF motors, so they take up more room in your pocket than the older lens. Plus, this lens has weather sealing at the mount end of the lens that the older one didn't. Not really an issue if ... MoreNikons 50mm 1.8 lens is a must have lens as part of your kit. The G lenes are relatively inexpensive but more expensive than the better 1.8d lens. The older version had no barrel distortion that this and its more expensive sidekick the 1.4G has. All are great lenses though. The draw back with the older 50mm 1.8d was that there was no built in AF motor within the lens, so you were reliant on the AF motor with in camera body, not all bodies had the built in AF motor, so the older 1.8d lens was a manual only lens when fitted to those.The G lenses are more bulky due to the inbuilt AF motors, so they take up more room in your pocket than the older lens. Plus, this lens has weather sealing at the mount end of the lens that the older one didn't. Not really an issue if you're respectful to your kit. Frankly the optics are sharp, the fast aperture is great in low light. I have the 50mm 1.4 G too, but it's hardly used.If you are only going to use this lens only once in a while, I'd buy a really good 1.8d lens up second hand for around a hundred quid, but make sure your camera body has a built in AF motor before you do, unless you don't mind manually focusing it. It's a piece of cake to do.Most videos on line will tell you the G lenses are quicker at focusing than the older D lenses. That rubbish. They are the same speed. Plus, the only reason the G lenses appear quieter is that the AF motors are in the lens not the camera body. So, in affect the AF motors are further away from your face and ears and not attached within the camera body itself. Nikon would have you believe that the G lenses are a revelation but, they just want you to buy newer lenses that are arguable not as good as the ones they replace.The bottom line is this. Why pay £450.00 for a G 50mm 1.4 or a hundred quid less for the G 50mm 1.8, when you can pick the D variants of these leases up in top nick for around £150.00 for the 1.4d or between £60 to £100.00 for 50mm 1.8d. They are smaller often look a little flimsy, but they are far from that, plus they go into your pocket so much easier than the G lenses that are bulkier. To be honest I use the D variants 8 out of 10 of the time, I'm only using the G's on a camera body with no built in AF motor. There is less post production needed with the older lens as you can get the images banging in camera.As a semi pro, I often use the older lenses, as they are often optically better than the newer kit. There's lots of fussy fluff on the modern lenses, and as a result the optic ability are often compromised. All the lenses mentioned in this review are great buys and I'm sure you'll buy the one best suited to your specific requirements, but don't discount looking at a good quality second-hand variant of this G lens, you might just bag a bargain and save a few quid and time sat in post-production.
| Mount Type | Nikon F-Bayonet |
| Focal Length | 50mm |
| Maximum Aperture | F/1.8 |
| Minimum Aperture | F/16 |
| Maximum Reproduction Ratio | 0.15x |
Nikon 50mm f1.8 G 3171099
Nikon 50mm f1.8 G US6002322
Nikon 50mm f1.8 G 2045628
Nikon 50mm f1.8 G 2789251
Nikon 50mm f1.8 G
I had the previous version of this lens and recently gave it to a granddaughter, along with a camera, so I had realistic expectations for the lens on my N-850. I bought the new version because I missed that lens. With the previous version of the lens I mostly used it for low light situations but I decided to try the new version in other situations, e.g., portrait and sports action.The lens surprised me in the portrait setting. The 1.8 allowed me to use a lower ISO setting and the pictures are very sharp. I shoot a lot of basketball photos for our local community college and, when recent repainting in the gym lowered the lighting, I decided to give the lens a try in that capacity. So you'll know the lens I'm comparing, I usually use a 24-70 2.8 zoom Nikkor lens. In ... MoreI had the previous version of this lens and recently gave it to a granddaughter, along with a camera, so I had realistic expectations for the lens on my N-850. I bought the new version because I missed that lens. With the previous version of the lens I mostly used it for low light situations but I decided to try the new version in other situations, e.g., portrait and sports action.The lens surprised me in the portrait setting. The 1.8 allowed me to use a lower ISO setting and the pictures are very sharp. I shoot a lot of basketball photos for our local community college and, when recent repainting in the gym lowered the lighting, I decided to give the lens a try in that capacity. So you'll know the lens I'm comparing, I usually use a 24-70 2.8 zoom Nikkor lens. In the comparison, the 1.8 allowed me to use a 1600 ISO rather than the 3200 ISO for my 2.8 zoom....that's a plus for the 1.8, AND it's a LOT lighter and that's another plus. The 2.8 zoom lens produced better results when I set the shutter on high speed and I missed the zoom.In summary, the 1.8 lens is a very good buy and I'll mount it on the camera when I'm out and about and don't know what I may encounter and/or photograph. I'll continue to use it for portraits; it's a good prime lens that can focus very close.
I bought this lens as an upgrade to my old 50mm f/1.4D lens. I have to put upgrade in quotes because in some ways it is certainly not. Specifically, the old D lens has a wider max aperture while still being a smaller and sharper lens. For any given aperture that the G lens can match, the D lens wins optically.Still, there is one important reason someone might choose this lens over the old 1.4D (which can be bought for roughly the same price used): autofocus. Obviously, if your camera doesn't have a built-in AF motor, you'll want to stick to the G series. But even with the high-end bodies with robust motors (I use a D810), AF is still improved on this G lens. I wouldn't say this lens focuses any faster than the 1.4D, but it is quieter and more precise more of the ... MoreI bought this lens as an upgrade to my old 50mm f/1.4D lens. I have to put upgrade in quotes because in some ways it is certainly not. Specifically, the old D lens has a wider max aperture while still being a smaller and sharper lens. For any given aperture that the G lens can match, the D lens wins optically.Still, there is one important reason someone might choose this lens over the old 1.4D (which can be bought for roughly the same price used): autofocus. Obviously, if your camera doesn't have a built-in AF motor, you'll want to stick to the G series. But even with the high-end bodies with robust motors (I use a D810), AF is still improved on this G lens. I wouldn't say this lens focuses any faster than the 1.4D, but it is quieter and more precise more of the time.It's never fun to give up image quality, but I'll take a slightly softer image over an OOF image any day. And sadly, the latter simply happened too often with the old 1.4D lens.And don't get me wrong; I'm not saying you can't take sharp pictures with this lens. But you won't be able to do it wide open. The lens starts to get good in the center by f/2.8, and very good by f/4. Of course, you'll be sacrificing light and possibly creating a busier background. The edges never really get good in my opinion, so be sure to place your subject somewhere near the middle.
Nikons 50mm 1.8 lens is a must have lens as part of your kit. The G lenes are relatively inexpensive but more expensive than the better 1.8d lens. The older version had no barrel distortion that this and its more expensive sidekick the 1.4G has. All are great lenses though. The draw back with the older 50mm 1.8d was that there was no built in AF motor within the lens, so you were reliant on the AF motor with in camera body, not all bodies had the built in AF motor, so the older 1.8d lens was a manual only lens when fitted to those.The G lenses are more bulky due to the inbuilt AF motors, so they take up more room in your pocket than the older lens. Plus, this lens has weather sealing at the mount end of the lens that the older one didn't. Not really an issue if ... MoreNikons 50mm 1.8 lens is a must have lens as part of your kit. The G lenes are relatively inexpensive but more expensive than the better 1.8d lens. The older version had no barrel distortion that this and its more expensive sidekick the 1.4G has. All are great lenses though. The draw back with the older 50mm 1.8d was that there was no built in AF motor within the lens, so you were reliant on the AF motor with in camera body, not all bodies had the built in AF motor, so the older 1.8d lens was a manual only lens when fitted to those.The G lenses are more bulky due to the inbuilt AF motors, so they take up more room in your pocket than the older lens. Plus, this lens has weather sealing at the mount end of the lens that the older one didn't. Not really an issue if you're respectful to your kit. Frankly the optics are sharp, the fast aperture is great in low light. I have the 50mm 1.4 G too, but it's hardly used.If you are only going to use this lens only once in a while, I'd buy a really good 1.8d lens up second hand for around a hundred quid, but make sure your camera body has a built in AF motor before you do, unless you don't mind manually focusing it. It's a piece of cake to do.Most videos on line will tell you the G lenses are quicker at focusing than the older D lenses. That rubbish. They are the same speed. Plus, the only reason the G lenses appear quieter is that the AF motors are in the lens not the camera body. So, in affect the AF motors are further away from your face and ears and not attached within the camera body itself. Nikon would have you believe that the G lenses are a revelation but, they just want you to buy newer lenses that are arguable not as good as the ones they replace.The bottom line is this. Why pay £450.00 for a G 50mm 1.4 or a hundred quid less for the G 50mm 1.8, when you can pick the D variants of these leases up in top nick for around £150.00 for the 1.4d or between £60 to £100.00 for 50mm 1.8d. They are smaller often look a little flimsy, but they are far from that, plus they go into your pocket so much easier than the G lenses that are bulkier. To be honest I use the D variants 8 out of 10 of the time, I'm only using the G's on a camera body with no built in AF motor. There is less post production needed with the older lens as you can get the images banging in camera.As a semi pro, I often use the older lenses, as they are often optically better than the newer kit. There's lots of fussy fluff on the modern lenses, and as a result the optic ability are often compromised. All the lenses mentioned in this review are great buys and I'm sure you'll buy the one best suited to your specific requirements, but don't discount looking at a good quality second-hand variant of this G lens, you might just bag a bargain and save a few quid and time sat in post-production.
This is a great lens, and a bargain at twice the price. Introduced in 2011, the Nikon 50mm f/1.8G AF-S is the latest generation and most comprehensive redesign of its 50mm f/1.8 specification, and first optics overhaul since 1978. This is Nikon’s first 50mm lens (including their f/1.2 and f/1.4 models) that incorporates an aspherical lens element, which has many optical advantages and saves weight.This lens responds to the evolving strength of modern digital imaging technology. The digital camera was invented in 1975, but it took 24 years for Nikon to introduce the first Digital SLR camera, the D1 in 1999, when film photography still ruled. Today, film still has a role, but technological advances in digital sensors and processing have provided incredible ... MoreThis is a great lens, and a bargain at twice the price. Introduced in 2011, the Nikon 50mm f/1.8G AF-S is the latest generation and most comprehensive redesign of its 50mm f/1.8 specification, and first optics overhaul since 1978. This is Nikon’s first 50mm lens (including their f/1.2 and f/1.4 models) that incorporates an aspherical lens element, which has many optical advantages and saves weight.This lens responds to the evolving strength of modern digital imaging technology. The digital camera was invented in 1975, but it took 24 years for Nikon to introduce the first Digital SLR camera, the D1 in 1999, when film photography still ruled. Today, film still has a role, but technological advances in digital sensors and processing have provided incredible improvements in quality, efficiency and economy that make digital imaging dominant.Released three years earlier (2008), the slightly faster Nikon 50mm f/1.4G AF-S and this Nikon 50mm f/1.8G AF-S share Nikon’s most advanced autofocus technology. The AF-S (Autofocus Silent) system is the most accurate, quickest, quietest that Nikon has ever made; and AF-S allows manual-focus adjustment without switching to manual mode; just turn the focus ring.Both these Nikon lenses are extremely sharp, have great bokeh, and very little falloff (darkening) at the corners when wide open. These are designed for advanced full frame FX DSLRs, but work great with DX DSLRs and AF 35mm film cameras too. As compared to previous Nikon models, these newly designed lenses perform significantly better, or as well, in almost all respects; including ease of operation, sharpness, focus, and color rendition. In the digital image domain, Nikon’s new advanced technology lenses place a priority on the qualities that cannot be easily corrected by digital processing.One exception; these Nikon 50mm f/1.xG AF-S lenses have greater barrel distortion, yet still very acceptable for a professional lens. Distortion is easily corrected with digital image editing applications such as Adobe Photoshop. However, even when uncorrected, distortion is not detectible unless the image has multiple straight lines at the edges of the frame. The aspherical lens element in the newer Nikon 50mm f/1.8G AF-S was apparently included to reduces distortion, which is constant throughout the aperture range; whereas as the older Nikon 50mm f/1.4G AF-S, without an aspherical lens element, has more distortion which varies through the aperture range. Still… this will probably only be an issue for a small number of professional photographers who are still using film, where digital correction is not available.Certainly, among the most impressive improvements in DSLRs has been their ability to shoot at incredibly high ISO sensitivities with negligible noise. My D750 has a equivalent range of 100 ISO to 12800 ISO (and higher); and some DSLRs reach an incredible102400 ISO. The value of extremely fast (lower f-stop) lenses was far greater when film photographic film was the primary photo image technology. Shooting film, the difference between f/1.4 and f/1.8 (2/3’s of an Stop) could mean using a much grainer high-speed film like 800 ISO, 1600 ISO or even 3200 ISO. A larger aperture means more light, and that could provide some marginal improvement of image quality. I believe that the Nikon 50mm f/1.8G AF-S is the best choice for those shooting advanced DSLRs; it’s half the price as the Nikon 50mm f/1.4G AF-S, and should provide exceptional images for long time.
I like this lens. I'm using it on a d5600 so it requires manual focus although shutter and aperture can be auto. I learned on my mom's post WWII range finder 35mm so manual focus isn't new to me. The lens itself works very well in all sorts of light and is very sharp in the middle f stops. I like the mild telephoto on APSC. However it suffers from the way Nikon implements manual focus on almost all of its DSLRs. The green dot isn't very useful. It's hard to see in the viewfinder and requires a much lower geared focus ring than the one on most lenses. Other brands of cameras have focus peaking which is as good as the prism setups on film cameras. Live view has magnification but live view is totally useless outdoors and not much good if you're not using a ... MoreI like this lens. I'm using it on a d5600 so it requires manual focus although shutter and aperture can be auto. I learned on my mom's post WWII range finder 35mm so manual focus isn't new to me. The lens itself works very well in all sorts of light and is very sharp in the middle f stops. I like the mild telephoto on APSC. However it suffers from the way Nikon implements manual focus on almost all of its DSLRs. The green dot isn't very useful. It's hard to see in the viewfinder and requires a much lower geared focus ring than the one on most lenses. Other brands of cameras have focus peaking which is as good as the prism setups on film cameras. Live view has magnification but live view is totally useless outdoors and not much good if you're not using a tripod.This lens is good for taking pictures outdoors when you can use smaller apertures and needs a tripod for low light. It's an excellent value. For significantly greater optical quality you'll have pay a lot more money.
I recently bought this lens to improve my portrait shooting. For the price, this is probably one of the best (full-frame too) lenses that you can buy. I'm sad I didn't buy this sooner. Obviously, you can't use this for everything, but it does work really well. It is a plastic construction, but It does not feel like it is going to break. As sharp as you would expect from a Nikkor lens. I love that it comes with a hood. It's really nice. As you might have read if you were looking into this lens, having a prime does make you consider your composition more which will improve your skills. Now talking about more picky things. At that wide-open f/1.8, it is not quite tack sharp and there is a considerable amount of chromatic aberration which Lr does a pretty good job of ... MoreI recently bought this lens to improve my portrait shooting. For the price, this is probably one of the best (full-frame too) lenses that you can buy. I'm sad I didn't buy this sooner. Obviously, you can't use this for everything, but it does work really well. It is a plastic construction, but It does not feel like it is going to break. As sharp as you would expect from a Nikkor lens. I love that it comes with a hood. It's really nice. As you might have read if you were looking into this lens, having a prime does make you consider your composition more which will improve your skills. Now talking about more picky things. At that wide-open f/1.8, it is not quite tack sharp and there is a considerable amount of chromatic aberration which Lr does a pretty good job of cleaning up. I noticed when shooting at f/2.2 or 2.8, this was significantly better and noticeably sharper. I will attach two comparison pictures to this review. The darker of the two is f/2.8 and the lighter is 1.8. So if you are looking for tack sharp photos with still a decent amount of bokeh, I would fully recommend using this lens and shooting at f/2.5 or 2.8. Overall, wonderful value and could not recommend more for anyone shooting anything.
This is a nice light-weight inexpensive little lens. Overlooking that it's made in China, it focuses quickly, accurately and quietly on my D7500 DX DSLR camera body, on which it offers a 75mm equivalent short telephoto focal length, making it an ideal portrait lens. Mechanically, it doesn't feel as solid or high quality as my Nikon Nikkor 50mm f/1.4 D AF lens, but optically it is superior (which is why I purchased it). Nice bokeh and good center sharpness wide open at f/1.8. Great edge-to-edge sharpness stopped down to f/2.8 and beyond, through f/11. It makes nice sun stars at f/16, with minimal ghosting. It does have some barrel distortion if I don't turn on my D7500's distortion correction, the same goes for corner vignetting (at the largest apertures), but none ... MoreThis is a nice light-weight inexpensive little lens. Overlooking that it's made in China, it focuses quickly, accurately and quietly on my D7500 DX DSLR camera body, on which it offers a 75mm equivalent short telephoto focal length, making it an ideal portrait lens. Mechanically, it doesn't feel as solid or high quality as my Nikon Nikkor 50mm f/1.4 D AF lens, but optically it is superior (which is why I purchased it). Nice bokeh and good center sharpness wide open at f/1.8. Great edge-to-edge sharpness stopped down to f/2.8 and beyond, through f/11. It makes nice sun stars at f/16, with minimal ghosting. It does have some barrel distortion if I don't turn on my D7500's distortion correction, the same goes for corner vignetting (at the largest apertures), but none if distortion and vignetting corrections are turned on in-camera (for JPEG files). This G lens offers great image quality, clarity, color, and contrast above and beyond my older Nikon Nikkor 50mm f/1.4 D AF lens.I purchased mine, used, for $120. It came in excellent condition, with both front and back Nikon lens caps, and the 58mm Nikon lens hood. This lens represents an all-around great purchase, IMHO.Good things! 👍
I’ve only used once and haven’t had the chance to edit these photos but they’ve turned out amazing. I was skeptical to use the lens for my whole photoshoot but I’m SO glad I tried it out for the entire time. I got quickly acquainted and I will be using this lens for every single shoot from now on. I love it. And 1/2 the price of a new one on Amazon…could have asked for a better deal!
I bought the 50 1.8D with my first digital camera in 2005. Now my son has it and I’m buying another. The 1.8G is a little better wide open, but my sample had crazy focus shift. This 50 1.8D basically had none. On my D700 it was spot on witth -1 AFfine-tuning.Used on these cameras with great results; D70, D2x, D300, D700, D7100, D500.Just keep your fingers off the focus ring when in AF.
I received a new 501.8D over a week ago and I’m loving it! Having given my original copy of 18 years to my son, I had to replace it. Unlike af-s lenses, screw drive lenses are supremely reliable.This lens holds its own against all other Nikon F mount 50mm lenses in sharpness and distortion levels (I’ve had ALL of them). For Z mount the 50 1.8 S is king. The 50mm fov is very useful on crop and full frame alike and renders a perspective that is normal to what we see. Great for people pictures, indoors and out.
| Mount Type | Nikon F-Bayonet |
| Focal Length | 50mm |
| Maximum Aperture | F/1.8 |
| Minimum Aperture | F/16 |
| Maximum Reproduction Ratio | 0.15x |