Last updated at 07/22/2024 22:09:09
| Format/Binding | Hardcover |
| Place of Publication | London |
| Date Published | 1980 |
| Format/Binding | Hardcover |
| Place of Publication | London |
| Date Published | 1980 |
The tales of Ratty, Mole, Badger and Toad. When Mole goes boating with the Water Rat instead of spring-cleaning, he discovers a new world. As well as the river and the Wild Wood, there is Toad’s craze for fast travel which leads him and his friends on a whirl of trains, barges, gipsy caravans and motor cars and even into battle. Reviews Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix’s style has been called “detailed impressionism,” and the limpid watercolors of his lavish adaptation give that “Somewhere Else” quality to the classic story—2008 is the 100th anniversary of Graham’s novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact—and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix’s lush art as it deserves. For all ages.—M.C. Copyright 2008 Reed Business Information.
The tales of Ratty, Mole, Badger and Toad. When Mole goes boating with the Water Rat instead of spring-cleaning, he discovers a new world. As well as the river and the Wild Wood, there is Toad’s craze for fast travel which leads him and his friends on a whirl of trains, barges, gipsy caravans and motor cars and even into battle. Reviews Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix’s style has been called “detailed impressionism,” and the limpid watercolors of his lavish adaptation give that “Somewhere Else” quality to the classic story—2008 is the 100th anniversary of Graham’s novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact—and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix’s lush art as it deserves. For all ages.—M.C. Copyright 2008 Reed Business Information.
The tales of Ratty, Mole, Badger and Toad. When Mole goes boating with the Water Rat instead of spring-cleaning, he discovers a new world. As well as the river and the Wild Wood, there is Toad’s craze for fast travel which leads him and his friends on a whirl of trains, barges, gipsy caravans and motor cars and even into battle. Reviews Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix’s style has been called “detailed impressionism,” and the limpid watercolors of his lavish adaptation give that “Somewhere Else” quality to the classic story—2008 is the 100th anniversary of Graham’s novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact—and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix’s lush art as it deserves. For all ages.—M.C. Copyright 2008 Reed Business Information.
The tales of Ratty, Mole, Badger and Toad. When Mole goes boating with the Water Rat instead of spring-cleaning, he discovers a new world. As well as the river and the Wild Wood, there is Toad’s craze for fast travel which leads him and his friends on a whirl of trains, barges, gipsy caravans and motor cars and even into battle. Reviews Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix’s style has been called “detailed impressionism,” and the limpid watercolors of his lavish adaptation give that “Somewhere Else” quality to the classic story—2008 is the 100th anniversary of Graham’s novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact—and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix’s lush art as it deserves. For all ages.—M.C. Copyright 2008 Reed Business Information.
